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On June 2, 2025–as Tom and I returned to Arizona on an American Airlines flight after a blissful five days with family in the Chicago area–I closed my eyes in the semi-comfort of my aisle seat.

I leaned into my husband and said, “It feels good to be heading home.” I was referring to Scottsdale, Arizona. That is where we live … in a kitschy, mid-century condo community. It has been our home now for nearly eight years.

I’m not sure this is the life I dreamed of as a youngster in St. Louis. Or a middle-aged-man in the Chicago suburbs, who earned a good wage, raised two sons, and was fortunate enough to meet a man I would love and one day marry.

Let’s just say it is a warmer, lighter, literary life, which I had hoped for but didn’t imagine I would realize.

***

On June 30, 2017, we had just sold our three-bedroom home in Mount Prospect, Illinois. Handed over the keys to a pleasant couple and their young son.

As Tom and I approached our sixtieth birthday, we were excited about the prospects of creating a new life in the Grand Canyon State. But Illinois still felt like home.

Looking back, I suppose I underestimated the significance of this change … the loss of familiarity even when it wasn’t necessarily positive and growth producing.

If you follow me, you know how difficult our shared sixtieth birthday would be. If not, you should read about our harrowing journey and personal detour in St. Louis. It was great fodder for my third book, An Unobstructed View.

Once we finally arrived in Scottsdale, Arizona, on July 12, 2017, we both needed time to recuperate.

Our two-bedroom condo (which had once been Tom’s grandparents’ home starting in the early 1970s) was comfortable enough … especially after our new air conditioning unit, windows, and exterior doors were installed.

But we decided not to make too many dramatic interior changes right away. That really wasn’t a conscious decision as much as a reasonable one.

Soon we made new friends in our community: through our yoga class in Scottsdale and my chorus connections in Phoenix. With time there were other creative ripples before, during and after Covid.

We each wrote and published books. I wrote three librettos for the Phoenix Gay Men’s Chorus. Tom’s film classes materialized and compounded magically. Spurred by his passion for classic cinema and a library contact from our friend Glenn, that seed has grown into a legitimate, bountiful following.

Somewhere in that mix, we crossed over the tipping point of flux … knowing that we had truly found our new home. Feeling that we had become full-fledged, full-time Arizona residents and advocates.

And now–in June 2025, eight years after we said goodbye to our first home together and spent the past three months painting and remodeling–the interior of our Arizona home is finally a reflection of the color, comfort, and humanity we imagined.

It is–like we are–fully transformed. It is our desert lodge with a decent splash of soft apricot, western warmth, and comfy chairs.

It is our refuge with and without family and friends. It is our nesting place away from triple-digit heat and authoritarian regimes.

It is our home.

Unpacking

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In my late sixties, I am more aware of what remains in my gas tank.

Not the fuel gauge on our 2012 Hyundai Sonata. I’m talking about the physical and mental energy needed to maneuver life … while keeping a little extra for the seminal moments.

In the span of one week, I am celebrating Kirk’s and Jen’s (my younger son and future-daughter-in-law) engagement with family in Illinois (it already happened June 1) and taking the stage with my chosen Phoenix Gay Men’s Chorus family (June 6 and 7 is our raucous Rhinestone Rodeo show) at Tempe Center for the Arts in Arizona.

Both are deeply personal and rewarding.

Seeing my thirty-six-year-old son and his future bride beaming and greeting loved ones on the second floor of a popular neighborhood eatery on Chicago’s northwest side touched me. But there was more to it than that.

Because, there was a culmination of lives … past, present, and future.

Like Tom and me, my older son Nick and his girlfriend Anastasia flew in from Arizona for the festivities … and my sister Diane and brother-in-law Steve were there, too.

Though they live in the Chicago area, they each have difficulty managing stairs. Even so, diligently, they found a way to make the climb to a private dining room inside Zia’s Social. One small step at a time for the sake of a milestone moment with family.

There was another significant emotional layer to the event for me.

Jean, my ex, planned the party. Over the past few decades, we have been in the same room just a few times. At my mother’s funeral. At Kirk’s graduation. Our communication has been sparse at best.

But, at this stage of life, it feels life much of the animosity that existed between us after our divorce in 1992 has dissipated. We have both moved on. We have found vastly different lives with our respective husbands. Ironically, both of them are named Tom.

Bottom line, this engagement party was a joyous and healing experience for me … and I suspect others. There will be another one on August 29, 2026, at Kirk’s and Jen’s wedding. Also, in Chicago.

Now that my Tom and I are back in Scottsdale, I have been rehearsing each night this week. Conserving my energy while putting the smoothing touches on our music.

More than thirty of our Arizona friends–many of them straight allies–will be in the audience this weekend. They will fill the seats you see here alongside hundreds of others.

Smiling. Cheering. Laughing. Crying. Phenomenal music has a way of spurring it all. Touching our hearts and souls in ways we … gay or straight … never imagined.

Make no mistake. The nearly 1,500 who attend our shows this weekend will be entertained by our mix of past and present country western hits … coalescing with our brand of giant gay swirls thrown in for good measure.

Naturally, the pink fringe vest and new black boots I’ve bought for the shows … and will be wearing … will be made for more than walking and singing.

They’ll be carrying me through the two-steppin’ choralography … anchoring me on the top riser (through Pink Pony Club, Ya’ll Means All, Texas Hold ‘Em and much more) with love, gratitude, and pride for a week in June 2025 that will always be dear to me.

Ode to April

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April exits stage left,

bidding adieu, waving her

Sonoran brush of trade winds

and soft apricot. They dance

down walls to touch natural oak,

warming, welcoming, watching

every moment of our lives.

Outside, hours before midnight,

cottonwood trees sway.

They whisper of mad

May days to come,

while we will find comfort

in what we can control,

who we greet with love,

even as we ponder what

western treasures to

embrace and behold

in the desert lodge

of our Arizona abode.

Our beloved Brokeback Mountain poster–which Tom and I purchased in Evanston, Illinois, more than fifteen years ago–leans against one of our Scottsdale walls. It waits to see which wall it will grace in our newly remodeled condo.

Just Dropping By

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I haven’t stopped in lately.

I won’t apologize for that.

I’ve had important things to do.

Pressing places to go.

Unexpected treats to devour.

Birds to stalk. Make sense?

I know you’re busy.

New flooring tomorrow?

But it’s Easter, right?

Like my grand entrance?

Anyway, just dropping by,

To shake your tree,

Add a little levity,

Which only I deliver,

And then I’m outta here,

Cause that is what I do best.

Jackrabbits in the City

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Sculpted or not, spectacular public art soothes the sharp edges of our daily lives. For just a few moments in the center of any city, it frees our minds of responsibility and replenishes our spirits … especially when it pays tribute to local nature and history.

Mark Rossi’s Three Blacktail Jackrabbits, located at 700 S. Mill Avenue in downtown Tempe, Arizona, reflect the natural history of the Phoenix Salt River Valley. His Groomer Rabbit, Guard Rabbit, and Restful Rabbit (built in 1993) welcome passersby with whimsy and provide a year-round oasis.

I Don’t Pretend

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It’s late Friday afternoon in the desert. The mockingbird outside our backdoor is singing his or her heart out. It’s a tender, hopeful, pre-weekend serenade … a chirpy, lyrical refrain coming from the top of a telephone pole that connects our heavier world of technology and dissonant news and noise.

None of us knows what tomorrow will bring … ever. But especially now.

Case in point: early this afternoon as Tom and I devoured a few remaining slices of sausage and veggie pizza from the night before, a military jet zoomed overhead.

The sudden surge of decibels jarred our nerves. Though we live near a military base at Papago Park, we rarely hear that intense noise. Only an occasional squadron of helicopters arriving or departing.

We are a nation of divided people living on the edge of time, sound, and sensibility. Each day when we climb out of bed, we are aware of the dismantling of institutions we have come to know and respect.

Each day we are threatened by another batch of edicts tossed out the sidedoor by an authoritarian regime bringing shame and constant anxiety to those of us raised to believe in a country that once valued high ideals over low morals.

I don’t pretend to have the answers. But I know silence will kill us.

I won’t pretend to be someone I’m not. Or as I have said frequently to friends lately, “I’m not putting this genie back in a bottle.”

What do I mean? I spent too many years as a teenager and young adult (of the 1970s, 80s and early 90s) denying my true gay identity, subverting my whole self to try to fit into a predominantly straight, suburban culture.

That caused me (and others in my life at the time) tremendous personal pain. And, on a larger scale, denying the truth kept our society from advancing to a higher plain of equality, freedom, and human possibilities.

Yet now our federal (and some of our state and local government officials, too) are attempting to wipe away the contributions and accomplishments of our “diverse” people from websites and history books.

For instance, native code talkers who–by virtue of their distinct language–were instrumental in helping to bring an end to World War II.

Did you know that recently pages on the Arlington National Cemetery website–highlighting the graves of Black and female service members–have been removed?

These and other efforts are designed to erase the accomplishments of women and people of color.

How far will this attempt at whitewashing our history go? I don’t pretend to know. But I do know that the best attributes of our diverse culture exist in the past and present and people need to know about these contributions.

My husband Tom, an aficionado of films from the 1960s and 70s, has been leading a film series this winter and spring at the Scottsdale Public Library, titled “Movies That Matter: the 1970s.”

Each Monday afternoon, between 75 and 100 people attend this free series. The audience is mostly white people who love great films.

Last week, Tom screened “Dog Day Afternoon”. Directed by Sidney Lumet and starring Al Pacino, the film–based on a true story that occurred in Brooklyn, New York, in the 1970s–chronicles a botched bank robbery in the heat of the summer.

It’s an intense and sometimes funny film early on. Pacino plays Sonny. He’s desperate to get the money his partner needs for a sex change operation. But we don’t know that until more than half the movie has spooled through what once was a movie projector.

It’s a must-see flick. I won’t spoil the outcome if you haven’t seen it. But the most meaningful and important aspect of this story is that 93 people attended. They listened to Tom’s stage-setting intro for historical context. They watched the film, and then they talked about it. Together.

They talked about what it meant. They examined the techniques employed in the film to tell the story effectively. They existed in that space for three hours as a community of people in a shared experience.

I don’t pretend to know all of the political affiliations represented in that room. But I’m certain they left with a greater appreciation for film and how it can shed light on the differences and pressures–like them or not–that have existed in our American society for decades.

Tom delivers his opening remarks at a screening of Dog Day Afternoon at the Scottsdale Public Library on March 17, 2025. Photo by our friend and neighbor Diego.

Compressed

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Why do we gravitate toward

an idealized arrangement

of natural design and beauty,

heaping layer upon layer

of flat stones separated

from orderly round ones?

Do these walls stand

compressed in architectural

tribute to planned selection

over the stew of spontaneity?

Why does man’s comfort

with the squashing power

of conformity supersede

the messy-but-meaningful

marrow of our diverse story

… our diverse history?

Backyard Faces

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Sunday through Monday–when desert winds blow freely or not at all–I prefer nature’s ever-present sweet, sunny and determined backyard faces to yesterday’s and today’s front-page disgraces.

Katie’s sweet face
Arizona’s sunny face
Mason’s determined face
St. Francis watches over nature in Glenn’s backyard

In early March, while Glenn was away, Tom and I (along with an assist from St. Francis) cared for our friend’s lovable Newfoundland dogs–Katie and Mason–in their peaceful backyard.

We’re Sold Out

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In the theatrical world, it’s a good problem to have.

Every seat for all three of our Phoenix Gay Men’s Chorus performances of Lights, Camera, Elves!, December 21 and 22 at the Herberger Theatre, has been sold.

While we are turning people away who might have bought additional tickets, we are also turning up the emotions, music, mayhem, excitement, and energy for two final rehearsals Thursday and Friday night.

***

This will be my fifteenth consecutive year singing in holiday concerts with my LGBTQ friends: 2010-2016 in Chicago with the Windy City Gay Chorus; and 2017-2024 with the Phoenix Gay Men’s Chorus.

Of course, I don’t remember every holiday tune, wondrous moment, or distinctive venue relating to those performances. But the net effect is the sense of belonging–the ever-widening space that occupies my heart, which is rooted in this collective community experience.

It’s difficult to explain, even for a wordsmith like me. If you have sung with a chorus, you understand.

If you haven’t, there is something inherently magical and healing that comes with standing side by side and contributing your voice to the greater good of a beautifully blended piece of choral music.

Nearly one hundred of us will sing, laugh and dance on stage this weekend. I will probably cry a little too as we perform captivating arrangements of Do You Hear What I Hear? and Pure Imagination.

But the tears will be mostly joyous and thankful ones as I channel the smiles on the faces of friends and family–past and present–who have surrounded and supported me on the risers and in the audience for fifteen glorious years.

Where Everybody Knows Your Name

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It’s been nearly forty-two years since the American TV sitcom Cheers debuted on September 30, 1982.

In its inaugural season (fall 1982 to spring 1983), Cheers ranked near the bottom in the Neilsen ratings. But by the mid-eighties, it caught fire with audiences and became “Must See” TV for millions–ultimately running for eleven seasons and 275 episodes on NBC.

If you aren’t familiar with the concept of the series, the show was set in a Boston neighborhood bar. Locals–like Norm, Cliff, and Frasier–came there to drink, socialize, unwind, and escape the grind of their day-to-day lives.

The opening theme song written by Gary Portnoy, Where Everybody Knows Your Name, captured the sense of familiarity, comfort, and community bar “regulars” knew was waiting for them every time they walked through the door and descended down the steps for a drink.

But it was the bar banter with Sam, the owner, and the escapades (sometimes sexual) of the Cheers staff over the years–Diane, Carla, Coach, Woody, and Rebecca–that drove the creative content, tickled our funny bones, and warmed the hearts of young and old viewers.

***

I write frequently–in my books and blogposts–about the importance of community connections in our lives.

To feel fulfilled, I believe we need frequent connections to people (animals and plants, too) around us, along with a balance of alone time to recharge our personal batteries.

Of course, singing with the Phoenix Gay Men’s Chorus (PHXGMC) fills a portion of that need for me. (I’m excited for our first rehearsal this Tuesday evening for the 2024/2025 season. We have a new artistic director and 112 singers!)

Each week, I look forward to the musical mayhem, creative camaraderie, and safe haven we share at PHXGMC.

From a writing standpoint, Tom and I have discovered another source of community connection we cherish just a few miles from our condo.

For almost a year–two or three times each week, usually in the afternoon–we have packed up our laptops and driven to Grounds on 2nd in Old Town Scottsdale.

It’s our favorite urban market, coffee shop, wine bar, and local hangout … and a conducive spot for writing. In fact, I’m drafting this post there right now.

The owners and staff are fun, friendly, and welcoming. They and we have become fast friends. They greet us with warm smiles, iced coffee (yes, it’s still hot here!), yummy pastries, and a comfortable place to plug in so we can write our next story or plan our next creative endeavor.

It’s pretty simple. Grounds on 2nd is a welcoming, bright, lofty, contemporary neighborhood watering hole with comfy chairs and rambling plants that green up the room and soften the edges.

Best of all, when Tom and I open the glass doors and walk in … to write, or drink, or just relax with friends … everybody knows our names.