What will happen, when our last
parade of Palo Verde petals
paint the blue sky yellow?
Beyond the frantic flight
of ever-fluttering pages,
who will pause to remember
what we did, what we saw,
what we knew, what we missed,
who we loved and carried forward,
who we–proud and bold–held,
before the blossoms fell?
I heard him tell the other one that this is his sixth anniversary of blogging … or something.
I don’t really know what “anniversary” or “blogging” means, but they seem nice enough.
I don’t really care about any of that, as long as they keep feeding me.
I heard him tell the other one–again–that he is going to blog … or something.
It must be important to him, even though he doesn’t know what to say.
Oh, well, I guess it’s time for me to leave now.
I don’t really know when I’ll be back, but I’ll be on my way.
9:10 a.m. yoga mantra:
“When in doubt,
exhale it out.”
Without our breath,
and our ability
to let go of the negativity
in the world,
we have nothing.
6:56 p.m. sunset capture:
“Inhale the magic,
exhale the tragic.”
Without our compass,
and our agility
to embrace the possibilities
on the horizon,
we have lost all hope.
To enjoy more of my poetry, buy A Path I Might Have Missed on Amazon.
Numbers–like true stories that capture a moment on a page–are meaningful.
They aren’t merely markers on the shore of life waiting to be washed away with the next high tide.
They measure our progress. They tell us how far we’ve gone; how much we’ve achieved; how many we’ve accumulated.
My dad loved numbers, especially twin digits. On his fifty-second birthday–December 4, 1965–he wrote a poem about their significance in his life as a twin.
I published Unity 66 and the Twin Digits in the context of my first book. It belongs there, embedded alongside and intertwined with the writings of my grandfather, mother, and me. In its purest form, From Fertile Ground is an immersion into our family’s writing DNA.
Despite Dad’s volatility, he could be an exuberant, charming man. He believed in celebrating life’s mundane and magnificent moments as they happened.
On the road of our family vacations in the late 1960s (from his position behind the wheel of our white, four-door, 1965 Chevy Biscayne sedan), he announced to my mother (in front) and my sister and I (in back) when the odometer of our car was about to reach a milestone.
“Hey kids … we’re about to reach 50,000 miles.”
That was our cue to sing with him like circus clowns dancing to a calliope from the backseat.
“Da da da da … da da da da … da da da, da da … da da … da da da!”
Earlier this week–on April 7, 2024, to be precise–I hit the five hundred books sold mark since February 2016 when I first became a published author.
(If you are one of those who have supported my creative writing pursuits, thank you! I’ll bet there are a five hundred more who’ve read my books free through libraries and Goodreads giveaways I’ve sponsored.)
How do I know? First, I keep track of all my book sales on a spreadsheet I update monthly. Second, my Amazon sales dashboard tells me that someone in the United States bought number 500, my book of poetry, that day.
Of course, these aren’t best-selling numbers. Not even close. I’d need to add a few more zeroes to play with the big leaguers. However, numbers–while important–aren’t necessarily equivalent to quality or creative impact. (If you’ve seen the movie American Fiction, you know what I mean.)
At any rate, for an independent writer operating with a paltry budget, my book sales numbers aren’t too shabby.
Somewhere, on the highway of life and in the universe of creative possibilities, I imagine my father smiling at me from the front seat through the rearview mirror with the wind buffeting his combed-back hair.
He’s gripping the wheel with his left hand, while waving an imaginary conductor’s wand with his right. He’s singing along with the crazy circus music from our 60s family vacations.
Like my husband Tom–last night sitting on the fold out couch in our cozy Arizona den–my father Walter–if he were still alive–would be telling me to keep writing about the things I enjoy.
Because writing, telling, and sharing serendipitous stories is what I was meant to do. No matter what the numbers say.
My friend Randy–baritone section leader for the Phoenix Gay Men’s Chorus–surprised me at rehearsal on Tuesday night. He handed me this descriptive name plate, which–four years ago in the depths of Covid–felt unlikely and unreachable.
As background, this unforeseen opportunity in my writing journey emerged in 2022, when I wrote lyrics for a few original songs for the Phoenix Gay Men’s Chorus (PHXGMC).
Shortly after, PHXGMC’s artistic director Marc asked if I would have an interest in crafting a libretto for Born to Be Brave, the June 2023 performance.
Quickly, that led to libretto #2–Thanks for the Memories: A Gay Christmas Carol–performed in December 2023. Remarkably, what began as a novelty developed into a creative trend.
Over the past few months, I’ve been “noodling” and “angsting” over libretto #3. Marc, Scott (our choreographer) and I met a few times this winter to select the music and brainstorm creative approaches for Encore, our June 22-23 concert at Tempe Center for the Arts.
Randy knows I’ve been working on this behind the scenes. But what he doesn’t know (until he reads this) is I finished drafting libretto #3 on the same day he smiled and handed me his gift.
A beautiful arrangement of A Million Dreams from The Greatest Showman will open the show. That’s ironic, because–in my wildest dreams–I never imagined seeing the word “librettist” attached to my identity.
Son, student, graduate, husband, father, writer, gay man, friend, consultant, author, tenor, teacher, mentor, citizen, democrat, neighbor, dreamer, idealist, survivor, poet … yes. But lyricist and librettist? No.
I think this is one of life’s lessons. That the person you ultimately become at 65 or beyond may not reveal itself at 20, 30, 40 or 50.
But if you hang around long enough, and allow yourself to explore outside your comfort zone, you might discover you are capable of creating something meaningful you never dreamed of.
In late March of 2015, we visited the Painted Desert in northeast Arizona.
Tom and I weren’t yet full-time residents of the Grand Canyon State. We were Illinoisans, traveling on I-40, passing through the desolation and grandeur of the American southwest.
Fortunately, when we saw the sign for the Painted Desert, we had the gumption to exit the highway and soak up the scenery.
I don’t know what I was thinking at the moment Tom snapped this photo. But I imagine the experience of gazing out over the majestic landscape of this geological gem inspired me to keep writing, keep exploring.
I was nearing the midpoint of constructing my first book, From Fertile Ground, trying to maintain my creative momentum and find an ending to my grief-induced story of three writers talking to each other across the generations.
A September 2015 trip to North Carolina would provide the inspiration I needed to cross the finish line.
In 2016–on another momentous late March day–my book went live. I remember the giddy feeling of amazement … holding it in my hands when it arrived in our mail in Arizona.
Somehow, buried in the fog of my mother’s passing, I had unearthed my story, discovered an avenue for my artistic passions, and found my voice.
Since that time, the first half of each year–with March as the centerpiece–has become a catalyst for my creativity. I have published all five of my books (and launched my website) spread across the months of January through May.
This year, March has presented me with a new opportunity, a new wrinkle … and a new voice. Let me explain.
Up until recently, my books have been available in paperback and Kindle formats, but not as audiobooks.
A few friends and family members have encouraged me to pursue this additional option, but the cost and the time required to “give voice” to even one of my books felt prohibitive.
However, recently I learned of a viable option through Amazon, whereby I could select a computer-generated “virtual voice” to tell one of my stories.
I was skeptical at first. The concept felt mechanical and scary. How could a computer-generated voice capture the emotion, description, and intent of my words?
But after doing some research and listening to various options, I found a voice that resonated with me.
It captures the essence of An Unobstructed View, the personal (but strangely universal) story of Tom’s and my circuitous journey–physical and metaphorical–to carve out a new life in the Sonoran Desert of Arizona.
Thanks to computer technology, readers (or I shall I say listeners?) can now feel the sense of possibilities and uncertainties we experienced in 2017–remembering the seminal moments of our past Illinois life while forging ahead (on the other side of trauma) to create a home in Scottsdale.
I hope you’ll listen. Allow yourself to be transported through the theater of the mind. It’s a unique experience–possibly more powerful, like tuning in to someone else’s serendipitous story–to hear the words I composed spoken by a “virtual voice.”
https://www.amazon.com/Unobstructed-View-Personal-Journey-Illinois/dp/B0CY941CS5?ref_=ast_author_dp
At any rate, I know many people prefer to consume their books that way through their devices, through their ear buds, as they navigate the trail of life.
Now, one of mine is out there for you–and all the world–to hear.
Writing can be gratifying, but it’s not easy. It requires introspection, imagination, and a healthy dose of discipline away from the demands of the day.
As I write this, my creative inspiration has been less certain and more diffused. Perhaps the construction cones, yellow tape, and jagged chunks of sod–prominent through the screen of our kitchen window after the replacement of a water main valve this week–are a fitting metaphor for the disruption I feel.
I’m living between and among several writing-related projects that deserve attention. The largest of these is a novel I’ve been mining … and drifting in and out of for the past eighteen months or so.
It’s a compelling (I think) fictionalized story of twin brothers navigating the pitfalls of their differences and a significant/sudden loss that muddies their family waters and transforms them.
I’ve written six or eight chapters, spent significant hours developing the back stories of both characters, and have a clear idea of the troubles they will face and how the story will end, but there is at least a year of research, writing and editing ahead. That feels daunting.
In the near term, I’m committed to blogging once a week and working with Marc, the artistic director of the Phoenix Gay Men’s Chorus, on another libretto later this month. This one, called “Encore”, will appear on stage in late June.
I’m also refashioning a retrospective essay about a teen’s emerging gay identity. This is something I’ve submitted to a few literary magazines. So far, no takers. But I’m determined to find a home for it.
Meanwhile, I want to teach a memoir writing class. On Monday, I presented the Scottsdale Public Library with a concept for a workshop I have developed. They like the idea. There are details and timeframes to figure out, but I hope to lead the first session with a small group of attendees this fall.
Yes, there is a lot under construction inside my brain and around me as snowbirds tiptoe to and from the parking lot past the various plots of uneven ground the plumbing crew left in their wake.
At least I’m choosing creative projects that are important to me … doing my best to entice more folks to read my books, while maximizing the slippery slope of my sixties.
It all feels exhilarating and overwhelming.
After my mother died on this day in 2013 at age eighty-nine, my grief took root.
With a little time, a lot of reflecting and journaling, and the support of a small circle of family and friends, I found and nurtured my own path from the branches of despair.
By 2015, I had carved out a storyteller’s life Helen Johnson would have loved. Late that year, I flew to North Carolina to visit Frances, her only sister.
Spending time with Frances in the state where both were born–and revisiting childhood memories of my grandparents’ farm in Huntersville, NC–propelled my creativity.
In March of 2016, I completed and published my first book, From Fertile Ground. It is the story of my journey and grief.
If you’ve read this story about three writers (my grandfather, mother, and me) and their love of family, you know this isn’t really the cover.
Today I’ve superimposed this photo of Helen and Frances together (in my sister’s backyard in 2003 or 2004 in northern Illinois) to remember them both.
Why? Because Frances was the last physical vestige of that rural, 1960s world for me. When she died six months ago at age ninety-one, I metaphorically waved goodbye to those years of running amok barefoot on warm summer days in the Tar Heel State.
Of course, I will always have rich memories of my wise-and-frugal mother, who wrote countless letters, and my fun-loving aunt, who traveled the world in her retirement years. In their own ways, they inspired me to tell my story.
Today–as I remember them both–I can walk into the sunroom of the Scottsdale, Arizona condo where Tom and I now live. I can pull my book off the shelf and find this passage.
“What I knew before was that the farm was a place of discovery for me and the fertile ground there was a physical and psychological refuge from the hardships of our family drama in St. Louis. What I know now is that I would need to go back to North Carolina to come to terms with my grief and integrate my southern memories with my present-day, real-life adult existence.”
I can take solace in the fact that I’ve written about Helen and Frances–who they were, who they loved.
Though they are both gone, they live on the pages.
I don’t usually write film reviews. I prefer to leave the nuances of critiquing movies to my cinephile husband. However, in this case, I will break the rules. You’ll understand why in just a moment.
In American Fiction, Jeffrey Wright plays Monk, a frustrated novelist who feels his books have been lost in the bluster of less literary works that fly off the shelves on the wings of tired stereotypes about the Black community.
Against the advice of his agent, he decides to prove his point by writing a one-dimensional, inflammatory book under a pen name.
He considers it garbage, but ironically the story wins immediate acclaim. He finds himself faced with the conundrum of accepting his financial windfall and hypocrisy or coming clean.
No spoilers here. You’ll have to see the movie to understand the permutations of his dilemma.
However, the story–written and directed by Cord Jefferson–is a dazzling bit of witty screen writing, laced with well-drawn, believable characters navigating painful personal traumas.
It’s been a long time since I was so entertained watching a movie. Tom and I laughed. Out loud. And so did the fifty or so others who sat around us in the theater at Camelview Theater at Fashion Square Mall in Scottsdale on Friday night.
I even shed a few tears, because there is a story thread about Monk’s mother–played by Leslie Uggams–that hit rather close to home.
But what resonated most for me was the brilliant way the film explored the world of a writer. We tell our stories, hoping our truths will land with readers.
We spill our guts (or those of our fictional characters) on the page but have no control over the tastes and proclivities of readers.
We do it because we love to write. It’s what we were meant to do. But secretly–or maybe not so much–we pine for our books to blaze a trail and rake in the royalties.
For those of us with dreams and scruples, we want our books to sell … but never want to sell out.
From time to time, it’s important to take stock of where we’ve been and how we’ve grown. In that spirit, as December’s light wanes, I look back over the fence at 2023.
Here are ten important things–in no particular order–I’ve learned (or been reminded of) this year. Each is connected to one or more blog posts I wrote in the past twelve months.
***
#1: Creative opportunities are rare butterflies; grab them when they appear.
#2: Music transforms the human heart with joy and hope.
#3: Cats are resourceful, cuddly, and conniving characters.
#4: Losing someone you love to suicide is devastating.
#5: Trees keep us rooted to the places we love most.
#6: Good poetry simply IS; no explanations are required.
#7: My husband is a sweet guy, who really knows his movies.
#8: Carol Burnett is a national treasure and a kind human being.
#9: You can’t replace your mother or father, but you can remember them fondly.
#10: We all need a sense of community to connect and nourish our souls.
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Mark Johnson Stories 