Category: Singing

Show Buzz

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Nine days ago, I wasn’t sure I would be well enough to take the stage with the Phoenix Gay Men’s Chorus for our fabulous Broadway Lights show June 27 and 28 at Tempe Center for the Arts.

I contracted some sort of viral infection (not Covid) that pounded my head, ravaged my gut, kept me queasy, and spurred me to take a quick Saturday visit with my husband to an urgent care facility in south Scottsdale.

This all happened while my chorus mates sang and danced their way through an all-day Saturday rehearsal.

But, remarkably, after plenty of fluids and rest, I reemerged a week ago more like myself, five pounds lighter, and ready to embrace another dazzling concert experience.

There is something mysterious about the process of coming together with a group of friends to create a great show. You endure the frustrating moments when the energy isn’t quite there. When the mics aren’t working properly. When the entrances are slow. When you turn the wrong way or sing the wrong note.

But eventually if you work long and hard enough–and all goes well enough–the magic appears. The doubts fade away. The voices and spirits rise. The lights come up and the audience appears in large numbers. They applaud, laugh and cry when they are supposed to. They even stand up and cheer with abandon.

In those moments, as you gaze into the throngs from the top riser you are reminded again why you love to sing. Why you love live theatre. Why you are thankful for Being Alive (a Stephen Sondheim number we performed from his musical, Company).

In addition to singing in this concert, I co-wrote the libretto for Broadway Lights and coached nine storytellers. They channeled their acting chops to fuse the swells of Broadway music with stories that illuminated the joys and heartaches of our LGBTQ+ lives … angsting about a first date, obsessing over a “crush”, remembering a beloved uncle who died of AIDS, returning home for a grandparent’s birthday as the person you were meant to be, celebrating a joyous wedding day, standing up against the injustices of life, and embracing the beacon of Broadway music that soars through our souls.

It’s a lot of work, but a labor of love. Love for the music. Love for the singing. Love for the community of people I perform with. Love for the audience who probably needed to be there to hear beautiful, powerful voices that transcend the ever-present noise of our American lives.

***

A few years ago, our chorus tried something new. For a small donation to the Phoenix Gay Men’s Chorus, we invited our loyal patrons to write a few words of encouragement on a “Bravo” notecard to be delivered backstage to someone in the chorus they love, or know, or simply want to support.

I was honored to receive several “Bravo” messages over the weekend. The loving, handwritten words from my husband, chosen family, community friends, and new acquaintances touched me deeply.

Today, tomorrow, and beyond I will treasure them and the memory of standing and singing once more … side-by-side … with my chorus friends. My chosen family.

Too Darn Hot

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“But when the thermometer goes way up and the weather is sizzlin’ hot, mister man with a plan is not. ‘Cause it’s too, too, too darn hot.”

***

As the heat rolls into the Valley of the Sun this week–100-plus high temperatures through Saturday–this snappy tune, which Cole Porter wrote in 1948 for his Broadway show Kiss Me Kate, repeats through my brain.

It’s certainly “Too Darn Hot” to hike outside in June here, unless you do it early in the day. That’s what I–and a young woman walking her Boston terrier–did Monday around 9 a.m. Nobody else was on the Papago Park trail near my home.

This morning I opted for swimming thirty lengths in the relative cool of Chapparal Pool. How I’ve missed submerging myself underwater (thanks to a couple of dermatological procedures that kept me at bay).

In the afternoons, you’re better off holding up in the Scottsdale Public Library to escape the heat. That’s where Tom and I have sequestered ourselves today, along with a few dozen others, strategically stationed at square wooden tables, hovering over their books and laptops.

Other than the heat references, why would I be channeling an old Broadway tune? Because my next choral concert with the Phoenix Gay Men’s Chorus–“Broadway Lights”– is fast approaching: June 27 (2 p.m. and 7 p.m.) and June 28 (2 p.m.) at Tempe Center for the Arts.

As described in our promotional materials, “It will be a spectacular celebration of some of Broadway’s most beloved musicals. From the soaring melodies of Wicked and The Sound of Music, to the show-stopping energy of Hamilton, Moulin Rouge!, Hairspray, Into the Woods, The Book of Mormon, The Wiz, and The Greatest Showman, this season finale is packed with music that has captivated audiences around the world.”

Coincidentally, “Too Darn Hot”–timed beautifully with the inevitable onset of our desert heat–is the closing number for Act One.

If you live in the Phoenix metropolitan area, step into one of the coolest concert venues around: the Tempe Center for the Arts. Get your tickets at http://www.phxgmc.org.

You may be wondering “Since it is Pride month, is there a LGBTQ Pride element to this concert?” The answer is a resounding “YES!”

My chorus mate August and I have teamed up to write the libretto for the concert. It features nine storytellers, who will describe how Broadway music has served as a beacon for the LGBTQ+ community in happy and sad times.

Together–the music, the stories, and a slate of hot dance numbers–will combine to create a full theatrical production, which our loyal audience has come to expect.

This will mark the completion of my ninth season (singing and writing for) with the Phoenix Gay Men’s Chorus.

I still recall auditioning for the chorus in August 2017. Tom and I had just moved to Arizona from the Chicago area.

I was depressed and anxious, desperately trying to regain my health, to uncover an unobstructed view after surviving a heart attack on the way west in July 2017 on our sixtieth birthday.

Finding the chorus, nurturing new friendships, and reigniting my passion for singing has been a key element in my recovery. It helped me lighten my mood and smile again.

When I step onto the stage again on June 27, I know I will feel grateful for the music and the nine years of creative discovery. But also, for this safe haven. This supportive community of people.

They have helped me to realize I still have a lot to give. I still have a lot to say. I still have the ability to stand on a stage and raise my voice, especially now as we cling to the hope that–maybe someday–our democracy can be salvaged.

After the Sparkle

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In the mid 1970s–when I controlled the levers as a rollercoaster operator at Six Flags near St. Louis on many summer days–I witnessed enthusiasm, exhilaration, and glee. That spirit of adventure and anticipation appeared on the faces of patrons as they boarded the River King Mine Train.

Inevitably, when the ride ended and they returned to the station–after the sparkle of the final plunge when they threw their hands in the air–passengers stepped out from behind the restraining bar, dusted themselves off, and walked away in search of the next wild ride.

The process of performing in a show is much the same. You feel the anticipation, the butterflies swirling in your gut as you take the stage.

The curtain comes up. You sing your first song. Then, the second, and so on. Time speeds up. The audience raves. Adrenalin races through your arteries.

Before you know it, you’re taking a bow. The curtain drops. The show is over. Sadness creeps in. The sparkle becomes a beloved, fleeting chord that echoes in your memory.

***

In my sixteen consecutive years as a performer–most recently singing with the Phoenix Gay Men’s Chorus for the past nine years–this “Let Your Spirit Sparkle” performance was the grandest.

Nearly 2,500 attended our two shows inside the magnificent Orpheum Theatre. In the thirty-five-year-history of the Phoenix Gay Men’s Chorus, our audience for our Sunday, December 14, show was the largest.

I attribute that to a confluence of factors. Certainly, the high-profile venue was a plus. Also, the size of our chorus has increased dramatically. More than 130 took the stage last weekend. More members means more friends and family in attendance.

Beyond that, I also felt an out-pouring of love from the audience. In a world of frightfully bad news, they found their way to a safe haven of stirring profound music, phenomenal choreography, unbridled laughter, punctuated with six inspiring stories.

Near the end of the show, I had the honor of telling one of those stories … a testimonial to the open, upbeat, unapologetic community all of us in the Phoenix Gay Men’s Chorus have created.

Of course, I feel the dip, the letdown, now. But the sparkling light of our singing community will continue to burn bright until our spring concert in mid-March in Phoenix.

For now, I pause, rest, reflect, and relish the golden musical moments that reverberated at the Orpheum Theatre on December 13 and 14, 2025 … the sparkle we shared.

Photo of the Phoenix Gay Men’s Chorus performing at the Orpheum Theatre on December 13, 2025, captured by Carolyn Bettes.

The Sparkle

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This weekend–Saturday and Sunday, December 13 and 14–I will sing from this stage at the historic Orpheum Theatre in Phoenix with my mates in the Phoenix Gay Men’s Chorus.

Not in the ordinary orange sweatshirt and pale blue jeans I wore a few weeks ago when husband Tom, friend Glenn, and I toured this dazzling, ninety-six-year-old, beautifully restored performing palace.

Instead, I will stand proudly in my sparkly blue vest (over black shirt and trousers) for our “Let Your Spirit Sparkle” holiday show.

More than 130 of us chorus members will gaze from the stage into the audience with this spectacular view before us.

We’ve sold about 1,500 tickets … and expect to sell another 500 by Saturday. Friends, family, allies, and acquaintances–all music lovers–will hear and see us perform Saturday at 7 p.m. or Sunday at 2 p.m.

Our concert will feature a sparkling set of holiday songs and dance, sprinkled with heartfelt, fun, personal stories that will shine a light on six meaningful moments in the lives we lead.

This is my sixteenth consecutive year performing in holiday concerts: seven with the Windy City Gay Chorus in Chicago; nine here with the Phoenix Gay Men’s Chorus.

Each show has its own sparkle. The music, the laughter, the friendships that keep deepening over time.

We will surely shimmer in our sexy, sparkly vests. But what really glitters is underneath. The love, the respect, the community we’ve built together.

If you live in the Valley of the Sun, come see one of our inspiring shows. Just go to http://www.phxgmc.org/concerts for ticketing information.

You’ll be glad you did. Because with every rehearsal, every concert, every note, we’re adding another light to create something bigger than ourselves.

At the Orpheum Theatre or anywhere, that’s what community sounds like.

That’s what it feels like to shine together.

After the Arch

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October is bright and beautiful in central Arizona. The intense heat of summer is gone. Mornings and evenings are cooler.

Back in St. Louis, it was fortuitous that Tom and I decided to visit the Gateway Arch on September 22, because–with the U.S. government shutdown–the Arch and other park facilities across the country staffed by the National Park Service closed October 1. Who knows where this latest setback for the American people will lead?

Still, life goes on.

Beginning October 10, I will teach another memoir writing workshop at Mustang Library in Scottsdale. Tom is leading a film series, called Hollywood Laughs, at the same location on Thursday afternoons until mid-November.

Meanwhile, fall chorus rehearsals are underway for our next Phoenix Gay Men’s Chorus (PHXGMC) concert, Let Your Spirit Sparkle, in December at the Orpheum Theatre. I will wear my blue sparkly vest on stage again. This 2025/2026 concert season is my sixteenth consecutive year singing with gay choruses in Chicago and Phoenix. It is a vital part of my life.

Under the dynamic leadership of Antonio and Darlene–our artistic director and assistant artistic director respectively–PHXGMC has grown to more than 150 diverse members. Our voices will be strong when we march in the Phoenix Pride Parade on October 19.

Next month, Kirk will visit us in Arizona for a few days. Even as the mayhem in our country spreads, Tom and I look forward to gathering with Nick and him. We will enjoy a few quiet hours with both of my sons in our newly remodeled, freshly painted desert home.

We will give thanks for our fortunate lives, good health, and meaningful artistic opportunities in our sixty-something years, which have enabled us to have a positive impact on the lives of others in our community.

Unpacking

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In my late sixties, I am more aware of what remains in my gas tank.

Not the fuel gauge on our 2012 Hyundai Sonata. I’m talking about the physical and mental energy needed to maneuver life … while keeping a little extra for the seminal moments.

In the span of one week, I am celebrating Kirk’s and Jen’s (my younger son and future-daughter-in-law) engagement with family in Illinois (it already happened June 1) and taking the stage with my chosen Phoenix Gay Men’s Chorus family (June 6 and 7 is our raucous Rhinestone Rodeo show) at Tempe Center for the Arts in Arizona.

Both are deeply personal and rewarding.

Seeing my thirty-six-year-old son and his future bride beaming and greeting loved ones on the second floor of a popular neighborhood eatery on Chicago’s northwest side touched me. But there was more to it than that.

Because, there was a culmination of lives … past, present, and future.

Like Tom and me, my older son Nick and his girlfriend Anastasia flew in from Arizona for the festivities … and my sister Diane and brother-in-law Steve were there, too.

Though they live in the Chicago area, they each have difficulty managing stairs. Even so, diligently, they found a way to make the climb to a private dining room inside Zia’s Social. One small step at a time for the sake of a milestone moment with family.

There was another significant emotional layer to the event for me.

Jean, my ex, planned the party. Over the past few decades, we have been in the same room just a few times. At my mother’s funeral. At Kirk’s graduation. Our communication has been sparse at best.

But, at this stage of life, it feels life much of the animosity that existed between us after our divorce in 1992 has dissipated. We have both moved on. We have found vastly different lives with our respective husbands. Ironically, both of them are named Tom.

Bottom line, this engagement party was a joyous and healing experience for me … and I suspect others. There will be another one on August 29, 2026, at Kirk’s and Jen’s wedding. Also, in Chicago.

Now that my Tom and I are back in Scottsdale, I have been rehearsing each night this week. Conserving my energy while putting the smoothing touches on our music.

More than thirty of our Arizona friends–many of them straight allies–will be in the audience this weekend. They will fill the seats you see here alongside hundreds of others.

Smiling. Cheering. Laughing. Crying. Phenomenal music has a way of spurring it all. Touching our hearts and souls in ways we … gay or straight … never imagined.

Make no mistake. The nearly 1,500 who attend our shows this weekend will be entertained by our mix of past and present country western hits … coalescing with our brand of giant gay swirls thrown in for good measure.

Naturally, the pink fringe vest and new black boots I’ve bought for the shows … and will be wearing … will be made for more than walking and singing.

They’ll be carrying me through the two-steppin’ choralography … anchoring me on the top riser (through Pink Pony Club, Ya’ll Means All, Texas Hold ‘Em and much more) with love, gratitude, and pride for a week in June 2025 that will always be dear to me.

Transitions

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April has always been a harbinger of change.

In a natural sense, it produces turmoil in the Northern Hemisphere … growth and beauty laced with intense storms and wild swings in temperatures.

Of course, those meteorological transitions pale when you compare them with the societal turmoil, which I feel daily living in the United States in 2025.

My only recourse is to try to make a difference in my own way: stay visible, protest beside like-minded friends …”Hands OFF our Social Security” … all the while remodeling my home with Tom, singing, writing, and leading my memoir writing workshops. (Twelve aspiring writers are meeting with me later today in the middle of three workshop sessions at the Scottsdale Public Library.)

It’s appropriate that my Phoenix Gay Men’s Chorus comrades and I will perform an inspiring arrangement of Bob Dylan’s The Times They Are A-Changin’ at our Rhinestone Rodeo concert on June 6 and 7 at Tempe Center for the Arts.

Because they most definitely are … and you better start swimmin’, or you’ll sink like a stone, for the times, they are a-changin’ …

On to more personal transitions that fly under the radar. It is the grimy stuff of life. A friend’s mother dies. Another grieves the loss of his wife. A third deals with a cancer diagnosis. I will do my best to continue to be there for all of them.

If you live in the Phoenix area, come in from the heat and attend one of our June concerts. We will entertain and energize you … make you smile, laugh, shed a few tears, too … as we lift our voices.

No one can stop me from being who I am … who I love … who I care for … who I sing with.

Wrist-banding Together

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When you’re living through a full-blown constitutional crisis–and feeling vulnerable–you need to find ways of coping and caring for the ones you love.

So, I bought two of these beaded rainbow wristbands from the Human Rights Campaign for Tom and me to wear.

We are wrist-banding together.

This is a symbolic gesture. I want the world to know that this gay couple isn’t going anywhere, though it is a period in the United States where some would prefer that those of us who are different would go away.

But I–we–remain visible.

As I write this blogpost, I realize it is number 500 … a true milestone for any writer.

When I began blogging in May 2018, I had no illusions of where it might lead.

I simply wanted to give my books and literary voice more room to grow, more visibility.

For that reason, I suppose it is fitting that today I choose to write about my gay identity and continue to exercise personal aspects of my voice … visibly.

In many respects, the life my husband and I lead is not all that different from any couple.

We shop for groceries together. Go to the gym together. Enjoy quiet moments and meals together. Love and nurture each other.

We do our best to support each other and our family members during highs and lows.

We spend time with our friends. They are young and old, straight and gay, black and white.

We love and respect them, and they love and respect us.

I think it’s accurate to say this about our friends: we enrich each other’s lives, no matter our skin color, religious beliefs, cultural perspectives, gender identities, or sexual orientations.

It is a personal jolt to realize–and read on trusted news sources each day–that our differences are under attack and being eroded in my home country … the country I still love.

I don’t think I’m depressed. But I am definitely sad and angry. Definitely grieving. Me and a boatload of others of all backgrounds and persuasions.

There are times when I want to scream from the top of a mountain. “This is my country, too. How dare you try to take that away from me!” But then I wonder, “Is anybody listening?”

So, I bring this here, instead and I type these words in blogpost number 500.

At any rate, thank you for joining me–possibly even enduring me at times–on this blogging journey since May 2018.

As long as I continue to feel I have something important and relevant to say (to shed light on the topics of the day … to celebrate a literary success or the latest Phoenix Gay Men’s Chorus performance … to pay tribute to those I love … to tell a funny story about our stray cat Poly … to observe and honor the beauty of nature … to share a vivid, meaningful memory about my childhood … or to pen a poem that is in need of artistic space and oxygen) you will find me here.

I hope you have been informed or entertained and will continue to tag along with me on this organic literary odyssey, wherever it may lead.

As I walked the treadmill at the gym this morning–on Abraham Lincoln’s two-hundred-sixteenth birthday–a weird, dark, and discomforting question swirled through my brain.

What if we–all the diverse people in this country, all the people of color, all the LGBTQ folks–were gone?

That fearful quandary led me to write this poem.

****

If We Were Gone

If we were gone,

you would miss

our minds, our hearts,

our beauty, our tenacity,

our sensitivity,

our sensibility,

our kindness, our love,

our compassion, our humor,

our leadership, our style,

our guidance, our wisdom,

our friendship, our support,

our joy, our pain, our truth,

our sun, our moon, our stars,

our books, our movies,

our artistry,

our contributions,

our serendipitous stories.

But, most of all, you

would miss us.

You would miss

the clarity and

strength of our

distinctive lives

and beautiful voices.

That would be

the greatest loss of all.

Sparkle, Magic, and Joy

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No, those aren’t the names of three of Santa’s reindeer that will pull his sleigh tomorrow night.

But if you were one of more than 100 singers, dancers, and musicians on stage–or any of the 900-plus jubilant audience members who attended three sold-out shows–you felt sparkle, magic, joy and a lot more positivity, lush music, spectacular solos, and elfin storytelling pulse through your bloodstream at the Herberger Theatre (Stage West) in Phoenix over the weekend.

What you see here is the culmination of Recycle the Fruitcake, just breaths away from the end of act one of Lights, Camera, Elves!

I think it’s fair to say this number brought the house down in laughter, music, and mayhem.

Squint and look to the far right. That’s me wearing a giant gingerbread man costume. (My chorus pal Ezra played the other gingerbread man on the left side of the frame.)

Billy and Michael (two other dancers and chorus members) helped me perform a quick-change backstage.

They inflated my costume in about thirty seconds, so that I could return to bounce on the apron of the stage.

I waved my arms like a seven-year-old … not the sixty-seven-year-old guy I am … for twenty seconds. It was exhilarating and as close to skydiving as I will ever get.

Moments before I marched across the stage–arms extended carrying an enormous tin of toxic fruitcake, wearing a full-body orange hazmat suit, and teasing the dancers and the audience–“cause you never really know where fruitcakes might have been.”

Today–the day after our final holiday performance and an exuberant and playful cast party around Dale’s and Jim’s rainbow Christmas tree–I give thanks to the entire experience.

Even a slightly pulled right calf muscle didn’t deter me from hitting the gym with Tom at 9 a.m. and looking ahead to a quiet Scottsdale Christmas Eve with him … followed by a low-key Christmas Day with my older son Nick and his family.

Because as Derik (another second tenor, who played our Phoenix Gay Men’s Chorus Santa) proclaimed near the end of our performance with a pink garland wrapped around his neck and the twinkle of Darlene’s piano keys over his shoulder …

“The magic of Christmas isn’t just in the gifts or decorations. It’s in the stories we share, and the music that brings us together.”

See you here in 2025 for more stories and more music.

We’re Sold Out

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In the theatrical world, it’s a good problem to have.

Every seat for all three of our Phoenix Gay Men’s Chorus performances of Lights, Camera, Elves!, December 21 and 22 at the Herberger Theatre, has been sold.

While we are turning people away who might have bought additional tickets, we are also turning up the emotions, music, mayhem, excitement, and energy for two final rehearsals Thursday and Friday night.

***

This will be my fifteenth consecutive year singing in holiday concerts with my LGBTQ friends: 2010-2016 in Chicago with the Windy City Gay Chorus; and 2017-2024 with the Phoenix Gay Men’s Chorus.

Of course, I don’t remember every holiday tune, wondrous moment, or distinctive venue relating to those performances. But the net effect is the sense of belonging–the ever-widening space that occupies my heart, which is rooted in this collective community experience.

It’s difficult to explain, even for a wordsmith like me. If you have sung with a chorus, you understand.

If you haven’t, there is something inherently magical and healing that comes with standing side by side and contributing your voice to the greater good of a beautifully blended piece of choral music.

Nearly one hundred of us will sing, laugh and dance on stage this weekend. I will probably cry a little too as we perform captivating arrangements of Do You Hear What I Hear? and Pure Imagination.

But the tears will be mostly joyous and thankful ones as I channel the smiles on the faces of friends and family–past and present–who have surrounded and supported me on the risers and in the audience for fifteen glorious years.