‘Twas two weeks til our concert, we rehearsed all day long,
Me wedged in the back row, ‘tween Keaton and Imran.
With AIDS quilts surrounding on walls of despair,
Warm carols we sang with humor and flair.
Away from the rain in the Valley of the Sun,
Seven hours in one room, so much work to be done.
Then, out of our mouths, pure tones pranced and did gather,
They sprang into lush chords, Marc’s heart pitter-pattered.
Santa Baby, Underneath the Tree, Mistletoe and Holly,
Shaping these and a dozen more made all of us jolly.
These next frantic weeks will fly faster than reindeer,
Fine-tuning, tweaking, “More hot tea for my throat, dear.”
Then, the lights will come up.
The joy will appear in the faces out there.
And the smiles will bounce back.
They will double and bloom in this season we share.
On Saturday, December 3–two days after World AIDS Day–I gathered with about fifty of my mates in the Phoenix Gay Men’s Chorus for an all-day rehearsal at the Parson’s Center in Phoenix. Led by artistic director Marc Gaston, our chorus will perform its holiday show (“Twas the Night Before Christmas”) on December 17 and 18 at the Galvin Playhouse, 51 East 10th Street in Tempe, Arizona. For ticket information, go tohttp://www.phxgmc.org.
It wasn’t an unpleasant sound that stirred my brain before 5 a.m. It was a light desert wind filtering through our tubular chimes that woke and evoked me and distant sounds. Reassuring, comforting ones from suburban St. Louis.
***
Mom was always the first one up.
From my middle bedroom–a connecting space with two doors wedged between the hall and kitchen–I could hear her creaking on linoleum, shuffling in slippers, opening drawers, turning on the dial to the radio, reaching into the refrigerator, sizzling bacon in a skillet, placing the kettle on the stove, and pouring hot water over a teaspoon or two of instant coffee.
Then, at night–when the day was done–it was the splash of rain and swirling sensation of fallen leaves on the metal awning outside my bedroom window that soothed me. Or Happy’s soulful howl, craning his neck as he responded to the calls of other dogs in the neighborhood.
As I huddled under the covers on a twin bed, these sounds beckoned me to sleep. Now, as I remember them and write about them on my laptop, they exist and endure.
Certainly, the memory of them gets richer because they have been gone longer. They rise to the top like the cream of milk, while what happened yesterday might easily be forgotten tomorrow.
I would be lost if I couldn’t listen and remember the sounds of the past. In the moment they were invisible, fleeting footprints. But they echo in my thankful memory … lasting reminders of the texture, meaning, depth, people, and love I hear and remember.
November 3 was a brisk Thursday morning in Scottsdale, Arizona. But when I walked past these empty soles on the edge of Camelback Road after my workout at the gym, I felt an eerie sensation. It was almost like learning a close friend had died or vanished.
My focus shifted immediately away from our cooler-than-average temperatures in the Valley of the Sun. I felt compelled to pay tribute to the remnants of a life well lived. To stop and take this photo and–three days later–write a story about what I saw and felt in those moments. Because that is what I do.
What would provoke someone to leave behind a pair of decent canvas shoes on the side of the road in such an orderly fashion? Did they suddenly outlive their usefulness? Perhaps they were simply an extra pair a homeless person could no longer carry. Or the sensible shoes were forgotten by someone who waited for a bus and was ready to advance to the next station in life.
For my storytelling purposes they are a metaphor for the sense of displacement many of us feel in our country. We’ve been pushed to jump out of our shoes from the criminal escape antics of our past president and the barrage of political ads spewing venom through our devices. Whatever the case, we wait for the next shoe to drop as we anticipate the outcome of the mid-term elections.
If you follow my blog, you know I am a positive person. Generally. I’m thankful for the beauty of nature that surrounds me and the quieter life my husband and I have carved into the desert landscape.
But as a nation we teeter on the precipice of despair. The future of democracy–as I’ve known it for my 65 years and 181 years before that–is definitely on the ballot this coming Tuesday.
Tom and I have already voted. Nearly two weeks ago. I checked the boxes alongside the names of only those who will protect our democracy. Not the high-profile election deniers in Arizona running for senator, governor, secretary of state, and attorney general. We need to believe them when they tell us they wouldn’t necessarily respect and honor the will of the majority of the people.
If you live in the U.S., be sure to vote on or before Tuesday. When you do, I hope you will support those who uphold our beloved U.S. Constitution.
Otherwise, I fear that the close friend who disappeared without their shoes is actually the democracy we once loved before we allowed it to vanish.
When I auditioned for the Phoenix Metropolitan Men’s Chorus in August 2017–six weeks after I suffered a mild heart attack on the way west–we were both on the cusp of a transformation.
At sixty, I was searching for a new place to renew my love of singing (after seven years performing with Windy City Gay Chorus in Chicago); the chorus was twenty-six, preparing to spread its wings and a few years away from embracing a more public gay identity: the Phoenix Gay Men’s Chorus.
On Saturday evening, October 8, I stood on stage with about fifty of my chorus mates at the Kroc Center in south Phoenix. We performed our Mosaic of Voices concert. It was our tribute to triumphant stories shared by members of the Phoenix LGBTQ community–told through the power and inspiration of music.
I wore two hats for the occasion. Figuratively, I mean. I sang second tenor from the top row of the risers and realized a new creative wrinkle; I wrote the lyrics for three of the original songs we performed in the first set: Hope’s Trail, Our Second Act, and Mighty Mosaic. David E. Weck composed all of the music beautifully.
The first two were adapted from compelling, emotional, and personal stories submitted by Garry and Nico, members of the community. When I first read their stories in 2021 and began to develop lyrics, I felt it was important to honor and include many of their actual words in my lyrics. In turn, David then nurtured and shaped them into music.
The third song, Mighty Mosaic, began as a poem I wrote, specifically for the Mosaic of Voices concert. I created it to represent the rich, diverse, and sometimes-circuitous lives we lead in the LGBTQ community.
After last night–with its unveiling on stage before an appreciative audience of a few hundred–you might be inclined to call Mighty Mosaic an anthem. (It certainly felt inspiring for me to write it on June 2, 2021, and then sing it on October 8, 2022.) It celebrates who we are and what we believe. Here it is in its original form, before my words met David’s artful music.
***
Mighty Mosaic (Copyright 2021 Mark Johnson)
Morning, noon, and night, the fabric of our winding threads and uncertain spools form a fluid tapestry of brilliant and imperfect hues.
The pathways of our lives weave. This is who we are. This is what we believe.
In the heat of the day, our worn but sturdy strands lead us down rabbit holes, but–if we keep the faith–the enduring threads carry us through.
The pathways of our lives weave. This is who we are. This is what we believe.
We may travel from a foreign home or body, but when our identities emerge, they awaken our lonely spirits, they blend beautifully.
The pathways of our lives weave. This is who we are. This is what we believe.
Our jagged journeys–our truth trails from the pain of stark midnight to the peace and stillness of lavender daybreak–make us mighty.
The pathways of our lives weave. This is who we are. This is what we believe.
Gay, trans, straight or bi–black, brown, or white … single, attached, or married … young, old, or in between–this is our mosaic and the moment we celebrate what it means.
The pathways of our lives weave. This is who we are. This is what we believe.
Like any and every significant life moment, Saturday afternoon at Barnes & Noble in Mesa on S. Val Vista Drive produced a series of visual snippets–memories which today on the day after (and hopefully, always) cascade through my tired, but appreciative brain.
It was a quiet, yet meaningful, experience for this independent writer–connecting with a handful of aspiring writers and avid readers (unfamiliar with my stories).
Best of all, I was the fortunate recipient of another giant dose of love from family and close friends here in the Valley of the Sun.
Thank you, Tom, Glenn, Dave, Jeff, Nick, Anastasia, Libby, Gregor, Ron, Carol, Merrill, Torie, Jasmine, and Tashi. It was a thrill to sign my books for you and feel the warmth and encouragement of your creative spirits.
Back in July, I wrote a story about Barnes and Noble stocking my memoirs on its shelves in Mesa, Arizona.
A month or so later Rachele, the community relations manager, invited me to sign my books there.
It will happen on Saturday, October 1, from 1 to 3 p.m. at their Dana Park store, located at 1758 S. Val Vista Drive. I’ll even have the opportunity to read a few passages.
(No, it hasn’t sunk in that this independent writer will have this blissful moment in a large bookselling space among the work of more-renowned writers.)
Anyway, I realize most of you who follow my blog don’t live in the Valley of the Sun. But if you do–and you’re looking for a creative outlet this weekend and a story or two to add to your fall reading–stop by.
A good writer can summon the right mix of words and creativity to bring any story or situation to life.
I think I’ve always believed that statement. But, in the past, I’ve been more comfortable telling true stories, derived from the vault of my memories. Less comfortable creating a set of characters and possibilities from scratch.
Recently, a voice inside has been telling me to try my hand at fiction. I decided to humor that voice. I registered for an in-person, six-week creative writing course in Scottsdale. It began in mid-September.
Twelve of us writers from all walks of life sit around an oblong table every Wednesday afternoon. Our instructor shares her experience and tools. She’s a writer, screenwriter, and editor.
She guides us through various writing prompts in the moment. We take turns reading our work to each other. Then, we disburse to craft something original for the following Wednesday.
One of our assignments was to create a detailed character inventory. To essentially build a character from the ground up–complete with personal history, physical traits, likes, dislikes, baggage, strengths, and weaknesses. The whole enchilada.
The idea might sound intimidating. It certainly wasn’t easy, but it was a lot of fun. Now, I’m beginning to write a story that features this character. Remarkably, I can envision this person in the world, though they exist purely in my imagination.
I don’t know where this exercise will lead ultimately, but I’m open to the raw uncertainty. For the first time in about a year, I feel a surge in creative energy to explore and try new things.
Time, trial and error will tell me whether I truly have a flair for fiction. When I’m ready to disclose more, I’ll share it here.
Mark Johnson Stories 