Vivid Skies, Vivid Lives

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In mid-February, fourteen gathered around a long, rectangular table with me.

Now, as sunset approaches on this “Writer in Residence” version of my memoir-writing workshop, the group has winnowed to a tenacious, courageous ten. Eight women and two men intent upon writing and sharing stories from their vivid lives.

In less than three weeks, this talented group has bonded over personal stories of deep reflection, relationships, transformation, and wonder. These are a collection of some of the images and settings I will remember from the pages of our storied moments together:

Recalling the lingering, indelible scent of a father’s shaving creme permeating a modest 1960’s back bathroom;

Uprooting a life to care for an aging parent only to discover new love and an unanticipated chapter in an unlikely land;

Finding the energy and conviction to finish that marathon that no one in her family thought she would complete decades ago;

Channeling every ounce of strength to leave an abusive relationship and find much-needed support;

Recounting an early-in-life adventure to Los Angeles to fulfill a California dream;

Forgiving a gang of grackles for their messy transgressions;

Revisiting and releasing decades of shame and blame for the loss of a cow and calf in the barn of one’s rural past;

Celebrating the sacred space of freedom and unbridled joy forged inside a first car; and

Trudging along a circuitous trail to discover a meadow of brilliant fireflies dancing on the crest of a hill.

My role has been to provide tools, encouragement, and a safe place for these and other creative odysseys to emerge, land on the page, gain traction, and marry with the proud and animated vocal cords of these ten inspiring individuals.

On March 6, the sun sets on our journey together. Before we depart, I will encourage my newest friends to keep writing.

Together, we also will give thanks for the creative talent that lies within each of us … and the collective magic we manufactured on three consecutive Fridays in an otherwise ordinary Civic Center conference room on the first floor of a remarkable community space: the Scottsdale Public Library.

Fourteen and Me

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This is not a story about some knock-off DNA test that will help you discover your ancestral roots.

Instead, it is a story with no definite answers. A story that will unfold with memories, ideas, thoughts, feelings, words, and sentences. All to be generated by fourteen writers–eleven women and three men–who have joined me (Writer in Residence in February and March) on a three-week memoir-writing odyssey at the Scottsdale Public Library.

Our journey together began February 20 in the SHC program room, in a wing of the Civic Center Libary devoted to Scottsdale history. Who knows, maybe some literary history is about to be made there.

We spent our first thirty minutes learning about each other. The youngest of our cohort is in her early twenties. The oldest beyond ninety. They and the other twelve (mostly in their fifties and sixties) told me in a few sentences why they were drawn to the workshop.

Some have been writing for years. They are fine-tuning their craft. Others are new and perhaps a little intimidated about the idea of sharing their writing with a group of strangers. But with time they will learn the benefit of bringing voice to the words they will assemble on a page.

From my previous workshops, I have learned that leading a memoir-writing session is deeply personal. So, in our first meeting, I worked to create a trusting, respectful space and asked that they also commit to that. It is essential, because when people tell their stories it is often raw and revealing.

After we settled in, we began writing. I gave the group this prompt: “My most vivid or meaningful February memory is …….”

After fifteen quiet minutes of pens scribbling across paper, eight of the fourteen offered to share what they wrote. I will honor our verbal confidentiality agreement and not share the content here but suffice it to say that an array of diverse stories came from that one prompt.

At the end of that exercise, I told them we had just illustrated that–like each of them–their memories, stories, voices are unique. What they have experienced in their lives is worthy of writing and sharing.

In fact, we–as writers–have a responsibility to do so. Especially now in a country brimming with external pressures designed to constrain a myriad of human thoughts, feelings, and ideas.

The group has an assignment this week: to write one-to-two manuscript pages that paint a picture of a setting–a place replete with vivid memories for them personally.

To help prime the creative pump, I read this passage to them from my third book, An Unobstructed View.

***

In June 1980, I left my parents’ home in the rolling suburbs of St. Louis, Missouri, to launch my career and create my own life in the relative flatness of northern Illinois. Jimmy Carter’s stay in the White House was winding down, but my hopes were high and trending up, and so would the volume of my days and nights in the Chicago area.

Unlike the state’s long and slender physical shape, I didn’t know my Illinois roots would ever extend far and wide. I couldn’t imagine I would live and work in the Chicago area for the next thirty-seven years–that I would occupy Illinois, and it would inhabit me for the most significant portion of my life.

Yet I would marry; divorce; raise two sons; change jobs multiple times; build a lucrative career; bury both of my parents; find my way out of the closet; live openly as a gay man; discover love again; marry a second time; retire from corporate life; begin a second career as an author; and say goodbye to my Cook County neighbors, family, and friends just a few days shy of my sixtieth birthday for a new adventure and warmer climes in the desert southwest.

All of it happened while I was living in the Land of Lincoln.

***

The room was quiet as I read. Compassion danced across their faces.

I can’t wait to listen to these fourteen writers tell their stories and help shape their literary journeys.

That will happen over the next two Fridays.

Red Roses and Pink Orchids

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Red roses and pink orchids

Adorn our living room today.

It is a day to celebrate love.

Romantic love is the headliner.

I am thankful for my husband,

Our love, our mutual understanding.

We have been together nearly thirty years.

We were able to marry in 2014

On a bright September afternoon.

We continue to grow and love together.

We nurture each other’s passions.

We provide a warm haven

For each other as we age.

But love exists in many shapes and sizes.

Devoted friendship.

Brotherly and sisterly love.

Parental love. Neighborly love.

Love of nature and animals.

Love for the good of all humanity.

These forms of love are just as important.

We all need to feel loved to flourish,

To live with dignity. To survive.

Not just on Valentine’s Day. Every day.

Certainly, there is love in our country.

But the malignancy of hate abounds.

Endless, unbridled love is the antidote.

When love coalesces with truth and justice,

We will reemerge from the darkness,

Holding an abundance of red roses and pink orchids.

The Alcove

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This week, I began my two-month writer-in-residence stint at the Scottsdale Public Library.

This magnificent moment never appeared on my personal viewfinder when I stepped away from my communication consulting career twelve years ago. (I was mired in grief after my mother’s death.) But maybe it should have.

I had spent thirty-four years writing for small, medium, and large-sized companies. Helping them tell their stories. So, I had spent a good deal of time honing my writing craft. But it was never personal.

Finally, in February 2014, I began to tell my stories. That led to my first book, From Fertile Ground.

It is a memoir, which I published in 2016. Now, five books and a decade later, I’m coaching aspiring writers, sharing what I have learned along the way.

On Monday afternoons in February and March, I’ll be meeting one-on-one here in The Alcove, a triangular-shaped office at the Scottsdale Public Library, with other storytellers.

(I also will lead a three-part, memoir-writing workshop for a group of sixteen writers in February and March in a space around the corner from The Alcove.)

It will be my pleasure–my honor really–to help guide young and old participants on their creative journeys. No doubt, I will learn a few important things from them, too.

More than anything, if I can help others by unlocking or fine-tuning their writing prowess and passion, then I will have done my job.

We must continue to record and share our personal truths, our fears, our dreams, our memories with others without fear of repercussions.

I believe that is especially significant at this moment in American history.

Inside The Alcove or outside in the everyday world, let’s all vow to keep writing in 2026.

Because art–and that certainly includes good writing– informs, engages, entertains, inspires, and spurs the heart, mind, and spirit. It helps us develop greater compassion for one another and reach new heights.

I believe we can do all that and more by telling our stories.

Later Than Ever

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As dusk descends, confused trees whisper,

“How did it become later than ever?”

They pause and ache for lingering leaves,

Heroic January lives that fell too soon,

Brilliant ones yet to fade and fall,

On unforgiving February concrete,

Certain militant Marches,

Angry Aprils, unimaginable Mays,

To come and go without reason.

They stand and wonder when and if,

More sensible seasons, brighter days,

Truer hearts, freer minds,

Will return and reign supreme.

Thirteen

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It is inevitable that we will lose some of those we love along life’s journey. But all is not lost.

When seminal I’ll-Be-Seeing-You moments, birthdays, anniversaries, songs reappear, we can’t help but acknowledge them.

Over the years, I have chosen to pay tribute to those I love in my memoirs in significant ways. None more than my mother.

These three sentences appear in my first book, From Fertile Ground, which I wrote and published in 2016.

“She died in the wees hours of January 26, 2013, at age eighty-nine and a half. The air was arctic cold and the moon was full. Every time I see a full moon now or experience the change in seasons, I’m reminded of my mother’s undaunted spirit.”

On this — the thirteenth anniversary of her passing — I pause.

I give thanks for Helen Matilda Ferrell Johnson.

I remember her unconditional love, her letters, her wisdom, her level-headedness, her resiliency, her love of nature.

And I do my best to carry on.

I keep writing.

Eight Years and Four Books Ago

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Eight years and four books ago, it was January 20, 2018.

I hawked my first two books–From Fertile Ground and Tales of a Rollercoaster Operator–in the vestibule of the Civic Center location of the Scottsdale Public Library with dozens of other Arizona writers at a popular local author book fair.

It was a fun, exhilarating Saturday. I greeted book lovers, exchanged ideas with other creative writers, and even sold a half dozen books.

When Covid came along two years later, right after the February 2020 local author event, library management decided to nix the annual gathering permanently.

It was one of many personal losses in a world where we were all forced to retreat to save ourselves. We had to discover new ways (thank you, technology) of being together without really being together.

I can tell you this. I wasn’t sure Tom and I would survive the Covid ordeal. But, like you, we did … with the help of in-home creative strategies and life-saving vaccines.

I certainly didn’t imagine I would write and publish four more books between 2018 and 2026. But that happened, too.

Isn’t it remarkable, how life has a way of sending us a mix of ominous clouds and sunny skies? Often, we don’t know which will appear next on the horizon. Or in what form.

Case in point. Even now as the walls of democracy feel as if they are caving in upon us in the United States, the Scottsdale Public Library has asked me to be a Writer in Residence in February and March at the same location depicted in this photo.

Eight years ago, I didn’t have this moment on my Bingo card or expect it would become a new chapter in my life journey. But it will. My role will include two components:

I have developed and will lead a 2.0 version of my Memoir-Writing Workshop (which I facilitated four times in 2024 and 2025) on three consecutive Friday afternoons: February 20, February 27, and March 6. Up to sixteen writers will participate.

If you live in the area, you can register here https://calendar.scottsdalelibrary.org/scottsdaleaz_library/260120702?utm_source=bewith&utm_medium=calendar.

Separate from the workshop, I also will offer thirty-minute, one-on-one writing coaching sessions between 1 and 2 p.m. on Mondays in February and March (in an office near the workshop location).

This will give folks who aren’t able to make the workshop a chance to receive feedback on their writing. (The library is creating a process to register for the individual sessions in advance. I will ask writers to bring just a page or two of their writing to make the experience productive and manageable.)

At any rate, I am thrilled and honored to be a Writer in Residence at the Scottsdale Public Library. It is a creative haven I have come to love in the eight and a half years Tom and I have lived in Arizona … where my movie-loving husband has created quite a following with every one of his film series.

The next one (Movies That Matter: Hollywood Families 1970-1996) begins next Monday at 3 p.m. Tom will lead film discussions and screenings, beginning with a cultural primer on the American family on January 26. Then, for the following eight Monday afternoons, he will show these fabulous eight films: Moonstruck, I Never Sang for My Father, Breaking Away, Kramer vs. Kramer, Ordinary People, Terms of Endearment, The World According to Garp, and The Birdcage.

Hopefully, this story is giving you the impetus to rediscover the programs offered at your local library … no matter where you live.

Happy reading, writing, and viewing!

Downstream and Upstream

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While we box up our flickering, ever-tangled holiday lights, compartmentalize them with our fading democracy, shove them into insanity’s dusty attic beside our president’s latest lawless actions streaming 24/7, we also attempt to climb above and beyond accumulating ominous clouds, by feeding old-year bread to new-year geese, by examining each piece of life’s puzzle with bleary-but-thoughtful eyes, by loving ourselves, each other, and all animals, by emulating kind lives under fleeting desert candlelight, by resuming our daily quest for survivorship and unflappable wisdom, even as every institution, every once-reliable media conglomerate or teetering motherboard (like the dying one on Tom’s old phone) signals the end is near and must be replaced. So, we replace it. We move on. We give thanks. We cherish every labor of love and every hidden oasis. We welcome every petite, heartful bouquet. We marvel at one rare, exquisite, night-blooming cereus, paint-plus-provenance. It is the perfect gift on canvas from a dear friend.

The downstream darkness of January is real, but in our upstream hearts, in the serenity of nature (and now framed in splendor on our living room wall thanks to Dougal) there is a profound, constant, but private reminder: there is always beauty and hope, even when there is darkness.

Rolling Out the Dough

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Back in the early 1960s, Mom plucked two mounds of dough out of our Philco refrigerator.

She plopped them on the kitchen counter to let them soften and warm to room temperature, then pulled her rolling pin out of the cupboard.

Diane and I took our places on either side of her, holding our primitive cookie cutters. Grey. Flimsy. Metal.

One was a simple star. The second, a classic Christmas tree. The third, a basic bell. The fourth, a reindeer in flight. The last one, a profile of Santa Claus carrying a pack of toys.

Further down the counter, two slightly bent cookie sheets waited, along with green and red sugar sprinkles we would soon shake above our freshly formed Christmas cookies.

But, in this gauzy 60s slice of life featuring baking, rolling out the dough had to come first.

Mom reached into her container of flour and tossed a handful on the counter. Then, dusted the wooden roller with the remains.

She leaned in with the rolling pin and pressed the dough. Back and forth with equal measures of love. The surface expanded with our hearts and imagination.

We took turns dipping the cutters into the flour, creating our shapes in the dough.

Then, we lifted them carefully with a spatula onto the cookie sheets, added the sprinkles, and slid them into the oven for eight to ten minutes.

While the first batch of cookies baked, Mom gathered the bits of dough that remained. She created a smaller ball and flattened it out with the roller. Together, we repeated the process.

It was 1961. I was four years old. Diane was seven. We felt loved, safe in the presence of our mother.

***

Earlier this week, I found one green Christmas cookie cutter in our kitchen drawer here in Arizona. It was a gift from our friend Jillian a few years ago, but I hadn’t made sugar cookies from scratch since those early days in suburban St. Louis with my long-gone mother.

Tom and I bought a wooden rolling pin, and I found an easy sugar cookie recipe online. I assembled the ingredients to make the dough: butter, sugar, flour, one egg, a teaspoon of vanilla extract, and a dash of salt.

I mixed it all together and let the dough settle in two large discs in the fridge overnight.

On Monday, I rolled out the dough, cut the cookies, and topped my Christmas trees with green and rainbow-colored sprinkles. Then, I slid several trays of cookies into the oven to bake.

Why this year? I don’t really know, except to say it’s been an awful period in our country even though I’m a survivor and somehow have reached new creative heights in my personal life in 2025: several memoir-writing workshops, two joyful holiday concerts, and another book.

And, of course, I still miss my mother. She’s been gone since January 2013, but the grief reappears with the holidays. I suppose I needed to feel her presence again.

I needed to rescue my past Christmas-cookie-cutting memory with Mom. To keep that sweet, simple goodness alive in the stillness of my kitchen. To shepherd it into my present Arizona life with Tom and breathe new life into that tradition.

Merry Christmas, everyone.

After the Sparkle

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In the mid 1970s–when I controlled the levers as a rollercoaster operator at Six Flags near St. Louis on many summer days–I witnessed enthusiasm, exhilaration, and glee. That spirit of adventure and anticipation appeared on the faces of patrons as they boarded the River King Mine Train.

Inevitably, when the ride ended and they returned to the station–after the sparkle of the final plunge when they threw their hands in the air–passengers stepped out from behind the restraining bar, dusted themselves off, and walked away in search of the next wild ride.

The process of performing in a show is much the same. You feel the anticipation, the butterflies swirling in your gut as you take the stage.

The curtain comes up. You sing your first song. Then, the second, and so on. Time speeds up. The audience raves. Adrenalin races through your arteries.

Before you know it, you’re taking a bow. The curtain drops. The show is over. Sadness creeps in. The sparkle becomes a beloved, fleeting chord that echoes in your memory.

***

In my sixteen consecutive years as a performer–most recently singing with the Phoenix Gay Men’s Chorus for the past nine years–this “Let Your Spirit Sparkle” performance was the grandest.

Nearly 2,500 attended our two shows inside the magnificent Orpheum Theatre. In the thirty-five-year-history of the Phoenix Gay Men’s Chorus, our audience for our Sunday, December 14, show was the largest.

I attribute that to a confluence of factors. Certainly, the high-profile venue was a plus. Also, the size of our chorus has increased dramatically. More than 130 took the stage last weekend. More members means more friends and family in attendance.

Beyond that, I also felt an out-pouring of love from the audience. In a world of frightfully bad news, they found their way to a safe haven of stirring profound music, phenomenal choreography, unbridled laughter, punctuated with six inspiring stories.

Near the end of the show, I had the honor of telling one of those stories … a testimonial to the open, upbeat, unapologetic community all of us in the Phoenix Gay Men’s Chorus have created.

Of course, I feel the dip, the letdown, now. But the sparkling light of our singing community will continue to burn bright until our spring concert in mid-March in Phoenix.

For now, I pause, rest, reflect, and relish the golden musical moments that reverberated at the Orpheum Theatre on December 13 and 14, 2025 … the sparkle we shared.

Photo of the Phoenix Gay Men’s Chorus performing at the Orpheum Theatre on December 13, 2025, captured by Carolyn Bettes.