Are you missing your favorite monkey? Are you searching for a bridge to a higher plain? Do you need to be reminded that you are beautiful? You’ll find them all here along the Crosscut Canal between Scottsdale and Tempe.
We have endured so much over the past year. We have watched the numbers of COVID-19 cases and deaths climb, then fall, then climb and fall, then climb and fall again.
We have distanced ourselves from one another to survive. We have led shrunken lives. We have felt constant anxiety. We have agonized over losses. We have worried for loved ones, close neighbors, mere acquaintances, and total strangers.
I’m not a religious person, but I have been praying this pandemic would end. I have looked to nature for signs of hope and recovery. I believe we can learn a lot about ourselves and our world simply by observing the animals and plants around us.
So, when I spotted this mourning dove–looking west and bathing in the afternoon light earlier this week outside my front door–it captured the essence of how I feel. I’m ready to look ahead, especially now that Tom and I have received our second Pfizer shots. That happened yesterday on April Fools’ Day, but there was nothing foolish about getting vaccinated to protect ourselves and those around us.
I’m grateful for science. I’m grateful for the thousands of health care workers who have risked their lives to save others. I’m grateful for the volunteers who waved us ahead to the next station in line. I’m grateful for the nurses who put shots in assorted arms every day and send us on our way.
On this Easter weekend, I’m grateful for new light. It is replacing the long darkness of a dreadful year.
This week marks five years since I completed and published my first book, From Fertile Ground. In celebration of the anniversary of my entry into this literary life, you can download a free Kindle copy of my book on Amazon from March 24 through 28. What follows is the story of what brought me to this moment. If you are an aspiring writer, I hope reading this will provide a little added encouragement.
If you look and listen closely—and breathe deeply—you will find spring stirring in the Sonoran Desert. Sweet and fragrant orange blossoms dance through the air. Lizards and ground squirrels reemerge to scamper and soak up the sun. A hummingbird darts and twitters in a Palo Verde tree. I imagine a lone loon, descending from a blue sky, is practicing for his pilot license. He receives clearance from nearby Sky Harbor Airport traffic control and lands with a graceful whoosh that ripples in the Crosscut Canal. A monarch butterfly flits and rests on a bud near the fence of the Desert Botanical Garden, pausing long enough for me to creep in for a closeup of nature’s transformation.
This central Arizona winter-to-spring progression is a warmer, dryer, more gradual shift—a far cry from the flurry, upheaval, and calm of a midwestern lion-to-lamb experience I had been accustomed to for my first sixty years. Nonetheless, it is a March metamorphosis.
Five years ago, like a clumsy butterfly, I emerged from my own cocoon. At age fifty-eight, I launched my first book From Fertile Ground. I remember the anticipation and anxiety of March 24, 2016—the day my book emerged—as I moved from wannabe writer to published author.
I felt exhilaration. It was as if I were boarding a rollercoaster, gripping the bar tightly, grinning ear to ear, throwing my arms in the air, and shouting “Look over here” as my book entered the literary universe. Maybe I sound immodest, but it was and is such a thrill to have discovered this better-late-than-never renaissance.
Previously, as a busy single dad and on-the-go communication professional, the idea of writing on my own terms seemed like a faraway neverland of creative euphoria. But slowly, as I drifted from the gravitational force of my previous orbit, I felt the magnetic pull of an artistic life.
This literary life sprung from a personal void, molded from the fog of my grief after my mother died in January 2013. At that point, I was lost with plenty of tears, but without the language of emotion that normally came easily for me.
Fortunately, I was not alone on my journey. Thanks to the encouragement and support of my husband and a skilled therapist, I forged ahead, jotted notes in my diary, took a few nature photography classes, and slowly stepped away from a thirty-four-year advertising, PR, and consulting career. It had sustained my bank account and carried me through leans years of single fatherhood, but ultimately drained my energy and creativity.
Early on, after my corporate “retirement” there were moments of doubt and uncertainty to contend with. Even so, the more I wrote in my journal, the more I felt my voice begin to emerge. Within a few months, my writing and reading led me out of the darkness into the light.
A litany of wisdom-filled letters my mother sent me—along with a boxful of more than fifty years of diaries my grandfather left behind—spurred my creative impulses. I sequestered myself and perused them all. They spoke to me and my love of family, heritage, and history.
One day in 2014, as I turned the yellowing pages of my grandfather’s rural life—his spartan existence—an idea surfaced in my brain. It told me to weave a tale of three writers telling their stories across the generations, leaving behind a trail of their own words. In that moment, I found a new passion. From Fertile Ground was born. So was my life as an author. I prepared to emerge from my cocoon.
A year of daily soul-searching, writing and editing passed. In late 2015, I finished my manuscript. With the help of a friend, I found an editor and graphic designer—Anna and Sam—who came highly recommended. They both lived and worked in Nashville, Tennessee.
Instinctively, I liked hiring professionals with connections to the South, because much of my story shared a border with Tennessee to the east—in the rolling red earth of rural North Carolina. That is where my mother was born, where my grandparents owned a farm, and where my sister and I frolicked and spent parts of our summers in the 1960s.
Anna provided me with her recommended edits in January 2016. Following that, I collaborated with Sam. With my input, he created the cover for my book, designed the interior pages, formatted the text, and loaded it into the Amazon self-publishing software.
By late March 2016, I held the first copy of my book in hand. Friends and acquaintances began to send notes telling me they enjoyed reading my book and were moved by it. It was a joyous period in my life, far from the tears and fog that had preceded it just a few years before.
I take long walks in the desert and collect photos to stir my imagination. I marvel at the beauty and continuity of nature that surrounds me. I give thanks for the gift of life in a warm and rugged place.
In March, most of the United States springs forward, switches to Daylight Savings Time, and loses an hour until fall. But not here in Arizona. Time stands still in the Grand Canyon State.
I like the continuity of our steady clock. It’s one less adjustment to make in a world of constant change. This morning, I grabbed my digital camera and took a one-hour walk–the same amount of time lost elsewhere last Sunday–and photographed south Scottsdale.
These are the best images I captured in my community on Tuesday, March 16, 2021. It was a cool, quiet stroll along the Crosscut Canal. The pictures tell the story. There is plenty to love about Arizona. This is where time stands still, but life goes on.
Like clockwork, the wildflowers are blooming again in Arizona. Daisies and poppies are beginning to soak up the sun in fields, on yards, and along roadways. Pandemic or not, this burst of color and continuity occurs every February and March in the Sonoran Desert.
I think Mother Nature is trying to show us something astounding and reassuring about the power of her regularity. She’s at her best when she delivers beauty on her own terms and schedule, unimpeded by the twenty-four-hour news cycle. It is simply our job to notice her actions, absorb her displays, and allow them to calm our spirits as we wait for pieces of our pre-pandemic lives to appear.
On Tuesday, I wrote about returning to swim at Eldorado Pool after a year-long, COVID-19-induced hiatus. I swam again on Thursday. In the past week, there have been other hopeful signs. Blooming like Arizona wildflowers, a series of separate occasions outdoors with friends–all uplifting–have renewed my spirits.
Last Saturday night, Tom and I drove to Glendale to watch a movie under the stars with Danny, Shea, and Michael. It was a cool, windy night for Arizona. We bundled up to watch an action flick under individual blankets.
On Monday, Tom and I dined on a restaurant patio with Pavel and Rick. On Wednesday, we consumed a potluck meal under a gazebo with Adele, Len, Carolyn, and John. All four comrades in our condo community continue to support my writing addiction.
On Thursday evening, Tom and I ventured back to a nearly empty indoor movie theatre for the first time in a year. Behind masks, we watched Nomadland, a stirring story of loss and hope set against the grand landscape of the American west. On Friday, we reconnected with Paul, another friend from a different strand of life. Like the wildflowers, he has just reappeared.
This morning we laughed and joked with Garry, a chorus friend, and his partner James. Together we polished off four doughnuts under our recently pruned fig tree. I’ve missed Garry’s raucous sense of humor and positive energy. He bought three of my books.
More safe social steps are coming in the next week to carry us further down the path of healing: a movie with John and Carolyn tonight; a stroll with Brian and Bernadette at the Desert Botanical Garden tomorrow; a visit with George on Monday evening. Tom and I have grown close to him. He’s bringing steaks for the three of us to grill. Then, later in the week, another dinner outside with Len and Adele at one of our favorite Scottsdale restaurants.
Suffice it to say, Tom and I are lucky to have all of these friends in our lives. I didn’t intend for this to sound like a reemerging social calendar. More than that, it’s my latest batch of evidence concerning how important in-person human connections are, how much we need each other to survive and be happy. Zoom interactions and text messages aren’t enough to sustain us.
Yes, it’s been a week of many happy returns, a flurry of book sales, and several steps and strokes in the right direction. I’m thankful for them all and the opportunities ahead.
As Tom and I wait to be fully vaccinated (Garry and James already are), I feel an inoculation of hope. We’re finally beginning to rediscover the friendship strands of our lives. We’re poised to bloom again in the Arizona sun.
Tonight there was more than a January chill in the air in the Valley of the Sun. As we returned home from our walk along the Crosscut Canal, we looked skyward. I scampered home to grab my telephoto lens.
Even as we stumble through the dark of a global pandemic, there is more to investigate and admire than what’s trending on Netflix. There is January’s gift. There is the beauty of nature.
Our best and worst memories have a way of softening and sharpening as we age. Like photos pressed in the pages of a family scrapbook, some of them fade and crack. Others, through the lens of our selective memory, grow more brilliant.
I don’t know what it will feel like to look back on 2020 in ten or twenty years. But, as we work to survive the entirety of this preposterous year, I suspect our memories will follow the same unpredictable pattern.
On the morning of December 25, after a breakfast of scrambled eggs and English muffins, my husband and I watched A Christmas Story.
Like many of you, I have seen this satirical and nostalgic film countless times. It’s one of my holiday favorites. The 1983 movie, directed by Bob Clark, is narrated by author Jean Shepherd and based on his stories of growing up in the Hammond, Indiana area (near Chicago) in the 1940s.
The writing is witty and the editing superb, but what I love most about the film (starring Melinda Dillon, Daren McGavin, and Peter Billingsley) is the sense of time and place it captures.
Like the endless scarves, hats, gloves, and buckled boots the kids wear to protect themselves from the cold and piles of snow, the film produces layer upon layer of lasting humor, warmth and comfort … told through the eyes of a nine-year-old boy. It is an exaggerated ode to a lost era in the United States. For all of these reasons, it is imminently watchable despite its constant availability.
In hindsight, warmth also was the feeling I intended to capture in my book, Tales of a Rollercoaster Operator, published in 2017. I wanted to leave behind a record of what it felt like to grow up in the hot St. Louis, Missouri suburbs in the 1960s and 70s.
It was an age when kids ran barefoot, chased ice cream trucks, played with marbles, watched dads toss horseshoes, cuddled with puppies in backyard pools, performed tricks for Halloween treats, banged pots and pans outside to celebrate New Years Eve, sucked on popsicles to beat the heat with the neighborhood kids on scorching summer afternoons, and (in my case, at the age of sixteen in 1974) learned to operator a rollercoaster.
This was my front porch (circa 1960) in Affton, Missouri: Jimmy; Marianne; Diane; Suzy; Carol; and me. My mother sealed the moment with the help of her Brownie camera. Now the image lives forever in my light-hearted book of Missouri memories.
It certainly was a more innocent time. But, as we grew, the world became more complicated. We watched and listened to Walter Cronkite. We believed everything he told us through our black-and-white TVs. That included images and stories of JFK’s assassination, the first steps on the moon, Watergate, and the raging Vietnam War.
At any rate, if you’re looking for a little warmth and nostalgia to get you through the winter, I have an antidote. Download a free copy of Tales of a Rollercoaster Operator through the end of 2020.
As we prepare to cross into a new year and hope for brighter days ahead, maybe my stories of a bygone period in American life will inspire you to laugh a little, revisit your youth, dust-off your favorite memories, and find new meaning in the indelible moments that stay with you for a lifetime.
Jupiter and Saturn owned the winter solstice sky tonight over Phoenix. About 6:30 p.m., Tom and I were fortunate to capture the duo shining side-by-side, forming the Christmas Star between two saguaros in Papago Park.
As we prepare to say goodbye to the pain and heartache of 2020, there is no better way for me to wish you and your family a healthy and happy Christmas and a new year of hope, peace and bright possibilities.
Sonoran Desert December days dazzle. Gone are dreary skies, icy gusts, swirling flurries, clanging Salvation Army bells, and busy Windy City sidewalk years wearing topcoats and backpacks. Still earlier, shedding St. Louis jackets and stocking caps. Hanging them on cloak room hooks before school started. Dreaming of holiday cupcakes and Santa’s flight trajectory.
Arizona’s anonymous set designer has replaced them. Sparkling sun burns off the chill of the morning. A neighbor’s pink rose blooms and brightens the walk. A flock of chirpy lovebirds dash away on cue like pent-up kids scampering out the door for recess. Playful palms shimmer and brush the sand from the sky. Granting the splendor of December revisited.