Category: LGBTQA

Too Darn Hot

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“But when the thermometer goes way up and the weather is sizzlin’ hot, mister man with a plan is not. ‘Cause it’s too, too, too darn hot.”

***

As the heat rolls into the Valley of the Sun this week–100-plus high temperatures through Saturday–this snappy tune, which Cole Porter wrote in 1948 for his Broadway show Kiss Me Kate, repeats through my brain.

It’s certainly “Too Darn Hot” to hike outside in June here, unless you do it early in the day. That’s what I–and a young woman walking her Boston terrier–did Monday around 9 a.m. Nobody else was on the Papago Park trail near my home.

This morning I opted for swimming thirty lengths in the relative cool of Chapparal Pool. How I’ve missed submerging myself underwater (thanks to a couple of dermatological procedures that kept me at bay).

In the afternoons, you’re better off holding up in the Scottsdale Public Library to escape the heat. That’s where Tom and I have sequestered ourselves today, along with a few dozen others, strategically stationed at square wooden tables, hovering over their books and laptops.

Other than the heat references, why would I be channeling an old Broadway tune? Because my next choral concert with the Phoenix Gay Men’s Chorus–“Broadway Lights”– is fast approaching: June 27 (2 p.m. and 7 p.m.) and June 28 (2 p.m.) at Tempe Center for the Arts.

As described in our promotional materials, “It will be a spectacular celebration of some of Broadway’s most beloved musicals. From the soaring melodies of Wicked and The Sound of Music, to the show-stopping energy of Hamilton, Moulin Rouge!, Hairspray, Into the Woods, The Book of Mormon, The Wiz, and The Greatest Showman, this season finale is packed with music that has captivated audiences around the world.”

Coincidentally, “Too Darn Hot”–timed beautifully with the inevitable onset of our desert heat–is the closing number for Act One.

If you live in the Phoenix metropolitan area, step into one of the coolest concert venues around: the Tempe Center for the Arts. Get your tickets at http://www.phxgmc.org.

You may be wondering “Since it is Pride month, is there a LGBTQ Pride element to this concert?” The answer is a resounding “YES!”

My chorus mate August and I have teamed up to write the libretto for the concert. It features nine storytellers, who will describe how Broadway music has served as a beacon for the LGBTQ+ community in happy and sad times.

Together–the music, the stories, and a slate of hot dance numbers–will combine to create a full theatrical production, which our loyal audience has come to expect.

This will mark the completion of my ninth season (singing and writing for) with the Phoenix Gay Men’s Chorus.

I still recall auditioning for the chorus in August 2017. Tom and I had just moved to Arizona from the Chicago area.

I was depressed and anxious, desperately trying to regain my health, to uncover an unobstructed view after surviving a heart attack on the way west in July 2017 on our sixtieth birthday.

Finding the chorus, nurturing new friendships, and reigniting my passion for singing has been a key element in my recovery. It helped me lighten my mood and smile again.

When I step onto the stage again on June 27, I know I will feel grateful for the music and the nine years of creative discovery. But also, for this safe haven. This supportive community of people.

They have helped me to realize I still have a lot to give. I still have a lot to say. I still have the ability to stand on a stage and raise my voice, especially now as we cling to the hope that–maybe someday–our democracy can be salvaged.

Hope Is Never Silent

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Photo by RDNE Stock project on Pexels.com

Today–May 22–is Harvey Milk Day.

On what would have been his ninety-sixth birthday, I want to remind the world that Harvey Milk’s spirit of compassion, authenticity, equality, and hope still lives within each of us in the LGBTQ community … nearly fifty years after his assassination in November 1978.

In 1977, Harvey Milk was the first openly gay man to be elected to public office in California as a member of the San Francisco Board of Supervisors. Despite his short political career, he quickly became an icon in San Francisco and a galvanizing force and inspiration for the LGBTQ community for his unbridled commitment to civil rights.

We will never know what Harvey Milk might have said if he had lived to see the dream of national marriage equality become a reality in the United States in 2015 and now–eleven years later on the other end of the spectrum–to witness the rapid, daily decay of American democracy, American institutions, and American civil liberties.

But I’m a hopeful person and so was Harvey.

He believed “hope is never silent.” He also believed in visibility, whether it means two men holding hands while roller-skating under the palms or standing in protest … raising our voices in solidarity … and living openly on days that aren’t nearly as sunny.

In these frightening times, the impulse for some might be to take a step or two back into the closet. But Harvey would have encouraged all of us–gay and straight–to do the opposite. To step forward with conviction.

Take a moment to read some of Harvey’s encouraging words.

Harvey’s hope and memory is a salve for all of us–gay and straight–who believe in truth and decency.

Though Harvey is long gone, his legacy of authenticity and hope still lives.

***

“I know you can’t live on hope alone; but without hope, life is not worth living. So you, and you and you: you got to give them hope; you got to give them hope.” Harvey Milk

“Every gay person must come out. As difficult as it is, you must tell your immediate family. You must tell your relatives. You must tell your friends if indeed they are your friends. You must tell the people you work with. You must tell the people in the stores you shop in. Once they realize that we are indeed their children, that we are indeed everywhere, every myth, every lie, every innuendo will be destroyed once and for all. And once you do, you will feel so much better.” Harvey Milk

Not Like the Others

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As a kid of the 1960s and 70s, I knew I was not like the other boys. It didn’t mean I was special. It just meant I was different.

While I was more verbal, intuitive, and sensitive than most boys at ten, twelve, fourteen, and so on, I didn’t have the language, understanding, or role models to help me explain how I was different.

Instead, I craved the word games and visual puzzles in Highlights magazines in doctor and dentist office waiting rooms, which prompted me to find the differences–the missing pieces–among a pageful of images.

All the while, I subverted my attractions for other boys–my genuine feelings for other people in general–to conform with the suburban norm. I didn’t dare to be different, but I always admired the kids who did.

Decades later, I’m comfortable in my body. As a visible member of the LGBTQ+ community in the Phoenix metropolitan area, I have no difficulty wearing goofy socks, pastel colors, or bold rainbow-colored sneakers.

During the first half of May, I captured these ten photos of items close to home that caught my attention or grabbed my interest. Each is beautiful in its own way. The final one–like me–is clearly not like the others.

As the summer heat settles in here in Scottsdale, Tom and I will apply our Scooby-Doo sunshade (replacing the plain old silver one we bought nine years ago) to the windshield of our Hyundai Sonata whenever we park our vehicle under flaming blue skies.

It’s our way of protecting ourselves (and our hands when we reenter our sedan and grab the steering wheel), while telling the world it’s okay to remember the light-hearted moments of our past lives … to be playful no matter our age … to take pride in being different in these Sixty-Something Days.

To Sir, with Love

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Be forewarned. This is not a story about the 1967 British drama film starring Sidney Poitier.

Though as background, in a riveting performance, Poitier portrays Mark Thackeray, an unemployed Black American engineer who takes a teaching job in a working-class London school.

Thackeray clashes with a band of rowdy high school students. Along the way, he challenges their prejudices, navigates social barriers, and–ultimately–earns their respect with innovative teaching methods.

It’s a profound story about the challenges of educating through discrimination. In the end, we viewers feel the emotional triumph of Thackeray’s accomplishment and are treated to Lulu’s rousing rendition of the title song.

If you’ve never seen the iconic film, I recommend it. Few films are more reminiscent of the sights and sounds of the turbulent 1960s.

But what I really want to write about today is the labels we use to address one another, and how those monikers change as we age.

This morning, as I finished a thirty-five-minute set and dismounted a treadmill at the Scottsdale Community College gym, a fortyish man exercising behind me smiled and announced with kindness (not love), “Sir, you’ve dropped something.”

I glanced down to discover my Silver Sneakers membership card lying on the floor next to the treadmill. I thanked him profusely, picked up the card, then proceeded to wash down the machine with a disinfecting wipe.

This experience gave me pause. At this stage of life (my late sixties) I am most often addressed as “sir” in situations like this with strangers in public forums. Certainly not, “young man”. Because I am not that.

I am certainly no longer a “boy” either, even though I definitely identify as male (he/him) and an elderly neighbor refers to my husband Tom and me as “the boys”. (She has known Tom since he was a “boy” visiting his grandfather.)

Anyway, I suppose I am “sir” to the outside world as I approach my sixty-ninth birthday in July. Better than “Hey You!”, it’s a respectful, somewhat formal, fatherly (dare I say grandfatherly even if I am not one) acknowledgement of who I am and who I have become in my older-and-sorer-but-still-relatively-fit body.

But I hope you’ll always refer to me as “Mark”, that generally kind, friendly author and gay man who is doing his best to stay sane in this dystopian country by writing about our everyday happenings that fly under the radar.

Transitions and Auditions

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May is a transitional month in the Valley of the Sun.

Snowbirds have flown away to their full-time nests east and north. Tom and I are left to our creative devices.

Despite the higher temperatures coming soon–100-plus next week–I prefer these quieter, hotter days.

There is more room in our favorite coffee shop where we write and socialize. Less maneuvering through traffic merging on and off highway ramps framed by jagged mountains that remind me I am a westerner now … for nearly nine years.

This morning at the Scottsdale Community College gym Tom and I now frequent (free with our Silver Sneakers membership), Rosalind greeted me with a broad smile.

She read and loved Sixty-Something Days, my latest book and told me she is recommending it to all of her sixty-something friends.

Active-retiree Rosalind laughed when she said, “I’m your target audience.” She offered that it reminded her how important it is for all of us to be grateful for the goodness and love in our lives.

In that moment, she shared a photo of her two, beautiful, three-year-old granddaughters who are the children of her twin adult sons.

As we parted to continue our respective exercise regimens, she volunteered that she will be leaving for Flagstaff for the summer–her own transition to the beauty and cooler temps of northern Arizona–but back in the fall to resume her desert life.

Now that May has arrived, I’m shifting creative gears.

I’ve been working with another chorus member–August–to write and finalize the libretto for Broadway Lights, the next Phoenix Gay Men’s Chorus (PHXGMC) concert June 27 and 28 at Tempe Center for the Arts.

It features eight storytelling vignettes that wrap in and around our PHXGMC set of inspiring, fun/funny, and fabulous Broadway tunes.

This evening, August, Darlene (PHXGMC’s assistant artistic director), and I will watch and listen to a stream of chorus members who are auditioning for the nine speaking roles that tell stories (fictionalized ones rooted in reality) of how Broadway music has served as a beacon for our LGBTQ+ community in happy and sad times.

I am proud of my involvement with the chorus as both a second-tenor performer and librettist. At this stage of life, time moves quickly. It’s difficult for me to believe that I have been singing with the chorus for nine years, since Tom and I moved to Arizona in 2017.

As my sixty-ninth birthday fast approaches in early July, this community of friends–truly a safe haven in our chaotic country–provides an ongoing-and-meaningful oasis during these Sixty-Something Days … ones I am grateful for even on the hottest days that surely loom beyond this stretch of ground Tom and I walk along the Crosscut Canal and Papago Buttes.

Looking Over My Shoulder

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Back and forth from one end of the pool to the other on this hotter-than-average, magnificent March morning. March 24, 2026, from 9:00 to 9:30 a.m. to be precise. Thirty lengths in the deep end of Eldorado Pool in Scottsdale, Arizona.

Somehow, I wrangled my own lane today. I don’t mind sharing but always feel freer on unobstructed Tuesdays and Thursdays. There are fewer swim-class participants to contend with on those days and–now that the Cactus League baseball games have ended–some of the snowbirds have begun to flock home.

Breathing every eight or ten strokes, looking over my right shoulder, swimming south to north, I spy the blazing sun that threatens my sensitive skin and the wispy-white contrail of a commercial plane flying high above.

Serendipitously, the repetitive swimming motion reminds me what I want to write about today. It is the tenth anniversary of publishing my first book: From Fertile Ground.

On March 24, 2016, Barack Obama was president. I didn’t imagine the waves of what was to come: the growing political insanity, the dismantling of once-reliable American institutions, the general implosion of our democracy in one decade. Who could?

Back then, Tom and I were snowbirds–splitting time between our homes in Mount Prospect, Illinois, and Scottsdale, Arizona.

I wrote most of my inaugural book–a three-generation writer’s mosaic about love and loss in my family–from the suburban flatness of northern Illinois.

But working online–back and forth like a swimmer logging laps between my editor and book designer in Nashville, Tennessee, and me in Scottsdale–I made my final edits in the rugged western landscape of the Grand Canyon State.

I remember the pride of holding the first physical copy of my first book later that week. I know I cried. It was a release of joy and amazement. Most definitely, a seminal moment I shared with my husband.

Sadness crept in, too, because I had written the book to process my grief after my mother’s passing. In a physical sense, I wasn’t able to celebrate that literary moment with her.

But I also know that writing about her and her wisdom-filled letters, my father and his unrealized poetry, my grandfather and fifty-three years of diary entries, and the general sense of freedom I felt visiting my grandparents in the 1960s at their rambling North Carolina farm allowed me to create a healing path out of my grief.

It was–and still is–a story I was meant to write and publish. One I wanted to share with others navigating the devastation of grief.

In the past ten years since From Fertile Ground was born, writing has become that free, unbridled swimming lane that is purely mine. Welcome waves of water and creativity running from my mid-fifties to my late sixties.

Whenever I jump into my writing in the deep end of my emotions, I find a way back to the surface with a new story. Many of them have landed on the pages of my other five books: Tales of a Rollercoaster Operator in 2017; An Unobstructed View in 2018; I Think I’ll Prune the Lemon Tree in 2021; A Path I Might Have Missed in 2023; and Sixty-Something Days in 2025.

Of course, I take pride in that body of work and–more recently–find it tremendously gratifying to share what I have learned with other writers, who need an experienced coach … and a few practical ideas … to tell their own stories.

Today, I also pause and wonder–with a touch of sadness as I write this–how many more stories lie ahead for me. Though I still feel strong, capable, creative, and alive in these golden years swimming back and forth under the Arizona sun, I also feel more vulnerable.

Part of it is the process of aging. The other is the narrowing swim lanes of American society that constrain freedom and the expression of ideas.

Having said that, I choose to end this story on a positive note. Today, I choose to relish the goodness of my life with Tom in this rugged landscape. To give thanks for all the stories that have come from fertile ground over the past ten years … as well as those I have salvaged from the depths of the pool looking over my shoulder to beloved people and places that now live on the page.

Red Roses and Pink Orchids

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Red roses and pink orchids

Adorn our living room today.

It is a day to celebrate love.

Romantic love is the headliner.

I am thankful for my husband,

Our love, our mutual understanding.

We have been together nearly thirty years.

We were able to marry in 2014

On a bright September afternoon.

We continue to grow and love together.

We nurture each other’s passions.

We provide a warm haven

For each other as we age.

But love exists in many shapes and sizes.

Devoted friendship.

Brotherly and sisterly love.

Parental love. Neighborly love.

Love of nature and animals.

Love for the good of all humanity.

These forms of love are just as important.

We all need to feel loved to flourish,

To live with dignity. To survive.

Not just on Valentine’s Day. Every day.

Certainly, there is love in our country.

But the malignancy of hate abounds.

Endless, unbridled love is the antidote.

When love coalesces with truth and justice,

We will reemerge from the darkness,

Holding an abundance of red roses and pink orchids.

After the Sparkle

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In the mid 1970s–when I controlled the levers as a rollercoaster operator at Six Flags near St. Louis on many summer days–I witnessed enthusiasm, exhilaration, and glee. That spirit of adventure and anticipation appeared on the faces of patrons as they boarded the River King Mine Train.

Inevitably, when the ride ended and they returned to the station–after the sparkle of the final plunge when they threw their hands in the air–passengers stepped out from behind the restraining bar, dusted themselves off, and walked away in search of the next wild ride.

The process of performing in a show is much the same. You feel the anticipation, the butterflies swirling in your gut as you take the stage.

The curtain comes up. You sing your first song. Then, the second, and so on. Time speeds up. The audience raves. Adrenalin races through your arteries.

Before you know it, you’re taking a bow. The curtain drops. The show is over. Sadness creeps in. The sparkle becomes a beloved, fleeting chord that echoes in your memory.

***

In my sixteen consecutive years as a performer–most recently singing with the Phoenix Gay Men’s Chorus for the past nine years–this “Let Your Spirit Sparkle” performance was the grandest.

Nearly 2,500 attended our two shows inside the magnificent Orpheum Theatre. In the thirty-five-year-history of the Phoenix Gay Men’s Chorus, our audience for our Sunday, December 14, show was the largest.

I attribute that to a confluence of factors. Certainly, the high-profile venue was a plus. Also, the size of our chorus has increased dramatically. More than 130 took the stage last weekend. More members means more friends and family in attendance.

Beyond that, I also felt an out-pouring of love from the audience. In a world of frightfully bad news, they found their way to a safe haven of stirring profound music, phenomenal choreography, unbridled laughter, punctuated with six inspiring stories.

Near the end of the show, I had the honor of telling one of those stories … a testimonial to the open, upbeat, unapologetic community all of us in the Phoenix Gay Men’s Chorus have created.

Of course, I feel the dip, the letdown, now. But the sparkling light of our singing community will continue to burn bright until our spring concert in mid-March in Phoenix.

For now, I pause, rest, reflect, and relish the golden musical moments that reverberated at the Orpheum Theatre on December 13 and 14, 2025 … the sparkle we shared.

Photo of the Phoenix Gay Men’s Chorus performing at the Orpheum Theatre on December 13, 2025, captured by Carolyn Bettes.

The Sparkle

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This weekend–Saturday and Sunday, December 13 and 14–I will sing from this stage at the historic Orpheum Theatre in Phoenix with my mates in the Phoenix Gay Men’s Chorus.

Not in the ordinary orange sweatshirt and pale blue jeans I wore a few weeks ago when husband Tom, friend Glenn, and I toured this dazzling, ninety-six-year-old, beautifully restored performing palace.

Instead, I will stand proudly in my sparkly blue vest (over black shirt and trousers) for our “Let Your Spirit Sparkle” holiday show.

More than 130 of us chorus members will gaze from the stage into the audience with this spectacular view before us.

We’ve sold about 1,500 tickets … and expect to sell another 500 by Saturday. Friends, family, allies, and acquaintances–all music lovers–will hear and see us perform Saturday at 7 p.m. or Sunday at 2 p.m.

Our concert will feature a sparkling set of holiday songs and dance, sprinkled with heartfelt, fun, personal stories that will shine a light on six meaningful moments in the lives we lead.

This is my sixteenth consecutive year performing in holiday concerts: seven with the Windy City Gay Chorus in Chicago; nine here with the Phoenix Gay Men’s Chorus.

Each show has its own sparkle. The music, the laughter, the friendships that keep deepening over time.

We will surely shimmer in our sexy, sparkly vests. But what really glitters is underneath. The love, the respect, the community we’ve built together.

If you live in the Valley of the Sun, come see one of our inspiring shows. Just go to http://www.phxgmc.org/concerts for ticketing information.

You’ll be glad you did. Because with every rehearsal, every concert, every note, we’re adding another light to create something bigger than ourselves.

At the Orpheum Theatre or anywhere, that’s what community sounds like.

That’s what it feels like to shine together.

Early Reviews

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As a one-man-book-writing-and-selling band, I find myself switching hats from creative storyteller to active listener to self-promoter on a daily basis.

Today, in the waning moments of November, self-promotion is taking precedence. After all, if I don’t believe in the viability of my storytelling capability, who will?

Happily, I’ve begun to receive early reviews of my latest book, Sixty-Something Days … posted online, sent via text, and offered enthusiastically in person.

Feedback in any form is better than silence. But it is especially meaningful when it is specific … when it is unsolicited … when it is affirming.

As this Thanksgiving weekend winds down, I give thanks for these three readers who–in recent days–took time out of their busy lives to tell me what they think of Sixty-Something Days.

***

J wrote the following review on Amazon … “I thoroughly enjoyed this book. The author, Mark Johnson, shares with us his intimate life story of personal growth, overcoming challenges, and being true to those around him, and most importantly, to himself, even under difficult circumstances. Told in the style of a memoir, with essays, poems, and fiction, Sixty-Something Days, shows us all what it takes to be better friends and spouses, members of our communities, and citizens. This world would be a better place if we were all more like Mark Johnson. Highly recommended.”

N sent me this message via text … Good morning! I am just sitting down to read your Sixty-Something Days, and the first pages have me feeling happy! Sixty-five Thoughts (the name of one of the early essays) are right on and I will share some of them as I move thru life. Thanks for writing this book and I look forward to reading the rest!

D greeted me in person with a smile at a recent event … “I have to tell you I’m just loving your book. The stories are brief but meaningful. Strung together, they produce something much greater. I’m about to begin 2025 (the book is organized by years) and I don’t want your book to end!”

***

Perhaps I have sufficiently enticed you to read my latest book. If so, click the link below.

https://www.amazon.com/dp/B0FZM2724S?ref_=ast_author_dp&th=1&psc=1