Category: Gay Life

Too Darn Hot

“But when the thermometer goes way up and the weather is sizzlin’ hot, mister man with a plan is not.Cause it’s too, too, too darn hot.”

***

As the heat rolls into the Valley of the Sun this week–100-plus high temperatures through Saturday–this snappy tune, which Cole Porter wrote in 1948 for his Broadway show Kiss Me Kate, repeats through my brain.

It’s certainly “Too Darn Hot” to hike outside in June here, unless you do it early in the day. That’s what I–and a young woman walking her Boston terrier–did Monday around 9 a.m. Nobody else was on the Papago Park trail near my home.

This morning I opted for swimming thirty lengths in the relative cool of Chapparal Pool. How I’ve missed submerging myself underwater (thanks to a couple of dermatological procedures that kept me at bay).

In the afternoons, you’re better off holding up in the Scottsdale Public Library to escape the heat. That’s where Tom and I have sequestered ourselves today, along with a few dozen others, strategically stationed at square wooden tables, hovering over their books and laptops.

Other than the heat references, why would I be channeling an old Broadway tune? Because my next choral concert with the Phoenix Gay Men’s Chorus–“Broadway Lights”– is fast approaching: June 27 (2 p.m. and 7 p.m.) and June 28 (2 p.m.) at Tempe Center for the Arts.

As described in our promotional materials, “It will be a spectacular celebration of some of Broadway’s most beloved musicals. From the soaring melodies of Wicked and The Sound of Music, to the show-stopping energy of Hamilton, Moulin Rouge!, Hairspray, Into the Woods, The Book of Mormon, The Wiz, and The Greatest Showman, this season finale is packed with music that has captivated audiences around the world.”

Coincidentally, “Too Darn Hot”–timed beautifully with the inevitable onset of our desert heat–is the closing number for Act One.

If you live in the Phoenix metropolitan area, step into one of the coolest concert venues around: the Tempe Center for the Arts. Get your tickets at http://www.phxgmc.org.

You may be wondering “Since it is Pride month, is there a LGBTQ Pride element to this concert?” The answer is a resounding “YES!”

My chorus mate August and I have teamed up to write the libretto for the concert. It features nine storytellers, who will describe how Broadway music has served as a beacon for the LGBTQ+ community in happy and sad times.

Together–the music, the stories, and a slate of hot dance numbers–will combine to create a full theatrical production, which our loyal audience has come to expect.

This will mark the completion of my ninth season (singing and writing for) with the Phoenix Gay Men’s Chorus.

I still recall auditioning for the chorus in August 2017. Tom and I had just moved to Arizona from the Chicago area.

I was depressed and anxious, desperately trying to regain my health, to uncover an unobstructed view after surviving a heart attack on the way west in July 2017 on our sixtieth birthday.

Finding the chorus, nurturing new friendships, and reigniting my passion for singing has been a key element in my recovery. It helped me lighten my mood and smile again.

When I step onto the stage again on June 27, I know I will feel grateful for the music and the nine years of creative discovery. But also, for this safe haven. This supportive community of people.

They have helped me to realize I still have a lot to give. I still have a lot to say. I still have the ability to stand on a stage and raise my voice, especially now as we cling to the hope that–maybe someday–our democracy can be salvaged.

Hope Is Never Silent

Photo by RDNE Stock project on Pexels.com

Today–May 22–is Harvey Milk Day.

On what would have been his ninety-sixth birthday, I want to remind the world that Harvey Milk’s spirit of compassion, authenticity, equality, and hope still lives within each of us in the LGBTQ community … nearly fifty years after his assassination in November 1978.

In 1977, Harvey Milk was the first openly gay man to be elected to public office in California as a member of the San Francisco Board of Supervisors. Despite his short political career, he quickly became an icon in San Francisco and a galvanizing force and inspiration for the LGBTQ community for his unbridled commitment to civil rights.

We will never know what Harvey Milk might have said if he had lived to see the dream of national marriage equality become a reality in the United States in 2015 and now–eleven years later on the other end of the spectrum–to witness the rapid, daily decay of American democracy, American institutions, and American civil liberties.

But I’m a hopeful person and so was Harvey.

He believed “hope is never silent.” He also believed in visibility, whether it means two men holding hands while roller-skating under the palms or standing in protest … raising our voices in solidarity … and living openly on days that aren’t nearly as sunny.

In these frightening times, the impulse for some might be to take a step or two back into the closet. But Harvey would have encouraged all of us–gay and straight–to do the opposite. To step forward with conviction.

Take a moment to read some of Harvey’s encouraging words.

Harvey’s hope and memory is a salve for all of us–gay and straight–who believe in truth and decency.

Though Harvey is long gone, his legacy of authenticity and hope still lives.

***

“I know you can’t live on hope alone; but without hope, life is not worth living. So you, and you and you: you got to give them hope; you got to give them hope.” Harvey Milk

“Every gay person must come out. As difficult as it is, you must tell your immediate family. You must tell your relatives. You must tell your friends if indeed they are your friends. You must tell the people you work with. You must tell the people in the stores you shop in. Once they realize that we are indeed their children, that we are indeed everywhere, every myth, every lie, every innuendo will be destroyed once and for all. And once you do, you will feel so much better.” Harvey Milk

Not Like the Others

As a kid of the 1960s and 70s, I knew I was not like the other boys. It didn’t mean I was special. It just meant I was different.

While I was more verbal, intuitive, and sensitive than most boys at ten, twelve, fourteen, and so on, I didn’t have the language, understanding, or role models to help me explain how I was different.

Instead, I craved the word games and visual puzzles in Highlights magazines in doctor and dentist office waiting rooms, which prompted me to find the differences–the missing pieces–among a pageful of images.

All the while, I subverted my attractions for other boys–my genuine feelings for other people in general–to conform with the suburban norm. I didn’t dare to be different, but I always admired the kids who did.

Decades later, I’m comfortable in my body. As a visible member of the LGBTQ+ community in the Phoenix metropolitan area, I have no difficulty wearing goofy socks, pastel colors, or bold rainbow-colored sneakers.

During the first half of May, I captured these ten photos of items close to home that caught my attention or grabbed my interest. Each is beautiful in its own way. The final one–like me–is clearly not like the others.

As the summer heat settles in here in Scottsdale, Tom and I will apply our Scooby-Doo sunshade (replacing the plain old silver one we bought nine years ago) to the windshield of our Hyundai Sonata whenever we park our vehicle under flaming blue skies.

It’s our way of protecting ourselves (and our hands when we reenter our sedan and grab the steering wheel), while telling the world it’s okay to remember the light-hearted moments of our past lives … to be playful no matter our age … to take pride in being different in these Sixty-Something Days.

Transitions and Auditions

May is a transitional month in the Valley of the Sun.

Snowbirds have flown away to their full-time nests east and north. Tom and I are left to our creative devices.

Despite the higher temperatures coming soon–100-plus next week–I prefer these quieter, hotter days.

There is more room in our favorite coffee shop where we write and socialize. Less maneuvering through traffic merging on and off highway ramps framed by jagged mountains that remind me I am a westerner now … for nearly nine years.

This morning at the Scottsdale Community College gym Tom and I now frequent (free with our Silver Sneakers membership), Rosalind greeted me with a broad smile.

She read and loved Sixty-Something Days, my latest book and told me she is recommending it to all of her sixty-something friends.

Active-retiree Rosalind laughed when she said, “I’m your target audience.” She offered that it reminded her how important it is for all of us to be grateful for the goodness and love in our lives.

In that moment, she shared a photo of her two, beautiful, three-year-old granddaughters who are the children of her twin adult sons.

As we parted to continue our respective exercise regimens, she volunteered that she will be leaving for Flagstaff for the summer–her own transition to the beauty and cooler temps of northern Arizona–but back in the fall to resume her desert life.

Now that May has arrived, I’m shifting creative gears.

I’ve been working with another chorus member–August–to write and finalize the libretto for Broadway Lights, the next Phoenix Gay Men’s Chorus (PHXGMC) concert June 27 and 28 at Tempe Center for the Arts.

It features eight storytelling vignettes that wrap in and around our PHXGMC set of inspiring, fun/funny, and fabulous Broadway tunes.

This evening, August, Darlene (PHXGMC’s assistant artistic director), and I will watch and listen to a stream of chorus members who are auditioning for the nine speaking roles that tell stories (fictionalized ones rooted in reality) of how Broadway music has served as a beacon for our LGBTQ+ community in happy and sad times.

I am proud of my involvement with the chorus as both a second-tenor performer and librettist. At this stage of life, time moves quickly. It’s difficult for me to believe that I have been singing with the chorus for nine years, since Tom and I moved to Arizona in 2017.

As my sixty-ninth birthday fast approaches in early July, this community of friends–truly a safe haven in our chaotic country–provides an ongoing-and-meaningful oasis during these Sixty-Something Days … ones I am grateful for even on the hottest days that surely loom beyond this stretch of ground Tom and I walk along the Crosscut Canal and Papago Buttes.

It Just Went Live

This is a momentous day for me. My sixth book just went live on Amazon.

Sixty-Something Days is the story of my post-65 quest to stay relevant creatively. It is a collection of my best essays, poems, and short fiction from 2022 to 2025.

The book is an artistic tapestry of my writing, singing, teaching, learning, growing, and surviving journey … with family and chosen family … connecting one leg of my life (my midwestern past) with another (my western present) during this period of tremendous upheaval in our country.

In my heart, I know this book will resonate with many of you–my loyal followers–who like me continue to strive to nurture and protect the artists, educators, animals and nature, and diverse disenfranchised people in our communities.

I hope you’ll take a few minutes to click the link below and be among the first to buy a copy. Thank you for your support of my creative pursuits!

https://www.amazon.com/dp/B0FZM2724S?ref_=ast_author_dp&th=1&psc=1

Half a Century Ago

On August 25, 1975–fifty years, five decades, twenty-five pounds thinner, and half a century ago–I was a long-haired, idealistic college freshman hustling across campus in the rain.

It was my first day of classes at the University of Missouri in Columbia. (My mother took this photo during college break a year later.)

This naive, relatively-shy-but-often-fun-and-exuberant eighteen-year-old boy (he was not yet a young man but was an aspiring pre-journalism major) knew little about the world or himself.

But he was determined to find his way one hundred-and-twenty-five miles away from his parents and childhood home in the St. Louis suburbs.

Mom and Dad paid for my tuition, books, and room and board in Hatch Hall on campus. I vaguely recall the total bill was less than one thousand dollars per semester.

Looking back, I think I may have spent half that amount on frivolous expenses like pizza, sub sandwiches, and beer.

That money came out of my pocket. From what I earned and saved during the summer of ’75 as a rollercoaster operator at Six Flags. But I could always count on care packages and frequent small checks, which Mom sent in the mail.

John was my roommate freshman year on the fifth floor of Hatch Hall. We were good buddies, close friends from the late 1960s when we were junior high classmates.

Though we had different career aspirations which dictated non-intersecting class schedules (John was pre-med), we were inseparable in many ways from August 1975 until May 1976.

There wasn’t much to our room. Minimal clothes. Primitive, uncomfortable desks and chairs. Single beds and random posters on opposite walls.

John brought his stereo, turntable and speakers. I brought a small black-and-white TV and popcorn popper. I recall us convincing our parents to split the cost of a mini fridge.

Wearing tube socks and denim cutoffs like all the other guys, we tossed Frisbees in the quad under the columns and played tennis across the street from our dorm. Through it all, we made friends of all sorts who lived up and down our hall and across campus.

After a full week of mostly boring, required classes, fall Friday nights included parties at Hinkson Creek (an abandoned quarry mine close to our dorm) where all the kids drank and many swam.

Football Saturdays in the fall of ’75 were fun, rooting for the Tigers in the student section. More often than not, the final score spelled defeat.

We wandered home to our dorm rooms aimlessly to sleep off the beer and prepare for Saturday nights … disco dancing to Donna Summer and roller keggars (drinking more beer while roller skating).

I remember zooming around a rickety indoor skating rink, dodging wooden pillars and puddles of beer. What a mess and what a stupid idea … and I didn’t even like the taste of beer!

By this time, John had a steady girlfriend … Sharon. (They met soon after John and his family moved to the northern St. Louis suburbs before his senior year of high school.) Sharon attended a different in-state college in Kirksville, Missouri.

I dated lots of girls my freshman year … but never for long. I was trying to live up to some ridiculous notion of masculinity that never felt like the true me.

The one exception was Carol. We were close in high school. She was sweet. That relationship lasted into college, but it quickly fizzled. I needed my freedom and time to learn who I would become.

Operating on a protected, fearful level, I remember feeling attracted to many of the cute boys in my classes and at Hatch Hall. But my gay identity and secret desires lived only in my subconscious.

I remember feeling anxious and alone. Constantly.

It would be three years before I would meet Jean at Mizzou. We were both Journalism students. There were sparks between us that developed into love and marriage in 1980 after she graduated.

Underneath it all, the attraction I felt for men grew stronger. But without a healthy avenue for my personal discovery, my depression deepened.

The reality is that from 1975 through 1979–my college years–there was no productive way for me to experiment with my sexuality and date other men. Whatever happened had to come under the cover of darkness.

***

If we live long enough, time, age, mistakes, and transformation … like the constant tumbling of water over rocks … can produce smoother edges and actual wisdom.

In spite of living a closeted, unfulfilled sexual life in my college years, I got a good education at the University of Missouri. I earned my Bachelor of Journalism degree in 1979. It opened many doors for me professionally.

The good news is I eventually found my way personally in my thirties and forties. Tom and I have been together twenty-nine years. I’m proud of the trusting, loving relationship we have created together.

There is irony in all of this. While he was a freshman trying to find his way–at the University of Iowa in Iowa City in August of 1975–I was doing the same a few hundred miles south of him.

We wouldn’t meet until we were thirty-nine … twenty-one years later … but that would also happen in the midwestern humidity of August.

***

Postscript: Next month, Tom will join me on a trip to St. Louis. We will attend my fiftieth high school reunion, where I will reconnect with a few hundred of my Affton High School classmates … the class of ’75 … most of whom I haven’t seen for at least thirty years.

My college roommate–John–and his wife Sharon will also join us. Somehow, over fifty years, five decades and more than half a century–we have sustained our friendship across the miles and supported each other in the important moments.

Raising children … and, in their case, grandchildren. Being there for my mother’s funeral at Jefferson Barracks National Cemetery in 2013. Coming to Chicago for my marriage to Tom in September 2014.

Each time we see each other (now it’s mostly winter visits here in Arizona), John and I are able to pick up where we left off.

Even though our lives have grown and changed in innumerable ways, we have maintained a mutual sense of love, respect, and continuity.

That’s something I’m proud of.

Locker 8

Ollie hated swimming lessons. But it was summer, and he promised his mother Jill that he would commit to one structured activity while school was out.

Every Tuesday and Thursday morning in June and July, Ollie packed his swim trunks, towel, and goggles begrudgingly. At 8:55, his older sister Lydia, fresh from earning her driver’s license, dropped him at the curb outside Chaparral Pool.

Ollie wasn’t afraid of the water or physical activity. What bothered him was getting naked in front of the other middle school boys and showering near them when their lesson was over.

To soothe his anxiety, Ollie hatched a plan. He decided to stash one of his tiny butterfly drawings—pink wings, beady red eyes, black antenna, and blue thorax on a white sticky note—in his bag. Then, when he arrived at the pool, he would post it discreetly inside locker 8.

An hour later, when he returned to the locker room after class, he twirled the dial on his lock—16 then 8 then 32—popped open the latch and rediscovered his prized artwork hanging there. This ritual distracted him as he peeled off his wet royal blue trunks, then scampered to the nearest open shower stall.

***

Ollie’s meticulous butterfly drawings covered his desk at home. Each one was unique in size, color, and configuration, but all were Ollie’s creations.

Before dinner one night in late May, Jill passed Ollie’s bedroom door. She knocked, then peeked in to check on her son and his homework progress. Before she left, she declared, “I love your drawings, Ollie! What do you love most about butterflies?”

Caught off guard, Ollie shrugged. He couldn’t find the precise words.

Was it their fragility? Their freedom? Their gentility? Their rare ability to transform from a cocoon and flit about—unfettered—floating above a weighty world that discouraged everyone around him?

Or simply that Ollie’s preoccupation with his art quieted his nerves even as he felt excitement stir in his growing penis?

***

On July’s last Thursday after Ollie’s final swimming class, he showered quickly to avoid contact with Jake. Weeks before, he made fun of Ollie’s oversized beach towel. It featured a canary yellow smiling sun wearing funky sunglasses.

“Did your mommy buy that big, beautiful towel for you, Ollie?” Jake chided.

What would Jake say if he found my butterfly tucked inside my locker door? Ollie wondered.

Undeterred, Ollie wiggled into his gym shorts, threw on his Arizona Diamondbacks jersey, slipped into his flipflops, and folded his belongings in his bag.

Rather than plucking his prized butterfly drawing from locker 8 and bringing it home to cluster with his other creations, Ollie left it hanging there. He left it clinging inside the metal wall for unknown days, weeks, or years.

Ollie left his art—his reassuring beauty—for another boy who might one day appear and appreciate it. For another boy who might feel threatened by a world of ominous clouds that surrounded him and what he didn’t yet understand about himself.

***

Lately, I have been writing short fiction, exploring and developing stories with a social statement that fit within the realm of my reality. It helps me feel I am making a small difference in this country I live in and still love … even as the madness within and outside our borders continues to spin out of control.

Visual prompts (like this photo I captured in July at my community pool in Scottsdale, Arizona) open an alternative world of creative possibilities for me. This is a technique I recommend to participants in my memoir writing workshops. So, in this instance, you might say I am wearing several hats … student, teacher, writer, gay man, concerned citizen.

I’d love to know what you think of this story. How does it make you feel? As always, I appreciate your insights and feedback.

In my memoirs, I’ve written about discovering and embracing my gayness later in life … remembering that horrific feeling of squashing my true self to fit into a prescribed notion of “all-American” masculinity.

I worry about the Ollies in the United States … the poets, artists, visionaries … the young, emerging, gay, lesbian and trans members of our society … all who face growing up in our country that is turning a blind eye toward anyone who isn’t a straight, white, MAGA male.

I worry for them. I worry for us. Every day.

Unpacking

In my late sixties, I am more aware of what remains in my gas tank.

Not the fuel gauge on our 2012 Hyundai Sonata. I’m talking about the physical and mental energy needed to maneuver life … while keeping a little extra for the seminal moments.

In the span of one week, I am celebrating Kirk’s and Jen’s (my younger son and future-daughter-in-law) engagement with family in Illinois (it already happened June 1) and taking the stage with my chosen Phoenix Gay Men’s Chorus family (June 6 and 7 is our raucous Rhinestone Rodeo show) at Tempe Center for the Arts in Arizona.

Both are deeply personal and rewarding.

Seeing my thirty-six-year-old son and his future bride beaming and greeting loved ones on the second floor of a popular neighborhood eatery on Chicago’s northwest side touched me. But there was more to it than that.

Because, there was a culmination of lives … past, present, and future.

Like Tom and me, my older son Nick and his girlfriend Anastasia flew in from Arizona for the festivities … and my sister Diane and brother-in-law Steve were there, too.

Though they live in the Chicago area, they each have difficulty managing stairs. Even so, diligently, they found a way to make the climb to a private dining room inside Zia’s Social. One small step at a time for the sake of a milestone moment with family.

There was another significant emotional layer to the event for me.

Jean, my ex, planned the party. Over the past few decades, we have been in the same room just a few times. At my mother’s funeral. At Kirk’s graduation. Our communication has been sparse at best.

But, at this stage of life, it feels life much of the animosity that existed between us after our divorce in 1992 has dissipated. We have both moved on. We have found vastly different lives with our respective husbands. Ironically, both of them are named Tom.

Bottom line, this engagement party was a joyous and healing experience for me … and I suspect others. There will be another one on August 29, 2026, at Kirk’s and Jen’s wedding. Also, in Chicago.

Now that my Tom and I are back in Scottsdale, I have been rehearsing each night this week. Conserving my energy while putting the smoothing touches on our music.

More than thirty of our Arizona friends–many of them straight allies–will be in the audience this weekend. They will fill the seats you see here alongside hundreds of others.

Smiling. Cheering. Laughing. Crying. Phenomenal music has a way of spurring it all. Touching our hearts and souls in ways we … gay or straight … never imagined.

Make no mistake. The nearly 1,500 who attend our shows this weekend will be entertained by our mix of past and present country western hits … coalescing with our brand of giant gay swirls thrown in for good measure.

Naturally, the pink fringe vest and new black boots I’ve bought for the shows … and will be wearing … will be made for more than walking and singing.

They’ll be carrying me through the two-steppin’ choralography … anchoring me on the top riser (through Pink Pony Club, Ya’ll Means All, Texas Hold ‘Em and much more) with love, gratitude, and pride for a week in June 2025 that will always be dear to me.

Ode to April

April exits stage left,

bidding adieu, waving her

Sonoran brush of trade winds

and soft apricot. They dance

down walls to touch natural oak,

warming, welcoming, watching

every moment of our lives.

Outside, hours before midnight,

cottonwood trees sway.

They whisper of mad

May days to come,

while we will find comfort

in what we can control,

who we greet with love,

even as we ponder what

western treasures to

embrace and behold

in the desert lodge

of our Arizona abode.

Our beloved Brokeback Mountain poster–which Tom and I purchased in Evanston, Illinois, more than fifteen years ago–leans against one of our Scottsdale walls. It waits to see which wall it will grace in our newly remodeled condo.

Transitions

April has always been a harbinger of change.

In a natural sense, it produces turmoil in the Northern Hemisphere … growth and beauty laced with intense storms and wild swings in temperatures.

Of course, those meteorological transitions pale when you compare them with the societal turmoil, which I feel daily living in the United States in 2025.

My only recourse is to try to make a difference in my own way: stay visible, protest beside like-minded friends …”Hands OFF our Social Security” … all the while remodeling my home with Tom, singing, writing, and leading my memoir writing workshops. (Twelve aspiring writers are meeting with me later today in the middle of three workshop sessions at the Scottsdale Public Library.)

It’s appropriate that my Phoenix Gay Men’s Chorus comrades and I will perform an inspiring arrangement of Bob Dylan’s The Times They Are A-Changin’ at our Rhinestone Rodeo concert on June 6 and 7 at Tempe Center for the Arts.

Because they most definitely are … and you better start swimmin’, or you’ll sink like a stone, for the times, they are a-changin’ …

On to more personal transitions that fly under the radar. It is the grimy stuff of life. A friend’s mother dies. Another grieves the loss of his wife. A third deals with a cancer diagnosis. I will do my best to continue to be there for all of them.

If you live in the Phoenix area, come in from the heat and attend one of our June concerts. We will entertain and energize you … make you smile, laugh, shed a few tears, too … as we lift our voices.

No one can stop me from being who I am … who I love … who I care for … who I sing with.