In October 2019, I puttered in my garden as I often do.
I had already begun to assemble tongue-in-cheek and serious stories about life in the Grand Canyon State. But I needed a creative hook to link the essays and my desert fantasies to the wide-open experience of living in Arizona.
Strangely, sagging citrus tree branches provided the stimulus for my book title. While they impeded our sidewalk, identifying the obstacle cleared a path in my brain. Tom stood by as seven words flew from my mouth and tumbled into the arid Arizona air: “I Think I’ll Prune the Lemon Tree.”
***
Nearly four years have passed. In early 2021, I completed and published my book. Folks near and far have told me how much they’ve enjoyed reading it.
Of course, I hope more will discover it and find meaning in the essays, including those I wrote about living in a global community we never imagined–a place I call Coronaville.
This afternoon I found myself in the same space outside my front door, examining the same tree, realizing it needed another haircut. I grabbed the loppers, pulled on my gardening gloves, and pruned only the most problematic branches that hung low.
Sadly, there were a few lemon casualties that fell to the earth looking more like green limes than the fully matured lemons they might have become in December.
Still, I think I did a good thing for Tom and me … and our neighbors and delivery people, who pass daily on the sidewalk of our mid-twentieth-century condo community and go about their lives under the radar.
And the lemon tree? It’s now shapelier than before and has inspired me to write yet another story about the possibilities at play in nature.
Whenever the opportunity presents itself, I enjoy talking about the discipline of writing. Honestly, it doesn’t happen that often. But when it does, it’s generally in the course of an ordinary day.
For instance, last Friday–on the way out the door of the gym I frequent–I stopped to talk with the manager. He asked me about my latest writing project for the Phoenix Gay Men’s Chorus.
“It’s fun,” I told him. But then I went on to explain that creating a full-blown musical libretto is also draining. Such is the case for anything that pushes us beyond our comfort zones.
What does writing a libretto feel like? Well, I’ve never been a clothing designer or tailor. But it’s as if I’m sorting through a world of potential fabrics … selecting the right one … weaving it into a fictionalized story with smart dialogue and an emotional arc … and stitching it to music (which the chorus’ artistic director has selected).
Back near the entrance to the gym, another person joined the conversation. It morphed quickly into a discussion about the motivations and pitfalls of writing. She–a technical writer, who has dreamed about writing a childrens’ book–asked me about my creative commitment and impulses.
That’s when I felt my energy swell as I became creative mentor and cheerleader on the fly. I told her writing is like any discipline–exercise, yoga, boxing, for instance.
I told her I write something nearly every day. That–strangely–after my mother died ten years ago, a new door opened. I decided to take a leap. To write stories that were important to me, not some corporation.
Along the way–I told her–I discovered my true calling as an independent writer. It’s something I’m passionate about, though sometimes the creative process can be lonely.
I told her you have to make it a priority. You have to make the time for it. I told her that the childrens’ book she wanted to write was inside her, waiting to be written.
As I left the gym and walked to my car in the heat of the desert sun, I felt happy … content in the knowledge that I had encouraged one other person to step beyond their creative comfort zone.
***
In this world of raging fires, heat waves, social upheaval, and constant noise produced by snake oil salesmen, I believe the best thing we can do is to put down our phones and turn off our TVs more often.
To take back our lives. To talk with one another face to face–or at least voice to voice. To offer encouragement when opportunities present themselves. To write and read more books and poetry. To make time and room for practices and people who make our hearts sing.
If we do, maybe we can begin to restitch the underlying fabric of our society … one thread at a time.
I know. It’s odd for me to write about Christmas in August. Particularly because the temperatures outside in Arizona are oven like.
However, today–like a kid on Christmas morning ready to rip open presents–I jumped out of bed at 6:30 when I heard the thunderclap. I raced to the window, threw up the sash, and pressed my nose against the glass.
I didn’t see Santa or a team of reindeer but witnessed the next best thing. Actual rain drops pounded the sidewalk. They pinged on the top of our metal carport and disappeared into the thirsty mouths of malnourished cacti.
Get this. In addition to forty days of 110-plus temperatures so far in 2023, we hadn’t seen rain in Scottsdale since March 22. (Okay, evidently there was a brief storm here on July 26, but Tom and I missed it. We were in Flagstaff.)
The lack of moisture falling from the sky has led some of us in the Valley of the Sun to refer to the summer of 2023 as the year of the non-soon versus the monsoons that generally produce a few gully washers. Typically, they account for much of our annual rainfall.
Back in the winter wonderland of my creative mind, over the past month I’ve been channeling the holiday season. Why is Christmas creeping into my psyche? Because I’ve been writing about it.
I’ve just completed a draft of another libretto for the Phoenix Gay Men’s Chorus (PHXGMC) 2023 holiday show. This one is titled Thanks for the Memories: A Gay Christmas Carol.
In addition to writing for PHXGMC, I will be standing on stage, performing in the concerts December 16 and 17 at the Herberger Theatre in Phoenix.
It will be a musical mash-up–nostalgic, glitzy, whimsical, and spiritual–embedded in a story of a Scrooge-like character, who is transformed by the power of beautiful music, personal truth and a trusted community.
It will also be the final holiday concert for Marc, our artistic director for more than twenty years, who has decided to move on to pursue other creative endeavors when his contract ends next July.
Tonight, is our first rehearsal for the new concert season. There will be old and new members to greet and new music to hand out.
Of course, it’s just the beginning. But whether I’m concocting a story or singing the first notes of an unfamiliar tune, it is the creative process that has always captured my joy and attention.
Most of all, I am thankful for every magical moment that lies ahead with my friends on stage and off as we create another batch of musical memories.
For the first time in a month in the Phoenix area, the high temperature failed to reach 110 degrees yesterday. (Unrelated, the kids –reluctantly or not–returned to school for a fresh start. Not my kids, but somebody’s kids.)
108 or 109 isn’t exactly pumpkin-spice latte weather, but it represents a clean-and-slightly-cooler slate for all of us Sonoran Desert rats, though the mercury is due to rise again later this week.
Coincidentally, the first day of this new month (not yet spoiled by the trauma of breaking news) is also the major league baseball (MLB) trading deadline.
MLB teams that feel they have a chance to advance to the playoffs and contend for the World Series title are adding players to their slates, who they hope will get them there.
Others (like my beloved St. Louis Cardinals who have bungled their way through the 2023 season and uncharacteristically reside in last place in their division as August begins) have decided to retool.
They have opted to prepare for a 2024 clean slate, by trading players whose contracts are about to expire for up-and-coming pitching talent that might trigger a positive outcome in the future.
Beyond the ball fields, I feel a sense of relief emotionally as we turn the page to August.
July’s heat–plus the grief of saying goodbye to my aunt, supporting my sister from afar as she recovers from surgery, and remembering the loss of my mother on her 100th birthday–has left me reeling like a rag doll cast into the corner.
While I’m healthy and vital, I think the malaise I’m feeling is probably common for those in my age range. It’s the realization that the world I once knew is shrinking and unfamiliar. Or worse yet, evaporating. That includes the people I love and the institutions I once knew.
For instance, I saw in the news that Yellow (a long-standing trucking company) has filed for bankruptcy. 30,000 employees will lose their jobs. I have no special allegiance to Yellow, but they were a client of mine when I was a consultant for Towers Perrin in the 1990s.
In 1995 and 1996, I caught a flight once a week from Chicago (where I lived) to Kansas City (near their headquarters). I met with the company’s human resources management and helped strategize their employee benefits and pay communication.
It wasn’t rocket science, but I felt I was helping people understand the options before them. Anyway, those workers that remain with the company in 2023 will now begin with a clean slate, too … whether they like it or not … as they work to parlay their pink slips into something of value that has nothing to do with Barbie-mania.
Of course, I’m thankful to be done with the traditional workforce. For Tom and me, we are fortunate to pursue our passions–the appreciation and preservation of classic films for him, the exploration of creative writing and poetry for me–on our own terms.
To close out the month of July, we manufactured our own clean slates by traveling to Flagstaff, Arizona, last week for three days and nights.
It helped me to retreat to cooler temperatures (highs in the upper eighties, lows in the upper fifties) to regain my energy.
We stayed at a lovely and contemporary B&B there: the Bespoke Inn Flagstaff.
Samantha, the manager, surprised us with a complimentary bottle of champagne (when she learned we were commemorating my mother’s milestone birthday).
I surprised her with a complimentary copy of my book of poetry as a parting gift.
Tom and I discovered a fabulous cafe in town–Tourist Home–where we did some reading and writing. The proprietors bake and sell phenomenal gluten-free crullers with sprinkles.
To counteract the calories, we also enjoyed hiking Buffalo Park in Flagstaff. It’s positioned on a plateau just a few miles from the base of the San Francisco Peaks.
Walking the path there with my husband helped me regain my creative footing as I attempt to reignite a fictionalized story that continues to rattle through my brain.
I started to write it last year, but then got derailed. It’s about a young gay man struggling to find his way and write his story in the high altitude of northern Arizona.
For now, that’s all I’ll say, but I’m open to any positive creative vibes you choose to send my way.
On Friday, July 28, 2023, a swatch of sunflowers lined the path at Buffalo Park in Flagstaff, Arizona.
I don’t know why it’s taken me so long. Especially because over the past ten years I’ve written extensively about my family, my lineage, and our propensity to seek, find, and carve our own paths. Plus, our impulses to leave behind a trail of our own observations. All of that runs through my DNA.
At any rate, last week I finally bought an Ancestry DNA kit. I opened the cardboard box. Read the directions. Spit my saliva into the provided vial. Put a cap on it. Closed up the box. I sent it away in the mail. I expect to receive the results via email in six to eight weeks.
From my mother’s branch of the family tree, I know I am Scots Irish; from my father’s family, German, Swedish, Norwegian, and French lineage. But maybe there will be a surprise or two.
This additional family research is also prompted by my mother’s one hundredth birthday–coming next week on July 26–and the personal reflection that comes with this significant milestone.
Meanwhile, with nineteen days of 110-plus temperatures under our belts here in the Valley of the Sun, Tom and I are poised for an escape to celebrate Mom’s birthday.
We’re planning a three-day, mountain getaway to Flagstaff, Arizona, where–at an altitude of 7,000 feet–we will be (blissfully) twenty-five degrees cooler than Scottsdale.
Because my mother’s life story (and my associated grief) has served as a catalyst for my writing, I’m offering my first book as a Goodreads Giveaway through July 26th. One hundred readers (chosen randomly) will receive a free download of my book.
Simply enter by July 26. If you’re a lucky recipient of my book, you’ll be notified right after. Then, find a quiet corner away from the heat (I think it’s hot everywhere right now) and get lost in my three-generation story of love, loss, and our family’s passion for writing.
I look forward to hearing your thoughts and would appreciate your rating/review online.
Remarkably, here in the Valley of the Sun, we have enjoyed a relatively comfortable early June. Seventies in the mornings. Low-to-mid nineties in the afternoons.
I’ve made the most of these breezy bonus days. Walking, hiking, swimming outside to rediscover my energy after a few weeks of long rehearsals and performances on stage indoors with my pals in the Phoenix Gay Men’s Chorus.
Of course, all of us Sonoran Desert rats know the mild temperatures won’t last.
We now brace ourselves, before triple-digit high temperatures arrive later this week and stay like unwelcome houseguests through most of September.
I’m not complaining. The summers here are quiet, beautiful, and hot–gorgeous sunsets, rugged buttes–away from the rush of the world and the traffic generated by snowbirds.
Our sizzling stillness is punctuated in July and August by monsoon storms that boil down from the mountains that surround us.
Now that Tom and I have lived here almost six years, our Midwestern years and associated memories have begun to fade like colorful t-shirts, hanging on a clothesline, bleached by constant exposure to the sun.
This day-in, day-out aging awareness, as we approach our shared 66th birthday in early July, makes me especially thankful that I wrote stories about my Illinois, Missouri, and North Carolina memories when they were fresh in my brain.
I guess you could say I’m between creative projects. I don’t know what I’ll decide to write next, beyond the weekly ramblings that appear here.
There is a fictionalized story I set aside late last year, when I devoted more time to writing dialogue for the chorus and completing my book of poetry.
In my mind, the main character of this yet-to-emerge family drama is living in the mountains near Flagstaff, Arizona–trying to come to terms with a significant loss he has experienced.
The good news is Tom and I have made plans to spend several days in the higher, cooler altitude of that area in late July to commemorate what would have been my mother’s 100th birthday.
Maybe this journey north, several thousand feet over the saguaros and into the ponderosa pines, is exactly what I need to rekindle my next story away from the scorching sunsets of our regular Sonoran life.
Life gets messy at times. For instance, Tuesday morning Tom and I were grocery shopping at Fry’s near our home in south Scottsdale. We picked up a pint of blueberries and placed them in our cart.
As we turned the corner and left the produce section, the container popped open. Half of the contents spilled out and tumbled to the floor. Some smashed and splattered. Others rolled fifty feet away.
Of course, accidents happen. We apologized. We helped a few kind Fry’s employees clean up the mess.
On the other end of life’s spectrum, there are spectacular moments that produce a cascade of love and joy. Crescendo moments we imagine and envision on paper, which work out better than we had planned. Seminal moments that transcend our dreams.
Last weekend was filled with those moments–standing on stage at Tempe Center for the Arts with about seventy of my Phoenix Gay Men’s Chorus mates, manufacturing an amazing blend of transformative music and stirring stories for three appreciative, enthusiastic, and occasionally tearful audiences. (They were simply responding to the heartfelt, emotional, honest Born to Be Brave moments that revealed themselves on stage.)
From stage right on the top riser, I sang as a chorus member and watched as a writer. With style, panache, and musicality, five of my chorus friends embodied and embellished a quintet of LGBTQ characters I created months before.
Over the course of the past few months, I’ve observed as they’ve evolved: Bry, a trans character from Idaho who found their voice with the support of friends; Toni, a bisexual artist with an unruly heart of gold; Gregory, a wise-and-resilient survivor of the AIDS-plagued 1980s; Les, an ultra-available, funny and sexy accountant; and Q, a young, flamboyant, energetic, queer leader who owns the stage and won’t be denied.
The premise? In an ode to A Chorus Line, they all audition for the Phoenix Gay Men’s Chorus in Act One. Ultimately, in Act Two, they each grow and join the group. They take the stage. They sing and dance. They find their voices and a new community of friends. In the show’s finale, they perform with the chorus and realize they were born to be brave.
***
Now, a few days have passed. The show is over. The blueberries at Fry’s have been cleaned up. I’m enjoying the high of a successful performance and artistic experience … the creative aftermath … but also recognizing the lull that comes after.
I’m beginning to regain my energy. (I left a lot of it on stage last weekend.) I’m also realizing the power of music and theatre. Friends who attended the concert have told me how much they enjoyed the show, and what a positive emotional impact it had on them–seeing and hearing the triumphant stories of five LGBTQ characters told through music in a world and community that needs love in all its forms … in all its splendor.
It gives me solace to know that — maybe — all of my chorus members and I have helped to create and produce sweet, luscious blueberries for the brave. To help nourish all of us on the rocky road of life.
This is a momentous post for me–number 400 written and shared over the past five-plus years here.
As we begin June — Pride month — the topic of this one is more consequential than most.
Since May 2018, I’ve posted a long-and-winding stream of diverse stories about the Scottsdale-Arizona community I inhabit and about my life … as an independent writer, avid gardener, animal lover, critical thinker, loyal son, non-traditional father, and fortunate husband.
This openness is something I’ve learned and earned. More than sixty years ago, I was a shy child. I hid behind my mother and sucked my thumb for reassurance.
On a subconscious level, I must have felt I needed protection … for being different … though it would be decades before I would understand and embrace my gayness.
In the early 1990s (after my divorce from Jean and before I met my husband Tom), I felt lost and afraid. I certainly didn’t imagine I would one day sing on a stage with dozens of other gay men in Chicago … and then again in Phoenix.
Or that my husband and older son Nick (also living in Arizona) would watch and smile from the audience.
Much less, that I would write lyrics for the Phoenix Gay Men’s Chorus or develop dialogue for a palette of LGBTQ characters–a libretto, of sorts–for a concert in June 2023, titled Born to Be Brave.
This latest thrilling endeavor will premiere June 3 (2 pm and 7 pm shows) and then again June 4 (2 pm) at Tempe Center for the Arts.
All of this leads me to the point of this post.
In 2023–in a country where some would prefer not to say or hear the word gay or work to pass legislation to remove books from shelves written by gay authors–it is more important for all of us to live openly and loudly.
Moving back into the closet is simply not a viable or healthy option.
In that spirit, I am sharing two photos with this post. They contain images of my family members (past and present) and a sampling of the most important aspects of my authentic life.
For the concert this weekend, each of us (about seventy members of the Phoenix Gay Men’s Chorus) will wear a stole that drapes around our necks with such images … images that tell the stories of our lives for all the world to see.
Yes, in June or any month, all of us have much to be proud of. With the help of inspirational music, compassion from friends and neighbors, and the safe haven of our community, we’ve come a long way.
It’s my book of Arizona stories and St. Louis flashbacks, which includes a chapter on The Carol Burnett Show and the positive impact the program had on our family in the 1970s.
There is one other significant and unexpected side effect, which Carol’s letter has prompted: a touch of grief.
If you follow my blog or have read any of my books, you know that my mother–Helen Johnson–was the consummate letter writer.
From the late 1980s (when Mom retired) until 2010, she sent me more than a thousand letters laced with love and wisdom.
Some of them appear in From Fertile Ground. It is a three-generation writer’s mosaic about love, loss, and grief. I wrote and published the book a few years after my mother died in 2013.
Helen didn’t quite make it to ninety, the milestone Carol Burnett transcended recently. She came up six months short.
So, when Carol’s letter arrived in the mail it cued a few pangs of sadness and a familiar pleasure. One that has been missing from my life … missing from all of our lives … for a long time. That is the personal, human, and lasting connection produced by a handwritten letter.
With all of this as background, yesterday I pulled out the large blue plastic container that holds all of my mother’s letters–sent to Tom, Nick, Kirk, and me over the years. I have them classified by year.
I began to leaf through her 2003 correspondence. That was the year she turned eighty, on July 26, 2003, to be precise. My sister Diane and I hosted a big party for Mom that summer in Geneva, Illinois.
Family and friends traveled from near and far to attend Helen Johnson’s birthday dinner at the Mill Race Inn. We celebrated her first eighty years. Afterwards, we crossed a bridge over the Fox River to continue the party at the Herrington Inn, where many of our guests were staying.
At one point, a gentleman playing violin walked through the lobby. He asked my mother if she would like him to play Waltzing Matilda, her favorite song. (Matilda was her middle name.)
Mom’s eyes sparkled with glee as he stood over her. He slid the bow across the strings, and I watched her spirit soar. In short order, she began to sing … “Waltzing Matilda, waltzing Matilda, you’ll come a waltzing Matilda with me.”
Ordinarily, my mother didn’t enjoy being the center of attention. But, looking back, that moment in a posh hotel on the banks of the Fox River surrounded by loved ones may have been the happiest and most spontaneous moment of Helen Matilda Ferrell Johnson’s life.
If you’ve been doing the math as you read this story, you know that my mother’s 100th birthday is approaching. It’s just two months away. One of the best ways I can celebrate the memories of her is to read her letters, which she mailed to me.
In this one from May 26, 2003–twenty years ago–she recounted for Nick (my older son) and me that she and my dad bought their first new car (a black, four-door Plymouth) in Texas in February 1951.
I must have just told her about Nick’s first car, a used Toyota Camry, which his mom and I had just helped him buy when he was nineteen.
Whether a letter comes from a legend of stage and screen like Carol Burnett or someone who lived a more ordinary (yet still remarkable) life like my extraordinary mother, the words and the movement of the pen on the physical page speak directly from one heart to another … far exceeding the temporary status of a text, email, or phone call.
That’s the context and beauty–the magic, really–of an authentic, handwritten letter.
