My love of major league baseball qualifies as an obsession, especially when my favorite team–the St. Louis Cardinals–appears in the playoffs.
Tonight I’ll be glued to the TV, hanging on every pitch of the National League winner-take-all wildcard game between the redbirds and the defending 2020 World Series Champion Los Angeles Dodgers.
This love of Cardinals’ baseball runs deep through my bloodline. From memories of my father and me sitting together in the Busch Stadium bleachers in St. Louis in the 1960s to similar moments with my sons Nick and Kirk a generation later, watching the Cardinals and Chicago Cubs renew their rivalry from Wrigley Field’s upper deck.
Whether the Cardinals win or lose on October 6, 2021, my husband Tom (a lifelong Cubs fan) will endure this evening with Nick and me (on pins and needles) seated next to him in our living room in Scottsdale, Arizona.
Nick is joining us for the game and a dinner Tom has offered to prepare at our condo; Kirk will be rooting for the team wearing red from his apartment in Chicago; my cousin Phyllis (also a die-hard Cardinals’ fan) will be cheering from her home in St. Charles, Missouri.
This is just another chapter in October baseball and the rich history of the St. Louis Cardinals that has included eleven World Series championships (1926, 1931, 1934, 1942, 1944, 1946, 1964, 1967, 1982, 2006, and 2011.)
I’ve been fortunate enough to be alive for five of them … and even attended a game in the 1982 World Series, which I wrote about in Tales of a Rollercoaster Operator.
Will tonight’s game (with gutsy-and-crafty Adam Wainwright on the mound for the Cardinals vs. the Dodgers’ phenomenal pitcher Max Scherzer) be the first step toward #12 for the Cardinals in 2021 or simply an abrupt finale to a remarkable season that included seventeen consecutive September wins (a franchise record)?
Only time–and the actions of the players on the field–will tell. No matter the outcome, I’ll do my best to enjoy the game as it evolves at Dodger Stadium in Los Angeles.
October 7, 2021 postscript: The journalist in me requires that I report that the Dodgers defeated the Cardinals 3-1 last night. Los Angeles outfielder Chris Taylor hit a game-winning, two-run home run off of Cardinals’ relief pitcher Alex Reyes in the bottom of the ninth inning. The dramatic hit broke a 1-1 deadlock and sent Dodger fans into a frenzy.
Thus, the St. Louis Cardinals 2021 season is over. Naturally, I’m disappointed the team I love and follow isn’t advancing to the next round of the playoffs. Nonetheless, Tom and I enjoyed the evening with Nick. My older son ensured we could “stream” the game from his phone to our TV when that was in doubt just prior to game time.
If your team is still in the hunt for the 2021 World Series title, I wish you the best as you continue on your October odyssey.
I’m packing away my red St. Louis Cardinals t-shirt (with the birds balancing on the bat) until 2022. Or, in the words of my younger son Kirk who sent me this text after the game, “on to the next fun thing.”
All of us are required to play roles in society, especially to earn a living. We project a persona that may or may not align with who we are or what we value. We wear masks.
Of course, in a pandemic some us wear them more than others in public situations. But in my post-corporate sixties–even if I’m donning a face covering for physical protection–I prefer to spend time with people who are genuine. I don’t have the patience for games or innuendoes.
My need for authenticity has roots that wind back to my formative years. In the 1970s, as a budding-but-denying gay adolescent who had unnamed feelings for other boys and wasn’t allowed to express them, my personal development was frozen in time.
Imagine closing off one portion of your identity entirely with no light, voice or path encouraging you to explore it. None of the relationship rites of passage for straight kids–flirting, dating, parties, dances–were available to gay and lesbian kids in the 70s.
In my middle school years, I became close with Daniel. There was a lot I liked about him: his intelligence, his quirkiness, his dimples, his love of language and the arts.
On occasion, Daniel came over to my house after school. We played board games or simply talked about school and the teachers we liked. We never acted physically on the bond and attraction we shared.
I remember that Mom and Dad liked Daniel … and Daniel admired some of my parents’ most endearing qualities: my father’s exuberance and sensitivity; my mother’s kindness and sensibility.
In seventh grade, I was the spelling bee champion for Mackenzie Junior High School. I represented our school at the St. Louis-area finals. Each student was allowed to bring one friend in addition to his or her family. My choice was Daniel. I remember him sitting in the audience that day in April 1970. It felt like he belonged there, like he was a part of my family.
Not long after I lost the spelling bee, a few boys at school must have recognized something about the care and closeness Daniel and I demonstrated for each other in the halls and in the classroom. They spewed venom. They bullied us physically and verbally. It hurt me deeply and pushed me further into the darkness.
Daniel and I remained friends in eighth grade and beyond, but we spent less time with each other as a result of that trauma and feelings of vulnerability that surfaced. Our paths crossed only rarely in high school even though we both performed in plays and musicals.
Looking back, it was a survival strategy for me to pull away from Daniel, but I always regretted that we never had a chance to be authentic with one another or to talk about the elephant in the room … the experience of being chastised for being different.
That would change on a September Sunday morning in St. Louis.
In August 2021, I contacted Daniel online to tell him that I wanted to reconnect with him while I was in St. Louis for the Six Flags reunion. (We hadn’t seen each other since 1995, and then it was just a brief hello at our twentieth high school reunion.)
Daniel loved the idea. So, on Sunday, September 5, 2021–before Tom and I left Missouri to drive to the Chicago area to see our sisters and my son Kirk–we met him for coffee at a place he recommended. The three of us spent an hour together talking on the patio of a lovely cafe in the Soulard neighborhood of St. Louis.
For the first time, I was able to tell Daniel how awful I felt about the way our friendship was derailed. That led to a deeper discussion about other boys who were tormented to worse outcomes. But that wasn’t the entirety of our conversation. It was just one moment in a warm exchange with each of us … Daniel, Tom and me … sharing stories of our careers, families, and adventures. The bonus for me was watching and listening as my husband and my first boyfriend discussed their favorite films.
Before Tom and I departed, we invited Daniel to come visit us in the Phoenix area. As we left the cafe, I hugged Daniel and said goodbye. I truly believe there will be another chapter to our friendship. Maybe it will happen in Phoenix. Maybe it will happen in St. Louis.
Either way, on my Midwest journey in 2021, I was able to tie together a few more of the disparate ends of my past rollercoaster life to my more fully actualized Arizona existence, and for that I am grateful.
Our lives are an intricate tapestry of disparate threads. They weave over, around and through us. It is up to us to tie the loose ends.For those who seek and remember, we are on a lifelong quest to integrate the texture, color, and reality of our experiences.We return to our past lives to celebrate and reexamine what we have left behind and to find the greater meaning.
In August of 1976, I operated the River King Mine Train controls for the last time. I said goodbye to my rollercoaster crew mates, walked down the asphalt hill, punched the time clock, changed out of my Six Flags Over Mid-America (SFOMA) uniform, and drove my parents’ blue 1970 Chevy Belair four-door sedan from Eureka, Missouri to my childhood home in Affton. I was nineteen years old. I was ready to depart the St. Louis area to begin my sophomore year at the University of Missouri in Columbia.
It would take me forty-five years, but on the evening of September 4, 2021, I returned to Eureka. I went back to revisit my formative-and-repressed teenage years (and the scene of my first job and colleagues) and anchor them to my sixty-four-year-old existence as an openly gay writer, husband, father, son, desert rat, and heart-attack survivor.
The setting for my personal melding was the 50th reunion of SFOMA employees from the 1970s … shiny, bouncy teens and twenty-somethings who had evolved into grayer versions of themselves. In their sixties and seventies, many had gained weight and lost hair. Others had left us entirely. But those who remained had somehow managed to salvage their spark and spirit of adventure.
Tom and I flew together from Phoenix to St. Louis, but this portion of the journey was mine alone. (My husband stayed back at our hotel to read. Though he was 100 percent supportive of me going to the reunion, he had nothing to renew with a Missouri gang that would gather under a covered outdoor picnic area inside a St. Louis-area amusement park. Tom is a native Chicagoan.)
After I parked my rental car at what is now called Six Flags St. Louis in a relatively empty parking lot, I threw on my face mask, zipped up my windbreaker, and pulled up my hood. Yes, it was raining again, but the sky had begun to brighten as I fumbled for my ticket, walked through security, and entered the main gate.
If you had blindfolded and air-lifted me into the space and then removed my eye covering, I wouldn’t have known where I had landed. But I was happy to be there nonetheless. With a little help from a SFOMA map in the park, I found my way to the River King Mine Train, situated on the eastern side of the park. I headed up a steep hill that began to look familiar, past a restaurant, once called Naylor’s. In the 1970s, it served greasy fried chicken. That trail and olfactory memory led me to the entrance of the River King Mine Train.
Back in the 70s, there were two mine train tracks that were pressed into service on the busiest days. Now there is only one. I snapped a quick selfie in front of the ride sign and peeked in to see the 2021 version of the mine train crew at work and a train leaving the station. Then, I headed to the Palace Theatre to see displays of photos and memorabilia from the 1970s, when the park was sparkling new and crowded nearly every day … rain or shine.
When I paused for a quick pic of the Log Flume ride (along with the mine train, one of but a few original attractions that remain), I accidentally dropped my mask. Kevin, another reunion attendee, told me so. I swiped it off the ground and for the next ten minutes we traded stories of working in the park.
I soon discovered Kevin had also operated the mine train a year after I left … then he moved up another rung to the Screamin’ Eagle, which opened in the bi-centennial year. In 1976, it was that death-defying, stomach-dropping rollercoaster kids ran to ride as soon as the park gates opened each morning.
At six o’clock, I walked to the picnic entrance for the reunion. While I was in line, Cindy approached. Long ago, we were mine train pals for three summers; in 1974, we worked the swing shift — 11 a.m. to 8 p.m. Supervisor Larry and foreman Gus (Cindy and Gus would marry a few years later) trained us at the same time to “drive” the rollercoaster and master the controls.
Cindy and I hadn’t seen each other in more than four decades–nor had we shared the up-and-down stories of our lives–but I felt the chemistry of our friendship return as we hugged. When I told her I had no clue of my sexual orientation back then, I realized why I had traveled from Phoenix to St. Louis. I needed to connect another piece of my past, less actualized, rollercoaster life in Missouri with the more even and authentic one I had created with Tom.
Cindy was on the reunion planning committee and needed to check on a few things, but we agreed to talk more once the event got started. After I filled out my name tag and an attendant handed me a 50th anniversary reunion pin, I walked through the crowd of 200 and chit-chatted.
I didn’t know or remember most of the attendees–singles and straight couples with their own stories and reasons for returning–though I could squint and recall younger versions of pretty and handsome cohorts lined up to greet guests nearly fifty years before.
A cooler breeze swept through. The rain stopped. Cindy returned. We stood in line together for a buffet dinner … beef brisket, baked beans, and potato chips. I suppose it qualified as a meal. What else should I have expected? It was amusement park food.
For the next thirty minutes, Cindy and I shared the highlights and lowlights of our past lives — the joys and tragedies that come with living and growing older. To keep the privacy of that moment, I’ll leave it at that.
On cue, the welcoming speeches from past leaders followed, along with a video collage set to music from the 70s. I felt sad more than happy as the images faded in and out. Though it reminded me of the hard-working days and fun-filled nights decades before, it also felt like I was viewing a fantasy land far away from the world we now occupy.
As the evening began to unwind, I pulled a signed copy of Tales of a Rollercoaster Operator out of my backpack and handed it to Cindy. She smiled and thanked me. I invited her to visit Tom and me in the Sonoran Desert one day. Though she’s lived in Germany and speaks several languages, Arizona is a place she has yet to visit.
Before I left, there were door prizes, more hugs, and a small stream of goodbyes. At 9 p.m. I was ready to go. I made my way in the dark back to my rental car. No more rain. The sky was clear. The air was nearly crisp for a September night in Missouri.
I retraced my steps on I-44 to the Hampton Inn in Valley Park. Tom was waiting to hear more about my rollercoaster days, the 50th reunion, and the night I returned to Eureka, Missouri to tie up a few loose ends.
As I write and reflect on this experience, I realize my return to the past playground and promise of my youth–in the middle of a pandemic–placed me outside my comfort zone.
But, with my vaccination and mask protecting me and the creative impulse guiding me, I’m glad I went back there. The bonus was reconnecting with a good friend.
In addition to my memories, I left St. Louis with this souvenir of the 50th reunion of Six Flags Over Mid-America employees of the 1970s. It was held at Six Flags St. Louis in Eureka, Missouri, on September 4, 2021.
It rained most of September 4, 2021, in eastern Missouri. Fortunately, scattered-but-heavy showers didn’t wash away our plans.
At nine a.m., Tom and I drove north thirty minutes from our room at Hampton Inn Valley Park to visit my cousin Phyllis and her family in their St. Charles, Missouri home.
After we exchanged hugs, Phyllis’ husband Tom prepared homemade blueberry-and-apple pancakes. We volleyed catch-up stories between the kitchen and family room, while their golden retriever Truman sidled up to Tom and me on the couch, placed each of his front paws in our laps, and stole our hearts.
For the next two hours eleven of us–spread across three generations–gathered around a rectangular kitchen table framed by angled windows and a lush backyard.
The two Toms, Phyllis and I represented the senior set. Amanda, Austin, Kelsey, and Bryant smiled and shared stories of their thirty-something, heavy-lifting, career-and-child-rearing years. They shepherded and cradled: three-year-old Ava, who danced around the table in her princess gown; adorable one-year-old Violet, who is learning to walk; and baby Brooks born in July with a head of hair.
It was a treat for me to spend time with them all, the entirety of my Johnson family connection that remains in the St. Louis area.
Thankfully, the reunion around Phyllis’ and Tom’s table superseded our previous encounter at an Italian restaurant in St. Louis on July 5, 2017. It was one day before I suffered a mild heart attack as Tom and I walked to Left Bank Books in St. Louis’ central west end to see my book of light-hearted Missouri stories on the shelf.
When we left St. Charles just before noon, I pointed our rental car southeast. Tom typed the address for Jefferson Barracks National Cemetery into his smartphone to find the most direct route to my parents’ graves.
Ironically, our most recent visit to the rolling hills of white marble grave markers on the banks of the Mississippi River was four years ago–the same day we last saw Phyllis and Tom. But on this occasion–September 4–we were in town on what would have been Dad’s and Mom’s seventy-third wedding anniversary.
I had hoped to stop somewhere for a small bunch of flowers to leave on their graves. That never happened. Instead, we arrived at the cemetery entrance empty handed, made two right turns and one left, drove past the chapel, traveled up a hill, and parked our rental car under a tree.
About the time we arrived, the rain paused. We walked a hundred steps or so to DD 355, where Dad and Mom are buried near a large oak tree. As Tom and I surveyed the grounds and knelt quietly, he spotted two acorns side-by-side on top of the wet grass on Mom’s side of the marker.
Before we left, I placed the acorns on top of the marker in honor of their wedding anniversary.
I suppose even in the solemn solitude of a cemetery the strength of our family ties endure and life goes on.
Tom and I are flying to St. Louis tomorrow. On Saturday, I will attend an outdoor reunion of Six Flags Over Mid-America’s circa-1970s employees. About 200 of us will gather to mark the 50th anniversary of the amusement park in the rolling hills of Eureka, Missouri thirty miles southwest of the Gateway Arch that towers over the Mississippi River.
Now called Six Flags St. Louis, the theme park is where I landed my first job in 1974. It’s where I learned to “drive” the River King Mine Train, the park’s first rollercoaster. It’s also where I began to navigate life’s ups and downs. Who knew the experience for three summers would become a metaphor and catalyst for a book I would write more than forty years later?
This will be my first trip to St. Louis since July 2017. I’m overdue to write a new and rejuvenating chapter in my original hometown … one that doesn’t include heart trauma and a personal detour that spawned uncertainty on my sixtieth birthday.
I’m excited and a little anxious about this journey, given the relentlessness of our global pandemic. But Tom and I have been fully vaccinated and will mask up for this adventure.
No doubt, the trip will reignite a flame of familiar faces and memories. I expect there will also be a few surprises and a mix of bittersweet feelings and observations seen through blended bifocals and sixty-four-year-old eyes. We’ll see.
After the Missouri reunion–plus a visit to my parents’ graves at Jefferson Barracks National Cemetery, a few hours reconnecting with my cousin Phyllis in St. Charles, and coffee with a St. Louis friend I haven’t seen for more than twenty-five years–Tom and I will drive to Chicago to see my son Kirk and our sisters Sharon and Diane.
We haven’t visited the Windy City … a place I called home from 1980 to 2017 … or spent time with our siblings in the suburbs there since June of 2019. Of course, the pandemic is the culprit that accounts for that gap.
I wrote the poem that follows five years ago. In 2017, it first appeared in Tales of a Rollercoaster Operator, my book of reflective, light-hearted, growing-up-in-Missouri stories.
Perhaps these words will resonate with you–wherever you were born, wherever you call home. The poem certainly has special meaning for me as I return to visit my homes in Missouri and Illinois that account for most of the first sixty years of my life, before Tom and I created this warmer, lighter, and simpler life in Arizona’s Sonoran Desert.
I saw you there day after day. We were together leaving the station. We made our way around the track. But now I don’t see you anymore. Where have you gone familiar ones? Could it be you left the track and vanished? Am I alone looking down from my perch? Are the markers and signs all that remain? What became of the rises and falls? Have you left me in charge to man the controls? Am I enough to carry this forward? Why have you brought me back here? Oh, that’s right. I remember now. I was on a journey. I was coming home.
This season of triple digits in Arizona–followed by a few days of overdue, soaking monsoon rains–is the perfect time to rummage indoors through personal, vintage photos.
The best of them, like peering into the Grand Canyon, leave me with a mix of joy and insignificance. They tell stories about humanity before I entered the picture.
I’m fortunate to have accumulated photographic treasures from both sides of my family. Some of them, tattered and faded, date back to the early 1900s.
I don’t recall seeing this image from July 1955 before. I imagine one of my maternal grandparents captured it on their Huntersville, North Carolina farm. Sixty-six years later, I stumbled across it in a forgotten album. Today, on July 26, 2021, it is speaking loudly through the sepia tone.
If she were alive, the woman on the left (my mother, Helen Ferrell Johnson) would be celebrating her ninety-eighth birthday today. In 1955, she held my sister Diane on her lap and celebrated her thirty-second birthday with her sister Frances (cradling her first born, Michael) and brother Jim by her side in her original home state.
Mom has been gone since 2013. Grief has taught me there will be days like today when I miss her smile, wisdom, perspective and resolve. Fortunately, thanks to the passage of time, the abyss of grief–the Grand Canyon of loss–subsided in 2015 as I wrote.
When you love someone, grief is the price you pay. It is everlasting, sometimes surprising, but often predictable. Photos, birthdays, anniversaries, and specific songs (I’ll Be Seeing You sung by Peggy Lee) provide the cues.
What makes this photo a rare find is that I have just a few images of my mother and her adult siblings together. Helen left North Carolina right after World War II to begin a new life in a bigger city … St. Louis, Missouri … where she and Dad met, married, settled, raised Diane and me, and discovered their share of happy, challenging, and unbearable moments together.
Jim and Frances stayed to build their lives in the Tar Heel State. They were teenagers on the farm in the late 40s. In the 50s, Jim and Frances (born in 1930 and 1932 respectively) left the nest, but returned frequently to this front porch that faced west. They met and married partners, traveled a few miles down the road to raise their families, and remained near their parents.
What I love most about this photo is the sense of possibilities and optimism in the eyes of Helen, Frances, and Jim. The wear and worry of life hadn’t yet entered the picture. By the mid 60s, Helen had two children. Frances had three. Jim had two. My grandparents loved all seven of us grandchildren. We now lead disparate lives.
Mom loved her brother. He was a friendly, handsome man, who loved to fish, hunt, drink beer, and smoke cigarettes. Unfortunately, the harsh realities and complexities of life had a way of catching up with Jim. In 1987, he died of lung cancer at age fifty-six. When she learned of Jim’s passing, it frightened her. Mom saw his demise as a harbinger of her own mortality. She retired immediately after returning from his funeral.
Frances still lives in North Carolina. She is the most significant personal connection I have to my southern roots. I spoke with her a few months ago. She isn’t the spitfire she once was, but is content with her husband in their Davidson, North Carolina home.
Like all of us who remain, Frances is thankful to have survived the pandemic. She is looking forward to her ninetieth birthday, which she will celebrate January 1, 2022. In 2015, two years after Mom died, I traveled south to see Frances. At that time, we needed to see and hug each other to escape the throes of grief.
My quest to rediscover my southern family and find comfort with Frances ultimately became fodder for From Fertile Ground, my first book. It’s the story of my journey and grief told in part through the writings my grandfather and mother left behind. If you’ve lost someone close recently and are living with the fog of grief, I hope you’ll pick up a copy of my book. Reading it may soothe you.
With each passing year, I continue to find more fertile ground from the photos and writings my mother and father left behind. Reexamining them and rediscovering their importance reactivates the love I feel for imperfect–yet beloved–family members. They shaped my past and the memories of them still inform my present.
I wasn’t in the crowd on June 5, 1971–fifty years ago today–when Six Flags Over Mid-America first opened its gates in the rolling countryside of Eureka, Missouri.
But I remember the feeling of unbridled anticipation when I read about it in the St. Louis Post-Dispatch and saw the coverage of the grand opening on local TV stations. I wondered, what would this new amusement park feel like, smell like, taste like?
Sometime in late June or early July came my inaugural visit. As I skipped through the turnstiles of the gleaming attraction with friends, I remember the exuberance I felt. It was like running out the doors on the last day of school and discovering a carefree, sparkling universe on the outskirts of St. Louis … all rolled into one.
We raced from ride to ride and show to show, devoured fried chicken and strawberry popsicles, cooled off in the splash of the Log Flume, and tossed our arms in the air when the River King Mine Train (the park’s first rollercoaster) left the station. How we screeched when the bottom of our stomachs dropped on the final plunge.
In the summer of ’71, I had no clue or premonition that I would actually learn how to drive that same rollercoaster three years later as a fresh-scrubbed seasonal Six Flags employee … or that the experience would become a metaphor and inspiration for a light-hearted book I would write in 2016 about the ups and downs of my Missouri life in the 1960s and 70s. But life is full of surprises. Both of those things happened.
On this fiftieth anniversary, I still recall the fun of those more innocent days as a guest and the thrill of landing my first job at Six Flags Over Mid-America in 1974 … not to mention the twists and turns that would follow for the next three summers as a rollercoaster operator.
As a tribute to the history of Six Flags (and all the fun and energetic cohorts who worked beside me in the mid 70s), I want to share To Chase Another Thrill. It’s a poem I wrote in June 2016, which captures the feeling of manning the rollercoaster controls. It first appeared in Tales of a Rollercoaster Operator in 2017.
I am the purveyor of ups and downs, for an hour or so each day,
Standing high above the crowd, ready to guide your way.
I study the nearby dashboard, flustered faces in a row,
Itching for a two-minute joy ride, with others persuaded to go.
I see the bars locked tightly, the crew is stepping back,
Leaving the station to squeals on wheels, it’s time to ride the track.
I know just what will happen, the train will climb three lifts,
Rounding bends and taking falls, rising from the dips.
I hear the train returning, it’s climbing up the hill,
Applying brakes and coming home, to chase another thrill.
It’s near the end of Mother’s Day 2021, but I couldn’t let this day pass without paying tribute to Helen Johnson, my resilient mother. Today, as I puttered in the garden–a universal place she loved–and planted impatiens in a shady spot under the eaves of my Scottsdale home, I channeled memories of her. Here’s a little story about the two of us.
Mom was 74 and I was 40 on Mother’s Day 1998. This is one of my favorite photos of us, standing outside her south suburban St. Louis home that day twenty-three years ago. It captures the essence of the lifelong bond and love between us. As her edges softened in her seventies and eighties and my appreciation for her vulnerabilities, strengths, and wisdom grew in my forties and fifties, our relationship deepened.
What I’ve learned since her death in 2013 (and my father’s in 1993) is that our relationships with our parents don’t end when they die. They evolve. We carry bittersweet and tender memories of them with us everywhere (in my case from North Carolina and Missouri to Illinois and Arizona).
I no longer think of my mother every day, but her gifts are part of the fabric of my life in the Sonoran Desert (a place she never visited) in a far less obvious way than they were back in St. Louis in 1998. For that reason, she appears in all four of my books. Sometimes as true reflections of the person she was; other times in fictional flights of fancy.
As long as I’m around, I will carry with me her love of gardening, impatience with ineptitude, kindness for neighbors, thirst for knowledge, respect for the written word, and commitment to family. In good times and bad, I am forever grateful for the legacy of love my mother left me and the path she provided to follow with my two sons.
Happy Mother’s Day to all mothers, who work each day to make a positive difference in the lives of their children.
Our best and worst memories have a way of softening and sharpening as we age. Like photos pressed in the pages of a family scrapbook, some of them fade and crack. Others, through the lens of our selective memory, grow more brilliant.
I don’t know what it will feel like to look back on 2020 in ten or twenty years. But, as we work to survive the entirety of this preposterous year, I suspect our memories will follow the same unpredictable pattern.
On the morning of December 25, after a breakfast of scrambled eggs and English muffins, my husband and I watched A Christmas Story.
Like many of you, I have seen this satirical and nostalgic film countless times. It’s one of my holiday favorites. The 1983 movie, directed by Bob Clark, is narrated by author Jean Shepherd and based on his stories of growing up in the Hammond, Indiana area (near Chicago) in the 1940s.
The writing is witty and the editing superb, but what I love most about the film (starring Melinda Dillon, Daren McGavin, and Peter Billingsley) is the sense of time and place it captures.
Like the endless scarves, hats, gloves, and buckled boots the kids wear to protect themselves from the cold and piles of snow, the film produces layer upon layer of lasting humor, warmth and comfort … told through the eyes of a nine-year-old boy. It is an exaggerated ode to a lost era in the United States. For all of these reasons, it is imminently watchable despite its constant availability.
In hindsight, warmth also was the feeling I intended to capture in my book, Tales of a Rollercoaster Operator, published in 2017. I wanted to leave behind a record of what it felt like to grow up in the hot St. Louis, Missouri suburbs in the 1960s and 70s.
It was an age when kids ran barefoot, chased ice cream trucks, played with marbles, watched dads toss horseshoes, cuddled with puppies in backyard pools, performed tricks for Halloween treats, banged pots and pans outside to celebrate New Years Eve, sucked on popsicles to beat the heat with the neighborhood kids on scorching summer afternoons, and (in my case, at the age of sixteen in 1974) learned to operator a rollercoaster.
This was my front porch (circa 1960) in Affton, Missouri: Jimmy; Marianne; Diane; Suzy; Carol; and me. My mother sealed the moment with the help of her Brownie camera. Now the image lives forever in my light-hearted book of Missouri memories.
It certainly was a more innocent time. But, as we grew, the world became more complicated. We watched and listened to Walter Cronkite. We believed everything he told us through our black-and-white TVs. That included images and stories of JFK’s assassination, the first steps on the moon, Watergate, and the raging Vietnam War.
At any rate, if you’re looking for a little warmth and nostalgia to get you through the winter, I have an antidote. Download a free copy of Tales of a Rollercoaster Operator through the end of 2020.
As we prepare to cross into a new year and hope for brighter days ahead, maybe my stories of a bygone period in American life will inspire you to laugh a little, revisit your youth, dust-off your favorite memories, and find new meaning in the indelible moments that stay with you for a lifetime.
Life is a mysterious mish mash of beginnings and endings, wins and losses. Lately, the losses have been more prominent and painful for me and many of you. Yet we do what we can to endure in 2020.
Last night, Bob Gibson–one of the greatest pitchers ever and undoubtedly the most dominant of the 1960s–died of cancer at age eighty-four. Serendipitously, his team–the St. Louis Cardinals–ended their frantic, COVID-19-filled 2020 season the same night with a 4-0 playoff loss to the San Diego Padres.
As a kid growing up in St. Louis in the sixties, I followed every angle of Gibson’s story. He was a local hero, a one-time player for the Harlem Globetrotters, a flame-throwing right hander who still holds the ERA (earned runs average) record in Major League Baseball–1.12 for the 1968 season. It’s a record that will likely never be broken.
But this versatile athlete and fierce competitor was also a gifted writer. I remember browsing the local library as a kid and reading From Ghetto to Glory, his story about growing up poor in Omaha, Nebraska, and fighting his way to the top. “Gibby” was an inspiration and role model.
Bob Gibson passed away less than a month after Lou Brock, the legendary base stealer, fellow Hall of Famer and his St. Louis Cardinals teammate. The duo of Bob and Lou dazzled a generation of St. Louis fans on the field and appeared in three World Series–winning in 1964 and 1967.
Ironically, Gibson died on October 2, 2020. Exactly fifty-two years after striking out seventeen batters in Game 1 of the 1968 World Series against the Detroit Tigers. To date, his record still stands.
If you enjoy reading stories about baseball, check out my book Tales of a Rollercoaster Operator. It includes a story about my dad and me watching Bob Gibson pitch on July 15, 1967 from the bleachers of Busch Memorial Stadium. That day, the crack of Roberto Clemente’s bat (another Hall of Famer), booming through my transistor radio, changed everything.