In summer’s flurry of joyful singing, record-breaking heat, Covid resurgence, political revelations, and Olympics coverage, June is gone. July is close behind.
Until now, my Covid recovery, birthday revelry, and travels to and from Minneapolis for the 2024 GALA Festival prevented me from posting highlights from Encore, our Phoenix Gay Men’s Chorus concert in late June.
Suffice it to say Encore was a musical review of favorite chorus moments and tunes (A Million Dreams, Some Nights, What Was I Made For?, Bridge Over Troubled Water, Proud, I’m Still Standing, For Me and ten more.)
Beyond that, it was also a reflective celebration of Marc Gaston’s twenty-two years as our artistic director–laced with storytelling vignettes (I wrote), LGBTQ anthems, and dazzling dance routines.
As a singer and one of several storytellers, I couldn’t be prouder of the program we created and performed for three exuberant audiences at Tempe Center for the Arts.
I will leave you with a snippet of dialogue … along with four images from the concert … that represents the joy, energy, rainbow colors, and love, which reverberated in the room away from the summer heat.
“When I sing with this chorus–these amazing people–and I absorb all the music and camaraderie, it feels like the sky is the limit. It feels like I could rule the world.” Mark Johnson, Storyteller #1, in Encore.
In January 2014, the fog of grief occupied my brain and body. My mother had been gone one year, but I hadn’t yet found a constructive way to heal and process my grief.
Along the way, my husband Tom and therapist Valerie encouraged me to embark on a new path that would help me recapture my creative spirit.
I decided to leave my communication consulting career. Soon after, I began to write personal stories that mattered to me. Vivid recollections inspired and spawned by grief. Observations about love and loss in my family that helped me chart a new course and publish my first book, From Fertile Ground.
With time and reflection, I wrote four more books about the tender and whimsical ups and downs of childhood, the poignancy of leaving one home and surviving to find another, the adventures of creating a new life in the Arizona desert, and the poetry that has stirred inside me for thirty years and finally escaped to land on a page.
In small and large ways, my mother is in every one of those books and numerous essays. Yet she didn’t live long enough to read any of it, except one poem I gave her on Christmas Eve 2009.
I know now that writing about her in new and different ways has kept her wisdom and generosity alive and accessible for me.
July 26, 2024, would have been Helen F. Johnson’s 101st birthday. I knew I wanted to write about that, but until my fingers hit the keyboard, I wasn’t sure what I would say … because I thought I’d said it all before.
Maybe I haven’t.
How I loved and admired–and still remember–her tenacity. Her legacy of letters. Her devotion to family, friends, and the power of nature.
She would have loved the artistic life Tom and I have created in Arizona among the buttes and cacti. Writing stories, screening movies, singing songs, feeding stray cats.
Making new friends, while remembering old ones. Doing our best to guide and encourage my sons–her beloved grandsons–as they make their way toward the middle of their lives.
Cherishing each moment of our retirement years, without ever knowing where it will lead. Never wanting to know how or when it will end.
On July 26, 2012, we celebrated my mother’s eighty-ninth birthday together. It was her last.
Twelve years have passed. I’m much older, more appreciative and impatient. But also, wiser. Healthier. Gayer. Grayer. More contented with my own life and legacy. More worried about the world’s plight.
Grief is no longer my catalyst, my nemesis, my companion. Of course, I see it in the rearview mirror. But, with the passage of time, I discovered higher ground without the ghost of grief.
I no longer think of my mother every day. But when I do, I am grateful for the moments she and I shared–the gifts of memories and photographs I treasure–and the propensity to write about it.
All of this runs through our DNA.
My mother and me, celebrating her eighty-ninth birthday in Wheaton, Illinois, on July 26, 2012.
I’m back home. Inside the furnace, better known as the Valley of the Sun.
I have begun to reemerge from an affirming, magical, inspiring five days of LGBTQ bonding and music with my chosen family at the 2024 GALA Festival in Minneapolis.
From July 10-14, 7,000 singers (representing nearly 300 choruses and presenters from around the world) inhabited the Twin Cities.
We owned the stages. Occupied the hotels. Flooded the restaurants, bars, shops and streets with gaiety and glee.
But it was more than the magnitude of this quadrennial event that has left an indelible imprint on my creativity and identity. It was the sense of joy, kindness, support, and human possibilities that dazzled me most.
At a time in this country and our world where so much hatred abounds, I was reminded that when love is present–when people truly come together to care for one another and cheer each other on–we can be that Bridge Over Troubled Water (one of the songs my Phoenix Gay Men’s Chorus mates and I performed) of hope for one another.
This was my third GALA. I shared all of them with my husband Tom: 2012 and 2016 in Denver; 2024 in Minneapolis. Each one has nurtured me, deepened my sense of artistry and compassion, and reinforced the importance of rekindling/kindling old and new relationships.
In this 2024 installment, over a five-day period I was able to reconnect and celebrate with friends from Chicago (who perform with the Windy City Gay Chorus and the Chicago Gay Men’s Chorus), Washington, Seattle, and–of course–Phoenix.
A friend and ex-colleague (from my past consulting career) who lives in the Minneapolis area, also surprised and delighted me by attending our performance on July 12. It was a treat seeing her again.
If you follow my blog, you know I have written five books. One is a book of poetry; the other four are memoirs or creative nonfiction. I’ve also written lyrics and librettos for the Phoenix Gay Men’s Chorus.
Already, I have begun to scribble ideas in a spiral notebook that were sparked by my latest GALA experience. Who knows? This may lead me to a stream of poems or lyrics I have yet to compose.
For now, I will leave you with an idea and image that captured my attention on Saturday as Tom and I watched a series of choruses perform inside the auditorium of the Minneapolis Convention Center.
A few rows in front of us, a couple neither of us knows relaxed and leaned in. Away from the heat and fire in the world, they rested their heads against one another. They held each other. They listened to beautiful music in a safe space.
Many of us in the LGBTQ community have spent large portions of our lives searching for answers, longing for love and understanding.
The beauty of the GALA Festival is that–through the power of music, relationships, and community–we can move from longing to belonging.
Moving beyond this amazing and affirming five days in the upper Midwest, we will continue to raise our voices inside our choruses and be our authentic selves outside in the everyday world.
Truly, we are much more than a large collection of singers. Together, we represent a movement of kind, talented, and diverse humans with the power to change hearts, minds, and attitudes.
It may or may not surprise you to learn that I’m sipping hot herbal tea–lemon and ginger–as I write this.
Ordinarily, that would feel counterintuitive to surviving the summer desert heat. (We are expecting 115-degree temperatures in the Phoenix area again today.)
But I am determined to eradicate the nagging remnants of Covid congestion. Plenty of rest, fluids, hot tea, Sudafed, and throat lozenges are helping me slay this beast. (I am no longer Covid positive or contagious.)
I want to be clear-headed for my sixty-seventh birthday on July 6th. (Actually, it’s OUR sixty-seventh birthday. In a gift from the cosmos, Tom and I are exactly the same age. I’m no mathematician, but what are the odds of that?!)
We will celebrate by seeing a production of Fiddler on the Roof at the Phoenix Theater–it’s getting rave reviews–followed by dinner at a Phoenix restaurant.
Then, early next week, Tom and I will travel to Minneapolis for the quadrennial GALA choral festival. 7,000 LGBTQ singers (representing hundreds of choruses from the US and around the world) will be participating in this massive community choral event.
It will be more than five days of non-stop music, singing, listening, cheering, and applauding. It will be a giant uplifting and affirming dose of camaraderie, which all of us in the LGBTQ community–the entire world really–need right now.
If you aren’t familiar with GALA, it’s a phenomenal program–gay music camp, of sorts–which happens only once every four years. Of course, the 2020 program was Covid-cancelled.
Therefore, GALA 2016 in Denver was the most recent festival. I still have fond memories of standing on stage with my mates from the Windy City Gay Chorus.
We were asked to perform the song I Love You More from Tyler’s Suite at the closing ceremonies in front of 3,000 people. It is a positive moment seared in my memory … and it happened on my 59th birthday.
Evidently, the GALA 2024 organizers were able to repurpose countless stacks of 2020 lanyards, which someone must have purchased four years ago. Look closely, and you’ll understand what I mean.
Anyway, on Friday, July 12th, at 12:30 p.m. (Central Time) I will perform with my Phoenix Gay Men’s Chorus mates on the Minneapolis Convention Center auditorium stage.
We will sing six songs: Bridge Over Troubled Water, You Are Enough, Proud, For Me, I’m Still Standing, and Sing to the World Our Light.
For more information, go to http://www.galachoruses.org. If you love choral music, you can purchase a live stream pass for $35 and see any/all of the chorus performances you like.
Trust me. No matter where you live, the quality, scope, magnitude, magic, and healing power of the music at this exhibition will dazzle you.
In the 1960s–when the San Francisco Giants appeared at Busch Memorial Stadium in St. Louis to play the Cardinals–the bleachers were a heavenly place for Dad and me to be.
Because, on many hot summer days and nights, in addition to watching our beloved Cardinals’ legends perform on the field (especially Bob Gibson and Lou Brock), we saw Willie Mays patrol centerfield.
Simply put, there was no one better–before or since–at chasing down line drives and long fly balls. Securing the ball in his mitt with his patented basket catch. Smiling at fans who gravitated to his magnetic personality.
Willie was the face of major league baseball in those days. His affable presence and disarming charm seemed to neutralize the racial prejudice that haunted many other black athletes when they traveled from town to town.
We ALL observed Willie’s greatness and humanity with awe and pride. He was a hero to black and white fans alike.
I won’t recite all of Willie’s remarkable batting statistics and records. I’ll leave that to the experts. Suffice it to say, his lifetime batting average of .301, 660 home runs, 3,293 hits, 1,909 runs batted in, and 339 stolen bases made his election to the Hall of Fame in 1979 a no-brainer.
Willie brought exuberance, fun, and a boatload of hitting and fielding talent to every game he played over more than two decades.
He was a legend off the field, too. For instance, he spent many hours playing stick ball with kids on the streets of New York before the Giants moved their franchise to San Francisco in the late 1950s.
I cried when I learned of Willie’s death on Tuesday at age 93.
Truly, there will never be another Willie Mays.
***
Beyond past ballfields (and my continued propensity to root for the St. Louis Cardinals as I approach my 67th birthday in the scorching summer heat of Arizona), my personal sense of awe and pride lives and breathes in a far different venue: on stage with the Phoenix Gay Men’s Chorus.
This weekend we will be performing our Encore show at the Tempe Center of the Arts. I’m proud of the libretto I’ve written for the show.
Five storytellers–I’m one of them–will connect the music with tales of reflection concerning who and what our chorus is. More than that, what it means to us in 2024.
For the audience and us performers, it will be a high-energy, emotional rollercoaster of favorite musical and choral moments, punctuated with dazzling choreography.
For added emphasis, this will be the final performance for our artistic director, Marc. He will pass the conducting baton to our new director, Antonio, who will usher in a new era of awe and pride for the Phoenix-area LGBTQ community and all our avid supporters and music lovers.
I don’t typically tackle social and political issues in my blog. I prefer to focus on the splendor of love, family, community, nature, and serendipity that runs through our lives.
But over the past weeks and months–years, really–I’ve been ruminating over what it feels like to live in the heaviness and post-Covid-social-upheaval of the United States in 2024.
Even though I am in good health and am fortunate to have the companionship of my husband and a cozy home, I often feel a gnawing, low-level anxiety.
I attribute this to worry. What will happen to disenfranchised members of our community–non-white immigrants, people of color, minority women, all women, all children, elderly people, trans people, gay people (like me), etc.–who would be especially vulnerable if our past president (the one just found guilty on thirty-four felony counts by a jury of his peers) should be elected in November?
I should tell you this blogpost isn’t intended to sway your opinion. I don’t think that is possible. I can’t imagine any American being undecided–not in this us-versus-them world exacerbated by lies and constant media attention.
Yes, I will vote for Joe Biden. It’s pretty simple for me. I’m not naive. Of course, he’s made mistakes, but he’s done a lot of good for our country economically and otherwise. I see him as a decent man–the only decent man whose name will appear on the 2024 Presidential ballot. I think he has the best interests of Americans in mind and sees the presidency as a job designed to serve the people, not his personal agendas.
If you feel differently, you are entitled to that. Just know that the democratic values and rule of law that generations of American men and women have fought for will be flushed down the toilet if enough people in swing states like Arizona vote for the other guy. I won’t include his name here.
Why did I choose to write about this today? Because I suddenly have greater clarity concerning all of the weight, which I’ve been carrying around concerning the potential loss of a safe haven–something all of us are entitled to.
The remarkable thing is my clarity came from an incident outside my front door on Sunday morning … an incident involving a feral animal Tom and I have come to love.
If you follow my blog, you know I’m talking about Poly. For the past three years, on many mornings she has appeared at our front door. Poly lives a reckless life, but at the very least is the beneficiary of food on the cool tile of our entryway (and probably others).
Her visits are a brief escape from the heat of the Sonoran Desert. Maybe her visits are also an escape for Tom and me to leave behind the worries of the world, which I’ve outlined above.
Recently, Poly has moved closer to us. Winding her way around our ankles. Sleeping in our wicker chairs. She has even decided to sleep outside on the gravel underneath our loveseat on occasion… before she moves on to explore other places, porches, and hideaways. Such is the life of a lovable, but forever-feral feline.
Anyway, on Sunday morning one of our neighbors (someone we care about who owns a sweet dog) happened to approach our front door at the same time Poly was eating with our door ajar. Normally, the dog is on a leash, but she wasn’t yesterday–though she should have been.
Poly (and I) were freaked. She ran out our door and down the sidewalk as the dog chased in hot pursuit. I feared for her safety and gave my neighbor an angry earful for not leashing her dog.
As I swam laps this morning in Scottsdale, I realized that my rightful (but intense) anger had roots. Metaphorically, in my mind and heart at least, Poly represented the plight of thousands of vulnerable Americans who might be on the run … whose lives might be in danger if we lose our democracy.
I say that knowing that some of my LGBTQ friends–particularly those in the trans community–are considering alternative plans of where to live if Biden doesn’t win the election. That’s a daunting thought and potential reality, which you may not be aware of if you don’t have gay friends.
One thing I am certain of. It doesn’t have to be Pride month for me to remain authentic and visible. I will continue to care about those less fortunate (humans and animals) … no matter what happens in November and beyond … because we all deserve respect and kindness … no matter who we love … no matter our identity.
Meanwhile, back in our Polynesian Paradise community, my neighbor and I have repaired our relationship and regained our equilibrium. (She apologized for not having her dog on leash and told me she hoped it wouldn’t deter Poly from returning.)
Late yesterday, Poly reappeared–safe and sound–outside our front door. This morning, she had her breakfast on the cool tile of our Sonoran entryway.
An hour later, I found her tucked underneath the loveseat in her safe haven. Peeking through the cacti containers and elephant food succulent on our patio, she allowed me to take this photo.
I am thankful Poly (and I) survived our Sunday scare. I hope our nation and democracy are as fortunate in November.
My friend Randy–baritone section leader for the Phoenix Gay Men’s Chorus–surprised me at rehearsal on Tuesday night. He handed me this descriptive name plate, which–four years ago in the depths of Covid–felt unlikely and unreachable.
As background, this unforeseen opportunity in my writing journey emerged in 2022, when I wrote lyrics for a few original songs for the Phoenix Gay Men’s Chorus (PHXGMC).
Shortly after, PHXGMC’s artistic director Marc asked if I would have an interest in crafting a libretto for Born to Be Brave, the June 2023 performance.
Quickly, that led to libretto #2–Thanks for the Memories: A Gay Christmas Carol–performed in December 2023. Remarkably, what began as a novelty developed into a creative trend.
Over the past few months, I’ve been “noodling” and “angsting” over libretto #3. Marc, Scott (our choreographer) and I met a few times this winter to select the music and brainstorm creative approaches for Encore, our June 22-23 concert at Tempe Center for the Arts.
Randy knows I’ve been working on this behind the scenes. But what he doesn’t know (until he reads this) is I finished drafting libretto #3 on the same day he smiled and handed me his gift.
A beautiful arrangement of A Million Dreams from The Greatest Showman will open the show. That’s ironic, because–in my wildest dreams–I never imagined seeing the word “librettist” attached to my identity.
I think this is one of life’s lessons. That the person you ultimately become at 65 or beyond may not reveal itself at 20, 30, 40 or 50.
But if you hang around long enough, and allow yourself to explore outside your comfort zone, you might discover you are capable of creating something meaningful you never dreamed of.
In late March of 2015, we visited the Painted Desert in northeast Arizona.
Tom and I weren’t yet full-time residents of the Grand Canyon State. We were Illinoisans, traveling on I-40, passing through the desolation and grandeur of the American southwest.
Fortunately, when we saw the sign for the Painted Desert, we had the gumption to exit the highway and soak up the scenery.
I don’t know what I was thinking at the moment Tom snapped this photo. But I imagine the experience of gazing out over the majestic landscape of this geological gem inspired me to keep writing, keep exploring.
I was nearing the midpoint of constructing my first book, From Fertile Ground, trying to maintain my creative momentum and find an ending to my grief-induced story of three writers talking to each other across the generations.
A September 2015 trip to North Carolina would provide the inspiration I needed to cross the finish line.
In 2016–on another momentous late March day–my book went live. I remember the giddy feeling of amazement … holding it in my hands when it arrived in our mail in Arizona.
Somehow, buried in the fog of my mother’s passing, I had unearthed my story, discovered an avenue for my artistic passions, and found my voice.
Since that time, the first half of each year–with March as the centerpiece–has become a catalyst for my creativity. I have published all five of my books (and launched my website) spread across the months of January through May.
This year, March has presented me with a new opportunity, a new wrinkle … and a new voice. Let me explain.
Up until recently, my books have been available in paperback and Kindle formats, but not as audiobooks.
A few friends and family members have encouraged me to pursue this additional option, but the cost and the time required to “give voice” to even one of my books felt prohibitive.
However, recently I learned of a viable option through Amazon, whereby I could select a computer-generated “virtual voice” to tell one of my stories.
I was skeptical at first. The concept felt mechanical and scary. How could a computer-generated voice capture the emotion, description, and intent of my words?
But after doing some research and listening to various options, I found a voice that resonated with me.
It captures the essence of An Unobstructed View, the personal (but strangely universal) story of Tom’s and my circuitous journey–physical and metaphorical–to carve out a new life in the Sonoran Desert of Arizona.
Thanks to computer technology, readers (or I shall I say listeners?) can now feel the sense of possibilities and uncertainties we experienced in 2017–remembering the seminal moments of our past Illinois life while forging ahead (on the other side of trauma) to create a home in Scottsdale.
I hope you’ll listen. Allow yourself to be transported through the theater of the mind. It’s a unique experience–possibly more powerful, like tuning in to someone else’s serendipitous story–to hear the words I composed spoken by a “virtual voice.”
At any rate, I know many people prefer to consume their books that way through their devices, through their ear buds, as they navigate the trail of life.
Now, one of mine is out there for you–and all the world–to hear.
January 1984 felt promising, but exceptionally cold, in the Chicago area.
Jean was due to deliver our first child on January 17. But that day–and several more–passed with no consequential developments. Just a few rounds of snowfall.
Late on January 23, Jean went into labor. When we arrived at Lutheran General Hospital in Park Ridge, Illinois, the nurses examined her. They told us it would be several hours before our child was born.
Jean and I weren’t prepared for the day-and-night-long ordeal that followed. After twenty-three hours of labor, Dr. P pulled me aside.
At that point, he was worried that a traditional delivery would place Jean and our unborn child at risk. He recommended Plan B: an emergency C-section.
Jean was scared; I was worried about her welfare. I insisted on staying during the operation (masked up on the other side of a curtain, away from the medical staff, while they performed the procedure). The doctor agreed it was a good idea for me to be there for emotional support.
A short time later, at 11:37 p.m. on January 24–twenty-three minutes until midnight–our son Nick arrived intact. Jean was okay, too, but totally spent. We both breathed relief.
Our newborn son wailed as the nurses wrapped him in a blanket. His head was slightly misshapen from the birthing process, but they told us not to worry. They laid Nick across Jean’s chest. We had a healthy son.
Jean and Nick stayed at Lutheran General for a few days, which was protocol for the time. Several days later, we signed a few papers, and prepared to leave the hospital.
Jean cradled Nick in a wheelchair that morning. A nurse pushed them down the hall. I pressed the elevator button, carried flowers, and juggled a few possessions as the doors opened.
An older man already onboard smiled as we descended to the ground floor. He wished a good life for our newborn son.
We exited the building. I walked ahead in the cold to bring our car around while Jean and Nick waited with the nurse at the curb. The sun shimmered on a dusting of snow from the night before.
Day-old Nick and me at Lutheran General Hospital on the morning of January 25, 1984.
***
When Nick was born in 1984, I didn’t expect his mom and I would split eight years later. But we did in 1992, just three years after Kirk (his younger brother) was born.
In the aftermath, my sons spent Monday and Wednesday nights–and every other weekend–with me (Tuesday and Thursday nights with their mom) until they were teenagers when they each opted for a home base with Jean. Thanksgivings were with me; Christmases with her. Two vacations occurred every summer. One with her. One with me.
On “Dad nights and weekends” in the early 90s, my boys and I devoured pizza in our cramped apartment in Arlington Heights and on cold, gray days swam in the indoor pool. It was a cheap way to have fun and burn off energy.
During the school year, with their backpacks in tow, we grabbed donuts downstairs in the apartment lobby on the way out the door.
I dropped Nick off at Kids’ Corner (before-and-after-school program), then hustled Kirk off to preschool before I commuted into Chicago’s Loop for work.
Looking back, it was a tumultuous period of disarray, intimacy, and estrangement for all of us. Nonetheless, somehow, we survived. We found our rhythm as a family straddling two homes.
In 1996, I saved enough for a down payment on a modest three-bedroom home nearby. Nick, Kirk and I played catch in the backyard and tossed the football on the open field across the street.
That same year, I met Tom and introduced him to my sons. I know that Nick–particularly as a teenager–felt uncomfortable with having a dad who was different. But, in spite of it, he knew I loved him.
We weren’t your prototypical American family, but with time we found our stride and Nick and Kirk accepted Tom and me.
At first, our basset hound Maggie (we adopted her in 1998) was the comic-relief glue that adhered us.
With time, that connectivity broadened. We found more in common: birthday celebrations; grounding visits with their wise and supportive grandma in St. Louis; fun and thought-provoking movies with Tom and me in the Chicago suburbs.
Not long after Nick–and then Kirk–graduated from college, Maggie died. We all mourned her loss in 2008.
Tom and I knew at the time that our parents wouldn’t be far behind. The nest emptied quickly. They were all gone by 2015.
That same year, at age thirty-one, Nick asked if he could rent our Arizona condo while he looked for a job out west. He needed a change. He wanted to chart his own course, away from the cold, heavy responsibility of the Midwest.
Nick began a new life that January (two years before Tom and I made Scottsdale, Arizona, our permanent home) when he landed a job with a technology company in March.
Over the past nine years, I’ve watched my son’s confidence and self-esteem multiply. He has a good life here.
Of course, during that period, he’s changed jobs and apartments, discovered new loves and suffered a few losses.
But Nick is happier in the sunnier Southwest. And I’m happy that I get to see him occasionally.
After I suffered a heart attack in July 2017 on the way west, Nick helped Tom move some of our bulkier pieces of furniture.
It gave me solace seeing them bond more deeply as I struggled to regain my strength and equilibrium.
Life so far in 2024 is good for all of us. Kirk is planning to visit us in Scottsdale in March. He lives in Chicago and has found a rewarding life as a trauma counselor. He needs a warm escape now and then to stay sharp.
In spite of the vast distance, my younger son and I have managed to deepen our relationship and stay close. As Kirk quarantined in his Chicago apartment during Covid, Tom and I played Scrabble with him online and Zoomed from time to time.
We talk frequently now. Whenever we do, I realize how lucky I am to have two smart and compassionate sons who are contributing members of society.
A few weeks ago, Nick stopped by and watched Oppenheimer with Tom and me. On other occasions, we’ve shared ballgames and dinners or picked ripe citrus fruits off our condo community trees (Nick loves grapefruit).
Next week, Nick and his girlfriend Anastasia will join Tom and me for dinner to celebrate his birthday at a local Scottsdale restaurant he’s been wanting to try.
No doubt, we’ll raise a glass. We’ll toast his first forty years. We’ll recall Nick’s journey west to discover a warmer life of promise.
As a dad, I will always be there for my sons. I’m glad I stuck it out during those trying years in the 90s, because seeing them become who they are–full-fledged adults–is the most gratifying part of fatherhood.
From time to time, it’s important to take stock of where we’ve been and how we’ve grown. In that spirit, as December’s light wanes, I look back over the fence at 2023.
Here are ten important things–in no particular order–I’ve learned (or been reminded of) this year. Each is connected to one or more blog posts I wrote in the past twelve months.
***
#1: Creative opportunities are rare butterflies; grabthem when they appear.
#2: Music transforms the human heart with joy and hope.
#3: Cats are resourceful, cuddly, and conniving characters.
#5: Trees keep us rooted to the places we love most.
#6: Good poetry simply IS; no explanations are required.
#7: My husband is a sweet guy, who really knows his movies.
#8: Carol Burnett is a national treasure and a kind human being.
#9: You can’t replace your mother or father, but you can remember them fondly.
#10: We all need a sense of community to connect and nourish our souls.
***
Join me on my blogging adventure in 2024. Just fill out the information on my Contact Me page. I will be sure to add your email address to my subscriber list.
Mark Johnson Stories 