Category: Essays

Adrift

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I wrote most of my first book ten years ago. I was consumed by the project … in a purely positive way. Connecting the dots of grief and my family’s writing DNA spurred my energy and creativity.

As late summer 2015 approached, my daily creative output accelerated. Chapter after chapter emerged From Fertile Ground.

We didn’t have a printer at home but lived near a FedEx store. Whenever I completed a new, sizeable chunk of my manuscript, Tom and I walked there to print the updated version. Holding my evolving story in hand gave me a sense of pride and tangible proof of progress.

Now, in late summer 2025, I find myself at a vastly different place in the arc of my literary life. As I look back over the past decade, I feel a tremendous sense of creative accomplishment. … knowing I have produced four memoirs, a book of poetry, three librettos, a litany of essays, and a memoir writing workshop.

Yet I feel adrift.

Part of it is an energy thing … or, more accurately, a focus thing … or, even more pointedly, “maybe-this-is-what-it-means-to-be-68-and-a-compassionate-human-being-and-living-in-the-United-States” thing.

Okay, I’m not being totally transparent. I’m trying to avoid the trauma in our country. I’ve turned off the news. My husband and I are helping each other stay sane. In addition, I have been developing occasional pieces of flash fiction and nonfiction essays for literary contests.

I also have written several chapters for a “how to write a compelling memoir” manuscript. And there is another writing opportunity that is percolating … but it’s premature for me to spill those beans.

Anyway, I don’t feel all that jazzed about any of it … at least not on the scale of my first-born book in 2015. The one I felt like I was meant to write.

Is it weird that I’m getting more energy from writing this blogpost than the projects I mentioned a few paragraphs above? Probably not, because I’ve always enjoyed the raw, immediate-but-winding personal connection that comes with this territory … with this writing forum.

So that’s where I am right now … treading late summer metaphorical waters in the desert … bobbing along in a sea of episodic literary possibilities … exercising four or five times a week to keep my heart strong … taking more naps than I used to … longing for the next big wave of creative energy … gazing back to the distant shoreline of past successes and bittersweet memories … squinting ahead (like many of you) into nasty flames of deception, betrayal, and planned confusion that threaten my country’s future.

No wonder I feel adrift.

Protests and Poetry

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“Are you guys going to the protests this Saturday?” Nick wondered last Wednesday via a text.

“No. We aren’t planning to. It’s just too hot,” I responded to my son.

But as the week wore on, I began to regain my energy following three phenomenal concerts with my Phoenix Gay Men’s Chorus pals.

On Friday, I reconsidered Nick’s question. I told him Tom and I would do it. A few of our chorus friends wanted to join us too at a No Kings protest in Scottsdale.

I should tell you that I don’t consider myself an activist, though I have marched for various causes on several occasions in my life. I prefer to share my voice and perspective through my writing.

But I also recognize the dire state of our democracy. I decided if my World War II veteran father (he defended democracy in Europe with the allied forces during the Battle of the Bulge in late 1944) could endure frozen feet in foxholes with his buddies and risk his life as an army sergeant, I could certainly endure the 90-plus desert temperatures in Arizona for two hours, wave my American flag and “We the People” sign, and join forces with family and friends to raise my voice. To make sure it was heard.

So, Saturday came, and we did it … Mark, Tom, Nick, Kim, Dougal, George and one to two thousand others represented democracy in Old Town Scottsdale. We were a dot in a map of some five million in the U.S. and abroad who took to the streets in big cities and small towns. All of us deeply concerned.

Locally, it was an inspiring and peaceful No Kings protest consisting of angry but well-behaved women and men. Young and old. A few children with parents and grandparents. Couples. Singles. Straight. Gay. Multi-cultural. Dogs, too. Dare I say diverse?

At one point, Tom and I chatted with a fifty-something mother from San Diego. She was visiting her daughter who lives in Scottsdale. They took turns chanting “No Kings” while cradling their adorable, slightly overwhelmed dachshund.

The dog’s benevolent eyes seemed to say, “what are we all doing here?” All I could do was shrug and smile. There is no explaining all we have endured in this country over the past six months. Not to mention the previous eight or nine years.

A short while later, I turned to discover a man holding a profoundly-funny-and-literary sign. A parody of American poet Robert Frost’s The Road Not Taken. I imagine Frost would have loved it, if he had been alive and standing beside me.

I asked the man if I could take his picture. I told him it spoke to my wordsmithing sensibilities. He surprised me by saying he was a math guy.

I’ll likely never cross paths with him again. He’ll never know that my book of poetry, A Path I Might Have Missed, was inspired by my love for Robert Frost’s verses. But on June 14, 2025, we stood on the same page … on the same street corner … on the same shared path.

Together–close friends, like-minded acquaintances, and distant strangers–we proclaimed our desire and hope to rescue American democracy from the clutches of fascism.

I Don’t Pretend

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It’s late Friday afternoon in the desert. The mockingbird outside our backdoor is singing his or her heart out. It’s a tender, hopeful, pre-weekend serenade … a chirpy, lyrical refrain coming from the top of a telephone pole that connects our heavier world of technology and dissonant news and noise.

None of us knows what tomorrow will bring … ever. But especially now.

Case in point: early this afternoon as Tom and I devoured a few remaining slices of sausage and veggie pizza from the night before, a military jet zoomed overhead.

The sudden surge of decibels jarred our nerves. Though we live near a military base at Papago Park, we rarely hear that intense noise. Only an occasional squadron of helicopters arriving or departing.

We are a nation of divided people living on the edge of time, sound, and sensibility. Each day when we climb out of bed, we are aware of the dismantling of institutions we have come to know and respect.

Each day we are threatened by another batch of edicts tossed out the sidedoor by an authoritarian regime bringing shame and constant anxiety to those of us raised to believe in a country that once valued high ideals over low morals.

I don’t pretend to have the answers. But I know silence will kill us.

I won’t pretend to be someone I’m not. Or as I have said frequently to friends lately, “I’m not putting this genie back in a bottle.”

What do I mean? I spent too many years as a teenager and young adult (of the 1970s, 80s and early 90s) denying my true gay identity, subverting my whole self to try to fit into a predominantly straight, suburban culture.

That caused me (and others in my life at the time) tremendous personal pain. And, on a larger scale, denying the truth kept our society from advancing to a higher plain of equality, freedom, and human possibilities.

Yet now our federal (and some of our state and local government officials, too) are attempting to wipe away the contributions and accomplishments of our “diverse” people from websites and history books.

For instance, native code talkers who–by virtue of their distinct language–were instrumental in helping to bring an end to World War II.

Did you know that recently pages on the Arlington National Cemetery website–highlighting the graves of Black and female service members–have been removed?

These and other efforts are designed to erase the accomplishments of women and people of color.

How far will this attempt at whitewashing our history go? I don’t pretend to know. But I do know that the best attributes of our diverse culture exist in the past and present and people need to know about these contributions.

My husband Tom, an aficionado of films from the 1960s and 70s, has been leading a film series this winter and spring at the Scottsdale Public Library, titled “Movies That Matter: the 1970s.”

Each Monday afternoon, between 75 and 100 people attend this free series. The audience is mostly white people who love great films.

Last week, Tom screened “Dog Day Afternoon”. Directed by Sidney Lumet and starring Al Pacino, the film–based on a true story that occurred in Brooklyn, New York, in the 1970s–chronicles a botched bank robbery in the heat of the summer.

It’s an intense and sometimes funny film early on. Pacino plays Sonny. He’s desperate to get the money his partner needs for a sex change operation. But we don’t know that until more than half the movie has spooled through what once was a movie projector.

It’s a must-see flick. I won’t spoil the outcome if you haven’t seen it. But the most meaningful and important aspect of this story is that 93 people attended. They listened to Tom’s stage-setting intro for historical context. They watched the film, and then they talked about it. Together.

They talked about what it meant. They examined the techniques employed in the film to tell the story effectively. They existed in that space for three hours as a community of people in a shared experience.

I don’t pretend to know all of the political affiliations represented in that room. But I’m certain they left with a greater appreciation for film and how it can shed light on the differences and pressures–like them or not–that have existed in our American society for decades.

Tom delivers his opening remarks at a screening of Dog Day Afternoon at the Scottsdale Public Library on March 17, 2025. Photo by our friend and neighbor Diego.

Wrist-banding Together

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When you’re living through a full-blown constitutional crisis–and feeling vulnerable–you need to find ways of coping and caring for the ones you love.

So, I bought two of these beaded rainbow wristbands from the Human Rights Campaign for Tom and me to wear.

We are wrist-banding together.

This is a symbolic gesture. I want the world to know that this gay couple isn’t going anywhere, though it is a period in the United States where some would prefer that those of us who are different would go away.

But I–we–remain visible.

As I write this blogpost, I realize it is number 500 … a true milestone for any writer.

When I began blogging in May 2018, I had no illusions of where it might lead.

I simply wanted to give my books and literary voice more room to grow, more visibility.

For that reason, I suppose it is fitting that today I choose to write about my gay identity and continue to exercise personal aspects of my voice … visibly.

In many respects, the life my husband and I lead is not all that different from any couple.

We shop for groceries together. Go to the gym together. Enjoy quiet moments and meals together. Love and nurture each other.

We do our best to support each other and our family members during highs and lows.

We spend time with our friends. They are young and old, straight and gay, black and white.

We love and respect them, and they love and respect us.

I think it’s accurate to say this about our friends: we enrich each other’s lives, no matter our skin color, religious beliefs, cultural perspectives, gender identities, or sexual orientations.

It is a personal jolt to realize–and read on trusted news sources each day–that our differences are under attack and being eroded in my home country … the country I still love.

I don’t think I’m depressed. But I am definitely sad and angry. Definitely grieving. Me and a boatload of others of all backgrounds and persuasions.

There are times when I want to scream from the top of a mountain. “This is my country, too. How dare you try to take that away from me!” But then I wonder, “Is anybody listening?”

So, I bring this here, instead and I type these words in blogpost number 500.

At any rate, thank you for joining me–possibly even enduring me at times–on this blogging journey since May 2018.

As long as I continue to feel I have something important and relevant to say (to shed light on the topics of the day … to celebrate a literary success or the latest Phoenix Gay Men’s Chorus performance … to pay tribute to those I love … to tell a funny story about our stray cat Poly … to observe and honor the beauty of nature … to share a vivid, meaningful memory about my childhood … or to pen a poem that is in need of artistic space and oxygen) you will find me here.

I hope you have been informed or entertained and will continue to tag along with me on this organic literary odyssey, wherever it may lead.

As I walked the treadmill at the gym this morning–on Abraham Lincoln’s two-hundred-sixteenth birthday–a weird, dark, and discomforting question swirled through my brain.

What if we–all the diverse people in this country, all the people of color, all the LGBTQ folks–were gone?

That fearful quandary led me to write this poem.

****

If We Were Gone

If we were gone,

you would miss

our minds, our hearts,

our beauty, our tenacity,

our sensitivity,

our sensibility,

our kindness, our love,

our compassion, our humor,

our leadership, our style,

our guidance, our wisdom,

our friendship, our support,

our joy, our pain, our truth,

our sun, our moon, our stars,

our books, our movies,

our artistry,

our contributions,

our serendipitous stories.

But, most of all, you

would miss us.

You would miss

the clarity and

strength of our

distinctive lives

and beautiful voices.

That would be

the greatest loss of all.

From Longing to Belonging

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I’m back home. Inside the furnace, better known as the Valley of the Sun.

I have begun to reemerge from an affirming, magical, inspiring five days of LGBTQ bonding and music with my chosen family at the 2024 GALA Festival in Minneapolis.

From July 10-14, 7,000 singers (representing nearly 300 choruses and presenters from around the world) inhabited the Twin Cities.

We owned the stages. Occupied the hotels. Flooded the restaurants, bars, shops and streets with gaiety and glee.

But it was more than the magnitude of this quadrennial event that has left an indelible imprint on my creativity and identity. It was the sense of joy, kindness, support, and human possibilities that dazzled me most.

At a time in this country and our world where so much hatred abounds, I was reminded that when love is present–when people truly come together to care for one another and cheer each other on–we can be that Bridge Over Troubled Water (one of the songs my Phoenix Gay Men’s Chorus mates and I performed) of hope for one another.

This was my third GALA. I shared all of them with my husband Tom: 2012 and 2016 in Denver; 2024 in Minneapolis. Each one has nurtured me, deepened my sense of artistry and compassion, and reinforced the importance of rekindling/kindling old and new relationships.

In this 2024 installment, over a five-day period I was able to reconnect and celebrate with friends from Chicago (who perform with the Windy City Gay Chorus and the Chicago Gay Men’s Chorus), Washington, Seattle, and–of course–Phoenix.

A friend and ex-colleague (from my past consulting career) who lives in the Minneapolis area, also surprised and delighted me by attending our performance on July 12. It was a treat seeing her again.

If you follow my blog, you know I have written five books. One is a book of poetry; the other four are memoirs or creative nonfiction. I’ve also written lyrics and librettos for the Phoenix Gay Men’s Chorus.

Already, I have begun to scribble ideas in a spiral notebook that were sparked by my latest GALA experience. Who knows? This may lead me to a stream of poems or lyrics I have yet to compose.

For now, I will leave you with an idea and image that captured my attention on Saturday as Tom and I watched a series of choruses perform inside the auditorium of the Minneapolis Convention Center.

A few rows in front of us, a couple neither of us knows relaxed and leaned in. Away from the heat and fire in the world, they rested their heads against one another. They held each other. They listened to beautiful music in a safe space.

Many of us in the LGBTQ community have spent large portions of our lives searching for answers, longing for love and understanding.

The beauty of the GALA Festival is that–through the power of music, relationships, and community–we can move from longing to belonging.

Moving beyond this amazing and affirming five days in the upper Midwest, we will continue to raise our voices inside our choruses and be our authentic selves outside in the everyday world.

Truly, we are much more than a large collection of singers. Together, we represent a movement of kind, talented, and diverse humans with the power to change hearts, minds, and attitudes.

Under Construction

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Writing can be gratifying, but it’s not easy. It requires introspection, imagination, and a healthy dose of discipline away from the demands of the day.

As I write this, my creative inspiration has been less certain and more diffused. Perhaps the construction cones, yellow tape, and jagged chunks of sod–prominent through the screen of our kitchen window after the replacement of a water main valve this week–are a fitting metaphor for the disruption I feel.

I’m living between and among several writing-related projects that deserve attention. The largest of these is a novel I’ve been mining … and drifting in and out of for the past eighteen months or so.

It’s a compelling (I think) fictionalized story of twin brothers navigating the pitfalls of their differences and a significant/sudden loss that muddies their family waters and transforms them.

I’ve written six or eight chapters, spent significant hours developing the back stories of both characters, and have a clear idea of the troubles they will face and how the story will end, but there is at least a year of research, writing and editing ahead. That feels daunting.

In the near term, I’m committed to blogging once a week and working with Marc, the artistic director of the Phoenix Gay Men’s Chorus, on another libretto later this month. This one, called “Encore”, will appear on stage in late June.

I’m also refashioning a retrospective essay about a teen’s emerging gay identity. This is something I’ve submitted to a few literary magazines. So far, no takers. But I’m determined to find a home for it.

Meanwhile, I want to teach a memoir writing class. On Monday, I presented the Scottsdale Public Library with a concept for a workshop I have developed. They like the idea. There are details and timeframes to figure out, but I hope to lead the first session with a small group of attendees this fall.

Yes, there is a lot under construction inside my brain and around me as snowbirds tiptoe to and from the parking lot past the various plots of uneven ground the plumbing crew left in their wake.

At least I’m choosing creative projects that are important to me … doing my best to entice more folks to read my books, while maximizing the slippery slope of my sixties.

It all feels exhilarating and overwhelming.

BINGO Is Back

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It’s been happening under the slanted roof of the Polynesian Paradise clubhouse for decades.

Old and young residents and guests gather a few times each month for old-school, low-tech Arizona fun.

They flock there to play BINGO on Wednesday nights in January, February and March when the snowbirds have returned.

Spirits are high, but stakes are low.

Fifty or sixty friends and neighbors huddle over long metal tables with wooden tops. They scan their BINGO boards with dreams of leaving with fifteen or twenty dollars in their pockets.

Hit the switch and you can hear the hum of the BINGO ball cage as it spins. The caller pulls a number and announces it over the microphone. B-15, O-66, and so on.

Over the years, the number callers have come and gone. Phyllis and Sherry shared the duties admirably on January 31, 2024.

Last night’s first game was dedicated to Bill H. He passed last year. In his honor, you had to cover all the numbers on one of your boards to fill the shape of the letter H to win $10.

After that, each game was more traditional. You needed to get five in a row across, up and down, or diagonally to win $5.

Or–if you were lucky enough to cover the four corners or create a “postage stamp”–a four-square shape in one of the corners–that would suffice too.

The final game of the night is always “black-out” BINGO. The goal is to cover every space on your card. The first one to do it, shouts BINGO and wins $20.

Last night, two–Theo and John–landed there at the same time and shared the winnings.

But the beauty of BINGO isn’t really the amount of cash you win.

It’s about the shared experience of sitting side-by-side in the same room.

It’s about the kitschy camaraderie, silly laughter, and goofy cross talk before, during, and after each game.

It’s about celebrating the “what ifs” of life … “Oh, if only she’d called I-30. I would have been the big winner!” … no matter your political preferences or social status.

It’s about the realization that the small, yummy square of lemon cake Jean baked for consumption at the half-way point contained a splash of zesty lemon from one of our luscious community citrus trees.

It’s about the reminiscing with friends as you walk back home to your respective condos at the end of the day on a mild desert evening.

It’s about hugging and bidding each other a good night … until the next game of BINGO.

My three BINGO cards. I didn’t win.
Our fun table causing a ruckus.
Theo and John won several games.

American Fiction

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I don’t usually write film reviews. I prefer to leave the nuances of critiquing movies to my cinephile husband. However, in this case, I will break the rules. You’ll understand why in just a moment.

In American Fiction, Jeffrey Wright plays Monk, a frustrated novelist who feels his books have been lost in the bluster of less literary works that fly off the shelves on the wings of tired stereotypes about the Black community.

Against the advice of his agent, he decides to prove his point by writing a one-dimensional, inflammatory book under a pen name.

He considers it garbage, but ironically the story wins immediate acclaim. He finds himself faced with the conundrum of accepting his financial windfall and hypocrisy or coming clean.

No spoilers here. You’ll have to see the movie to understand the permutations of his dilemma.

However, the story–written and directed by Cord Jefferson–is a dazzling bit of witty screen writing, laced with well-drawn, believable characters navigating painful personal traumas.

It’s been a long time since I was so entertained watching a movie. Tom and I laughed. Out loud. And so did the fifty or so others who sat around us in the theater at Camelview Theater at Fashion Square Mall in Scottsdale on Friday night.

I even shed a few tears, because there is a story thread about Monk’s mother–played by Leslie Uggams–that hit rather close to home.

But what resonated most for me was the brilliant way the film explored the world of a writer. We tell our stories, hoping our truths will land with readers.

We spill our guts (or those of our fictional characters) on the page but have no control over the tastes and proclivities of readers.

We do it because we love to write. It’s what we were meant to do. But secretly–or maybe not so much–we pine for our books to blaze a trail and rake in the royalties.

For those of us with dreams and scruples, we want our books to sell … but never want to sell out.

Thanksgiving in the Desert

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Grief is a strange, but reliable, motivator.

With Thanksgiving 2013 approaching, Tom and I knew we needed to change things up after my mother’s slow-and-painful exit the previous January. We decided to escape our suburban Chicago home.

In the wake of our significant loss, we wanted to create a new tradition and plan a week-long Thanksgiving holiday in the desert (in our cozy Scottsdale condo) with my twenty-something sons Kirk and Nick, and Nick’s girlfriend Stephanie.

Early November came. Each of us cleared our schedules. About ten days before our flight from Chicago to Phoenix, Tom developed pneumonia. He was hospitalized for a few days, but insisted he would be well enough to make the trip.

Remarkably, Tom recovered enough for his doctor to clear us for take-off. When we landed at Sky Harbor Airport in Phoenix just west of the Papago buttes, I felt relief.

Over the next few days, Tom’s health continued to improve. We even climbed a portion of “A” Mountain in Tempe near the ASU (Arizona State University) campus.

On Thanksgiving Day 2013, Tom, Nick, Stephanie, Kirk and I dined outside under an orange tree on the patio of Mission Palms hotel, also in Tempe.

In those cool-but-sun-soaked moments–still a year before Tom and I would marry and four before we would move to Arizona permanently–I realized that the space created by my mother’s passing would mean more than a horizon shrouded in tears.

It would mean new possibilities … new chapters … for all of us.

Our New View

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Trees connect us to the earth and sky. They adorn our natural spaces with character, continuity, and shade. Though they never speak, trees–if we listen–whisper wisdom in the wind.

***

Tom and I have missed the presence of a tree in front of our Scottsdale home for nearly six months.

In May, carpenter bees sawed our fifty-year-old fig tree, selected and planted by Tom’s grandfather in the early 1970s.

Sadly, it split in two and tumbled down in the darkness. Only a stump remained for nearly six months.

During the long, hot summer of 2023, I missed the solitude and protection of a tree outside our north-facing window.

Each time I walked past our fig tree’s stump, it reminded me of other recent losses: our friend Dave last December; Frances (my mother’s sister) in July; then another friend Chad … suddenly in September.

Strange as it sounds, the space where our fig tree once stood felt like an open wound or incomplete canvas. But that changed in September when Tom and I shopped for a new tree.

I felt the exuberance of nature’s possibilities as we walked through Moon Valley Nursery in Phoenix–sizing up the options: Hong Kong Orchid (flowers in the spring); Chinese Elm (strong shade tree); Ficus (evergreen and can be trimmed to stay small); and Red Push Pistache (drought-resilient with a pop of color in the late fall).

Jonnie was our escort and sales rep. She helped us compare and contrast the leading candidates. By the end of September, the choice was clear for Tom and me.

We picked the new tree of our dreams, a hearty Red Push Pistache. It is best known for the vivid red color it produces in late November.

In that sense, it will remind us of the Burning Bush we planted in the front yard of our home in Mount Prospect, Illinois in the summer of 2013.

It turned blood red every October (and still provides a splash of color though we left in 2017), after the Blue Spruce that preceded it died in the spring of 2013 … a few months after my mother left this earth.

***

On November 1, a crew from Moon Valley Nursery arrived to remove our fig tree stump. As they dug up the remaining gnarly and decaying roots and hollowed out the hole, Tom and I could feel relief pour in.

The following afternoon, our new, mature, Red Push Pistache tree arrived on the back of a long, flatbed truck. A team of five men from Moon Valley maneuvered it through the gate and down the sidewalk. Moments later, the crew enlarged the hole to accommodate our new tree’s three-foot ball of roots.

By five o’clock they had anchored our durable-and-drought-resistant shade tree in the ground in front of our condo. Soon after, they left to deposit another tree for another customer.

I imagine, in a few weeks–as Tom and I prepare to sit down at our kitchen table and give thanks on a Thursday–our new tree will lavish us with a blaze of red leaves.

But even before the redness appears, it feels as though some semblance of balance, normality, and renewal has returned to reveal our new view in south Scottsdale outside our north-facing window.