If you need a true, inspiring story of survival to fill you up, pick up An Unobstructed View on Amazon for just a few bucks today. The paperback is less than three dollars. Happy reading!
All of us are required to play roles in society, especially to earn a living. We project a persona that may or may not align with who we are or what we value. We wear masks.
Of course, in a pandemic some us wear them more than others in public situations. But in my post-corporate sixties–even if I’m donning a face covering for physical protection–I prefer to spend time with people who are genuine. I don’t have the patience for games or innuendoes.
My need for authenticity has roots that wind back to my formative years. In the 1970s, as a budding-but-denying gay adolescent who had unnamed feelings for other boys and wasn’t allowed to express them, my personal development was frozen in time.
Imagine closing off one portion of your identity entirely with no light, voice or path encouraging you to explore it. None of the relationship rites of passage for straight kids–flirting, dating, parties, dances–were available to gay and lesbian kids in the 70s.
In my middle school years, I became close with Daniel. There was a lot I liked about him: his intelligence, his quirkiness, his dimples, his love of language and the arts.
On occasion, Daniel came over to my house after school. We played board games or simply talked about school and the teachers we liked. We never acted physically on the bond and attraction we shared.
I remember that Mom and Dad liked Daniel … and Daniel admired some of my parents’ most endearing qualities: my father’s exuberance and sensitivity; my mother’s kindness and sensibility.
In seventh grade, I was the spelling bee champion for Mackenzie Junior High School. I represented our school at the St. Louis-area finals. Each student was allowed to bring one friend in addition to his or her family. My choice was Daniel. I remember him sitting in the audience that day in April 1970. It felt like he belonged there, like he was a part of my family.
Not long after I lost the spelling bee, a few boys at school must have recognized something about the care and closeness Daniel and I demonstrated for each other in the halls and in the classroom. They spewed venom. They bullied us physically and verbally. It hurt me deeply and pushed me further into the darkness.
Daniel and I remained friends in eighth grade and beyond, but we spent less time with each other as a result of that trauma and feelings of vulnerability that surfaced. Our paths crossed only rarely in high school even though we both performed in plays and musicals.
Looking back, it was a survival strategy for me to pull away from Daniel, but I always regretted that we never had a chance to be authentic with one another or to talk about the elephant in the room … the experience of being chastised for being different.
That would change on a September Sunday morning in St. Louis.
In August 2021, I contacted Daniel online to tell him that I wanted to reconnect with him while I was in St. Louis for the Six Flags reunion. (We hadn’t seen each other since 1995, and then it was just a brief hello at our twentieth high school reunion.)
Daniel loved the idea. So, on Sunday, September 5, 2021–before Tom and I left Missouri to drive to the Chicago area to see our sisters and my son Kirk–we met him for coffee at a place he recommended. The three of us spent an hour together talking on the patio of a lovely cafe in the Soulard neighborhood of St. Louis.
For the first time, I was able to tell Daniel how awful I felt about the way our friendship was derailed. That led to a deeper discussion about other boys who were tormented to worse outcomes. But that wasn’t the entirety of our conversation. It was just one moment in a warm exchange with each of us … Daniel, Tom and me … sharing stories of our careers, families, and adventures. The bonus for me was watching and listening as my husband and my first boyfriend discussed their favorite films.
Before Tom and I departed, we invited Daniel to come visit us in the Phoenix area. As we left the cafe, I hugged Daniel and said goodbye. I truly believe there will be another chapter to our friendship. Maybe it will happen in Phoenix. Maybe it will happen in St. Louis.
Either way, on my Midwest journey in 2021, I was able to tie together a few more of the disparate ends of my past rollercoaster life to my more fully actualized Arizona existence, and for that I am grateful.
Well, not really. But it feels that way for two independent writers living under one roof, who spent most of 2020 writing just to stay sane in the swirl of a global pandemic.
Yesterday Changing Hands Bookstore in Phoenix (an independent, artistic haven in the Valley of the Sun) contacted Tom (my film aficionado husband) and me individually with news that each of our books, published in 2021, has been accepted for consignment and placed on their shelves.
Today we drove there to capture the moment on camera. Tom’s book, CoronaCinema: A Diary of the Pandemic Year in Movie Reviews, is displayed in the film section. You can find mine, I Think I’ll Prune the Lemon Tree, on the LGBTQ shelf.
Of course, I know that most of you who follow me here don’t live in Arizona. But this is a psychological victory and important creative validation when it happens in your home community. Now there is a local book-buying option in the Valley of the Sun, if the size and scope of a global online retailer isn’t your thing.
Happy summer reading!
If you are a betting man or woman, fours are wild today. Four double-red desert rose buds are primed to burst on our back patio; this sixty-four-year-old writer (who has written four books) swam twenty-four laps at Chaparral Pool this morning; and July 12 is the fourth anniversary of Tom and me arriving (finally) at our Arizona home after a hospital stay in St. Louis.
Dad would have loved the synchronicity–the magical, random alignment–of these fours. He was a numerology freak. Like me, he also was a dreamer, poet, sentimentalist, Cardinal-baseball lover, and heart-attack survivor.
My father never met Tom. A week shy of his eightieth birthday, he died before my husband and I began dating nearly twenty-five years ago. I don’t think Dad would have understood our relationship, but he would have continued to love me anyway.
I also believe he would have loved Tom’s smile, enthusiasm, and youthful spirit … and marveled at my resolve to create an authentic life with a soulmate, while raising Nick and Kirk and living long enough to see my two young sons evolve into intelligent, critical-thinking, thirty-something men.
Most of all, Dad would have admired–possibly envied–the free-flowing, simple, yet meaningful life Tom and I have built in our sixties in the warmth (okay, intense heat) of the Sonoran Desert. After surviving my heart attack blip four years ago, we have our health and plenty of time to exercise, write, read, reflect, and nurture friendships.
Tom and I no longer have to worry about the demands of holding down regular/traditional jobs or living up to narrow standards prescribed by somebody else. I realize what a privilege that is, even though there was a time in my previously closeted and discriminated life when I felt I would never find a path through the labyrinth.
Yesterday, four of us gay friends who met in Arizona in 2017 and formed an impromptu book discussion group in 2018 … Brian, Mike, Tom and me (plus Andy, a longer-term friend living in Chicago who joined the conversation via Facetime) … gathered, talked and laughed in the friendly, freshly painted confines of our Scottsdale den/guest room. We were there to exchange ideas and mixed reviews of The Days of Anna Madrigal, first published by Armistead Maupin in 2014. It was our first book group discussion since sometime in 2019, months before the pandemic began to ravage the world.
As I reflect on the three hours we spent together Sunday … critiquing various aspects of Maupin’s novel that I think missed the mark, recounting our original fascination with Maupin’s Tales of the City characters on Barbary Lane and the resulting PBS phenomenon in the 1990s, catching up on our own personal lives, telling summer stories of travel, and sharing brunch after surviving the dread of 2020 … I am especially thankful for friends such as Brian and Mike, who entered our lives in Arizona. Our Grand Canyon State friends have enriched our world after the St. Louis storm.
No matter how hot it gets in the Phoenix area this summer (110, 111, 112 degrees, and so on) … or whether the monsoons finally materialize and spill promised moisture into the Valley of the Sun this week as forecasters say they will … the lead of this personal story is the beauty of our desert roses, our mutual investment with new neighbors and friends between 2017 and 2021. During that time, we have come to love a whole new batch of people (and they have loved us) in our first four years in Arizona. It is a dream come true beyond the friends and family we continue to love in Illinois and Missouri.
From various avenues–literary, yoga, choral, gymnastic, canine, and cinematic–new Arizona friends and acquaintances have helped us heal, renewed our spirits, made us laugh, and stretched our creative sensibilities to new heights. I certainly didn’t see the breadth of this late-in-life resurgence coming from my precarious station in a hospital bed in St. Louis on July 6, 2017.
Dad would have loved these literary bonus years after the rises and falls of our midwestern life … these days of desert friendships and roses for Tom and me. Like the rousing song from Bye Bye Birdie, which played on the transistor radio next to Dad’s hospital bed as he recovered from his own St. Louis heart attack in September 1962, I’ve still got A Lot of Livin’ to Do.
The title of this post is a shameless ripoff of the old Beatles song, When I’m Sixty-Four. But my bastardization of the lyrics is appropriate. Today I turn sixty-four and I’m a writer who wants you to read my books. When you do, you will feed my desire to stay relevant.
Ask Tom. He’ll tell you. At this stage of life, I’m generally contented and thankful for good health, a comfortable home, and a loving husband. It is remarkable that we share the same birthday … same year too.
In 1957, our mothers never imagined their newborn sons–delivered three hundred miles and thirteen hours apart–would meet one day and marry. It certainly feels like a miracle to me.
Back to my writing. Whenever I wear my literary hat–which is frequently–I find myself questioning why my book sales have dried up like a sun-drenched Arizona river bed.
Of course, I promote my books online and do a little advertising here and there. I also market my stories on a personal basis, but when you’re an independent writer it’s easy for your books to get lost in the stacks of Amazon’s metaphorical bookshelf.
This concern I have is not quite an obsession, though it borders on it. I put a lot of thought and creativity into my writing. I want to share it with a wider circle of readers.
Perhaps my advancing age and occasional forgetfulness–did I tell you I turned sixty-four on July 6?–is what drives me to keep writing, to keep sharing my impressions and reflections of the world, to keep checking progress (or lack there of) on book sales, to keep wondering if readers will still read me.
The good news is I feel spry most days. (Of course, I wouldn’t consider using the word spry unless I were at least six decades old.) Anyway, I still have a lot to say and plenty of energy. So, on my sixty-fourth birthday, I’m going to tell you why you should buy and read my latest book, I Think I’ll Prune the Lemon Tree.
As a kid in the 1960s and early 1970s, I observed how hard my mother worked to provide for our family and to prepare meals that we all liked … even after working long days in an office.
Frequently, Mom bought Sealtest Neopolitan ice cream and wedged it into the freezer portion of our avocado-colored refrigerator next to the Swanson’s TV dinners.
Why Neapolitan? Because she and Dad liked strawberry ice cream, while my sister and I preferred chocolate and vanilla. If you aren’t familiar with Neapolitan (I rarely see it in the supermarket these days), it included all three flavors in a carton stacked side-by-side. So, theoretically, Neopolitan offered something for everyone in our family in one container.
This ice cream recollection captures precisely the creative thrust I wanted to achieve as I wrote my Arizona-based essays. I must have been channeling my mother’s shopping sensibilities.
I wanted my book to include something for everyone … humor and sincerity, social relevance and frivolity, truth and fantasy … and to comment on the relevance of every personal and geographical chapter in my life: Missouri, North Carolina, Illinois, and Arizona.
Now that summer is upon us and the heat has arrived, I strongly encourage you to consume your favorite flavor of ice cream to cool off and to buy a paperback or Kindle version of my Neopolitan book.
In the thirty-nine essays that appear in the book, you will enjoy lapping up several flavors. For instance, there are stories about: citrus and lizards; a hummingbird and a boxer; time travel; an eavesdropping barrel cactus; a return to Tucson through the looking glass of an authentic gay life; reflections on an extended visit to that dreaded place we all lived–Coronaville; the musings of an incredible shrinking man; a wayward Viennese waiter/writer struggling to tell his heart-wrenching story; a mid-century St. Louis custodian who bonded with a famous scrub woman; alliterative observations of flickers and fedoras; the golden hours of living in the Sonoran Desert; and much more.
When you read my book (and I hope you’ll review it too), you’ll be feeding your own creativity and doing this sixty-four-year-old writer a big favor. Yes, even after writing this long-winded essay, I still need to feel needed.
Now, back to the musical portion of my post and the final verse of a pop song that feels especially personal today.
Send me a postcard, drop me a line
Stating point of view
Indicate precisely what you mean to say
Yours sincerely, wasting away
Give me your answer, fill in a form
Mine for evermore
Will you still need me, will you still feed me
When I’m sixty-four*
*The Beatles released When I’m Sixty-Four (lyrics by John Lennon and Paul McCartney) on their 1967 album Sgt. Pepper’s Lonely Hearts Club Band.
It’s time to dig out the loose change that’s fallen between your couch cushions and put it to good use! From April 23 to 30, you can download a Kindle copy of my latest book, I Think I’ll Prune the Lemon Tree, for just ninety-nine cents on Amazon.
Set against the rugged landscape of Arizona’s Sonoran Desert, my anthology of thirty-nine essays (some whimsical, some serious) explores the themes of family, community, authenticity, creativity, and uncertainty before and during COVID-19.
Here’s what one reader had to say: “Focusing on stories from his recent relocation as a full-time Arizona resident, Mark mines his past for insights into his new life, reflects deeper into the after-effects of surviving a health crisis, and even includes poems and works of short fiction. A great new collection from a distinctive contemporary voice.”
This week marks five years since I completed and published my first book, From Fertile Ground. In celebration of the anniversary of my entry into this literary life, you can download a free Kindle copy of my book on Amazon from March 24 through 28. What follows is the story of what brought me to this moment. If you are an aspiring writer, I hope reading this will provide a little added encouragement.
If you look and listen closely—and breathe deeply—you will find spring stirring in the Sonoran Desert. Sweet and fragrant orange blossoms dance through the air. Lizards and ground squirrels reemerge to scamper and soak up the sun. A hummingbird darts and twitters in a Palo Verde tree. I imagine a lone loon, descending from a blue sky, is practicing for his pilot license. He receives clearance from nearby Sky Harbor Airport traffic control and lands with a graceful whoosh that ripples in the Crosscut Canal. A monarch butterfly flits and rests on a bud near the fence of the Desert Botanical Garden, pausing long enough for me to creep in for a closeup of nature’s transformation.
This central Arizona winter-to-spring progression is a warmer, dryer, more gradual shift—a far cry from the flurry, upheaval, and calm of a midwestern lion-to-lamb experience I had been accustomed to for my first sixty years. Nonetheless, it is a March metamorphosis.
Five years ago, like a clumsy butterfly, I emerged from my own cocoon. At age fifty-eight, I launched my first book From Fertile Ground. I remember the anticipation and anxiety of March 24, 2016—the day my book emerged—as I moved from wannabe writer to published author.
I felt exhilaration. It was as if I were boarding a rollercoaster, gripping the bar tightly, grinning ear to ear, throwing my arms in the air, and shouting “Look over here” as my book entered the literary universe. Maybe I sound immodest, but it was and is such a thrill to have discovered this better-late-than-never renaissance.
Previously, as a busy single dad and on-the-go communication professional, the idea of writing on my own terms seemed like a faraway neverland of creative euphoria. But slowly, as I drifted from the gravitational force of my previous orbit, I felt the magnetic pull of an artistic life.
This literary life sprung from a personal void, molded from the fog of my grief after my mother died in January 2013. At that point, I was lost with plenty of tears, but without the language of emotion that normally came easily for me.
Fortunately, I was not alone on my journey. Thanks to the encouragement and support of my husband and a skilled therapist, I forged ahead, jotted notes in my diary, took a few nature photography classes, and slowly stepped away from a thirty-four-year advertising, PR, and consulting career. It had sustained my bank account and carried me through leans years of single fatherhood, but ultimately drained my energy and creativity.
Early on, after my corporate “retirement” there were moments of doubt and uncertainty to contend with. Even so, the more I wrote in my journal, the more I felt my voice begin to emerge. Within a few months, my writing and reading led me out of the darkness into the light.
A litany of wisdom-filled letters my mother sent me—along with a boxful of more than fifty years of diaries my grandfather left behind—spurred my creative impulses. I sequestered myself and perused them all. They spoke to me and my love of family, heritage, and history.
One day in 2014, as I turned the yellowing pages of my grandfather’s rural life—his spartan existence—an idea surfaced in my brain. It told me to weave a tale of three writers telling their stories across the generations, leaving behind a trail of their own words. In that moment, I found a new passion. From Fertile Ground was born. So was my life as an author. I prepared to emerge from my cocoon.
A year of daily soul-searching, writing and editing passed. In late 2015, I finished my manuscript. With the help of a friend, I found an editor and graphic designer—Anna and Sam—who came highly recommended. They both lived and worked in Nashville, Tennessee.
Instinctively, I liked hiring professionals with connections to the South, because much of my story shared a border with Tennessee to the east—in the rolling red earth of rural North Carolina. That is where my mother was born, where my grandparents owned a farm, and where my sister and I frolicked and spent parts of our summers in the 1960s.
Anna provided me with her recommended edits in January 2016. Following that, I collaborated with Sam. With my input, he created the cover for my book, designed the interior pages, formatted the text, and loaded it into the Amazon self-publishing software.
By late March 2016, I held the first copy of my book in hand. Friends and acquaintances began to send notes telling me they enjoyed reading my book and were moved by it. It was a joyous period in my life, far from the tears and fog that had preceded it just a few years before.
Five years have passed. I keep nurturing and practicing my passion for writing. It remains a priority in my life. I write a blog and have published three more books–Tales of a Rollercoaster Operator, An Unobstructed View, and I Think I’ll Prune the Lemon Tree–about the people and places that have influenced me.
I take long walks in the desert and collect photos to stir my imagination. I marvel at the beauty and continuity of nature that surrounds me. I give thanks for the gift of life in a warm and rugged place.
This metamorphosis continues.
The trail of my literary life has led here. The Kindle version of my fourth book, I Think I’ll Prune the Lemon Tree, is now available on Amazon. (Paperbacks are in production and will be available for purchase at this same location on Amazon in the next few days).
The rush of adrenaline I feel today is at least as satisfying as books one, two and three, because I’ve devoted more than three years to this creative endeavor–imagining, developing, polishing, and agonizing over it.
In that sense, today is a combination of the exhilaration of unwrapping Christmas presents, skipping out the door on the last day of school, feeling weak in the knees the first time I approached the edge of the Grand Canyon, and hoping for a clean bill of health from my cardiologist. It’s all of that rolled into a freshly-baked batch of chocolate chip cookies.
In this anthology of Arizona stories, I dig deeper into themes that are important to me: the lasting love and comfort of family and friends; the humor, irony, and poetry in everyday situations; the profound beauty of nature and how it shapes us; the joy of realizing a literary life; and the conviction required to be an authentic gay man–a real gay couple–in a world often rife with ignorance.
As you might expect, the upheaval we have all faced in Coronaville (my name for our shared global address of uncertainty) is present here too. How could it not be? The pandemic has dominated our lives and–at its core–this is a non-sequential personal and societal 2017-to-2020 slice of life.
All of these themes–and flights of fancy (backward and forward in time) to visit familiar and new people and places–run through my book. They are the threads in this tapestry that has become my writing style. They are the elements of the sometimes-whimsical-sometimes-serious voice I have unearthed in my life with Tom in the warmth of the Sonoran Desert.
As we wait for our vaccinations and continue to hope we will recapture the most important strands of our disrupted lives, I think you will find comfort, honesty and humor in I Think I’ll Prune the Lemon Tree. I also think it is a testimonial to the importance of our families, communities, and human connections as we strive to sustain ourselves no matter where we live, no matter where this journey leads us.
In June 1962, a month before my fifth birthday, I stood alone outside the west wall of my brick childhood home. I wore my high-top Keds and cargo shorts with crazy pockets. The wind raced past my crew cut.
Our three-bedroom ranch in south suburban St. Louis appeared identical to two dozen others in the neighborhood, except ours featured a flowering pink crab apple tree with stair-step limbs I loved to climb.
In the shade of the branches, a clear thought jumped to the forefront of my brain. “I am different. I have important things to say.” The idea lingered and swirled through my consciousness.
As I look back at that vivid memory—one of my earliest—I must have recognized I was unlike most of the other boys. At that young age, I must have known I was gay. I must have begun to identify a need to share my thoughts and tell my stories one day.
Since that moment, I have lived at least four lives—shaped by local geography—and written four books. I have played in the red earth of North Carolina, navigated the rolling hills of Missouri, survived the flatlands of Illinois, and discovered the peaks and valleys of Arizona.
I never imagined I would live and write in my sixties in the rugged landscape of the Sonoran Desert, but the trail of life has led me here to the threshold of publishing my fourth book, I Think I’ll Prune the Lemon Tree. It will appear on Amazon (in paperback and Kindle versions) in late January or early February. Of course, once it is available for purchase, I will let you know.
In the first three years of my Arizona residency—2017 through 2020—the Grand Canyon State has enriched and shaped my life with natural beauty, profound uncertainty, and joyful humor. My goal was to reflect all three in this book, and develop a larger narrative about a gay man and his husband fulfilling their dreams, reflecting on their experiences, hoping to survive a global pandemic, and aging in a bold landscape.
If you are drawn to the themes I explore here on my blog and in my books—nature, family, community, heritage, human rights, humor, love, loss, health, truth, diversity, and creativity—I think you will enjoy reading my latest book.
Of course, nearly six decades have passed since I stood by that flowering pink crab apple tree I loved as a child. It has been replaced by the citrus trees that surround Tom and me in our sixties in our Scottsdale condo community. But the value of memory and storytelling is that I can remember the most important trees, past and present. I can choose to honor each of them.
Little did I know that one day a luscious lemon tree, thirty feet outside my front door, would inspire me to write and share the broader stories of my Arizona life.
We were all spaced out in Phoenix last weekend. Recording tracks for our Phoenix Gay Men’s Chorus holiday concert that will appear on YouTube on December 20.
For safety sake, Marc, our artistic director, divided us into groups of ten or so. Group A had the morning slot Saturday. Group C the evening. I was one of two tenor twos singing in the afternoon in Group B in the “big box” room at the Parsons Center.
There I was. Standing in my blue hoodie in front of a mike, my binder of music, and a music stand. Wearing a safety shield and headphones with ear condoms. Gathering (loosely) with my gay comrades in the space where forty or fifty of us ordinarily rehearse collectively on Tuesday nights in a non-pandemic year.
Certainly, I felt strange, sanitized, and scattered. Like a sketchy character in a Ray Bradbury novel. Wandering and wondering where I would fit in the sci-fi story line. But as we began to run through our set–We Need a Little Christmas, The Nutcracker in About Three Minutes, Let It Snow, Feliz Navidad, and so on–an ounce of sweetness surfaced in the moment.
As we sang, I felt a twinge of the giddiness, excitement, and adrenalin of performance day appear. If you are an actor, singer or instrumentalist, you know that feeling of exuberance on stage. Of course, there was no one in the audience to applaud or validate what we had to offer musically. But that will come with time.
Magically, the sounds we produced on Saturday–and individual images we manufactured and projected in front of a green screen the previous week–will meld in the editing room in the next two weeks. Soon after, the end product will be unveiled. People will watch (or not), smile (or not), applaud (or not).
Some of us will even shed a tear or two. Because we know what losses we have endured in 2020. Now, more than ever, we need a little music. We need a little Christmas.