It’s a sizzling Saturday in the Phoenix area … 97, 98, and climbing. Hats and water bottles for protection and hydration are in order. They are now regulation gear for the next several months.
When Tom and I left the Phoenix Farmer’s Market mid-morning–clutching a clump of chard, a few red peppers, and a bouquet of snapdragons–I could feel the crackle and pop of heat bouncing off the sidewalks. Pulsating through the air.
Tom has since trimmed the pink and magenta snapdragons. He arranged them in a cobalt-blue-glazed ceramic pitcher I treasure. My mother left it behind.
We began buying fresh-cut flowers three years ago as Covid raged and tightened its grip on the world. It was our way of bringing natural beauty into our home, while we worked to avoid the bombardment of fear and disease.
Thirty-six months later, you might say this practice has taken root and grown into a full-fledged tradition.
Certainly, there is beauty outside in the surrounding rugged buttes, startling sunsets, chirping birds, and April cactus blooms.
But this bouquet (featured on a table beneath our Brokeback Mountain poster we bought when we lived in the Chicago area) provides us with a more private splash of color. Tucked away from the heat of the day both meteorologically and metaphorically.
In the universe of potential outcomes, I’ve discovered that an idea can spring out of nothing and lead nowhere. But, more often than not, like a hummingbird on a mission it takes flight to somewhere and lands somewhere else. It’s really an associative process of linking one idea to another.
Often this odyssey is driven by a sensory experience. Maybe it’s a familiar scent (like fresh-mowed grass) or sound (like the coo of a dove). Or a compelling image, such as a trail of hidden stairs. Or a winding creek rambling through nature with no end in sight. Or a defined space on a windy day with a few options to pursue toward a final destination.
As I writer, I’ve learned that I am at my best when I am open to all of these eventualities and possibilities. In other words, it’s better to say “yes” to an idea and let it simmer than to say “no” outright to something that might become something more.
I suppose you could call this my creative philosophy. It led me to write four memoirs and–more recently–a book of poetry. All of these are the result of committing to the practice of writing frequently. Often, I find myself composing words in my head while I’m swimming or exercising. Then, a few hours later, they travel to my fingers and land on a page as a story or poem.
One thing’s for sure. I know my life would feel relatively empty if I could never write again.
Back in January, Marc–the artistic director for the Phoenix Gay Men’s Chorus (PHXGMC)–asked if I would develop the stories and dialogue for five fictionalized LGBTQ characters. The script would provide the framework for the chorus’ June 2023 concert, Born To Be Brave.
If you follow my blog, you know I sing with PHXGMC and have written lyrics for the chorus in the past. Both the singing and the lyrical adventure have proven to be exhilarating creative experiences. So, I immediately said “yes” to Marc’s request, and knew this new challenge would stretch me in unfamiliar ways.
Sitting before my laptop, I began to create these five individuals–composites of people I have known. With time and nurturing, they began to represent the joys, fears, hopes, dreams, uncertainties, and triumphs of what it means to be gay, bi, or transgendered living in 2023.
In March (after numerous drafts, edits and tweaks), I finalized the script for the concert. In the process, five fully defined and diverse characters–Les, Bry, Q, Gregory, and Toni–were born on the page. Since then, the roles have been cast. Rehearsals are running full tilt.
On Saturday and Sunday June 3 and 4, Les, Bry, Q, Gregory, and Toni will take the stage. They will tell their stories and connect the music at Tempe Center for the Arts.
That weekend, I will be singing with the chorus. From my tenor-two position somewhere on stage, I will watch with wonder as five other chorus members embody the five characters. They will bring them to life, tell their stories, sing their songs, and shape their journeys in their own personalized ways.
What a mysterious, organic, and fulfilling creative path this has become. With every step forward, it is leading me to places I never imagined. And, ironically, I’m discovering this new fertile ground in the desert in my sixties.
Hello literary lovers. It’s time for me to stop teasing you about my upcoming book of poetry. Book number five–A Path I Might Have Missed–is alive!
The title and meaning? I chose the title, because it is a reference to the creative odyssey I might have overlooked (but fortunately found late in life and explored through my poetry). Plus, I just like the lyrical sound of these six words strung together.
The concept? It’s a wide-ranging collection of forty-two poems, which I wrote over a period of thirty years (from age thirty-six to nearly sixty-six). My poems cover a host of universal topics–love, loss, pain, discovery, truth, and transformation–with an eye to the ever-present influence of nature in our lives.
The content? The poems run the gamut. Some are reflective, probing, mindful, and deeply personal. Others examine the challenging times we face in contemporary society. I dedicated the book to my father, Walter A. Johnson. He was an unfulfilled poet.
The format? The book is organized into six sections: buds and blooms; fog and fire; magic and music; trials and trails; water and wonder; and stones and sky. I’ve included a photo of nature with each section, images I captured while living in Illinois and Arizona.
Just click on the embedded link below to reveal the cover of the book and purchase a copy on Amazon. Also, please leave your review online. I look forward to your comments and feedback. Thank you for supporting my creative endeavors. Happy reading!
Tom and I get this question a few times a month–sometimes more often. In Arizona, Illinois, or anywhere in between.
We could be at the check-out counter of a grocery store, a restaurant as we wait to be seated, or on the treadmill at the gym we frequent in Scottsdale as we were on Monday.
That’s when a friendly man, wearing a San Francisco Giants ball cap, popped the question. (No, he didn’t ask me to marry him.)
In 2023, I generally smile and respond as I did Monday with “No, we aren’t, though we get that question a lot.” And the conversation ends there.
Depending on my mood–and how much I choose to share my personal story (after all, I am a memoir writer)–I have often gone on to say, “Tom and I are married.” Or “Tom and I are partners.” Or “Tom and I have been together for more than twenty-five years.”
Along the way, we have never received any open backlash concerning our relationship (nor should we). Quite the opposite. We have made more friends of all kinds because of our openness and comfort in our skins. (By the way, it took me decades to get here and I’m not going back.)
With time and reflection, I’ve realized that the question is more of an observation in the world of people we contact who aren’t able to classify the intimacy or closeness they identify between two men standing before them.
Or maybe it’s an acknowledgment on a less significant level that we have picked up some mannerisms from one another that two brothers might have in common. However, we really don’t look alike.
At any rate, I will continue to live my open life as a gay man–proudly–in my community. I will continue writing about my experiences–positive and negative–as a gay man, a husband, a father of two adult sons, a neighbor, a friend.
I will continue singing on stage with the Phoenix Gay Men’s Chorus. As I write this, I have just completed drafting a script about five fictionalized characters living in the Phoenix LGBTQ community in 2023. Their dialogue will be the glue that ties together the music of our next concert: “Born To Be Brave”, June 3 and 4 at Tempe Center for the Arts.
I feel it is my duty to demonstrate that two men–a gay, married couple–don’t have to be blood brothers to love each other.
Especially in a country where some want to remove the books of gay authors from the shelves. Or try to erase the checkered history of our country on race relations because the truth is threatening to some. Or ban drag shows, because they view them as recruitment activities for current or future generations.
Okay, I’ll get off my soapbox now. But Tom and I aren’t brothers. We’re a gay couple living happily in 2023, and there are lots of us out in the world.
We’re making significant contributions. Loving our families. Loving our neighbors. Loving our friends. Loving the legacy, which we are leaving for future generations of children who need to know the truth about the past and the present. That there are all kinds of people in the world loving each other. And that’s just as it should be.
On Saturday and Sunday, I stood on stage at the Galvin Playhouse in Tempe, Arizona, with about forty fellow members of the Phoenix Gay Men’s Chorus.
From the tenor two section of the top riser, I was dressed in black pants and my snazzy, solid-red holiday sweater. I was ready to raise my voice, have fun, open my heart, and bear my soul for two large, enthusiastic audiences there to see and hear us perform our ‘Twas the Night Before Christmas show.
As you might expect, I was amped up. My energy and emotions were running high. On stage or not, the holiday season can spur a range of feelings–from joy, hope, and peace to sorrow–for each of us.
Often, the music we hear or create is the catalyst for our state of being. It reminds us of who we are, who we love, who we’ve lost, where we’ve been, where we are, and maybe even foretells where we’re going.
Like life, this was a holiday concert that included a little of everything: luscious chords, soaring solos, a tribute to Hannukah, hot men wearing sparkly vests, a surprise tap dance underneath the tree (in the ‘Twas the Night Before Christmas parody I wrote for the show), a caped gay superhero, a Christmas Can-Can not to be believed, sexy Santa Baby, assorted musical mash ups, and inspirational tunes.
The program was a delight to perform, and the crowds loved it. I felt thrilled and honored that about thirty family members and friends attended. One of them was Jeff.
Over the past three years, he and his husband Dave have become close friends for Tom and me. We’ve met for dinner frequently. Watched movies and played games together. Laughed and swam in their backyard pool. Shared funny stories from our past lives.
In March, Tom and I were honored to join Jeff and Dave and about thirty other friends to celebrate their fortieth anniversary. In October, they drove to Barnes & Noble in Mesa to be there for my book signing. Dave was a regular reader of my blog. He brought up my writing frequently. Each time, I was touched.
On Sunday morning, between the two holiday concerts, Jeff texted to tell Tom and me that Dave passed away Saturday night. He succumbed to complications of muscular dystrophy–a disease he lived with for many years. It confined him to a wheelchair, but–in the time I knew Dave–his disability never dampened his kind spirit, playful energy or warm smile.
I’m sad and stunned. I will miss my friend. On Sunday, as I sang Grown Up Christmas List on stage, I thought of Dave and all he must have endured. That song usually makes me cry anyway, but when I saw others in the audience tearing up, I fought hard to hold it together.
Of course, Jeff knows Tom and I are there for him as he grieves the loss of his long-time husband and loving companion. We will check in on him frequently.
This is just the latest personal reminder to sing and dance. Hug and kiss the ones you love. Fight hard for your convictions. Stand tall in the face of adversity. Raise your voice. And, if you are dealt a difficult hand, find a way to accept the unacceptable.
As a tribute to Dave, what follows is the full text of ‘Twas the Night Before Christmas (A Gay Love Story), which I wrote for the Phoenix Gay Men’s Chorus in July 2022.
It’s a parody, which Tony Crane and Tim Gorka (who played Uncle Gabe and Nephew Jay respectively) performed masterfully during our show in Tempe over the weekend.
Had he seen it, Dave would have laughed out loud and loved it.
Rest in peace, my friend.
***
‘Twas the Night Before Christmas (A Gay Love Story)
‘Twas two weeks til our concert, we rehearsed all day long,
Me wedged in the back row, ‘tween Keaton and Imran.
With AIDS quilts surrounding on walls of despair,
Warm carols we sang with humor and flair.
Away from the rain in the Valley of the Sun,
Seven hours in one room, so much work to be done.
Then, out of our mouths, pure tones pranced and did gather,
They sprang into lush chords, Marc’s heart pitter-pattered.
Santa Baby, Underneath the Tree, Mistletoe and Holly,
Shaping these and a dozen more made all of us jolly.
These next frantic weeks will fly faster than reindeer,
Fine-tuning, tweaking, “More hot tea for my throat, dear.”
Then, the lights will come up.
The joy will appear in the faces out there.
And the smiles will bounce back.
They will double and bloom in this season we share.
On Saturday, December 3–two days after World AIDS Day–I gathered with about fifty of my mates in the Phoenix Gay Men’s Chorus for an all-day rehearsal at the Parson’s Center in Phoenix. Led by artistic director Marc Gaston, our chorus will perform its holiday show (“Twas the Night Before Christmas”) on December 17 and 18 at the Galvin Playhouse, 51 East 10th Street in Tempe, Arizona. For ticket information, go tohttp://www.phxgmc.org.
When I auditioned for the Phoenix Metropolitan Men’s Chorus in August 2017–six weeks after I suffered a mild heart attack on the way west–we were both on the cusp of a transformation.
At sixty, I was searching for a new place to renew my love of singing (after seven years performing with Windy City Gay Chorus in Chicago); the chorus was twenty-six, preparing to spread its wings and a few years away from embracing a more public gay identity: the Phoenix Gay Men’s Chorus.
On Saturday evening, October 8, I stood on stage with about fifty of my chorus mates at the Kroc Center in south Phoenix. We performed our Mosaic of Voices concert. It was our tribute to triumphant stories shared by members of the Phoenix LGBTQ community–told through the power and inspiration of music.
I wore two hats for the occasion. Figuratively, I mean. I sang second tenor from the top row of the risers and realized a new creative wrinkle; I wrote the lyrics for three of the original songs we performed in the first set: Hope’s Trail, Our Second Act, and Mighty Mosaic. David E. Weck composed all of the music beautifully.
The first two were adapted from compelling, emotional, and personal stories submitted by Garry and Nico, members of the community. When I first read their stories in 2021 and began to develop lyrics, I felt it was important to honor and include many of their actual words in my lyrics. In turn, David then nurtured and shaped them into music.
The third song, Mighty Mosaic, began as a poem I wrote, specifically for the Mosaic of Voices concert. I created it to represent the rich, diverse, and sometimes-circuitous lives we lead in the LGBTQ community.
After last night–with its unveiling on stage before an appreciative audience of a few hundred–you might be inclined to call Mighty Mosaic an anthem. (It certainly felt inspiring for me to write it on June 2, 2021, and then sing it on October 8, 2022.) It celebrates who we are and what we believe. Here it is in its original form, before my words met David’s artful music.
***
Mighty Mosaic (Copyright 2021 Mark Johnson)
Morning, noon, and night, the fabric of our winding threads and uncertain spools form a fluid tapestry of brilliant and imperfect hues.
The pathways of our lives weave. This is who we are. This is what we believe.
In the heat of the day, our worn but sturdy strands lead us down rabbit holes, but–if we keep the faith–the enduring threads carry us through.
The pathways of our lives weave. This is who we are. This is what we believe.
We may travel from a foreign home or body, but when our identities emerge, they awaken our lonely spirits, they blend beautifully.
The pathways of our lives weave. This is who we are. This is what we believe.
Our jagged journeys–our truth trails from the pain of stark midnight to the peace and stillness of lavender daybreak–make us mighty.
The pathways of our lives weave. This is who we are. This is what we believe.
Gay, trans, straight or bi–black, brown, or white … single, attached, or married … young, old, or in between–this is our mosaic and the moment we celebrate what it means.
The pathways of our lives weave. This is who we are. This is what we believe.
Nothing is certain, but it appears my debut as a lyricist will actually happen.
In January, I oozed with excitement when I told you about my new creative wrinkle. As background, in the fall of 2021 I teamed with David (another member of the Phoenix Gay Men’s Chorus) to create several original tunes for a Mosaic of Voices concert, scheduled for March 2022.
I wrote the lyrics. David composed the music. I was psyched for the debut of these pieces. Then, the concert was postponed. It was another Covid-related casualty.
Thankfully, the chorus has resurrected the program. On October 8 at the Kroc Center in Phoenix, we will perform the suite of pieces David and I created to capture the essence of original-and-triumphant stories submitted by members of the Phoenix LGBTQ community.
***
On Tuesday evening, as our chorus of seventy or so rehearsed two of the Mosaic of Voices pieces (Hope’s Trail and Our Second Act), I saw a few tears. As I sang in the back row of second tenors, I felt the gravity of emotion rise in the room with our voices.
I was reminded of the healing power of music and the important role that choral communities–first the Windy City Gay Chorus and now the Phoenix Gay Men’s Chorus–have played in my renaissance and in the lives of so many gay men.
Especially now in our chaotic country–divided, threatened, and deconstructed–we need this joyful music, this personal support, this hopeful oasis in the desert.
Without it, many of us would feel trapped and lost.
August has always felt like an insufferably hot way station between the sparkling summer playground of July and autumnal possibilities of September. In short, it is my least favorite time of year.
If this is your birthday month, I apologize. But, after the scorching temperatures of July 2022 in the Northern Hemisphere, we have landed squarely in the dog days of summer. September can’t come soon enough.
Even so–nearly a month after celebrating my sixty-fifth birthday–I am in the pink. I realize this is an old-timey phrase that describes the essence of feeling fit, but I don’t care. I’m a pretty traditional guy with a love of language.
According to Investopedia, “in the pink” first appeared in the late 1500s in a version of Romeo and Juliet as a reference to an excellent example of something.
Somewhere along the way, the expression evolved into a health-and-vitality reference that my parents both used. At any rate, if the phrase was good enough for William Shakespeare to include in his classic play nearly 500 years ago, it’s good enough for me.
I’m not saying I have the vitality of fifteen-year-old me pictured here in pink in 1972. But, aside from typical muscle aches after yoga or an intense workout at the gym, a new-found intolerance for gluten, and the normal forgetfulness that comes with my new Medicare status, I generally feel well for a guy who survived a mild heart attack five years ago.
And I still have a thick head of hair, though it no longer falls in my face. At this stage, I wear it short. Often under a hat to please my dermatologist and protect my fair skin from the intense rays of the Sonoran sun.
I also remember the ribbing I received from classmates for wearing this pink shirt (and other closely related pastels) back in the 60s and 70s.
At that moment in time, I wish the current much-older-and-wiser Mark Johnson could have magically appeared through an adjacent door to counsel fifteen-year-old me.
In my pink fantasy, he would simply have said …
“Never hide. Stand tall. Forget the haters. Be proud of who you are. Wear whatever colors you want. One day you will find your way. You will stand on stage. You will sing songs. The pain of the past will fade. You will raise two sons and live your own definition of masculinity. You will meet a man, fall in love, and marry him one day. The two of you will move west and create a quieter life. You will choose to wear pink again and again–and do it in style. You will survive. You will discover an open, authentic life. You will write books. You will tell stories. You will even write lyrics in your sixties. You will rise above the fray.”
Around the age of fifty, Tom and I nurtured our creative ritual.
On cold Chicago-area Sunday mornings, we bundled up and drove east from Mount Prospect to the Barnes & Noble in Evanston to browse books and movies, sip coffee, play Scrabble, and imagine “what if.“
Fifteen years later, I’m living on the other end of the temperature spectrum. Today, in the oven-like heat of this Sonoran summer, we drove to Barnes & Noble on Val Vista Drive in Mesa, Arizona. It’s about fifteen miles from our Scottsdale condo.
Remarkably, they’re stocking my books on their Local Author and Biography shelves. It feels like I’m living a dream come true.
If you’ve ever doubted your ability or passion (as I certainly did when the grind of life had worn me down), don’t give up. It’s never too late to carve a new creative path.
