It’s been another challenging year for many. We won’t soon forget the previous twelve months … brimming with health concerns, natural disasters, social upheaval, global traumas, political shenanigans, and inflationary woes.
Why not end 2022–or start 2023–on a positive note with a light-hearted escape? From now until January 2, for only ninety-nine cents, you can download a copy of my book Tales of a Rollercoaster Operator on Amazon.
It’s a universal collection of tales that focuses on my love of family and pop culture. A nostalgic series of twenty-six funny and poignant essays about growing up in St. Louis in the 1960s and 1970s.
The final story in the book, A New Year Resolution, fills me with hope and the warm, comforting possibilities of life even after seemingly awful things happen.
I wrote it as a testament to the good citizenship of my father and mother, who did the right thing on a cold January morning more than sixty years ago.
I have Georgia on my mind today. Not the Peach Tree state, but my peach-ice-cream-loving grandmother. April 7 would have been my maternal grandma’s 119th birthday.
Warm-hearted and hard-working, Georgia lived most of her seventy-one years in North Carolina.
In 1914, Georgia Evabell Miller met Sherrell Richardson (S.R.) Ferrell. Both attended a one-room school in Mecklenburg County. Six years later, they married at Georgia’s home in the same community. She was sixteen; he was nineteen.
A generation before I appeared, Georgia’s ordinary rural existence–tending to family, home, meals, and livestock–took an extraordinary toll on her body and emotional wellbeing. She bore four children: Helen (my mother) and Richard in the mid 1920s; James and Frances in the early 1930s.
In between, Georgia suffered a double whammy of grief and pain. Richard died of meningitis in 1926 one month before his first birthday. Not long after, cervical cancer compounded Georgia’s trauma. She was bedridden for an extended period. Helen grew up quickly and helped care for her mother.
Even with Georgia’s burden and her heavy body that contributed to arthritic knees and misshapen feet, my grandma maintained a girlish southern giggle into her late fifties and beyond.
In the summer of ’62, during one of our family visits to the farm, I absorbed the scene like a ready sponge as she prepared ham, grits, and biscuits for breakfast.
I loved Georgia and her jolly nature. As she toiled and told rambling stories over the sink, rolls of laughter shook her stout body. If she were here, she would describe it as the “gift of gab” handed down through her Irish descent.
Intermittently, she tossed table scraps and leftovers into a slop bucket for a trio of hungry hogs that waited impatiently in their pen.
On occasion, I accompanied her whenever the contents came close to sloshing over the sides of the dented metal pail. Together we squealed as the pigs poked their large snouts through wooden slats to explore what concoction was on the menu.
Like a southern-stitched patchwork quilt handed down through the generations to keep them warm, this moment remains cordoned off in my 1960s Carolina consciousness. It lives next door to Georgia’s humid hugs.
When I was a toddler, I begged for her to scoop me into the lap of her tattered periwinkle dress … churn butter or crank ice cream on the sagging back porch … venture into the earthen cellar where she stored pickled fruits and vegetables … or gather eggs from the chicken coup and cradle them in her apron on the return trip.
A victim of heart disease and decades of early mornings and long days working the farm, Georgia died nearly forty-eight years ago on July 4, 1974.
Two days later (after we drove through the night from St. Louis to attend her funeral), sprays of gladiolas surrounded her casket.
I can still envision the tacky floral arrangement–sent by a neighbor–with a plastic telephone teetering on top. Three words were written in ribbon: “God has called.” Ironically, my grieving grandpa loved it most.
Through our tears, Frances and I laughed about it. Georgia would have liked that and the image of my aunt and me consoling each other on my seventeenth birthday. We stood over her fresh grave in Huntersville, North Carolina, at a little cemetery outside Asbury United Methodist Church.
It was the center of the universe in “Ferrelltown”–where my southern family worshipped, married, gathered as a community, celebrated birthdays, consumed countless cakes and delectable pies, buried the beloved, and grieved for those who left early and stayed late.
Years later, it is the thought of Georgia’s gentility and kindness that endures. It is the love and laughter she planted in my heart that will never die.
As I began to write From Fertile Ground after my mother died–and later when I returned from North Carolina after another round of consoling with Frances and visit to my grandparents’ graves in the church yard–Annie Lennox’ soaring voice from her CD Nostalgia inspired me.
It was her stirring, melancholy rendition of the Ray Charles’ classic Georgia on My Mind that captivated me most. Listening to it, I channeled my grief and reconstructed my southern memories before they landed on the pages of my book.
Every child should be so lucky to spend a few weeks every other summer with a grandparent who simply smothers them with goodness and genuine love. That and the bucolic snippets of a farm populated with kittens, puppies, cows, chickens, pigs, and peacocks are forever stitched in my psyche.
When you add them all up, what do all these vivid memories mean? That in the course of any life, it is the collective music of a simple-but-extraordinary grandma’s unconditional love that keeps us hoping, that keeps us dreaming, that keeps us living, that keeps us singing.
Long after she is gone.
I said Georgia Georgia A song of you Comes as sweet and clear As moonlight through the pines.
Other arms reach out to me Other eyes smile tenderly Still in peaceful dreams I see The road leads back to you.
I said Georgia Oh Georgia, no peace I find Just an old sweet song Keeps Georgia on my mind.
Today, I’m lost in thought about screen-and-stage legend Judy Garland, a film she starred in that sparked my early imagination, a recent experience that renewed my love for live theater, and a song, Get Happy, she made famous.
Forget your troubles, come on get happy, you better chase all your cares away. Shout hallelujah, come on get happy, get ready for the judgement day.
Beginning in 1959, and throughout the 60s, it happened only once a year: CBS aired a special TV broadcast of The Wizard of Oz, the magical MGM film released in 1939.
Like thousands of Baby Boomers across the U.S., my sister Diane and I waited impatiently for the annual ritual. We sat cross-legged, mesmerized in front of our RCA console. We squealed with delight and fear when a ferocious cyclone swept Dorothy into the Kansas sky. In short order, she, Toto (her loyal dog) and their house landed with a thud somewhere over the rainbow.
For those precious hours, Diane and I absorbed and memorized every fanciful song, image and character–the Scarecrow, the Tin Man, the Cowardly Lion, the Munchkins, the Flying Monkeys–Dorothy encountered along the yellow brick road. Though our TV projected black-and-white images only, our imaginations manufactured the scenes in vivid color.
As the years passed, we recited every iconic line of dialogue–“I’ll get you, my pretty … and your little dog, too”–uttered by the Wicked Witch of the West. Whenever she appeared in a puff of smoke, it shook us to the core. But we always knew she would melt in the end, thanks to a handy bucket of water on a ledge and Dorothy’s resourceful decision to grab it in a crucial moment.
Knowing that delicious outcome, and that Dorothy and Toto would ultimately make it back home to Kansas safely, made watching the film one of the happiest and most enduring memories of my childhood.
Looking back, I think it was Judy Garland, playing Dorothy, who captivated me most. Her sense of wonder, innocence, tenacity, good citizenship, pizzazz, and beautiful voice filled the frame. I don’t think there is a more stirring, iconic moment in film than Judy singing Somewhere Over the Rainbow.
Of course, children and adults can watch The Wizard of Oz whenever they want now. But, in the 1960s, the film’s relative inaccessibility, imagination, and message … that it was possible to find happiness and peace “right in my own backyard” … was a shared experience and sense of idealism that no longer exists.
Isn’t it ironic that, in an age when virtually any film or music is available anytime, we are barraged with a mountain of images and problematic news–pandemics, politics, and Putin–that shock our sensibilities and clog our ability to bolster our happiness?
2022 marks the centennial celebration of Judy Garland’s life. (She was born June 10, 1922; died June 22, 1969, at age 47.)
To remember and relive her remarkable film, stage and song legacy–amassed in less than five decades–crooner Michael Feinstein has produced a masterful ninety-minute show, called Get Happy!
On Sunday, March 20, Tom and I were in the audience for Feinstein’s dazzling evening performance and multi-media program at the Scottsdale Center for the Performing Arts. It included renditions of many of Judy’s favorite tunes, along with seldom-seen-or-heard images and stories from her life.
About midway through Feinstein’s stellar performance, he paused to tell a story about Judy Garland in 1941. That year, at age nineteen, she bought her parents (who came from modest means in Grand Rapids, Minnesota) a home.
Judy recorded tapes of herself singing to her family in their home, but for years after her death mysteriously those recordings couldn’t be found. Remarkably, Feinstein had the opportunity to visit the home and discovered them in a hollow wall. He played one of those for us as a black-and-white image of a teenage Judy Garland, posing in a tailored suit, filled the screen above the stage.
The song Judy was singing, I’ll Be Seeing You, brought me to tears as I held Tom’s hand. We were seated on the aisle in row Q. Judy never recorded it professionally, but the tune was one of my mother’s favorites. So much so, that Diane and I chose a version of it to play at Mom’s memorial service in 2013.
As Judy Garland’s bright and soaring voice filled the auditorium Sunday night, I was transported back to the early 1960s and the happiness I felt watching The Wizard of Oz.
Mom was curled up on the couch. Diane and I were glued to the floor in front of our RCA. Together we followed Judy’s voice and steps stride for stride.
We were on our annual adventure somewhere over the rainbow.
We sat–quietly and obediently–in rows facing the front of the room. Most of the girls wore frilly dresses, bangs, and patent-leather shoes; the boys sported bold-striped shirts, crew cuts, and bright-white Keds.
Our mornings and early afternoons were occupied with simple math, spelling, reading, recess, and cartons of cold milk on lunch trays. The American flag draped over the alphabet border above the blackboard.
Images of George, Abraham, and John–Washington, Lincoln, and Kennedy–stood guard. I suspect they were there to ease our minds and protect our American innocence.
If only it were that simple.
I don’t remember feeling fear, when our teacher told us it was time for another drill. We knew the routine and followed instructions.
A voice on the public address system told us when to practice hiding under our desks, when to duck and cover, when to escape to fallout shelters in hallways if a bomb were dropped.
It lasted but a few minutes. We covered our heads and faces until the all-clear signal came from our teacher. We absorbed the fear–the height of the Cold War–without knowing what it was.
This was what we knew in the early 1960s in middle America. We were fortunate these were merely practice drills, false alarms.
I imagine the scenes weren’t much different in schools on the outskirts of Chicago, Cincinnati or Cleveland. At Mesnier School in Affton–ten miles from downtown St. Louis–we aspired to a gleaming symbol. We lived in the shadow of an emerging national monument.
By its completion in 1965, the Gateway Arch would soar, though across the nation the fog of pollution and social issues intensified.
As history would have it, all of the names of St. Louis school children would be stored in a time capsule in the base of the Arch. Mine is among them.
Back in the classroom, between random drills and parent-teacher conferences, we learned to add, subtract, multiply, and divide. We tied our shoes and kept on skipping in a world where rules were prescribed narrowly for girls and boys.
This was the credo for boys: Get good grades in school. Be prepared. Keep your eye on the ball. Run faster. Jump higher. Find a decent job. Don’t be a sissy. Meet and marry a woman. Buy a house. Have kids. Keep your nose to the grindstone. Pass the baton to the next generation.
But what about those of us who are different? Where do we fit into the story? We had to figure that out for ourselves.
The sixties weren’t pretty. Assassinations reigned. The Vietnam War raged. Poverty and racism amplified. People felt trapped, ready to shed the remnants of restrictive gender roles and sexuality, sealed in the repressive 1950s.
But the world is exponentially more complicated now. The latest madman is hellbent on ravaging innocent people in Ukraine. Though love appears in abundance in many circles across all continents, ignorance and hate manifest themselves next door and around the world.
Once again, sixty years later, we find ourselves living in fear of the fallout. We must find ways to duck and cover, to speak the truth while standing as tall and mighty as the Gateway Arch.
We owe it to our children and grandchildren to put politics aside, to protect our planet, to uphold individual rights and civil liberties, to teach them about black and white, but also the color and grayness of the world and all its permutations. Pandemic or not, they are watching.
Even if they don’t know it, the youngest members of our society are counting on us to speak the truth, denounce racism and hate, celebrate gay and straight lives, and to teach them that every generation has a responsibility to remember and honor the seminal moments in history, and–hopefully–carry the best of humanity forward.
We all know it when we feel it … love. When it is there, it fills our hearts and lights up the world.
I’m not only referring to romantic and physical love between two human beings–two men, two women, or a woman and man. Most of us need and want some form of that depending on our orientation.
True love goes beyond the jewelry commercials that implore men to buy rings for their sweethearts. It appears in many forms–parental love, neighborly love, pet love, friendship, companionship, etc. In my heart and mind, love is a close cousin of natural beauty, peace, kindness, and human decency.
As Tom and I strolled in the sun this morning along the Crosscut Canal in Scottsdale, I was transported back to grade school in the St. Louis suburbs and the Valentine’s Days of my 1960s childhood.
In those days, we created and decorated our individual holiday mail slots, fashioned out of shoe boxes and adorned with red, pink and white construction paper. Some were simple. Others grandiose, laden with tiny, pastel-colored candy hearts bearing messages. “Be Mine” was my favorite, because it communicated a winning combination of love, playfulness, and commitment.
Each year, our teachers were careful to instruct us to bring a paper valentine for each child in our classroom. Most of us followed the rules and returned with a packet of store-bought cards featuring Looney Tunes cartoon characters, Superman, cuddly puppies and kittens. Then, we went around the room and deposited all of our “love” messages. (Sixty years ago, we also had parties and trays of decorated cupcakes delivered by two or three “room moms” to our classrooms.)
Then and now, I liked the kindness and equity of that valentine distribution plan. Of course, some kids were more popular than others, but this even-handed method leveled the valentine playing field. In practice at least, each child got to feel the love of opening a box filled with valentines from each of his or her classmates.
I confess. I don’t know how schools treat Valentine’s Day now. But I suspect it’s a different animal. At a time when children and adults are bombarded with messages of fear and pandemic uncertainty, we are living in a world with a short supply of love. We need valentines more than ever this year.
It doesn’t cost much to whisper a message of love to a friend. Or to send a text or drop a card in the mailboxes of those in your metaphoric classroom.
Do it today. I’ll start. Won’t you be mine?
On January 26, 2022, I captured this photo of two geese sharing a tender moment on the path of life at the Riparian Preserve in Gilbert, Arizona.
This is a true story about a chance encounter on New Year’s Day, January 1, 1962. It’s a testament to the good citizenship of my mother and father, who did the right thing sixty years ago.
The story, A New Year Resolution (I wrote it in 2017), fills me with hope and the warm possibilities of life even after seemingly awful things happen. It first appeared in Tales of a Rollercoaster Operator, my book of Missouri stories.
As we cross into 2022, I wish you good health and a few magical surprises to lighten your spirit.
Aunt Thelma was flush with frozen anticipation and prepared to toot her fringe-laced party horn. It’s how she felt every year. She had a new year resolution: to be the first out the door to inhale the cold remnants of December night air and replace it with January oxygen expectant with sharp promise and unassigned possibilities.
Thelma fumbled to secure the buttons on her worn car coat, snap her hat in place on the top of her wobbly bun, and race into the frigid Midwestern night. “Happy New Year,” she hollered leading her merry band out the door as the clock struck twelve. In an instant, the atmosphere from two distinct years comingled in her lungs and the clamoring began on cue.
Uncle Ralph, Mom, Dad, Diane, and I twirled our ratcheting noisemakers, flailed away with wooden spoons on pots and pans, and shrieked with glee. Magically, in an instant, the joys and regrets of 1961 were erased. Each of us had a fresh batch of winter air to contend with. It was January 1, 1962, in St. Louis, Missouri.
The frosty air told us it was too cold for the revelry to linger. By 12:15 a.m., we scurried back inside and returned our cockamamie thingamabobs and pointy hats. As Thelma and Ralph gathered it all and washed off the wooden spoons for safe keeping in the kitchen drawer, Dad and Mom broke the news to Diane and me. Our makeshift winter carnival was over.
With Dad behind the wheel, it was time to head home to South St. Louis County and our three-bedroom brick ranch in Affton. We had an hour-long drive ahead of us in our ’59 Plymouth.
Dad figured Hanley Road would be the most direct route. He could take the highway, but he didn’t want to contend with higher speeds and the potential for an anonymous, boozy driver veering head-on into his path. The thought of that was too much for his weary brain.
Under the whir of tires hugging cold pavement, Mom glanced over her left shoulder to check on the two of us in the backseat. Diane and I were beginning to fade. Mom knew we would be asleep soon. She and Dad were prepared to rouse us from our slumber once we pulled into the driveway. She felt comfort knowing we would need to be carried into the house and rolled into bed. She didn’t know there was more excitement coming before we trailed off to sleep.
A few minutes passed before something caught Mom’s eye between the high beams of an approaching car. She spotted a fuzzy figure up ahead a few hundred feet on the right shoulder. Someone was walking alone. From a distance, it could have been a man or woman. She and Dad couldn’t be sure.
Dad reduced his speed. As we approached, our headlights illuminated a bewildered young woman teetering on silver high heels, shivering under a skimpy mink stole thrown over her shoulders, exposing an emerald cocktail dress and too much skin on a cold night.
Mom verbalized what Dad was thinking. “Walter, I think she needs help. Let’s pull over and see if she needs a ride somewhere.” They rolled down their windows and waved her over to the car.
At first, the young woman’s eyes darted away. She could see a man was driving the car. But when she realized that an entire family was in the car, she relaxed a bit and approached on her fast-freezing feet.
“It’s so cold out, honey. Can we help you?” Mom offered through her partially open window. “Do you need a ride somewhere?”
“Yes,” she stammered. “I guess I do.” She grabbed the hinge of the back door and shimmied into the backseat next to Diane. “I was going home with a date after a New Year’s Eve party, and we got into a big fight. So, I got out. That bastard drove off and left me on the side of the road … Oh, I’m sorry about the language.”
“It’s alright,” Dad assured her. “We’re just glad we stopped. Point us in the right direction and we’ll get you home. What’s your name?”
“Oh, it’s Melba,” she confirmed. It was a name I’d seldom heard. Melba recited her address in Maplewood. By this time, any notion of sleep in our eyes was history. It vanished when Melba and her allure entered our world. We were wide-eyed and dumbfounded–captivated by her exotic name and slinky dress. Diane homed in on Melba’s beaded purse and shoes. I was mesmerized by her glistening green eyes, which flickered when cars flashed by. They matched her sequined gown.
Melba must have been an aspiring movie star or a lost character in a Twilight Zone episode, I thought. I wasn’t sure which. Either way, I was certain she was navigating a sudden detour on the road of life, trying to make the best of plans gone awry. She was craving silence in a secure sedan with no requirements, explanations, or assumptions.
From the front seat, Mom respected Melba’s need for quiet and distance. In the back, Diane and I sat motionless; we preferred to watch relief wash over Melba’s face. Dad focused on the tasks at hand: operating our vehicle and driving Melba home. He could tell the young woman was rattled. He wanted to return her home safely without fanfare.
Within twenty minutes, Dad pulled up in front of a tidy bungalow with white awnings and a steep front porch. This must be where Melba lived, I thought. Even though it was 1:30 a.m., all the lights inside Melba’s house were lit. I was thankful and relieved that her family had waited up.
With a flip of her hair from the top of her fur collar, Melba thanked Dad and Mom for the ride. She flashed a grateful smile, wrapped each end of her mink stole around her neck, patted Diane and me on the top of our heads, and braced for the cold air. She left the cozy warmth of our green sedan.
By this time, I had imagined a whole new life for Melba–a wandering, sensitive soul with a caring mother and father of her own, a nosey little brother, and a dream to escape her world and climb a ladder into a fairy-tale universe filled with brilliant stars.
Then, under the partial glow of a frosty January moon, I watched Melba ascend the concrete stairs, turn to wave goodbye, and step across the threshold of her ordinary front door into an awaiting aura. Certainly, New Year’s Day 1962 was off on a magical foot.
None of us thought we’d see Melba again. And we were right. Even so, all we needed was thirty minutes together to keep the memory alive. I curled up in the back seat next to my sister and considered the vision of Melba–coming and going in a pre-dawn hush.
There wasn’t much to say, but Dad knew what to do. He eased the car from the curb and guided us back onto the road. With a flash of his headlights, he signaled to Melba that all was good.
My love of major league baseball qualifies as an obsession, especially when my favorite team–the St. Louis Cardinals–appears in the playoffs.
Tonight I’ll be glued to the TV, hanging on every pitch of the National League winner-take-all wildcard game between the redbirds and the defending 2020 World Series Champion Los Angeles Dodgers.
This love of Cardinals’ baseball runs deep through my bloodline. From memories of my father and me sitting together in the Busch Stadium bleachers in St. Louis in the 1960s to similar moments with my sons Nick and Kirk a generation later, watching the Cardinals and Chicago Cubs renew their rivalry from Wrigley Field’s upper deck.
Whether the Cardinals win or lose on October 6, 2021, my husband Tom (a lifelong Cubs fan) will endure this evening with Nick and me (on pins and needles) seated next to him in our living room in Scottsdale, Arizona.
Nick is joining us for the game and a dinner Tom has offered to prepare at our condo; Kirk will be rooting for the team wearing red from his apartment in Chicago; my cousin Phyllis (also a die-hard Cardinals’ fan) will be cheering from her home in St. Charles, Missouri.
This is just another chapter in October baseball and the rich history of the St. Louis Cardinals that has included eleven World Series championships (1926, 1931, 1934, 1942, 1944, 1946, 1964, 1967, 1982, 2006, and 2011.)
I’ve been fortunate enough to be alive for five of them … and even attended a game in the 1982 World Series, which I wrote about in Tales of a Rollercoaster Operator.
Will tonight’s game (with gutsy-and-crafty Adam Wainwright on the mound for the Cardinals vs. the Dodgers’ phenomenal pitcher Max Scherzer) be the first step toward #12 for the Cardinals in 2021 or simply an abrupt finale to a remarkable season that included seventeen consecutive September wins (a franchise record)?
Only time–and the actions of the players on the field–will tell. No matter the outcome, I’ll do my best to enjoy the game as it evolves at Dodger Stadium in Los Angeles.
October 7, 2021 postscript: The journalist in me requires that I report that the Dodgers defeated the Cardinals 3-1 last night. Los Angeles outfielder Chris Taylor hit a game-winning, two-run home run off of Cardinals’ relief pitcher Alex Reyes in the bottom of the ninth inning. The dramatic hit broke a 1-1 deadlock and sent Dodger fans into a frenzy.
Thus, the St. Louis Cardinals 2021 season is over. Naturally, I’m disappointed the team I love and follow isn’t advancing to the next round of the playoffs. Nonetheless, Tom and I enjoyed the evening with Nick. My older son ensured we could “stream” the game from his phone to our TV when that was in doubt just prior to game time.
If your team is still in the hunt for the 2021 World Series title, I wish you the best as you continue on your October odyssey.
I’m packing away my red St. Louis Cardinals t-shirt (with the birds balancing on the bat) until 2022. Or, in the words of my younger son Kirk who sent me this text after the game, “on to the next fun thing.”
Late yesterday afternoon–a mid-April throwback Monday squeezed in before the Sonoran heat arrives in full force–I met John and Len, my full-time, sixty-something friends and part-time Polynesian Paradise neighbors, at the north edge of our community. We played horseshoes.
Two sandy, part-sun-part-shade horseshoe pits (spaced about fifty feet apart) have existed in our condo complex since the early 1960s. In 2021, residents and guests seldom use them. It’s more common for folks to walk by and not think twice about the horseshoe pits and their history on the way to their mailboxes.
That didn’t stop John, Len, and me from reclaiming the space and recapturing a practice that our fathers and grandfathers enjoyed more frequently in the twentieth century. The primitive, low-stress gaming experience was just my speed: slow, nostalgic and gentlemanly. It was a light-hearted, jovial hour of tossing, joking, clinking, clanking, and male bonding. (By the way, John won on Monday. He came from behind with a well-tossed ringer. Len and I will survive. We will live to throw horseshoes another day.)
Anyway, the activity rekindled a memory I wrote about and published in 2017 in a story titled They Pitch Horseshoes, Don’t They? from Tales of a Rollercoaster Operator, my book of Missouri recollections from the 1960s and 70s. It’s available on Amazon in paperback and Kindle.
What follows are excerpts. The setting? Babler State Park and the rolling rural countryside thirty miles west of St. Louis in October 1961. While the men were throwing horseshoes that day, I discovered a primitive-and-glassy nirvana: marbles.
Clink clank clink. Clink clank clink. It was the sound of metal on metal. The men in our family–Dad, Uncle Ralph and Uncle Harry–were hammering stakes into two sand pits about fifty feet apart. They sure do like to fling horseshoes, don’t they, I thought. Within minutes, they were tossing the U-shaped irons from one end to the other, hoping to catch the right angle and rack up a ringer …
On this particular occasion, while the women in our family unfurled the tablecloth and unpacked the meat for grilling, and the men settled into their game and passed cold bottles of Falstaff between throws, I wandered down a path to investigate the picnic area. That’s when I found a vacant campsite nearby and an abandoned plastic bag of multi-colored glass marbles wedged into a gap between the flat rocks of a stone bench.
In my visual memory, this was a To Kill a Mockingbird moment. You know, like when Jem and Scout found Boo Radley’s toys and trinkets buried in the trunk of a big ole tree. In hindsight, I suppose Boo had nothing to do with my glassy discovery. Another child had simply and accidentally lost his or her marbles. For some period of minutes, hours, days or weeks, these multi-faceted marbles were no one’s. They were lost in an unassigned gaming galaxy. But in the universe of fair play, it was Finders Keepers. This treasure was mine …
When I pulled Dad away from his pitching and showed him what I had found, his smiled doubled instantly. It felt like we had discovered a whole new language mined from an archeological dig … In a flash, Dad and my uncles suspended their horseshoe tossing, reverted to their childhoods, and surrounded me with explanations and names for the different marbles–many of them laced with swirls of colorful strands …
Marbles became my forever home of circular undisrupted creative possibilities. After our 1961 picnic was over and the sun began to set, we snuffed out the campfire, folded up the red gingham tablecloth, and packed away our picnic basket. I stepped up into the back seat of our Plymouth with my new marbles in tow.
Over the coming weeks and months, Dad pitched more horseshoes at the farm of Ed and Ollie Puetz near Gray Summit, Missouri, where we picnicked with family and friends and I watched the men drink another round of brews and play the game they loved.
Meanwhile, I added marbles to my glassy collection: aggies (made of agate) swirling with various ribbon patterns inside, tigers (clear with orange-yellow stripes), opaques (milky green, blue, and gray marbles) and cat’s eyes (they look like what they sound like).
All of my marbles became a creative extension of me. I played my instant-game-in-a-bag any time and any place–mostly at home on our basement floor on ordinary rainy days after kindergarten. All I had to do was obey one rule: “Mark, don’t leave your marbles in the middle of the floor.”
Our best and worst memories have a way of softening and sharpening as we age. Like photos pressed in the pages of a family scrapbook, some of them fade and crack. Others, through the lens of our selective memory, grow more brilliant.
I don’t know what it will feel like to look back on 2020 in ten or twenty years. But, as we work to survive the entirety of this preposterous year, I suspect our memories will follow the same unpredictable pattern.
On the morning of December 25, after a breakfast of scrambled eggs and English muffins, my husband and I watched A Christmas Story.
Like many of you, I have seen this satirical and nostalgic film countless times. It’s one of my holiday favorites. The 1983 movie, directed by Bob Clark, is narrated by author Jean Shepherd and based on his stories of growing up in the Hammond, Indiana area (near Chicago) in the 1940s.
The writing is witty and the editing superb, but what I love most about the film (starring Melinda Dillon, Daren McGavin, and Peter Billingsley) is the sense of time and place it captures.
Like the endless scarves, hats, gloves, and buckled boots the kids wear to protect themselves from the cold and piles of snow, the film produces layer upon layer of lasting humor, warmth and comfort … told through the eyes of a nine-year-old boy. It is an exaggerated ode to a lost era in the United States. For all of these reasons, it is imminently watchable despite its constant availability.
In hindsight, warmth also was the feeling I intended to capture in my book, Tales of a Rollercoaster Operator, published in 2017. I wanted to leave behind a record of what it felt like to grow up in the hot St. Louis, Missouri suburbs in the 1960s and 70s.
It was an age when kids ran barefoot, chased ice cream trucks, played with marbles, watched dads toss horseshoes, cuddled with puppies in backyard pools, performed tricks for Halloween treats, banged pots and pans outside to celebrate New Years Eve, sucked on popsicles to beat the heat with the neighborhood kids on scorching summer afternoons, and (in my case, at the age of sixteen in 1974) learned to operator a rollercoaster.
This was my front porch (circa 1960) in Affton, Missouri: Jimmy; Marianne; Diane; Suzy; Carol; and me. My mother sealed the moment with the help of her Brownie camera. Now the image lives forever in my light-hearted book of Missouri memories.
It certainly was a more innocent time. But, as we grew, the world became more complicated. We watched and listened to Walter Cronkite. We believed everything he told us through our black-and-white TVs. That included images and stories of JFK’s assassination, the first steps on the moon, Watergate, and the raging Vietnam War.
At any rate, if you’re looking for a little warmth and nostalgia to get you through the winter, I have an antidote. Download a free copy of Tales of a Rollercoaster Operator through the end of 2020.
As we prepare to cross into a new year and hope for brighter days ahead, maybe my stories of a bygone period in American life will inspire you to laugh a little, revisit your youth, dust-off your favorite memories, and find new meaning in the indelible moments that stay with you for a lifetime.
Life is a mysterious mish mash of beginnings and endings, wins and losses. Lately, the losses have been more prominent and painful for me and many of you. Yet we do what we can to endure in 2020.
Last night, Bob Gibson–one of the greatest pitchers ever and undoubtedly the most dominant of the 1960s–died of cancer at age eighty-four. Serendipitously, his team–the St. Louis Cardinals–ended their frantic, COVID-19-filled 2020 season the same night with a 4-0 playoff loss to the San Diego Padres.
As a kid growing up in St. Louis in the sixties, I followed every angle of Gibson’s story. He was a local hero, a one-time player for the Harlem Globetrotters, a flame-throwing right hander who still holds the ERA (earned runs average) record in Major League Baseball–1.12 for the 1968 season. It’s a record that will likely never be broken.
But this versatile athlete and fierce competitor was also a gifted writer. I remember browsing the local library as a kid and reading From Ghetto to Glory, his story about growing up poor in Omaha, Nebraska, and fighting his way to the top. “Gibby” was an inspiration and role model.
Bob Gibson passed away less than a month after Lou Brock, the legendary base stealer, fellow Hall of Famer and his St. Louis Cardinals teammate. The duo of Bob and Lou dazzled a generation of St. Louis fans on the field and appeared in three World Series–winning in 1964 and 1967.
Ironically, Gibson died on October 2, 2020. Exactly fifty-two years after striking out seventeen batters in Game 1 of the 1968 World Series against the Detroit Tigers. To date, his record still stands.
If you enjoy reading stories about baseball, check out my book Tales of a Rollercoaster Operator. It includes a story about my dad and me watching Bob Gibson pitch on July 15, 1967 from the bleachers of Busch Memorial Stadium. That day, the crack of Roberto Clemente’s bat (another Hall of Famer), booming through my transistor radio, changed everything.