Author: Mark Johnson

Born in St. Louis, I graduated from the University of Missouri School of Journalism in 1979. In 1980, I moved to the Chicago area, where I began a successful, thirty-four-year career as a communication professional. In 2014, I retired from corporate life and began a new chapter as an author. I published my first book—From Fertile Ground: The Story of My Journey, My Grief, My Life—in 2016. It’s a three-generation writer’s mosaic that examines our desire to make sense of our heritage, find our own path, and leave our mark on the world. My second book—Tales of a Rollercoaster Operator—is a collection of twenty-six funny and poignant essays about my favorite twists and turns growing up in Missouri in the 1960s and 1970s. My third memoir, An Unobstructed View, was released in May 2018. It chronicles an ironic year of surprise and transformation when my life takes an unexpected detour and I discover my destiny on the way to a new destination. I now make my home in Scottsdale, Arizona.

This Bow’s for You, Tyler

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On the last day of the last year in a decade of euphoric highs and historic lows, I learned that Tyler passed away. Complications from cancer took my friend, who lit the stage with a wide and tender smile.

Five years ago, Tyler was my tenor-two singing comrade with Windy City Gay Chorus (WCGC). We stood in the light together and performed for two years in our tuxedos in Chicago … and on one other impromptu occasion at the GALA choral festival in July 2016 in Denver.

Even though he had moved to the Cincinnati area with his husband the year before, Tyler rejoined WCGC in the Rocky Mountains for our showstopper finale performance of I Love You More, the beautiful and haunting signature piece from Tyler’s Suite.

I remember hugging Tyler that day … welcoming him back on stage to sing the piece we had rehearsed, cherished and performed together the previous year. (Ironically, it’s a tribute to the life of another Tyler … Tyler Clementi … the Rutgers University student who jumped to his death from the George Washington Bridge in 2010 after his roommate used a webcam to capture him sharing an intimate kiss with another man.)

After our mile high performance with WCGC, I recall a darker day … perhaps two years ago … when my friend Tyler, about twenty years my junior, posted a message online saying he was battling cancer.

Over the next year or so, we traded messages two or three times. I followed his progress on his blog. Sent warm wishes from Arizona. Rooted him on as he faced his cancer treatments. But that musical moment in Denver … on July 6, 2016 … was the last time I would see him.

This morning I cried as I read the message Tyler’s husband posted online. Telling us Tyler had lost his battle with cancer on December 30, 2019.

Tyler is gone … but never forgotten. Bright. Engaging. Sweet. Handsome. Enthusiastic. Talented. Adventurous. Ever-optimistic. That’s the Tyler I’ll remember standing by me in Chicago and Denver.

This bow’s for you, Tyler.

 

 

 

 

Our Descent into 2020

Ladies and gentlemen, thank you for flying with me in 2019. We’ve begun our descent into 2020. Please turn off all electronic devices, stow your tray, and return your seat to its upright position. Be sure your seat belt is fastened tightly across your lap, because we may encounter turbulence in the new year.

In case of emergency, oxygen masks will drop down and lighting will illuminate the floor to guide you to the nearest exit. Remember, your seat cushion may be used as a flotation device in the event of a water landing.

As your faithful blogging pilot, I don’t have a clue what the next year or new decade will bring. But as a seasoned sixtyish storytelling survivor, in 2020 I will continue to write about the meaningful, magical and mundane moments. I imagine I will board my dusty desert time machine occasionally if you care to join me. Why? Because this is my blog and that’s what I do.

Before we land (safely, I hope) and deplane in 2020, I have a belated holiday gift waiting for you on Amazon. Until December 31, download a FREE Kindle copy of Tales of a Rollercoaster Operator.  It’s my book of twenty-six, up-and-down stories from my Missouri childhood. (If you decide to accept my gift and read it, please consider posting your review on Amazon or Goodreads.)

The final story, A New Year Resolution, fills me with hope and the warm possibilities of life. It’s a tribute to the citizenship of my mother and father, who did the right thing on a frosty St. Louis morning on January 1, 1962. I witnessed it through four-year-old eyes. Almost sixty years later, perhaps it’s also a good reminder that each of us has the power to help another human being in need.

Once again, thank you for visiting markjohnsonstories.com throughout the year. I know you have a choice of website destinations. I greatly appreciate all of my loyal followers, who have chosen to travel with me on life’s journey.

 

 

 

 

My Everlasting Christmas Wish

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In the darkest days of the final year of the aughts, Helen diminished like the decade’s December light. But from her cozy corner apartment at Brighton Gardens in Wheaton, Illinois, she and her prized African violets persevered. Collectively, they captured remaining rays through two windows. One faced west. The other north.

It was independent living of sorts for those like my mother, who had fallen physically or slipped mentally. Helen had done both. Her descent prompted my sister Diane and me to move Mom and her favorite belongings from her two-bedroom condo into smaller and safer quarters ten months before.

As Christmas 2009 drew near, I was befuddled. What could I give my nature-and-poetry-loving mother that she didn’t already have? My inner monologue told me to write something for her. To bridge the gap from my mid-sixties matinee memory of Mom, Diane and me seated side-by-side in a St. Louis theater. Hypnotized by Doctor Zhivago and scenes of Yuri at a desk penning poetry in the icy rural castle of Varykino.

Perhaps with a little inspiration from Boris Pasternak, I knew what to do. Far from the snow-covered majesty and drama of Russian landscapes and revolutions, I composed and framed a poem for Helen from the relative flatness of my Illinois home.

On Christmas Eve, Tom and I carried it with us to our family holiday. On December 24, it was our tradition to gather at my sister’s home, where she, brother-in-law Steve, Mom, Tom and I would savor thin-crust pizza and thick eggnog, devour delectable desserts, and listen to our favorite Christmas music.

As the evening progressed, we retired to the living room for the main event: our annual, round-robin gift exchange. As the unopened presents dwindled, I leaned down, plucked my gift from the pile, and handed it to Mom on the other side of the circle.

Seated in her wing-back chair, she paused and looked up at me before unwinding red tissue paper. Slowly Mom revealed the contents and examined the rectangular-shaped object. She mustered five words of amazement as she pulled the gift closer within the limitations of her macular degeneration:

“You wrote me a poem.”

During the last three years of her life, Helen propped the poem on a table near the door of her apartment. Across the room from the chair where she read, watched TV and eventually received breathing treatments to ease her congestive heart failure in her last days. I saw it there each time I left. I think it gave both of us comfort in her final days.

After she died on January 26, 2013, Diane and I divided her remaining possessions and re-potted cuttings of her African violets to place on the window sills of our respective homes. Naturally, I kept the poem. When I finalized From Fertile Ground (the story of my journey after Helen’s demise) in 2015, I found the right place to insert it in the book.

In 2017, the poem came with Tom and me as we made our way in our indigo Sonata on our westward odyssey. Today, it resides on top of a wooden file cabinet in our sun room near the back door of our Scottsdale home. It’s a place Helen never visited, but one she would have loved.

***

You Everlasting

You are the comfort of nature.

Eternally pressed.

The first magnolia petal of spring.

The last gingko leaf of autumn.

The determined orchid that flourishes.

The lingering annual that endures.

Perennial.

 

You are high and low tide.

Remarkably present.

The hidden, tranquil meadow.

The crackle and thump of fresh melon.

The dancing firefly,

In a warm Carolina sky.

The soulful howl of a January hound,

Waiting by the gate.

Undeniable.

 

You are the simplest wisdom.

Gracefully proud.

The tender touch of summer days,

That melt but never fade.

The breaking dawn of blues and greens,

Forever in my memories.

The resilient path,

Carved and captured in my heart.

The polished gem of hopeful dreams.

Everlasting.

***

Ten years have passed since that tender Christmas Eve moment at my sister’s home. Mom will be gone seven years in January. The pain of her loss has softened considerably, though now it returns like an old familiar friend on holidays, birthdays and anniversaries to remind me how much I loved her.

Remarkably, a cutting of one of my mother’s African violets, which she nurtured during the last ten or more years of her life, continues to thrive with Tom and me near our southern-facing windows. Yesterday on winter solstice, it absorbed the heat of the Scottsdale sun. Its purple blooms on the shortest day of the year are evidence that sometimes … against all odds … life and love go on.

As Christmas 2019 approaches, perhaps you’re like me. Thankful for life today. Thankful for family and friends who bring joy. Thankful for the memories of those who’ve gone and the reminders they’ve left behind.

Perhaps this story of everlasting gratitude will give you comfort and strength as you prepare to celebrate with family and friends … as you remember those absent from your circle.

This is my everlasting Christmas wish.

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Standing in the Light

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On this marvelous Monday in the Valley of the Sun–basking in the afterglow of a weekend of holiday performances with my gay friends here in Phoenix–I’m struck with this truth-seeking irony. After stepping out of the shadows in my thirties and forties and standing in the light in my fifties and sixties, I’m finally comfortable in my skin. Yet, I find myself being treated for a spot of invasive cancer on my left hand.

Tom escorted me to treatment #4 this morning. Like the first three, it was pain-free. Just the rigmarole of driving back and forth, wearing a protective flak jacket and goggles, and applying Aquaphor ointment and sunscreen religiously. I can handle that.

Escaping the darkness of an inauthentic life was much more complicated. At fifty-one, I remember the fright of auditioning with Windy City Gay Chorus (WCGC) in Chicago. Even back then, Tom encouraged me to sing again, though it had been decades since I’d performed on stage. I needed a fun, affirming and creative outlet away from work and parenting responsibilities.

In March 2010, a giant door swung open before me. I mysteriously and joyfully found myself singing with WCGC. Later that year I went on to perform in my first holiday concert with the renowned gay chorus … one of the founding gay choruses in the United States. At that point, I couldn’t have imagined I would develop lifelong friends there. Men and women I would share the stage with for seven years. Friendships Tom and I have carried with us across the miles to Arizona.

Now a new chapter standing in the light of the western sun. After yesterday, I’ve completed ten consecutive years of holiday performances. Seven as a tenor two in Chicago with Windy City followed by three more with the Phoenix Metropolitan Men’s Chorus (not withstanding a brief blip as a baritone).

Here in Arizona in a new choral community, I’ve befriended another sixty or so men of all ages and backgrounds. Some of them have stood by me (literally) while I recovered from a mild heart attack. For others, I have willingly given hugs and a listening ear as they fight to create whole and meaningful lives no matter whether their families of origin love and accept them or not.

On stage yesterday in my black tuxedo and red bow tie, grateful for the friends and family members who came to see us perform, I gazed out from the top riser into an enthusiastic audience of four hundred or so. Like a Rubik’s cube with all the right answers aligned, the clarity of the last ten years clicked into place.

The Phoenix Women’s Chorus, a talented group we perform with from time to time in Arizona, was singing on the apron of the stage. They repeated this lyrical refrain from “Stand in the Light”, a song written by Stephan Moccio and Lauren Christy (arrangement by Roger Emerson).

To stand in the light and be seen as you are.

This phrase captures the essence of why I sing with a chorus of gay men. Why I need to be a part of this community in an uncertain world sometimes fraught with surprising discrimination. More broadly, why the LGBTQ choral movement continues to matter for those of us who lived in the shadows for too long.

We must continue to step out of the darkness and sing for those less fortunate. With proper protection and plenty of sunscreen, we must all stand in the light and be seen as we are.

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Recasting Life’s Resume

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I’m boarding my dusty desert time machine again. Back a mere six years to the end of another odd-numbered year. 2013 was the last full year of my gainfully employed life. When I still claimed consulting colleagues and commuted to a confining cube in Chicago’s Loop.

Though I now earn a pittance stringing words together, I don’t miss the corporate skin I shed. In my sixties, storytelling from the desk of my cozy Scottsdale condo or a nearby coffee shop is a better fit. It quenches my quest for creativity. It placates my sense of purpose. It validates my voice. Plus doing it on my terms means I don’t have to kowtow to a boss and a set of corporate standards.

That got me thinking about how we Americans define ourselves on resumes. Often, the words we use describe things we’ve accomplished or labels we’ve become accustomed to. Certainly not who we are. Not what makes us tick. Not what we dream of or what nightmares we’ve endured.

Let’s face it. Most of us have survived significant traumas. Maybe we’d be better off if we touted our tenacity. If we recounted our rebounds from setbacks. If we honored our innate interests and abilities.

The biggest events on my trauma resume read something like this: divorced in 1992; fatherless in 1993; motherless in 2013; survived a mild heart attack in 2017. Of course, those seismic events don’t account for the day-in-day-out stress of single parenthood and a thirty-four-year corporate career juggling assignments and clients.

The good news is I’ve cleared all of those hurdles and discovered a fair amount of positive energy to counterbalance the traumas: finding and nurturing a committed twenty-three-year relationship with my husband; parenting two boys into their thirty-something adulthood; singing on stage with other gay men from 2010 to 2019; realizing a second career as an author beginning in 2015; writing and publishing three books since; and continuing to tell my stories from the wide-and-warm space of Arizona’s Sonoran Desert.

All of this is a giant preamble to tell you that I ran across my circa-2013 resume this week from my days as a consultant. I found it on one of my many flash drives. Near the top, under the “Career Overview” heading, it reads:

Results-oriented, strategic consultant with deep expertise in organizational change, employment branding, talent and rewards communication, diversity and philanthropy.

This is how I described myself on paper as an associate partner with Aon Hewitt six years ago. There’s nothing technically wrong with the words here. They accurately described my work experience and knowledge as a consultant who ran between meetings, collaborated on countless conference calls, and massaged executive egos.

It’s just that the statement is gobbledygook. It didn’t describe the man I was then. Certainly not the man I’ve become. So, even though I’m not in the market for a new job in 2020, I decided to take a crack at recasting my resume. How would I describe myself today in real-life terms in the same number of words? Maybe it would read something like this:

Sixtyish survivor, storyteller and truth-seeking author, who writes about the magnificent, mundane, messy and meaningful moments of life.

Ah. That’s much better.

December, Dermo and Dormancy

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You might think that excellent reports on a Monday from my cardiologist (“your blood pressure is good; your heart is strong; come back to see me in eight or nine months”) and gastroenterologist (“the polyps we removed during your colonoscopy were benign”) would be cause for celebration. You would be wrong.

At the end of the first Monday in December, I didn’t feel happy or relieved. I found myself in a funk. That’s because my dermatologist called on the same 3D-December Monday (cardio, gastro and dermo, oh my!) to confirm “the biopsy showed that you have  a patch of invasive squamous cell carcinoma on your left hand.”

Oh well, two out of three ain’t bad.

After I got off the phone with a skin cancer specialist, who explained the treatment options and assured me that my condition isn’t life threatening, Tom held my hand. He told me more of what I needed to hear. That everything will be okay. That we will get through this latest blip together. That it’s nothing compared with what happened in St. Louis on July 6, 2017. All for the chance to start a new life in a warmer home. To explore our sixties in the wide-open west of possibilities.

After all of this Monday mayhem, I needed to salvage some semblance of normalcy to the day. I needed to feel the fresh, creosote-laced air racing through my lungs. So I took a long walk alone. Along the cross-cut canal. Past the Papago buttes. Five thousand steps on a sunny-but-gauzy day restored my hope. It gave me comfort to see that none of the elements (not sun, not wind or rain) had affected these giant boulders. They were here long before me. Skin cancer or not, they will stand long after I’m gone.

In a separate attempt to rescue my day, I returned home to move our desert roses (aka adeniums). It was time to bring them inside to prepare for dormancy. I do this every December. I suppose, unlike the buttes, all of us living creatures need a little protection from the elements on certain days. Time to retreat. No water. No sun. Time to rest. Time to heal and rejuvenate.

Now it’s Tuesday. December continues in the Sonoran Desert. The sun is casting long shadows at sharp December angles. The adeniums are beginning their winter slumber in our sun room. Their leaves will fall soon and their branches will be bare. But new leaves will reappear in the spring after I carry my favorite desert flowers back outside to feel the warmth of the sun. To grow and bloom again.

Next Monday I will begin my own version of winter dormancy. It will be flecked with cancer treatments and holiday gatherings. Rather than surgery, I’ve opted for twenty pain-free sessions of superficial radiotherapy over the next several weeks. The procedure has a ninety-five-plus percent cure rate.

This course of action will allow me to continue my normal day-to-day activities … writing and exercising … and sing in two holiday concerts with the Phoenix Gay Men’s Chorus on December 14 and 15. Being on stage and performing alongside my gay friends will bring me joy. Tom will be in the audience. My son Nick will be too, along with his girlfriend Aida, her two children and about a dozen other friends I didn’t know in 2017.

Late in January 2020, I expect to receive good news from my dermatologist. Something positive and life affirming. Something like what the cardio and gastro folks have already told me. Perhaps that the Superficial Radiotherapy Treatments (SRT) have fully eradicated the skin cancer cells on my left hand.

Whatever transpires, I am a fortunate guy. Tom and I will begin a new decade in our Arizona home. Faithfully smearing on sunscreen and wearing broad-brimmed hats. Continuing to follow all of our doctors’ orders. Writing, healing and growing together. Watching our desert roses bloom and fade in our less-than-certain sixties.

What more could I ask for?

Flickers and Fedoras

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I wince when wires obstruct the buttes before me. I suppose it’s a part of life I must endure. Just like the car alarm blaring outside my backdoor as I write this sentence. It supersedes the mockingbird I prefer.

Even worse, the woman walking her fluffy dogs in the park. She ruins the encounter by wearing a red cap I can’t stomach. The same slogan is emblazoned on the canines’ collars. I’m too angry to make eye contact with her. I prefer a campaign to Make Red Hats Wearable Again.

Life is filled with such irritations. Yet, as November winds down and we Americans prepare to gather around tables of all shapes and sizes to proclaim our thankfulness with too much turkey, stuffing, football, pie and impeachment controversy, I am grateful for other things.

Certainly, I am fortunate to have the love and companionship of my husband. Both of my sons are finding full and meaningful lives. I live in a country (admittedly, one deeply divided right now) where I can express my opinions freely. In my sixties, I’ve discovered new friends and reliable doctors in a warm community. I have health coverage and a comfortable home. Many people don’t.

I’m also thankful for the little surprises that appear out of the blue. Like the gilded flicker I spotted during my walk along the canal. This large woodpecker, complete with a splash of red rouge on either side of his head, is native to the Sonoran Desert. In the stillness, he perched high above me on a branch for a full minute on Friday and looked down as if to say “You’d better pay attention to me. This is the good stuff of life.” So I did.

Then on Sunday. Another rare sight to behold. Tom and I were writing and reading in a local coffee shop when a handsome man entered wearing a black fedora. (Actually, handsome men aren’t rare in Scottsdale, Arizona. But fedora sightings are.)

According to the website “History of Hats”, this wide-brimmed hat made of felt first appeared in 1882 in the production of a play called “Fedora” by the French author Victorien Sardou. It was designed for actress Sarah Bernhardt. Over time, the hat became popular for women’s rights activists.

After 1924, fedoras were adopted by men as a fashion statement because Prince Edward of Britain started wearing them.  Somehow, soon after, they appeared on gangsters during Prohibition in the United States. In the 1940s and 1950s, you saw fedoras everywhere on the heads of manly men on stage and in noir films (Frank Sinatra and Humphrey Bogart). After that, the fedora fad faded. Informal clothing won the day.

In November 2019, without warning, one snazzy fedora resurfaced on the noggin of a smart citizen in a Scottsdale, Arizona coffee shop. Though I was pleasantly surprised, I was also observant enough to spot it in a sea of ordinary western, baseball and stocking caps.

Flickers and fedoras. I have so much to be thankful for.