I received a sad text message on July 2 from Lu, my cousin’s wife in North Carolina. She told me Frances, my beloved ninety-one-year-old aunt, is in her final stages of life, suffering with the effects of Alzheimer’s.
Frances is my mother’s smart and sassy younger sister–the only one remaining from that generation of my Ferrell family. Her passing–whenever it occurs–will mark the end of a significant chapter in my life … one I wrote about in From Fertile Ground after my mother’s death ten years ago.
When I last visited Frances in September 2015, I sat beside her on the couch of her Davidson, North Carolina living room. It was an important and healing moment for both of us. The loss of her only sister and my only mother was still relatively fresh.
I realized then that returning to North Carolina (where my mother was born) was my way of putting to rest Helen Ferrell Johnson’s earliest life experiences–and some of mine, which included Frances, her sons, warm summer days, and barefoot adventures exploring my grandparents’ Huntersville, North Carolina farm in the 1960s.
Now–just a day away from my sixty-sixth birthday and three weeks from what would have been my mother’s 100th–the knock of grief in July appears once again on the other side of the door.
It ushers me back to July 6, 1974, (my seventeenth birthday) when I stood beside Frances at my grandmother’s (her mother’s) funeral.
We leaned into one another that day in the Asbury Methodist Church cemetery in Huntersville. I needed to feel her love and reassurance, just as I would in September of 2015.
Back in July 2023, my wish is that my aunt’s transition moves swiftly.
In my mind and heart, Frances Ferrell Rogers Christenbury (forever the first child born in High Point, North Carolina, on New Year’s Day 1932) will always be that spunky adventurer.
Frances loved me for who I am … saw and accepted the handwriting on my gay wall before most of the rest of my family … brought joy to my frolicking on the farm … and ordered extra copies of From Fertile Ground to share.
I think it was because reading it helped her heal after the loss of Helen. More than that, because it tells the story of our family’s survival across the generations.
One that will live forever on the pages with Frances and the fertile ground of grief.
At six, I ducked. I covered. When Cronkite broke the news, I grieved for JFK. I wondered what might have been. I watched John-John salute his dad’s horse-drawn casket as it passed by.
At sixteen, I drove and grew. I discovered the stage. My long hair hid my face, but through the blond strands I watched the lies and disgrace of Nixon and Watergate unfold and consume our nation.
At twenty-six, I cradled my first-born son. I played ad man in the tallest building in the world. I watched the AIDS epidemic rage without relief. Reagan stood by to pontificate.
At thirty-six, I grieved for my father and raised two little boys–alone. Clinton signed Don’t Ask, Don’t Tell. In short order, I watched the military expand its closets. Meanwhile, I found a way out of mine.
At forty-six, I climbed the ladder, fed our dog, and paid more child support. I watched my weight escalate. My blood pressure and responsibilities soared as George W fanned the flames in Iraq.
At fifty-six, I grieved for my mother. I shed my corporate skin. I wrote. I sang again. I photographed dragonflies. I watched Obama change course and support marriage equality. I felt hopeful.
Now, six days before my sixty-sixth, I cleave to my husband and pray that the masses will continue to support Biden–our buffer from total mayhem–while insanity lurks on the horizon.
We watch and sigh as another wave of misguided declarations from the misnamed Supremes–and their perpetrators–land on the doorstep of freedom and turn back the clock on once-protected classes.
What has become of our red-white-and-blue country? The country I still love–that beacon of hope–no longer exists. Now we are black and blue. Punch drunk from the previous administration. Bruised from an insurrection that took us to the brink nearly thirty months ago.
Still, we watch and wait for justice and accountability. Will it ever come? Or are we simply poised for another distraction? Another round of fireworks to illuminate our darkness and denial?
It certainly feels like we are one step closer to midnight.
This is not that June I used to know of lush eastern or midwestern gardens in better neighborhoods or blushing brides posing on the covers of magazines that used to be familiar.
It is an under-the-radar, sun-soaked, almost-summer, alternative universe of early-bird lizards, spiky saguaros, freshly trimmed palms, empty pool chairs, and fiery sunsets.
All of them wait in triple digits for a hint of the season’s first monsoon, an uncertain wet chapter and swirling desert drama that has yet to unfold in a land where the clocks never change.
I captured these images in my south Scottsdale-Arizona community between June 17 and 20, 2023.
Remarkably, here in the Valley of the Sun, we have enjoyed a relatively comfortable early June. Seventies in the mornings. Low-to-mid nineties in the afternoons.
I’ve made the most of these breezy bonus days. Walking, hiking, swimming outside to rediscover my energy after a few weeks of long rehearsals and performances on stage indoors with my pals in the Phoenix Gay Men’s Chorus.
Of course, all of us Sonoran Desert rats know the mild temperatures won’t last.
We now brace ourselves, before triple-digit high temperatures arrive later this week and stay like unwelcome houseguests through most of September.
I’m not complaining. The summers here are quiet, beautiful, and hot–gorgeous sunsets, rugged buttes–away from the rush of the world and the traffic generated by snowbirds.
Our sizzling stillness is punctuated in July and August by monsoon storms that boil down from the mountains that surround us.
Now that Tom and I have lived here almost six years, our Midwestern years and associated memories have begun to fade like colorful t-shirts, hanging on a clothesline, bleached by constant exposure to the sun.
This day-in, day-out aging awareness, as we approach our shared 66th birthday in early July, makes me especially thankful that I wrote stories about my Illinois, Missouri, and North Carolina memories when they were fresh in my brain.
I guess you could say I’m between creative projects. I don’t know what I’ll decide to write next, beyond the weekly ramblings that appear here.
There is a fictionalized story I set aside late last year, when I devoted more time to writing dialogue for the chorus and completing my book of poetry.
In my mind, the main character of this yet-to-emerge family drama is living in the mountains near Flagstaff, Arizona–trying to come to terms with a significant loss he has experienced.
The good news is Tom and I have made plans to spend several days in the higher, cooler altitude of that area in late July to commemorate what would have been my mother’s 100th birthday.
Maybe this journey north, several thousand feet over the saguaros and into the ponderosa pines, is exactly what I need to rekindle my next story away from the scorching sunsets of our regular Sonoran life.
Life gets messy at times. For instance, Tuesday morning Tom and I were grocery shopping at Fry’s near our home in south Scottsdale. We picked up a pint of blueberries and placed them in our cart.
As we turned the corner and left the produce section, the container popped open. Half of the contents spilled out and tumbled to the floor. Some smashed and splattered. Others rolled fifty feet away.
Of course, accidents happen. We apologized. We helped a few kind Fry’s employees clean up the mess.
On the other end of life’s spectrum, there are spectacular moments that produce a cascade of love and joy. Crescendo moments we imagine and envision on paper, which work out better than we had planned. Seminal moments that transcend our dreams.
Last weekend was filled with those moments–standing on stage at Tempe Center for the Arts with about seventy of my Phoenix Gay Men’s Chorus mates, manufacturing an amazing blend of transformative music and stirring stories for three appreciative, enthusiastic, and occasionally tearful audiences. (They were simply responding to the heartfelt, emotional, honest Born to Be Brave moments that revealed themselves on stage.)
From stage right on the top riser, I sang as a chorus member and watched as a writer. With style, panache, and musicality, five of my chorus friends embodied and embellished a quintet of LGBTQ characters I created months before.
Over the course of the past few months, I’ve observed as they’ve evolved: Bry, a trans character from Idaho who found their voice with the support of friends; Toni, a bisexual artist with an unruly heart of gold; Gregory, a wise-and-resilient survivor of the AIDS-plagued 1980s; Les, an ultra-available, funny and sexy accountant; and Q, a young, flamboyant, energetic, queer leader who owns the stage and won’t be denied.
The premise? In an ode to A Chorus Line, they all audition for the Phoenix Gay Men’s Chorus in Act One. Ultimately, in Act Two, they each grow and join the group. They take the stage. They sing and dance. They find their voices and a new community of friends. In the show’s finale, they perform with the chorus and realize they were born to be brave.
***
Now, a few days have passed. The show is over. The blueberries at Fry’s have been cleaned up. I’m enjoying the high of a successful performance and artistic experience … the creative aftermath … but also recognizing the lull that comes after.
I’m beginning to regain my energy. (I left a lot of it on stage last weekend.) I’m also realizing the power of music and theatre. Friends who attended the concert have told me how much they enjoyed the show, and what a positive emotional impact it had on them–seeing and hearing the triumphant stories of five LGBTQ characters told through music in a world and community that needs love in all its forms … in all its splendor.
It gives me solace to know that — maybe — all of my chorus members and I have helped to create and produce sweet, luscious blueberries for the brave. To help nourish all of us on the rocky road of life.
This is a momentous post for me–number 400 written and shared over the past five-plus years here.
As we begin June — Pride month — the topic of this one is more consequential than most.
Since May 2018, I’ve posted a long-and-winding stream of diverse stories about the Scottsdale-Arizona community I inhabit and about my life … as an independent writer, avid gardener, animal lover, critical thinker, loyal son, non-traditional father, and fortunate husband.
This openness is something I’ve learned and earned. More than sixty years ago, I was a shy child. I hid behind my mother and sucked my thumb for reassurance.
On a subconscious level, I must have felt I needed protection … for being different … though it would be decades before I would understand and embrace my gayness.
In the early 1990s (after my divorce from Jean and before I met my husband Tom), I felt lost and afraid. I certainly didn’t imagine I would one day sing on a stage with dozens of other gay men in Chicago … and then again in Phoenix.
Or that my husband and older son Nick (also living in Arizona) would watch and smile from the audience.
Much less, that I would write lyrics for the Phoenix Gay Men’s Chorus or develop dialogue for a palette of LGBTQ characters–a libretto, of sorts–for a concert in June 2023, titled Born to Be Brave.
This latest thrilling endeavor will premiere June 3 (2 pm and 7 pm shows) and then again June 4 (2 pm) at Tempe Center for the Arts.
All of this leads me to the point of this post.
In 2023–in a country where some would prefer not to say or hear the word gay or work to pass legislation to remove books from shelves written by gay authors–it is more important for all of us to live openly and loudly.
Moving back into the closet is simply not a viable or healthy option.
In that spirit, I am sharing two photos with this post. They contain images of my family members (past and present) and a sampling of the most important aspects of my authentic life.
For the concert this weekend, each of us (about seventy members of the Phoenix Gay Men’s Chorus) will wear a stole that drapes around our necks with such images … images that tell the stories of our lives for all the world to see.
Yes, in June or any month, all of us have much to be proud of. With the help of inspirational music, compassion from friends and neighbors, and the safe haven of our community, we’ve come a long way.
It’s my book of Arizona stories and St. Louis flashbacks, which includes a chapter on The Carol Burnett Show and the positive impact the program had on our family in the 1970s.
There is one other significant and unexpected side effect, which Carol’s letter has prompted: a touch of grief.
If you follow my blog or have read any of my books, you know that my mother–Helen Johnson–was the consummate letter writer.
From the late 1980s (when Mom retired) until 2010, she sent me more than a thousand letters laced with love and wisdom.
Some of them appear in From Fertile Ground. It is a three-generation writer’s mosaic about love, loss, and grief. I wrote and published the book a few years after my mother died in 2013.
Helen didn’t quite make it to ninety, the milestone Carol Burnett transcended recently. She came up six months short.
So, when Carol’s letter arrived in the mail it cued a few pangs of sadness and a familiar pleasure. One that has been missing from my life … missing from all of our lives … for a long time. That is the personal, human, and lasting connection produced by a handwritten letter.
With all of this as background, yesterday I pulled out the large blue plastic container that holds all of my mother’s letters–sent to Tom, Nick, Kirk, and me over the years. I have them classified by year.
I began to leaf through her 2003 correspondence. That was the year she turned eighty, on July 26, 2003, to be precise. My sister Diane and I hosted a big party for Mom that summer in Geneva, Illinois.
Family and friends traveled from near and far to attend Helen Johnson’s birthday dinner at the Mill Race Inn. We celebrated her first eighty years. Afterwards, we crossed a bridge over the Fox River to continue the party at the Herrington Inn, where many of our guests were staying.
At one point, a gentleman playing violin walked through the lobby. He asked my mother if she would like him to play Waltzing Matilda, her favorite song. (Matilda was her middle name.)
Mom’s eyes sparkled with glee as he stood over her. He slid the bow across the strings, and I watched her spirit soar. In short order, she began to sing … “Waltzing Matilda, waltzing Matilda, you’ll come a waltzing Matilda with me.”
Ordinarily, my mother didn’t enjoy being the center of attention. But, looking back, that moment in a posh hotel on the banks of the Fox River surrounded by loved ones may have been the happiest and most spontaneous moment of Helen Matilda Ferrell Johnson’s life.
If you’ve been doing the math as you read this story, you know that my mother’s 100th birthday is approaching. It’s just two months away. One of the best ways I can celebrate the memories of her is to read her letters, which she mailed to me.
In this one from May 26, 2003–twenty years ago–she recounted for Nick (my older son) and me that she and my dad bought their first new car (a black, four-door Plymouth) in Texas in February 1951.
I must have just told her about Nick’s first car, a used Toyota Camry, which his mom and I had just helped him buy when he was nineteen.
Whether a letter comes from a legend of stage and screen like Carol Burnett or someone who lived a more ordinary (yet still remarkable) life like my extraordinary mother, the words and the movement of the pen on the physical page speak directly from one heart to another … far exceeding the temporary status of a text, email, or phone call.
That’s the context and beauty–the magic, really–of an authentic, handwritten letter.
This isn’t a story about cherries or ice cream sundaes–or even about the yummy gluten-free, 9 x 12-inch decadent chocolate sheet cake I baked over the weekend. (Tom and I are in the process of devouring it.)
No, it’s a tale about an unexpected, sweet, extraordinary exchange (shared from afar through snail mail) between this independent writer and a legendary actor of stage and screen, who recently celebrated a milestone birthday.
***
On April 27, I wrote a letter to Carol Burnett. I mailed it in a padded pouch with my book I Think I’ll Prune the Lemon Tree. It is comprised of thirty-nine essays … a mix of true stories and desert fantasies … which I published in 2021.
One of them (A Custodian, A Scrub Woman, and Me) is about the special meaning The Carol Burnett Show held in our suburban St. Louis family in the 1970s.
In the story, I describe how Carol’s weekly hijinks, madcap comedic troop, and sense of humanity brought joy to my father (a depressed janitor) and me (an emerging adolescent).
On April 26, 2023–Carol’s ninetieth birthday–Tom and I watched her birthday celebration and tribute on NBC. The program resurfaced so many fabulous memories. It also prompted me to draft and send my letter (and enclose the book as a gift) to Carol through her agent.
I really didn’t expect to hear back. The act of sending the book to Carol was gratifying enough. To share my joy of watching her variety show every week decades ago.
But then, the mailed arrived today. Wedged between our SRP bill and instructions for me concerning an upcoming routine health procedure, was a handwritten letter addressed to me in beautiful penmanship.
On the upper left corner of the outside envelope just one cursive word appeared in dark blue ink: Burnett. The street address was printed on the back flap.
I carefully opened the card without ripping the corners. Inside was this personal message from that kooky comedienne with a toothy smile and infectious laugh. The same one who captured my twelve-year-old heart and creative imagination more than fifty years ago.
Best. Carol Burnett … Is there anything better than that?!
In this world of incessant breaking news, a personal note from a star (who took the time to tell me she was touched by what I wrote) is just the encouragement I needed to keep writing. To tell and follow the story. To send cards and letters when I feel compelled to do so.
Because one hot evening in May–when you least expect it–you just might receive the cherry on top you never imagined.
Losses and stories come in many forms. This one is best told by my husband Tom, today’s guest blogger.
***
Ode to a Fig Tree
by Tom Samp
When my grandparents moved in 1972 to the Scottsdale condo where Mark and I now live, my grandfather planted a fig tree.
This tree grew and flourished. It was unique and magnificent. It produced sweet purple figs every summer.
There was never a time when this tree wasn’t a part of the condo, and of my memories of my grandparents and parents. The tree became a part of the lore of our condo complex.
Last Friday, a victim of the carpenter bees that nested and chewed slowly through the bark and the wood inside, the tree had literally cracked in half and fell bent to the ground.
The sadness was immediate and deep.
But why feel this way for a tree? It’s only wood, bark, leaves, and, in the summer, sweet purple fruit.
My mourning certainly could not compare to that felt by our friend and neighbor Aggie, whose husband Bill, also our friend, passed away during the week.
Still, it was the sentimental images and feelings I attached to the fig tree that made its death so emotional for me.
It was a part of our home that I almost took for granted. A splash of green we saw when we opened our blinds every morning.
A place for the small birds–sparrows, finches, lovebirds–to wait their turn at the bird feeder we hung right outside our window.
The shady spot where our neighbors Pat and Gary placed their lawn chairs to read or relax; and where Gary took his last breath on Good Friday, 2021.
A topic of awed comment and conversation from friends and passers-by.
An ingredient in the fig jam that our neighbor Jeannie made for us.
The February morning every year, after the leaves all fell for the winter, when Mark and I trimmed the branches way back.
The excitement each April when we saw the tiniest green buds, signifying that the tree had survived, and would again thrive.
A final remnant from my grandparent’s lives, when they pioneered to Scottsdale from Chicago in retirement.
On Saturday, after the condo landscaping crew kindly and efficiently chopped the broken tree and carried away the pieces, Mark created a container garden in its place, filled with colorful flowerpots which held desert plants and cactus.
It will be an adjustment. Maybe we will plant another tree in the fall. In the meantime, the memories will always linger.
I captured our glorious, gnarled, and storied fig tree just before dusk during the summer of 2022.
Mark Johnson Stories 