As Dad, Mom, Diane and I approached my grandparents’ rambling farm in Huntersville, North Carolina, in 1968 in our four-door Chevy Biscayne, waves of kudzu vine blanketed the trees.
At some point during our July vacation there, I remember my stoic maternal grandfather telling me this invasive plant, this weed, was blocking the sunlight.
Bit by bit, the kudzu was smothering the native plants and large trees in the southeastern United States.
In a metaphorical sense, I feel like one of those older trees–perhaps an oak or pine–that has grown through the seasons and spread its branches only to discover that the censorship and hate of our nation’s government (said kudzu vine) has insidiously wrapped itself around my trunk.
This is not a new development. I have been feeling this way for years. Trying to remain positive in the face of ICE raids, misogynistic slurs, shuttered healthcare programs, disregard for our most vulnerable citizens, the environment, and our right to a free press. The list of losses is endless.
Recently, my husband and I have lived firsthand through the threat of censorship in our community. It is causing us both great pain. It is also prompting me to realize how far we have fallen as a nation and what I am willing to tolerate or accept.
At some point, I will have more to say about this. I don’t know when or how. Suffice it to say, this kudzu vine–the 2026 version of the McCarthy era in the United States–is out of control.
I do believe that, ultimately, historians will shine light on whatever it is we are living through. I hope I live long enough to see the return of truth and reason and the eradication of these smothering vines.
Uncertainty exists in every day, in every life. I try not to dwell on it, but on this day–the 250th anniversary of the United States adopting our Declaration of Independence–uncertainty is our next-door neighbor.
I certainly remember our 200th anniversary, our bi-centennial celebration, in 1976. I was a bright-eyed, long-haired, eighteen-year-old, idealistic American.
Living in suburban St. Louis, I recall seeing the tall ships grace New York Harbor on our console TV on July 4, 1976.
That summer I worked at Six Flags Over Mid-America near St. Louis. As a tribute to the bicentennial, the Screamin’ Eagle rollercoaster roared across the sky. It was the newest, tallest, fastest ride in the park. Teens rode it again and again just for the thrill of it.
Even though the corruption of Watergate and the devastation of the Vietnam War were still fresh in the American psyche, in 1976 it felt like all Americans lived under and abided by one set of rules. That we aspired to one vision.
That the United States of America–the collective red, white and blue–was one nation and indivisible. A beacon of hope and freedom. That we believed, honored, and protected the notion of life, liberty, the pursuit of happiness, and justice. For all.
Over the past several years, like a rollercoaster that has jumped the tracks, we have been derailed by a malicious force. I don’t need to–or want to–speak their names. They have fostered twenty-four-hour-a-day uncertainty and anxiety in this nation I still love.
What I choose to celebrate today are the American citizens who still hold fast to the principle our nation was founded under: freedom and justice for all Americans, no matter your skin color, ethnicity, religious beliefs, sexual orientation, gender, social or economic status.
That is the memory of the United States of America I am proud of.
That is the country my father and thousands of other true patriots have bravely fought for and defended.
That is the country I knew and lived in yesterday.
That is the country I still dream of and worry over.
That is the country I cling to and pray for on July 4, 2026.
That is the country I want to live in today and tomorrow.
On what would have been his ninety-sixth birthday, I want to remind the world that Harvey Milk’s spirit of compassion, authenticity, equality, and hope still lives within each of us in the LGBTQ community … nearly fifty years after his assassination in November 1978.
In 1977, Harvey Milk was the first openly gay man to be elected to public office in California as a member of the San Francisco Board of Supervisors. Despite his short political career, he quickly became an icon in San Francisco and a galvanizing force and inspiration for the LGBTQ community for his unbridled commitment to civil rights.
We will never know what Harvey Milk might have said if he had lived to see the dream of national marriage equality become a reality in the United States in 2015 and now–eleven years later on the other end of the spectrum–to witness the rapid, daily decay of American democracy, American institutions, and American civil liberties.
But I’m a hopeful person and so was Harvey.
He believed “hope is never silent.” He also believed in visibility, whether it means two men holding hands while roller-skating under the palms or standing in protest … raising our voices in solidarity … and living openly on days that aren’t nearly as sunny.
In these frightening times, the impulse for some might be to take a step or two back into the closet. But Harvey would have encouraged all of us–gay and straight–to do the opposite. To step forward with conviction.
Take a moment to read some of Harvey’s encouraging words.
Harvey’s hope and memory is a salve for all of us–gay and straight–who believe in truth and decency.
Though Harvey is long gone, his legacy of authenticity and hope still lives.
***
“I know you can’t live on hope alone; but without hope, life is not worth living. So you, and you and you: you got to give them hope; you got to give them hope.”Harvey Milk
“Every gay person must come out. As difficult as it is, you must tell your immediate family. You must tell your relatives. You must tell your friends if indeed they are your friends. You must tell the people you work with. You must tell the people in the stores you shop in. Once they realize that we are indeed their children, that we are indeed everywhere, every myth, every lie, every innuendo will be destroyed once and for all. And once you do, you will feel so much better.”Harvey Milk
While we box up our flickering, ever-tangled holiday lights, compartmentalize them with our fading democracy, shove them into insanity’s dusty attic beside our president’s latest lawless actions streaming 24/7, we also attempt to climb above and beyond accumulating ominous clouds, by feeding old-year bread to new-year geese, by examining each piece of life’s puzzle with bleary-but-thoughtful eyes, by loving ourselves, each other, and all animals, by emulating kind lives under fleeting desert candlelight, by resuming our daily quest for survivorship and unflappable wisdom, even as every institution, every once-reliable media conglomerate or teetering motherboard (like the dying one on Tom’s old phone) signals the end is near and must be replaced. So, we replace it. We move on. We give thanks. We cherish every labor of love and every hidden oasis. We welcome every petite, heartful bouquet. We marvel at one rare, exquisite, night-blooming cereus, paint-plus-provenance. It is the perfect gift on canvas from a dear friend.
The downstream darkness of January is real, but in our upstream hearts, in the serenity of nature (and now framed in splendor on our living room wall thanks to Dougal) there is a profound, constant, but private reminder: there is always beauty and hope, even when there is darkness.
The middle of October is upon us, and I am addicted to the pumpkin spice lattes at Grounds on 2nd, our favorite haunt in Old Town Scottsdale.
More important, I am delighted to report I have completed the manuscript for another book. It’s called Sixty-Something Days.
Book six is a memoir tapestry that first entered my consciousness around my sixty-fifth birthday in July 2022. I began to closely consider what it means to stay creative and relevant in our later years … especially in our divisive culture enamored with youth but often dismissive of wisdom.
This book explores that idea in episodic ways. It features sixty-five essays, poems, and flashes of fiction, which I first published here over the past three years. Now, I am stitching them together.
With time–and the encouragement of friends and readers–I began to see a thread of truth running through them: that as human beings (lovers of music and nature) we must remember the poignant arc-of-life moments (past and present) while striving to stay involved, influence others through our compassion, and share our hard-earned wisdom.
Those themes appear in my other books, but this one feels more urgent. More emphatic. I feel an obligation to share what I have learned, find beauty and hope wherever we can in our lives, and raise a banner that is a call to action to survive this period of tremendous upheaval in our country.
Currently, I am working closely with Sam, graphic designer extraordinaire, to create a cover and develop the interior format. Sam has partnered with me on all of my books.
Yesterday, he sent me the first galleys for review. I can see book six taking shape. I feel my enthusiasm swelling. If all goes well, I will publish Sixty-Something Days sometime in November.
The arc of life in my sixties–its highs and lows–has proved mostly to be an unexpected artistic one. Yet it is an uneven tapestry of co-existing emotions: fear for our eroding democracy; love for new and old friends; and boundless gratitude currently after returning to St. Louis for my Affton High School Class of ’75 reunion and reconciling my midwestern roots with my southwestern reality.
***
A trip to St. Louis would not be complete without a visit to my parents’ graves at Jefferson Barracks National Cemetery. So, we began there.
On Friday, September 19, Tom and I stopped at Dierberg’s in Creve Coeur near our hotel to buy a handful of burnt orange carnations.
Twenty minutes later, we arrived in the sea of marble stones on rolling hills ten miles south of downtown St. Louis.
We parked our rented Mazda SUV and tiptoed past a veteran’s funeral in progress under a makeshift canopy. A female vocalist sang Amazing Grace. Instantly, my tears began to flow.
Each time I go to Jefferson Barracks, it is a touchstone experience. Tapping one side of the stone and then the other. Remembering the love and best intentions of Helen and Walter Johnson–both long gone but not forgotten.
Minutes later, sitting on a nearby bench with Tom under the sturdy branches of an oak tree that has lost its earliest leaves due to an especially dry Missouri summer.
Friday afternoon was also somber and reflective. We met our friend Mark, a docent at St. Louis Kaplan Feldman Holocaust Museum, for a visit there.
He guided us through horrific-then-hopeful survivor stories, images, and vintage artifacts, curated from proud Jewish St. Louis residents who lived through the awful experience. Only a few remain, but their legacies live on.
All in all, it was a chilling, relevant, immersive few hours. Cautionary evidence of hate and authoritarian evil that inundated the world in the 1930s and 40s, and now–in the US in 2025–threatens the existence of those who are not straight, Christian white men.
After deep breaths and a refreshing Friday nap in our hotel, Tom and I drove to University City for an evening with Mark and his husband David at their home. It was a celebration of our unfolding friendship.
At sunset, they lit candles and recited Shabbat blessings before we shared wine and bread. At their table, I felt our bond of friendship, which began just a few years ago, grow.
We met Mark and David when–as snowbirds living part-time in Arizona–they first attended one of Tom’s free film screenings at the Scottsdale Public Library.
Now, they have become the newest, welcoming community component of our St. Louis connection.
Ollie hated swimming lessons. But it was summer, and he promised his mother Jill that he would commit to one structured activity while school was out.
Every Tuesday and Thursday morning in June and July, Ollie packed his swim trunks, towel, and goggles begrudgingly. At 8:55, his older sister Lydia, fresh from earning her driver’s license, dropped him at the curb outside Chaparral Pool.
Ollie wasn’t afraid of the water or physical activity. What bothered him was getting naked in front of the other middle school boys and showering near them when their lesson was over.
To soothe his anxiety, Ollie hatched a plan. He decided to stash one of his tiny butterfly drawings—pink wings, beady red eyes, black antenna, and blue thorax on a white sticky note—in his bag. Then, when he arrived at the pool, he would post it discreetly inside locker 8.
An hour later, when he returned to the locker room after class, he twirled the dial on his lock—16 then 8 then 32—popped open the latch and rediscovered his prized artwork hanging there. This ritual distracted him as he peeled off his wet royal blue trunks, then scampered to the nearest open shower stall.
***
Ollie’s meticulous butterfly drawings covered his desk at home. Each one was unique in size, color, and configuration, but all were Ollie’s creations.
Before dinner one night in late May, Jill passed Ollie’s bedroom door. She knocked, then peeked in to check on her son and his homework progress. Before she left, she declared, “I love your drawings, Ollie! What do you love most about butterflies?”
Caught off guard, Ollie shrugged. He couldn’t find the precise words.
Was it their fragility? Their freedom? Their gentility? Their rare ability to transform from a cocoon and flit about—unfettered—floating above a weighty world that discouraged everyone around him?
Or simply that Ollie’s preoccupation with his art quieted his nerves even as he felt excitement stir in his growing penis?
***
On July’s last Thursday after Ollie’s final swimming class, he showered quickly to avoid contact with Jake. Weeks before, he made fun of Ollie’s oversized beach towel. It featured a canary yellow smiling sun wearing funky sunglasses.
“Did your mommy buy that big, beautiful towel for you, Ollie?” Jake chided.
What would Jake say if he found my butterfly tucked inside my locker door? Ollie wondered.
Undeterred, Ollie wiggled into his gym shorts, threw on his Arizona Diamondbacks jersey, slipped into his flipflops, and folded his belongings in his bag.
Rather than plucking his prized butterfly drawing from locker 8 and bringing it home to cluster with his other creations, Ollie left it hanging there. He left it clinging inside the metal wall for unknown days, weeks, or years.
Ollie left his art—his reassuring beauty—for another boy who might one day appear and appreciate it. For another boy who might feel threatened by a world of ominous clouds that surrounded him and what he didn’t yet understand about himself.
***
Lately, I have been writing short fiction, exploring and developing stories with a social statement that fit within the realm of my reality. It helps me feel I am making a small difference in this country I live in and still love … even as the madness within and outside our borders continues to spin out of control.
Visual prompts (like this photo I captured in July at my community pool in Scottsdale, Arizona) open an alternative world of creative possibilities for me. This is a technique I recommend to participants in my memoir writing workshops. So, in this instance, you might say I am wearing several hats … student, teacher, writer, gay man, concerned citizen.
I’d love to know what you think of this story. How does it make you feel? As always, I appreciate your insights and feedback.
In my memoirs, I’ve written about discovering and embracing my gayness later in life … remembering that horrific feeling of squashing my true self to fit into a prescribed notion of “all-American” masculinity.
I worry about the Ollies in the United States … the poets, artists, visionaries … the young, emerging, gay, lesbian and trans members of our society … all who face growing up in our country that is turning a blind eye toward anyone who isn’t a straight, white, MAGA male.
“Are you guys going to the protests this Saturday?” Nick wondered last Wednesday via a text.
“No. We aren’t planning to. It’s just too hot,” I responded to my son.
But as the week wore on, I began to regain my energy following three phenomenal concerts with my Phoenix Gay Men’s Chorus pals.
On Friday, I reconsidered Nick’s question. I told him Tom and I would do it. A few of our chorus friends wanted to join us too at a No Kings protest in Scottsdale.
I should tell you that I don’t consider myself an activist, though I have marched for various causes on several occasions in my life. I prefer to share my voice and perspective through my writing.
But I also recognize the dire state of our democracy. I decided if my World War II veteran father (he defended democracy in Europe with the allied forces during the Battle of the Bulge in late 1944) could endure frozen feet in foxholes with his buddies and risk his life as an army sergeant, I could certainly endure the 90-plus desert temperatures in Arizona for two hours, wave my American flag and “We the People” sign, and join forces with family and friends to raise my voice. To make sure it was heard.
So, Saturday came, and we did it … Mark, Tom, Nick, Kim, Dougal, George and one to two thousand others represented democracy in Old Town Scottsdale. We were a dot in a map of some five million in the U.S. and abroad who took to the streets in big cities and small towns. All of us deeply concerned.
Locally, it was an inspiring and peaceful No Kings protest consisting of angry but well-behaved women and men. Young and old. A few children with parents and grandparents. Couples. Singles. Straight. Gay. Multi-cultural. Dogs, too. Dare I say diverse?
At one point, Tom and I chatted with a fifty-something mother from San Diego. She was visiting her daughter who lives in Scottsdale. They took turns chanting “No Kings” while cradling their adorable, slightly overwhelmed dachshund.
The dog’s benevolent eyes seemed to say, “what are we all doing here?” All I could do was shrug and smile. There is no explaining all we have endured in this country over the past six months. Not to mention the previous eight or nine years.
A short while later, I turned to discover a man holding a profoundly-funny-and-literary sign. A parody of American poet Robert Frost’s The Road Not Taken. I imagine Frost would have loved it, if he had been alive and standing beside me.
I asked the man if I could take his picture. I told him it spoke to my wordsmithing sensibilities. He surprised me by saying he was a math guy.
I’ll likely never cross paths with him again. He’ll never know that my book of poetry, A Path I Might Have Missed, was inspired by my love for Robert Frost’s verses. But on June 14, 2025, we stood on the same page … on the same street corner … on the same shared path.
Together–close friends, like-minded acquaintances, and distant strangers–we proclaimed our desire and hope to rescue American democracy from the clutches of fascism.
In a natural sense, it produces turmoil in the Northern Hemisphere … growth and beauty laced with intense storms and wild swings in temperatures.
Of course, those meteorological transitions pale when you compare them with the societal turmoil, which I feel daily living in the United States in 2025.
My only recourse is to try to make a difference in my own way: stay visible, protest beside like-minded friends …”Hands OFF our Social Security” … all the while remodeling my home with Tom, singing, writing, and leading my memoir writing workshops. (Twelve aspiring writers are meeting with me later today in the middle of three workshop sessions at the Scottsdale Public Library.)
It’s appropriate that my Phoenix Gay Men’s Chorus comrades and I will perform an inspiring arrangement of Bob Dylan’s The Times They Are A-Changin’ at our Rhinestone Rodeo concert on June 6 and 7 at Tempe Center for the Arts.
Because they most definitely are … and you better start swimmin’, or you’ll sink like a stone, for the times, they are a-changin’ …
On to more personal transitions that fly under the radar. It is the grimy stuff of life. A friend’s mother dies. Another grieves the loss of his wife. A third deals with a cancer diagnosis. I will do my best to continue to be there for all of them.
If you live in the Phoenix area, come in from the heat and attend one of our June concerts. We will entertain and energize you … make you smile, laugh, shed a few tears, too … as we lift our voices.
No one can stop me from being who I am … who I love … who I care for … who I sing with.
It’s late Friday afternoon in the desert. The mockingbird outside our backdoor is singing his or her heart out. It’s a tender, hopeful, pre-weekend serenade … a chirpy, lyrical refrain coming from the top of a telephone pole that connects our heavier world of technology and dissonant news and noise.
None of us knows what tomorrow will bring … ever. But especially now.
Case in point: early this afternoon as Tom and I devoured a few remaining slices of sausage and veggie pizza from the night before, a military jet zoomed overhead.
The sudden surge of decibels jarred our nerves. Though we live near a military base at Papago Park, we rarely hear that intense noise. Only an occasional squadron of helicopters arriving or departing.
We are a nation of divided people living on the edge of time, sound, and sensibility. Each day when we climb out of bed, we are aware of the dismantling of institutions we have come to know and respect.
Each day we are threatened by another batch of edicts tossed out the sidedoor by an authoritarian regime bringing shame and constant anxiety to those of us raised to believe in a country that once valued high ideals over low morals.
I don’t pretend to have the answers. But I know silence will kill us.
I won’t pretend to be someone I’m not. Or as I have said frequently to friends lately, “I’m not putting this genie back in a bottle.”
What do I mean? I spent too many years as a teenager and young adult (of the 1970s, 80s and early 90s) denying my true gay identity, subverting my whole self to try to fit into a predominantly straight, suburban culture.
That caused me (and others in my life at the time) tremendous personal pain. And, on a larger scale, denying the truth kept our society from advancing to a higher plain of equality, freedom, and human possibilities.
Yet now our federal (and some of our state and local government officials, too) are attempting to wipe away the contributions and accomplishments of our “diverse” people from websites and history books.
For instance, native code talkers who–by virtue of their distinct language–were instrumental in helping to bring an end to World War II.
Did you know that recently pages on the Arlington National Cemetery website–highlighting the graves of Black and female service members–have been removed?
These and other efforts are designed to erase the accomplishments of women and people of color.
How far will this attempt at whitewashing our history go? I don’t pretend to know. But I do know that the best attributes of our diverse culture exist in the past and present and people need to know about these contributions.
My husband Tom, an aficionado of films from the 1960s and 70s, has been leading a film series this winter and spring at the Scottsdale Public Library, titled “Movies That Matter: the 1970s.”
Each Monday afternoon, between 75 and 100 people attend this free series. The audience is mostly white people who love great films.
Last week, Tom screened “Dog Day Afternoon”. Directed by Sidney Lumet and starring Al Pacino, the film–based on a true story that occurred in Brooklyn, New York, in the 1970s–chronicles a botched bank robbery in the heat of the summer.
It’s an intense and sometimes funny film early on. Pacino plays Sonny. He’s desperate to get the money his partner needs for a sex change operation. But we don’t know that until more than half the movie has spooled through what once was a movie projector.
It’s a must-see flick. I won’t spoil the outcome if you haven’t seen it. But the most meaningful and important aspect of this story is that 93 people attended. They listened to Tom’s stage-setting intro for historical context. They watched the film, and then they talked about it. Together.
They talked about what it meant. They examined the techniques employed in the film to tell the story effectively. They existed in that space for three hours as a community of people in a shared experience.
I don’t pretend to know all of the political affiliations represented in that room. But I’m certain they left with a greater appreciation for film and how it can shed light on the differences and pressures–like them or not–that have existed in our American society for decades.
Tom delivers his opening remarks at a screening of Dog Day Afternoon at the Scottsdale Public Library on March 17, 2025. Photo by our friend and neighbor Diego.
