It’s a sizzling Saturday in the Phoenix area … 97, 98, and climbing. Hats and water bottles for protection and hydration are in order. They are now regulation gear for the next several months.
When Tom and I left the Phoenix Farmer’s Market mid-morning–clutching a clump of chard, a few red peppers, and a bouquet of snapdragons–I could feel the crackle and pop of heat bouncing off the sidewalks. Pulsating through the air.
Tom has since trimmed the pink and magenta snapdragons. He arranged them in a cobalt-blue-glazed ceramic pitcher I treasure. My mother left it behind.
We began buying fresh-cut flowers three years ago as Covid raged and tightened its grip on the world. It was our way of bringing natural beauty into our home, while we worked to avoid the bombardment of fear and disease.
Thirty-six months later, you might say this practice has taken root and grown into a full-fledged tradition.
Certainly, there is beauty outside in the surrounding rugged buttes, startling sunsets, chirping birds, and April cactus blooms.
But this bouquet (featured on a table beneath our Brokeback Mountain poster we bought when we lived in the Chicago area) provides us with a more private splash of color. Tucked away from the heat of the day both meteorologically and metaphorically.
Thank you, Carol, for your enduring sense of humanity and a lifetime of laughs.
I’m so glad we had this time together.
***
A Custodian, A Scrub Woman, and Me
At 9 p.m. Central Time on Monday nights in 1970–fifty years before the contagious Covid-19 stunned our world–a kooky comedienne with a toothy smile and infectious laugh captured my twelve-year-old heart and creative imagination. Her name was Carol Burnett.
Born April 26, 1933–in the depths of the Great Depression–this legendary actor of stage and screen first tasted success with her Tony-nominated Broadway performance in Once Upon a Mattress in 1959. Soon after she appeared as a regular on The Gary Moore Show. My exposure to her madcap comedic skills began on September 11, 1967. That’s when The Carol Burnett Show debuted on CBS-TV.
Through the spring of 1971, the network ran the hour-long variety and sketch comedy format opposite two popular programs: NBC’s I Spy; and ABC’s The Big Valley. (Later in the seventies, as the show gained a larger audience and momentum, CBS moved The Carol Burnett Show into its Saturday night lineup following four other prime-time powerhouse comedies: All in the Family, M*A*S*H, The Mary Tyler Moore Show, and The Bob Newhart Show.)
Back in 1970, after I finished my homework on Monday nights, the lights on stage came up around Carol and were transmitted through our Zenith color TV in suburban St. Louis. Long before I first imagined taking flight in my dusty desert time machine, she proceeded to field questions from her studio audience and lead me and thousands of other viewers across the country on a metaphoric and comedic joy ride.
Every week we sat mesmerized. We watched Carol and her creative troop–Harvey Korman, Vicki Lawrence, Lyle Waggoner … and later Tim Conway–perform their magical TV mayhem. Together they represented creative constancy in my life.
At that time, Dad worked the night shift as a custodian for a government agency in St. Louis: sweeping and mopping floors; cleaning toilets and urinals; emptying waste baskets.
It was a life of late-night drudgery my father, the ex-salesman and unfulfilled poet, couldn’t stomach and never dreamed of—especially when the rest of the world had Carol and the hilarity of her As the Stomach Turns weekly soap parody at their disposal from the comfort of their living room couches.
But like clockwork, at 9:30, Dad called during a break from his janitorial job. He craved a creative escape too. He wanted my color commentary on Carol’s show. The ringing on our kitchen phone was my cue to fill in the comedic gaps.
I stretched the curly cord into the living room and translated Carol’s hour-long variety show into something positive that might sustain him….at least for one night.
To put this in its proper personal perspective, Dad felt he was missing the important moments in life: a traditional schedule of evenings at home with his wife and children watching Carol’s shenanigans. All for the sake of a weekly paycheck and a job that clogged his ego like a stopped-up toilet.
As far as Walter Johnson was concerned, there was nothing else remotely funny about 1970. The Vietnam War was raging. Nixon was president. That was awful enough. Especially for a life-long Democrat.
I’d like to think our phone exchange during his break and my play-by-play of Carol’s comedy sketches and crazy Bob Mackie costumes he missed helped transform his melancholy spirit.
Ironically, over the course of Burnett’s career, she frequently reprised the role of a soulful scrub woman, who cleaned up after everyone else went home. It was Burnett’s tattered-but-enduring character, which became her show’s symbol of humor, heart and humanity.
Like the rotary phone that rang on our kitchen wall, I never imagined the show would one day disappear. But on March 29, 1978, after eleven seasons and 279 episodes (notwithstanding another nine episodes that aired in the fall of 1991) the curtain came down on The Carol Burnett Show.
In the mix, the Vietnam War ended. The troops came home. Nixon resigned in 1974. I graduated from high school and went on to college in 1975. Dad did his best to complete his night-shift janitorial duties.
In August of 1976, at sixty-two-years old—the age I am now—he retired from a job he despised but tolerated to contribute what he could to the well-being of our family. Remarkably, my father lived another seventeen years, despite his struggles with heart disease and depression.
“I’m so glad we had this time together, just to have a laugh or sing a song. Seems we just get started and before you know it, comes the time we have to say so long.”
At the close of each of her shows, Carol Burnett sang this familiar tune, tugged on her left earlobe, and signed off. Evidently, it was a signal to her grandmother to let her know she was doing okay.
I loved it all. Carol’s shenanigans, her show, her sidekicks, her song, her signal, her sentiment. Dad did too. Everything she represented … her physical humor, uproarious laughter and wacky demeanor … sustained us through difficult times.
Fortunately, Carol Burnett lives on. So do the best moments from her comedy sketches on her Carol Burnett and Friends shows that appear in syndication.
In the universe of potential outcomes, I’ve discovered that an idea can spring out of nothing and lead nowhere. But, more often than not, like a hummingbird on a mission it takes flight to somewhere and lands somewhere else. It’s really an associative process of linking one idea to another.
Often this odyssey is driven by a sensory experience. Maybe it’s a familiar scent (like fresh-mowed grass) or sound (like the coo of a dove). Or a compelling image, such as a trail of hidden stairs. Or a winding creek rambling through nature with no end in sight. Or a defined space on a windy day with a few options to pursue toward a final destination.
As I writer, I’ve learned that I am at my best when I am open to all of these eventualities and possibilities. In other words, it’s better to say “yes” to an idea and let it simmer than to say “no” outright to something that might become something more.
I suppose you could call this my creative philosophy. It led me to write four memoirs and–more recently–a book of poetry. All of these are the result of committing to the practice of writing frequently. Often, I find myself composing words in my head while I’m swimming or exercising. Then, a few hours later, they travel to my fingers and land on a page as a story or poem.
One thing’s for sure. I know my life would feel relatively empty if I could never write again.
Back in January, Marc–the artistic director for the Phoenix Gay Men’s Chorus (PHXGMC)–asked if I would develop the stories and dialogue for five fictionalized LGBTQ characters. The script would provide the framework for the chorus’ June 2023 concert, Born To Be Brave.
If you follow my blog, you know I sing with PHXGMC and have written lyrics for the chorus in the past. Both the singing and the lyrical adventure have proven to be exhilarating creative experiences. So, I immediately said “yes” to Marc’s request, and knew this new challenge would stretch me in unfamiliar ways.
Sitting before my laptop, I began to create these five individuals–composites of people I have known. With time and nurturing, they began to represent the joys, fears, hopes, dreams, uncertainties, and triumphs of what it means to be gay, bi, or transgendered living in 2023.
In March (after numerous drafts, edits and tweaks), I finalized the script for the concert. In the process, five fully defined and diverse characters–Les, Bry, Q, Gregory, and Toni–were born on the page. Since then, the roles have been cast. Rehearsals are running full tilt.
On Saturday and Sunday June 3 and 4, Les, Bry, Q, Gregory, and Toni will take the stage. They will tell their stories and connect the music at Tempe Center for the Arts.
That weekend, I will be singing with the chorus. From my tenor-two position somewhere on stage, I will watch with wonder as five other chorus members embody the five characters. They will bring them to life, tell their stories, sing their songs, and shape their journeys in their own personalized ways.
What a mysterious, organic, and fulfilling creative path this has become. With every step forward, it is leading me to places I never imagined. And, ironically, I’m discovering this new fertile ground in the desert in my sixties.
Hello literary lovers. It’s time for me to stop teasing you about my upcoming book of poetry. Book number five–A Path I Might Have Missed–is alive!
The title and meaning? I chose the title, because it is a reference to the creative odyssey I might have overlooked (but fortunately found late in life and explored through my poetry). Plus, I just like the lyrical sound of these six words strung together.
The concept? It’s a wide-ranging collection of forty-two poems, which I wrote over a period of thirty years (from age thirty-six to nearly sixty-six). My poems cover a host of universal topics–love, loss, pain, discovery, truth, and transformation–with an eye to the ever-present influence of nature in our lives.
The content? The poems run the gamut. Some are reflective, probing, mindful, and deeply personal. Others examine the challenging times we face in contemporary society. I dedicated the book to my father, Walter A. Johnson. He was an unfulfilled poet.
The format? The book is organized into six sections: buds and blooms; fog and fire; magic and music; trials and trails; water and wonder; and stones and sky. I’ve included a photo of nature with each section, images I captured while living in Illinois and Arizona.
Just click on the embedded link below to reveal the cover of the book and purchase a copy on Amazon. Also, please leave your review online. I look forward to your comments and feedback. Thank you for supporting my creative endeavors. Happy reading!
If you follow my blog, you know of my love of gardening. I am particularly enamored of desert roses (aka adeniums), their thickened stems, their brilliant blooms.
Adeniums aren’t native to the Sonoran Desert. They are succulents from Africa and the Arabian Peninsula. However, they flourish in our bright, nearly constant sun. They thrive in our Arizona heat from March through November.
Now that my husband and I have lived in Scottsdale year-round for nearly six years, it’s a ritual for us to keep them indoors in our sunroom from December until mid-March, so they are protected on cool nights. Then, in mid-March, we carry them back outside to soak up the sun until the end of November.
Until this afternoon, I was the proud owner of two adeniums. One produces dazzling double-red blooms; the other has yet to bloom. (A third died a year ago. I think I over-watered it.) So today Tom and I stopped at Lowe’s for a new plant to adorn our south-facing, back patio.
As I scanned a sea of cacti and succulents, I spied this pink pearl adenium. Or maybe she picked me. At any rate, we brought her home. I found a suitable spot for her in this green, ceramic container.
She’s the perfect distraction–a gorgeous plant I might have missed–while I count the final days until my book of poetry emerges for all the world (or at least a smattering of poetry lovers) to see. Hopefully, by Easter. Stay tuned.
On Tuesday, April 26, 2022–the day Vice President Kamala Harris tested positive for Covid without symptoms–I did too. But with symptoms: fever, headache, congestion, and fatigue.
Ironically, it was also about the same time Dr. Anthony Fauci declared we had crossed the pandemic bridge and entered an endemic world, where the disease rate is at an acceptable or manageable level.
At that moment, I don’t think I believed him. There was nothing acceptable about the situation for Tom or me. As you might suspect, my husband soon developed the same symptoms.
For the following week, Tom and I took turns playing nurse, while pumping a flurry of fluids, acetaminophens, decongestants, and attaboy encouragements.
We slept sporadically, texted my sons and our sisters, cancelled plans with friends reluctantly like two men waving from a desert island, and zapped each other endlessly with our digital thermometer–up to 102.3, down to 99.6, up to 101.2, down to 100.2, finally back to 98.6.
We rode out the storm together, quarantining in the privacy of our cozy desert condo. Two kind friends left wonton soup outside our front door, as they were dealing with their own trauma of repairing their car so they could drive east. Back to their home in New York.
Another sweet neighbor placed a bar of chocolate on the mosaic tile table between our two wicker chairs. I snatched it as soon as she left. She knows about Tom’s dark chocolate addiction and my wedding vow in 2014 to keep him supplied with a bottomless supply of it.
Through it all, I think you could characterize our Covid cases as mild, though my anxiety flew through the roof for seven days. I shuddered to think what the outcome might have been.
What if we hadn’t been fully vaccinated and boosted twice? What if I could never see Tom’s smiling face again or gaze into his beautiful blue eyes that nearly match the bluish-gray t-shirt I gave him that doesn’t fit me anymore?
***
About a million Americans have died of Covid complications.
We are two of the lucky few. But this isn’t a story about luck. It’s about truth and science.
The vaccinations we lined up for protected us, kept us out of the hospital, and forestalled any notions of two more premature deaths. By following the science and getting inoculated, we dodged two bullets. The universe rewarded us exponentially by giving us more time together.
This morning it feels like we are both back to normal. We’ve been symptom free for several days. We returned to the gym for the first time in nearly two weeks. I mounted the treadmill. Tom opted for the elliptical. I smiled as I watched Tom exchange his hellos with a community of patrons and familiar faces.
But earlier in the morning–when I leaned out the front door to water our succulents under the fig tree–there was a defining moment with an extraordinary animal, which I won’t soon forget.
Our feral friend Poly, the community cat that has lived on the fringe of life for a long time, meowed and came closer to me than she ever has. After a brief photo opportunity, Tom handed me the bag of cat treats and I sprinkled a dozen or so on the sidewalk.
Once I closed the door, Poly left the shelter of our eaves–safe in her own moveable, quarantining bubble–and approached the kitty kernels.
Unceremoniously, she glanced up at me as if to say, “I understand how you feel, all worried and frayed. But you’ve made it through. You’ll get by. You’re a survivor. Just like me.”
As friends flock north and east, mockingbirds replace them. Stationed high in palms, they announce April is ending. Below, something bright is blooming.
We have reached our annual pivot point. We teeter between welcoming warmth and undeniable heat. There is no turning back to milder yesterdays.
Even in this age of escalating temperatures and worries, nature reminds us we are strong survivors. In a vast, blurry land of thorny problems, we shine.
On April 28, 2022, the Moroccan Mound cactus outside our door bloomed for the first time.
Through the weekend, the Tunnel Fire has burned 21,000 acres just north of Flagstaff, Arizona. But a few hundred miles south, the Valley of the Sun is ablaze in a kaleidoscope of color. In April’s final week, blooming wildflowers, cacti, and desert roses–and a resilient reptile–answer an age-old question. Yes, despite our warming planet, rare beauty remains in the Sonoran Desert.
Mark Johnson Stories 