Well, not really. But it feels that way for two independent writers living under one roof, who spent most of 2020 writing just to stay sane in the swirl of a global pandemic.
Yesterday Changing Hands Bookstore in Phoenix (an independent, artistic haven in the Valley of the Sun) contacted Tom (my film aficionado husband) and me individually with news that each of our books, published in 2021, has been accepted for consignment and placed on their shelves.
Today we drove there to capture the moment on camera. Tom’s book, CoronaCinema: A Diary of the Pandemic Year in Movie Reviews, is displayed in the film section. You can find mine, I Think I’ll Prune the Lemon Tree, on the LGBTQ shelf.
Of course, I know that most of you who follow me here don’t live in Arizona. But this is a psychological victory and important creative validation when it happens in your home community. Now there is a local book-buying option in the Valley of the Sun, if the size and scope of a global online retailer isn’t your thing.
If you are a betting man or woman, fours are wild today. Four double-red desert rose buds are primed to burst on our back patio; this sixty-four-year-old writer (who has written four books) swam twenty-four laps at Chaparral Pool this morning; and July 12 is the fourth anniversary of Tom and me arriving (finally) at our Arizona home after a hospital stay in St. Louis.
Dad would have loved the synchronicity–the magical, random alignment–of these fours. He was a numerology freak. Like me, he also was a dreamer, poet, sentimentalist, Cardinal-baseball lover, and heart-attack survivor.
My father never met Tom. A week shy of his eightieth birthday, he died before my husband and I began dating nearly twenty-five years ago. I don’t think Dad would have understood our relationship, but he would have continued to love me anyway.
I also believe he would have loved Tom’s smile, enthusiasm, and youthful spirit … and marveled at my resolve to create an authentic life with a soulmate, while raising Nick and Kirk and living long enough to see my two young sons evolve into intelligent, critical-thinking, thirty-something men.
Most of all, Dad would have admired–possibly envied–the free-flowing, simple, yet meaningful life Tom and I have built in our sixties in the warmth (okay, intense heat) of the Sonoran Desert. After surviving my heart attack blip four years ago, we have our health and plenty of time to exercise, write, read, reflect, and nurture friendships.
Tom and I no longer have to worry about the demands of holding down regular/traditional jobs or living up to narrow standards prescribed by somebody else. I realize what a privilege that is, even though there was a time in my previously closeted and discriminated life when I felt I would never find a path through the labyrinth.
Yesterday, four of us gay friends who met in Arizona in 2017 and formed an impromptu book discussion group in 2018 … Brian, Mike, Tom and me (plus Andy, a longer-term friend living in Chicago who joined the conversation via Facetime) … gathered, talked and laughed in the friendly, freshly painted confines of our Scottsdale den/guest room. We were there to exchange ideas and mixed reviews of The Days of Anna Madrigal, first published by Armistead Maupin in 2014. It was our first book group discussion since sometime in 2019, months before the pandemic began to ravage the world.
As I reflect on the three hours we spent together Sunday … critiquing various aspects of Maupin’s novel that I think missed the mark, recounting our original fascination with Maupin’s Tales of the City characters on Barbary Lane and the resulting PBS phenomenon in the 1990s, catching up on our own personal lives, telling summer stories of travel, and sharing brunch after surviving the dread of 2020 … I am especially thankful for friends such as Brian and Mike, who entered our lives in Arizona. Our Grand Canyon State friends have enriched our world after the St. Louis storm.
No matter how hot it gets in the Phoenix area this summer (110, 111, 112 degrees, and so on) … or whether the monsoons finally materialize and spill promised moisture into the Valley of the Sun this week as forecasters say they will … the lead of this personal story is the beauty of our desert roses, our mutual investment with new neighbors and friends between 2017 and 2021. During that time, we have come to love a whole new batch of people (and they have loved us) in our first four years in Arizona. It is a dream come true beyond the friends and family we continue to love in Illinois and Missouri.
From various avenues–literary, yoga, choral, gymnastic, canine, and cinematic–new Arizona friends and acquaintances have helped us heal, renewed our spirits, made us laugh, and stretched our creative sensibilities to new heights. I certainly didn’t see the breadth of this late-in-life resurgence coming from my precarious station in a hospital bed in St. Louis on July 6, 2017.
Dad would have loved these literary bonus years after the rises and falls of our midwestern life … these days of desert friendships and roses for Tom and me. Like the rousing song from Bye Bye Birdie, which played on the transistor radio next to Dad’s hospital bed as he recovered from his own St. Louis heart attack in September 1962, I’ve still got A Lot of Livin’ to Do.
The title of this post is a shameless ripoff of the old Beatles song, When I’m Sixty-Four. But my bastardization of the lyrics is appropriate. Today I turn sixty-four and I’m a writer who wants you to read my books. When you do, you will feed my desire to stay relevant.
Ask Tom. He’ll tell you. At this stage of life, I’m generally contented and thankful for good health, a comfortable home, and a loving husband. It is remarkable that we share the same birthday … same year too.
In 1957, our mothers never imagined their newborn sons–delivered three hundred miles and thirteen hours apart–would meet one day and marry. It certainly feels like a miracle to me.
Back to my writing. Whenever I wear my literary hat–which is frequently–I find myself questioning why my book sales have dried up like a sun-drenched Arizona river bed.
Of course, I promote my books online and do a little advertising here and there. I also market my stories on a personal basis, but when you’re an independent writer it’s easy for your books to get lost in the stacks of Amazon’s metaphorical bookshelf.
This concern I have is not quite an obsession, though it borders on it. I put a lot of thought and creativity into my writing. I want to share it with a wider circle of readers.
Perhaps my advancing age and occasional forgetfulness–did I tell you I turned sixty-four on July 6?–is what drives me to keep writing, to keep sharing my impressions and reflections of the world, to keep checking progress (or lack there of) on book sales, to keep wondering if readers will still read me.
The good news is I feel spry most days. (Of course, I wouldn’t consider using the word spry unless I were at least six decades old.) Anyway, I still have a lot to say and plenty of energy. So, on my sixty-fourth birthday, I’m going to tell you why you should buy and read my latest book.
As a kid in the 1960s and early 1970s, I observed how hard my mother worked to provide for our family and to prepare meals that we all liked … even after working long days in an office.
Frequently, Mom bought Sealtest Neopolitan ice cream and wedged it into the freezer portion of our avocado-colored refrigerator next to the Swanson’s TV dinners.
Why Neapolitan? Because she and Dad liked strawberry ice cream, while my sister and I preferred chocolate and vanilla. If you aren’t familiar with Neapolitan (I rarely see it in the supermarket these days), it included all three flavors in a carton stacked side-by-side. So, theoretically, Neopolitan offered something for everyone in our family in one container.
This ice cream recollection captures precisely the creative thrust I wanted to achieve as I wrote I Think I’ll Prune the Lemon Tree. I must have been channeling my mother’s shopping sensibilities.
I wanted my book to include something for everyone … humor and sincerity, social relevance and frivolity, truth and fantasy … and to comment on the relevance of every personal and geographical chapter in my life: Missouri, North Carolina, Illinois, and Arizona.
Now that summer is upon us and the heat has arrived, I strongly encourage you to consume your favorite flavor of ice cream to cool off and to buy a paperback or Kindle version of my Neopolitan book.
In the thirty-nine essays that appear in the book, you will enjoy lapping up several flavors. For instance, there are stories about: citrus and lizards; a hummingbird and a boxer; time travel; an eavesdropping barrel cactus; a return to Tucson through the looking glass of an authentic gay life; reflections on an extended visit to that dreaded place we all lived–Coronaville; the musings of an incredible shrinking man; a wayward Viennese waiter/writer struggling to tell his heart-wrenching story; a mid-century St. Louis custodian who bonded with a famous scrub woman; alliterative observations of flickers and fedoras; the golden hours of living in the Sonoran Desert; and much more.
When you read my book (and I hope you’ll review it too), you’ll be feeding your own creativity and doing this sixty-four-year-old writer a big favor. Yes, even after writing this long-winded essay, I still need to feel needed.
Now, back to the musical portion of my post and the final verse of a pop song that feels especially personal today.
Send me a postcard, drop me a line Stating point of view Indicate precisely what you mean to say Yours sincerely, wasting away
Give me your answer, fill in a form Mine for evermore Will you still need me, will you still feed me When I’m sixty-four*
*The Beatles released When I’m Sixty-Four (lyrics by John Lennon and Paul McCartney) on their 1967 album Sgt. Pepper’s Lonely Hearts Club Band.
It’s time to dig out the loose change that’s fallen between your couch cushions and put it to good use! From April 23 to 30, you can download a Kindle copy of my latest book, I Think I’ll Prune the Lemon Tree, for just ninety-nine cents on Amazon.
Set against the rugged landscape of Arizona’s Sonoran Desert, my anthology of thirty-nine essays (some whimsical, some serious) explores the themes of family, community, authenticity, creativity, and uncertainty before and during COVID-19.
Here’s what one reader had to say: “Focusing on stories from his recent relocation as a full-time Arizona resident, Mark mines his past for insights into his new life, reflects deeper into the after-effects of surviving a health crisis, and even includes poems and works of short fiction. A great new collection from a distinctive contemporary voice.”
This week marks five years since I completed and published my first book, From Fertile Ground. In celebration of the anniversary of my entry into this literary life, you can download a free Kindle copy of my book on Amazon from March 24 through 28. What follows is the story of what brought me to this moment. If you are an aspiring writer, I hope reading this will provide a little added encouragement.
If you look and listen closely—and breathe deeply—you will find spring stirring in the Sonoran Desert. Sweet and fragrant orange blossoms dance through the air. Lizards and ground squirrels reemerge to scamper and soak up the sun. A hummingbird darts and twitters in a Palo Verde tree. I imagine a lone loon, descending from a blue sky, is practicing for his pilot license. He receives clearance from nearby Sky Harbor Airport traffic control and lands with a graceful whoosh that ripples in the Crosscut Canal. A monarch butterfly flits and rests on a bud near the fence of the Desert Botanical Garden, pausing long enough for me to creep in for a closeup of nature’s transformation.
This central Arizona winter-to-spring progression is a warmer, dryer, more gradual shift—a far cry from the flurry, upheaval, and calm of a midwestern lion-to-lamb experience I had been accustomed to for my first sixty years. Nonetheless, it is a March metamorphosis.
Five years ago, like a clumsy butterfly, I emerged from my own cocoon. At age fifty-eight, I launched my first book From Fertile Ground. I remember the anticipation and anxiety of March 24, 2016—the day my book emerged—as I moved from wannabe writer to published author.
I felt exhilaration. It was as if I were boarding a rollercoaster, gripping the bar tightly, grinning ear to ear, throwing my arms in the air, and shouting “Look over here” as my book entered the literary universe. Maybe I sound immodest, but it was and is such a thrill to have discovered this better-late-than-never renaissance.
Previously, as a busy single dad and on-the-go communication professional, the idea of writing on my own terms seemed like a faraway neverland of creative euphoria. But slowly, as I drifted from the gravitational force of my previous orbit, I felt the magnetic pull of an artistic life.
This literary life sprung from a personal void, molded from the fog of my grief after my mother died in January 2013. At that point, I was lost with plenty of tears, but without the language of emotion that normally came easily for me.
Fortunately, I was not alone on my journey. Thanks to the encouragement and support of my husband and a skilled therapist, I forged ahead, jotted notes in my diary, took a few nature photography classes, and slowly stepped away from a thirty-four-year advertising, PR, and consulting career. It had sustained my bank account and carried me through leans years of single fatherhood, but ultimately drained my energy and creativity.
Early on, after my corporate “retirement” there were moments of doubt and uncertainty to contend with. Even so, the more I wrote in my journal, the more I felt my voice begin to emerge. Within a few months, my writing and reading led me out of the darkness into the light.
A litany of wisdom-filled letters my mother sent me—along with a boxful of more than fifty years of diaries my grandfather left behind—spurred my creative impulses. I sequestered myself and perused them all. They spoke to me and my love of family, heritage, and history.
One day in 2014, as I turned the yellowing pages of my grandfather’s rural life—his spartan existence—an idea surfaced in my brain. It told me to weave a tale of three writers telling their stories across the generations, leaving behind a trail of their own words. In that moment, I found a new passion. From Fertile Ground was born. So was my life as an author. I prepared to emerge from my cocoon.
A year of daily soul-searching, writing and editing passed. In late 2015, I finished my manuscript. With the help of a friend, I found an editor and graphic designer—Anna and Sam—who came highly recommended. They both lived and worked in Nashville, Tennessee.
Instinctively, I liked hiring professionals with connections to the South, because much of my story shared a border with Tennessee to the east—in the rolling red earth of rural North Carolina. That is where my mother was born, where my grandparents owned a farm, and where my sister and I frolicked and spent parts of our summers in the 1960s.
Anna provided me with her recommended edits in January 2016. Following that, I collaborated with Sam. With my input, he created the cover for my book, designed the interior pages, formatted the text, and loaded it into the Amazon self-publishing software.
By late March 2016, I held the first copy of my book in hand. Friends and acquaintances began to send notes telling me they enjoyed reading my book and were moved by it. It was a joyous period in my life, far from the tears and fog that had preceded it just a few years before.
I take long walks in the desert and collect photos to stir my imagination. I marvel at the beauty and continuity of nature that surrounds me. I give thanks for the gift of life in a warm and rugged place.
The trail of my literary life has led here. The Kindle version of my fourth book, I Think I’ll Prune the Lemon Tree, is now available on Amazon. (Paperbacks are in production and will be available for purchase at this same location on Amazon in the next few days).
The rush of adrenaline I feel today is at least as satisfying as books one, two and three, because I’ve devoted more than three years to this creative endeavor–imagining, developing, polishing, and agonizing over it.
In that sense, today is a combination of the exhilaration of unwrapping Christmas presents, skipping out the door on the last day of school, feeling weak in the knees the first time I approached the edge of the Grand Canyon, and hoping for a clean bill of health from my cardiologist. It’s all of that rolled into a freshly-baked batch of chocolate chip cookies.
In this anthology of Arizona stories, I dig deeper into themes that are important to me: the lasting love and comfort of family and friends; the humor, irony, and poetry in everyday situations; the profound beauty of nature and how it shapes us; the joy of realizing a literary life; and the conviction required to be an authentic gay man–a real gay couple–in a world often rife with ignorance.
As you might expect, the upheaval we have all faced in Coronaville (my name for our shared global address of uncertainty) is present here too. How could it not be? The pandemic has dominated our lives and–at its core–this is a non-sequential personal and societal 2017-to-2020 slice of life.
All of these themes–and flights of fancy (backward and forward in time) to visit familiar and new people and places–run through my book. They are the threads in this tapestry that has become my writing style. They are the elements of the sometimes-whimsical-sometimes-serious voice I have unearthed in my life with Tom in the warmth of the Sonoran Desert.
As we wait for our vaccinations and continue to hope we will recapture the most important strands of our disrupted lives, I think you will find comfort, honesty and humor in I Think I’ll Prune the Lemon Tree. I also think it is a testimonial to the importance of our families, communities, and human connections as we strive to sustain ourselves no matter where we live, no matter where this journey leads us.
In June 1962, a month before my fifth birthday, I stood alone outside the west wall of my brick childhood home. I wore my high-top Keds and cargo shorts with crazy pockets. The wind raced past my crew cut.
Our three-bedroom ranch in south suburban St. Louis appeared identical to two dozen others in the neighborhood, except ours featured a flowering pink crab apple tree with stair-step limbs I loved to climb.
In the shade of the branches, a clear thought jumped to the forefront of my brain. “I am different. I have important things to say.” The idea lingered and swirled through my consciousness.
As I look back at that vivid memory—one of my earliest—I must have recognized I was unlike most of the other boys. At that young age, I must have known I was gay. I must have begun to identify a need to share my thoughts and tell my stories one day.
Since that moment, I have lived at least four lives—shaped by local geography—and written four books. I have played in the red earth of North Carolina, navigated the rolling hills of Missouri, survived the flatlands of Illinois, and discovered the peaks and valleys of Arizona.
I never imagined I would live and write in my sixties in the rugged landscape of the Sonoran Desert, but the trail of life has led me here to the threshold of publishing my fourth book, I Think I’ll Prune the Lemon Tree. It will appear on Amazon (in paperback and Kindle versions) in late January or early February. Of course, once it is available for purchase, I will let you know.
In the first three years of my Arizona residency—2017 through 2020—the Grand Canyon State has enriched and shaped my life with natural beauty, profound uncertainty, and joyful humor. My goal was to reflect all three in this book, and develop a larger narrative about a gay man and his husband fulfilling their dreams, reflecting on their experiences, hoping to survive a global pandemic, and aging in a bold landscape.
If you are drawn to the themes I explore here on my blog and in my books—nature, family, community, heritage, human rights, humor, love, loss, health, truth, diversity, and creativity—I think you will enjoy reading my latest book.
Of course, nearly six decades have passed since I stood by that flowering pink crab apple tree I loved as a child. It has been replaced by the citrus trees that surround Tom and me in our sixties in our Scottsdale condo community. But the value of memory and storytelling is that I can remember the most important trees, past and present. I can choose to honor each of them.
Little did I know that one day a luscious lemon tree, thirty feet outside my front door, would inspire me to write and share the broader stories of my Arizona life.
We were all spaced out in Phoenix last weekend. Recording tracks for our Phoenix Gay Men’s Chorus holiday concert that will appear on YouTube on December 20.
For safety sake, Marc, our artistic director, divided us into groups of ten or so. Group A had the morning slot Saturday. Group C the evening. I was one of two tenor twos singing in the afternoon in Group B in the “big box” room at the Parsons Center.
There I was. Standing in my blue hoodie in front of a mike, my binder of music, and a music stand. Wearing a safety shield and headphones with ear condoms. Gathering (loosely) with my gay comrades in the space where forty or fifty of us ordinarily rehearse collectively on Tuesday nights in a non-pandemic year.
Certainly, I felt strange, sanitized, and scattered. Like a sketchy character in a Ray Bradbury novel. Wandering and wondering where I would fit in the sci-fi story line. But as we began to run through our set–We Need a Little Christmas, The Nutcracker in About Three Minutes, Let It Snow, Feliz Navidad, and so on–an ounce of sweetness surfaced in the moment.
As we sang, I felt a twinge of the giddiness, excitement, and adrenalin of performance day appear. If you are an actor, singer or instrumentalist, you know that feeling of exuberance on stage. Of course, there was no one in the audience to applaud or validate what we had to offer musically. But that will come with time.
Magically, the sounds we produced on Saturday–and individual images we manufactured and projected in front of a green screen the previous week–will meld in the editing room in the next two weeks. Soon after, the end product will be unveiled. People will watch (or not), smile (or not), applaud (or not).
Some of us will even shed a tear or two. Because we know what losses we have endured in 2020. Now, more than ever, we need a little music. We need a little Christmas.
As COVID-19 cases climb and shadows of worry and anxiety cast doubts, we stew in our numbness. We attempt to process the depth of our grief. It has no bounds.
Here in the United States, we prepare for a thankless Thanksgiving Day 2020 minus more than a quarter of a million Americans–gone, but not forgotten–who sat at tables beside us a year ago. Our hearts ache for them and their families.
Seven years ago grief consumed me as the first Thanksgiving after my mother’s death approached. Tom and I decided we needed a holiday getaway from our then suburban Chicago home. We needed to shake things up. To begin a new tradition in a place that wouldn’t spark the rawness of Midwestern memories.
Both of my sons loved the idea. They decided to join us for an extended Thanksgiving weekend in the Arizona desert. It felt as if the odds were against us when Tom developed pneumonia after raking leaves on a frosty early-November Illinois morning. But, remarkably, he rebounded quickly. We kept our plans to fly west.
On Thanksgiving Day, Kirk, Nick, his friend Stephanie, Tom and I dined outside at the Tempe Mission Palms Hotel. We enjoyed turkey and stuffing, seated around a courtyard patio table shaded by an orange tree.
Three months after that November 2013 trip, I retired from corporate life and began to feel a calling to write about my grief. I soon discovered that by honoring and answering my creative impulses, I could ride through the waves of tears and numbness and emerge whole on the other side.
As strange as it sounds, grief became the fertile ground for my writing journey. In 2016, I published my first book, From Fertile Ground. It tells the story of three writers–my grandfather, mother and me–and our desires to leave behind a legacy of our own distinctive observations of our family, our loves, our losses, our worlds.
In honor of Thanksgiving and those we’ve loved and lost, you can download a free Kindle copy of my book on Amazon from November 21 through November 25.
I hope reading it will inspire you (or a friend who is grieving) to find your fertile ground. To discover your voice. To channel your creativity. To emerge from the numbness. To tell your unvarnished story. Perhaps even to leave behind a brief review of my book online.
It is one of my earliest vivid memories. I was standing alone in June 1962. Outside the west side of my childhood home in Affton. Looking north toward the street. Wearing my high-top Keds and cargo shorts with crazy pockets. One month shy of my fifth birthday. The wind raced past my crew cut.
Our three-bedroom brick ranch in south suburban St. Louis, Missouri appeared nearly identical to two dozen others on South Yorkshire Drive. With one exception. Ours featured a flowering pink crab apple tree with stair-step limbs I loved to climb and droppings that stained our driveway.
At that moment, a clear and welcome thought jumped unannounced to the forefront of my brain and lingered for a few minutes. It swirled through my consciousness.
“I am also different. I have important things to say.”
As I look back at that memory, I realize that on some level I must have known I was gay. Not the same as most of the rest of the boys. Maybe even special. It was an intuition. A gut hunch without empirical data.
I was a shy child. I stayed out of trouble mostly. I didn’t rock the boat. I obeyed my parents. Later, I listened to my teachers and dodged bullies in middle school halls. I had lots of fears and creative ideas. Unfortunately, I never voiced many of them.
Now–nearly sixty years later–the voice that was never fully realized in my developing years has found a forum of its own. This is my two hundredth blog entry since launching my site in May 2018. For you who follow me frequently–especially the handful who comment regularly–thank you for taking the time out of your busy life to read what I write.
Recently, the pace of my postings has slowed so I can devote my attentions to another creative endeavor. I am currently finalizing a collection of essays and fantasies about my life in Arizona. My goal is to send these to my editor in November and publish my fourth book early in 2021. Rest assured, I will keep you posted on the delivery date of my newest arrival.
I suppose my writing commitment (in blog and book form) is my way of making up for lost time. When I sit before my laptop, spin my stories, enter my words, and press the “publish” button, I feel as if on some level I am speaking for that “different” little child who stood on his St. Louis driveway and pondered the world’s possibilities and problems.
I keep writing because he and I have important things to say.