Sixes are wild. I have written and published six books–most of them in my sixties. Meanwhile, last Friday, I welcomed another group of writers to my sixth memoir-writing workshop at the Scottsdale Public Library.
Each writer arrives in the room with their own suitcase of metaphorical stories to tell. In my role as leader and facilitator, I encourage them to unpack the most meaningful, vivid ones.
There are eleven participants in the current class. We’ll have two more three-hour sessions together. One is tomorrow. The last one is October 30. Though we meet just three times in person, I try to cram as much writing into our time as possible.
My goal is for them to find and develop creative momentum in this temporary writing community, then move ahead independently to write a personal story. I focus on helping them tell ONE story from their lives, rather than THE story of their lives. I think that makes the process less intimidating.
This week’s writing? To describe a setting that is memorable from their lives. It might be a city, town, or something more specific. Perhaps a room in a house where something important occurred. In a worksheet I gave them, I say, “What does this place look, sound, smell, feel, taste like?” Then, I ask them to include these sensory observations in the narrative of their story.
I work with the group to build trust right from the start of the workshop. So, I will keep their story submissions confidential. But suffice it to say, their “settings” stories they submitted run the gamut. The organic and raw nature of memoir writing is what I find my fascinating about the genre.
Last year when I first introduced this “settings” exercise in another of my workshops, I completed my own version of this exercise to see how it felt.
What I’ve written below is a description of one of my favorite cities in my home state … Flagstaff, Arizona. I’d love to know what you think. Send me a comment.
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Like much of America, downtown Flagstaff lives in transition.
Wooden porches of once-proud homes sag and creak. They speak of generations of heavy snow, extreme temperatures, and familiar faces gone but not forgotten.
Scattered wildflowers bloom through deep cracks in sidewalks and curbs. Occasional murals–born and etched by Arizona artists–adorn avenues. They tell hardscrabble stories of past lives.
North and south of historic Route 66–on both sides of parallel train tracks that dissect and rumble through the town–entrepreneurs have stripped and transformed buildings. Trendy pizza joints, aspiring restaurants, cozy coffee houses, touristy bars, ski shops, reimagined inns, dental offices, healthcare clinics, law practices, and investment firms anchor street corners.
Some have since closed, casualties of the pandemic. The lucky ones endure, connecting bohemian neighborhoods within view of the breathtaking San Francisco Peaks.
The overall effect produces a block-by-block checkerboard of western resiliency, community pride, mountainside retreat, and twenty-first-century regrets.
