While we box up our flickering, ever-tangled holiday lights, compartmentalize them with our fading democracy, shove them into insanity’s dusty attic beside our president’s latest lawless actions streaming 24/7, we also attempt to climb above and beyond accumulating ominous clouds, by feeding old-year bread to new-year geese, by examining each piece of life’s puzzle with bleary-but-thoughtful eyes, by loving ourselves, each other, and all animals, by emulating kind lives under fleeting desert candlelight, by resuming our daily quest for survivorship and unflappable wisdom, even as every institution, every once-reliable media conglomerate or teetering motherboard (like the dying one on Tom’s old phone) signals the end is near and must be replaced. So, we replace it. We move on. We give thanks. We cherish every labor of love and every hidden oasis. We welcome every petite, heartful bouquet. We marvel at one rare, exquisite, night-blooming cereus, paint-plus-provenance. It is the perfect gift on canvas from a dear friend.
The downstream darkness of January is real, but in our upstream hearts, in the serenity of nature (and now framed in splendor on our living room wall thanks to Dougal) there is a profound, constant, but private reminder: there is always beauty and hope, even when there is darkness.
Back in the early 1960s, Mom plucked two mounds of dough out of our Philco refrigerator.
She plopped them on the kitchen counter to let them soften and warm to room temperature, then pulled her rolling pin out of the cupboard.
Diane and I took our places on either side of her, holding our primitive cookie cutters. Grey. Flimsy. Metal.
One was a simple star. The second, a classic Christmas tree. The third, a basic bell. The fourth, a reindeer in flight. The last one, a profile of Santa Claus carrying a pack of toys.
Further down the counter, two slightly bent cookie sheets waited, along with green and red sugar sprinkles we would soon shake above our freshly formed Christmas cookies.
But, in this gauzy 60s slice of life featuring baking, rolling out the dough had to come first.
Mom reached into her container of flour and tossed a handful on the counter. Then, dusted the wooden roller with the remains.
She leaned in with the rolling pin and pressed the dough. Back and forth with equal measures of love. The surface expanded with our hearts and imagination.
We took turns dipping the cutters into the flour, creating our shapes in the dough.
Then, we lifted them carefully with a spatula onto the cookie sheets, added the sprinkles, and slid them into the oven for eight to ten minutes.
While the first batch of cookies baked, Mom gathered the bits of dough that remained. She created a smaller ball and flattened it out with the roller. Together, we repeated the process.
It was 1961. I was four years old. Diane was seven. We felt loved, safe in the presence of our mother.
***
Earlier this week, I found one green Christmas cookie cutter in our kitchen drawer here in Arizona. It was a gift from our friend Jillian a few years ago, but I hadn’t made sugar cookies from scratch since those early days in suburban St. Louis with my long-gone mother.
Tom and I bought a wooden rolling pin, and I found an easy sugar cookie recipe online. I assembled the ingredients to make the dough: butter, sugar, flour, one egg, a teaspoon of vanilla extract, and a dash of salt.
I mixed it all together and let the dough settle in two large discs in the fridge overnight.
On Monday, I rolled out the dough, cut the cookies, and topped my Christmas trees with green and rainbow-colored sprinkles. Then, I slid several trays of cookies into the oven to bake.
Why this year? I don’t really know, except to say it’s been an awful period in our country even though I’m a survivor and somehow have reached new creative heights in my personal life in 2025: several memoir-writing workshops, two joyful holiday concerts, and another book.
And, of course, I still miss my mother. She’s been gone since January 2013, but the grief reappears with the holidays. I suppose I needed to feel her presence again.
I needed to rescue my past Christmas-cookie-cutting memory with Mom. To keep that sweet, simple goodness alive in the stillness of my kitchen. To shepherd it into my present Arizona life with Tom and breathe new life into that tradition.
In the mid 1970s–when I controlled the levers as a rollercoaster operator at Six Flags near St. Louis on many summer days–I witnessed enthusiasm, exhilaration, and glee. That spirit of adventure and anticipation appeared on the faces of patrons as they boarded the River King Mine Train.
Inevitably, when the ride ended and they returned to the station–after the sparkle of the final plunge when they threw their hands in the air–passengers stepped out from behind the restraining bar, dusted themselves off, and walked away in search of the next wild ride.
The process of performing in a show is much the same. You feel the anticipation, the butterflies swirling in your gut as you take the stage.
The curtain comes up. You sing your first song. Then, the second, and so on. Time speeds up. The audience raves. Adrenalin races through your arteries.
Before you know it, you’re taking a bow. The curtain drops. The show is over. Sadness creeps in. The sparkle becomes a beloved, fleeting chord that echoes in your memory.
***
In my sixteen consecutive years as a performer–most recently singing with the Phoenix Gay Men’s Chorus for the past nine years–this “Let Your Spirit Sparkle” performance was the grandest.
Nearly 2,500 attended our two shows inside the magnificent Orpheum Theatre. In the thirty-five-year-history of the Phoenix Gay Men’s Chorus, our audience for our Sunday, December 14, show was the largest.
I attribute that to a confluence of factors. Certainly, the high-profile venue was a plus. Also, the size of our chorus has increased dramatically. More than 130 took the stage last weekend. More members means more friends and family in attendance.
Beyond that, I also felt an out-pouring of love from the audience. In a world of frightfully bad news, they found their way to a safe haven of stirring profound music, phenomenal choreography, unbridled laughter, punctuated with six inspiring stories.
Near the end of the show, I had the honor of telling one of those stories … a testimonial to the open, upbeat, unapologetic community all of us in the Phoenix Gay Men’s Chorus have created.
Of course, I feel the dip, the letdown, now. But the sparkling light of our singing community will continue to burn bright until our spring concert in mid-March in Phoenix.
For now, I pause, rest, reflect, and relish the golden musical moments that reverberated at the Orpheum Theatre on December 13 and 14, 2025 … the sparkle we shared.
Photo of the Phoenix Gay Men’s Chorus performing at the Orpheum Theatre on December 13, 2025, captured by Carolyn Bettes.
This weekend–Saturday and Sunday, December 13 and 14–I will sing from this stage at the historic Orpheum Theatre in Phoenix with my mates in the Phoenix Gay Men’s Chorus.
Not in the ordinary orange sweatshirt and pale blue jeans I wore a few weeks ago when husband Tom, friend Glenn, and I toured this dazzling, ninety-six-year-old, beautifully restored performing palace.
Instead, I will stand proudly in my sparkly blue vest (over black shirt and trousers) for our “Let Your Spirit Sparkle” holiday show.
More than 130 of us chorus members will gaze from the stage into the audience with this spectacular view before us.
We’ve sold about 1,500 tickets … and expect to sell another 500 by Saturday. Friends, family, allies, and acquaintances–all music lovers–will hear and see us perform Saturday at 7 p.m. or Sunday at 2 p.m.
Our concert will feature a sparkling set of holiday songs and dance, sprinkled with heartfelt, fun, personal stories that will shine a light on six meaningful moments in the lives we lead.
This is my sixteenth consecutive year performing in holiday concerts: seven with the Windy City Gay Chorus in Chicago; nine here with the Phoenix Gay Men’s Chorus.
Each show has its own sparkle. The music, the laughter, the friendships that keep deepening over time.
We will surely shimmer in our sexy, sparkly vests. But what really glitters is underneath. The love, the respect, the community we’ve built together.
If you live in the Valley of the Sun, come see one of our inspiring shows. Just go to http://www.phxgmc.org/concerts for ticketing information.
You’ll be glad you did. Because with every rehearsal, every concert, every note, we’re adding another light to create something bigger than ourselves.
At the Orpheum Theatre or anywhere, that’s what community sounds like.
As a one-man-book-writing-and-selling band, I find myself switching hats from creative storyteller to active listener to self-promoter on a daily basis.
Today, in the waning moments of November, self-promotion is taking precedence. After all, if I don’t believe in the viability of my storytelling capability, who will?
Happily, I’ve begun to receive early reviews of my latest book, Sixty-Something Days … posted online, sent via text, and offered enthusiastically in person.
Feedback in any form is better than silence. But it is especially meaningful when it is specific … when it is unsolicited … when it is affirming.
As this Thanksgiving weekend winds down, I give thanks for these three readers who–in recent days–took time out of their busy lives to tell me what they think of Sixty-Something Days.
***
J wrote the following review on Amazon … “I thoroughly enjoyed this book. The author, Mark Johnson, shares with us his intimate life story of personal growth, overcoming challenges, and being true to those around him, and most importantly, to himself, even under difficult circumstances. Told in the style of a memoir, with essays, poems, and fiction, Sixty-Something Days, shows us all what it takes to be better friends and spouses, members of our communities, and citizens. This world would be a better place if we were all more like Mark Johnson. Highly recommended.”
N sent me this message via text … Good morning! I am just sitting down to read your Sixty-Something Days, and the first pages have me feeling happy! Sixty-five Thoughts (the name of one of the early essays) are right on and I will share some of them as I move thru life. Thanks for writing this book and I look forward to reading the rest!
D greeted me in person with a smile at a recent event … “I have to tell you I’m just loving your book. The stories are brief but meaningful. Strung together, they produce something much greater. I’m about to begin 2025 (the book is organized by years) and I don’t want your book to end!”
***
Perhaps I have sufficiently enticed you to read my latest book. If so, click the link below.
My husband is an excellent cook. He prepares our dinners with love and panache. I am more the pancake-and-egg guy in our relationship. Breakfasts are my thing.
Occasionally, we switch things up. Today is one of those days.
Our friend Jeremy has invited us to his Thanksgiving potluck this evening … a low-key gathering with friends and a few in his family.
Yesterday, I decided I would make a pot of chicken chili for Jeremy’s Friendsgiving today. It is simmering in our slow cooker as I write this. It’s a delicious, easy, non-traditional dish.
I haven’t made it in years, but the timing is right. The weather is cooler. I want to prepare something meaningful to share with our friend, who is managing his way on the road of life through a monumental year of personal growth mixed with significant detours and setbacks.
As background, Jeremy came out to his friends, family, and the world a little over a year ago. He and his wife are no longer a couple, but they continue to be loving parents to all five of their children. It’s impressive that even during this period of uncertainty they have maintained a respectful relationship.
I know fatherhood is important to Jeremy. He loves and supports his children. I remember how difficult it was for me to balance my fatherhood, demanding career, and “gay awakening” thirty years ago. I suspect it is the same in this moment for Jeremy.
All of this leads me back to this recipe for chicken chili. In the early 1990s, after Jean and I divorced, I felt broken–broke, too–and I existed in a fog, especially in the colder months.
My sons spent half their time with me in my tiny apartment. I needed to find inexpensive, flavorful dishes, which I could prepare for dinner for Nick, Kirk, and me. To feed and nourish us. To keep us close.
This chicken chili recipe is one I made frequently thirty years ago. Not so much lately. But it makes perfect sense to resurrect it today. To bridge the past of balancing my gay identity and single fatherhood with the present of Jeremy’s.
So, I am making chicken chili now for about a dozen (Jeremy’s supportive friends and a few of his children) who will gather on a coolish and likely rainy Saturday evening in the desert.
Together we will give thanks for friendships … the potluck of life that nourishes us and allows us to learn and grow during good times and bad.
The trails of life have always intrigued me. This one rises and falls along the eastern edge of the Desert Botanical Garden near my home.
In the eight-plus years I’ve lived in Arizona, I imagine I have frequented this trail of mesquite trees and Palo Verdes hundreds of times on hot, warm and coolish days with my husband and friends–and on my own.
Today, while Tom headed to the gym, I walked it alone. Slowly. It gave me much-needed time to heal from fever and congestion that knocked me for a loop for thirty-six hours.
But today my temperature is normal. I’m feeling much better. It’s a sunny seventy-three-degree morning in Scottsdale, Arizona.
Walking this trail of life, I had a few minutes to reflect on the joy of completing another book … the afterglow of releasing Sixty-Something Days into the world.
Already a few readers have sent me notes telling me how much they are enjoying the book and how much it is resonating with them.
Receiving these messages of encouragement never gets old. Along the trails of life, we all need encouragement, support, and validation.
This is a momentous day for me. My sixth book just went live on Amazon.
Sixty-Something Days is the story of my post-65 quest to stay relevant creatively. It is a collection of my best essays, poems, and short fiction from 2022 to 2025.
The book is an artistic tapestry of my writing, singing, teaching, learning, growing, and surviving journey … with family and chosen family … connecting one leg of my life (my midwestern past) with another (my western present) during this period of tremendous upheaval in our country.
In my heart, I know this book will resonate with many of you–my loyal followers–who like me continue to strive to nurture and protect the artists, educators, animals and nature, and diverse disenfranchised people in our communities.
I hope you’ll take a few minutes to click the link below and be among the first to buy a copy. Thank you for your support of my creative pursuits!
In the late 1970s, I interviewed my father’s older sister, Aunt Thelma, for a college folklore project. Sitting across the table from me in her suburban north St. Louis kitchen, she waxed on about her philosophy of life.
“Honey, we’re all just ships passing in the night,” Thelma offered with a faraway look in her eyes. “We have to make the most of the time we have together.”
My beloved, charismatic, animal-loving aunt has been gone for twenty-six years. I miss her, but I don’t think about her often. However, she is on my mind this week.
Not because she died in October 1999. Instead, it is the wisdom of her words that apply to a recent development in my life.
Poly–the gray-and-white stray cat I’ve written about frequently–has disappeared. She’s been gone for about a month. None of our neighbors have seen her recently either.
It’s possible that she has become someone’s indoor cat, but I doubt she would stand for that. She is/was a free spirit.
Instead, I fear she may be a casualty of a series of monsoon storms that swept through the Phoenix area in late September and early October. Or, perhaps, a random coyote nabbed her.
I miss our morning moments together … seeing her curled on the blue cushion of one of our wicker chairs beneath our kitchen window.
I miss watching her twirling acrobatics on our sidewalk, hearing her frantic meows as Tom or I opened another can of Sheba sustainable tuna and spooned it into a chipped ramakin for her to devour on our kitchen floor.
If Poly is gone permanently, she certainly added a playful, natural dimension of love to our Polynesian Paradise community, since early May 2021 when I first spotted her peering down at me from a neighbor’s roof.
If you follow my blog, you know Poly inspired a litany of cat tales that appeared here. They are warm and silly Arizona chapters I never would have imagined writing a decade ago.
It is ironic that Poly vanished about the time I completed the manuscript for my latest book, Sixty-Something Days, which is now in the final stages of production. I will publish it sometime in November.
The good news is several stories of my feral friend appear prominently in the book. The time we spent together, like two ships passing in the night, will have a literary life, because she has added an unexpected dimension to my Arizona sunset years.
Now–on this bewitching Friday as my book follows Poly’s example and prepares to set sail–that unlikely bond between two men and a lovable, mysterious feline character will exist on the pages for anyone who cares to read about it.
Treats come in all sizes and shapes. Chocolate is always welcome, but typically not as intimate or lasting as positive human interaction.
***
Yesterday I completed another memoir writing workshop at the Scottsdale Public Library. It was the fourth such workshop I’ve led over the past twelve months.
I love facilitating these sessions, because it’s a personal way for me to encourage other writers to nurture their creative ideas and momentum.
This one at Mustang Library included twelve writers–nine women and three men–who wrote and shared their extraordinary, humorous, heartful slice-of-life adventures across the table from one another.
During week one of the three-week workshop, I learned a little about each participant. We spent time building trust. As we began to get comfortable as a group, I assured them that the room we occupy is a safe space for sharing their personal experiences through their writing.
By weeks two and three, we developed an esprit de corps. They sent their stories to me in advance. I offered my encouragement and constructive feedback in person in the following session.
Inevitably, there were contemplative moments and a few tears were shed by one writer on Friday.
As she read her story aloud (a touching, nostalgic reminiscence of watching the joy on her mother’s face as she skated across the ice in the 1960s free of her typical parental responsibilities) the flood gates opened suddenly.
I and everyone in the room verbalized their support for this writer. I also offered her a tissue and a pat on the shoulder.
That was just one of a dozen or more seminal moments shared over a three-week period on Friday afternoons.
In a world otherwise ruled by chaos, we were a community of writers banding together, gliding freely above the fray across the ice of our literary pursuits.
***
This morning, I opened my email to discover this early Halloween treat from a creative husband-and-wife team, who participated in the workshop.
“We enjoyed your memoir class so much; due in large part to your enthusiasm, experience and energy! The content was high quality, and the tone you set of trust was palpable… there is no substitute for that among budding creatives. Thank you so much for your time and care; we’ll hope to cross paths in the new year!”
I don’t expect a ringing endorsement for volunteering my time. But I always appreciate feedback whenever it involves helping other writers find their voices inside the secure walls of a library.
It encourages me to keep giving and confirms my suspicion that I have found a meaningful way to make a true difference in the lives of others.
Mark Johnson Stories 