Tag: Creative Writing

Canad-ahh

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Somewhere between Jasper and Banff–during the last week of July 2026 in Alberta, Canada, on a coach, on a trail, or in a hotel room–I lost my neon-yellow Phoenix Gay Men’s Chorus cap.

But what I found with my husband in Canada’s astounding scenery and emerald waters is far greater, more meaningful, and certainly more lasting in the flipping pages of my memory.

Tom and I planned our Canada adventure months ago to commemorate thirty years of being together. (We met in the Chicago suburbs in August 1996.) Fresh Tracks, a Canadian tour group, helped us orchestrate our eight-day itinerary.

I told my husband, “I want to spend money in Canada in 2026.” I wanted to see the beauty above us on the map. I wanted to embrace the scenery and people, who are our northern neighbors.

I wanted them to know that many–probably most–Americans love and respect them. We admire their commitment to protect their natural resources.

Over the course of the next week, I was able to see that first-hand in the cleanliness of their national parks. No plastic bottles rattled around in rivers, lakes, or streams.

I have craved a visit to the coastline and mountains of Vancouver for years. So, we started there.

Fresh Tracks arranged an exquisite dinner for us at the Coal Harbour Cactus Club. We toasted each of with a glass of prosecco and watched the sun set over the bay. It painted a tranquil mood across a colorful canvas.

We expected to spend the following few days traveling via train on the Rocky Mountaineer through the Canadian Rockies. But fires in British Columbia limited the rail portion of our excursion to one day.

We made the best of it, traveling from Vancouver to Kamloops via coach with about thirty others. Two kind, upbeat Rocky Mountaineer staffers walked down the aisle handing out water and snacks–packages of chips, cookies, and candy.

Early on the morning of July 24, we climbed onto another coach that escorted us to the Rocky Mountaineer rail station in Kamloops a mere twenty minutes away.

Sifting through the smoke-tinged skies of Kamloops, we boarded the train and arrived on the top deck for a Gold Leaf view through a glass-encased dome.

We introduced ourselves to Mark and Kim, a fun-and-friendly couple from Abilene, Texas, who sat across the aisle. All four of us–and a train full of others–faced forward.

For the following ten hours, the welcoming, service-focused Rocky Mountaineer team entertained us with vivid stories of the landscape we would traverse together and the animals we might encounter.

At scheduled intervals, they invited us to the lower level of the train for a sumptuous, gourmet breakfast … I fell in love with the lemon cranberry bread topped with a decadent glaze.

Several hours later, we returned there for a delicious lunch/dinner, prepared magically by a team of chefs on board. The wine and drinks were free flowing.

We downed a glass of mimosa–and later pinot noir–as we traded stories with Mark and Kim and gasped at the steep river-laden mountains and canyons that brought us to Jasper … an easy-going ski-town still recovering and rebuilding after a devastating forest fire in 2024.

Along the way, eagles, elk, and big horn sheep guided us sparingly. They appeared unimpressed and unconcerned with our presence as we rode by, though we on our train cars and coaches lunged for our cameras and phones in pockets to bring home evidence that we had actually seen wildlife, unjaded and unaware of the news in any day.

Midway on our vacation, after leaving Jasper, we spent a night and morning frolicking at the iconic Chateau Lake Louise. We absorbed the privilege of simply being there and seized the moment by capturing photos of the breathtaking scenery … something Tom’s parents had done when they visited Lake Louise in 1988.

A highlight of our trip was journeying to the Columbia Icefield in Alberta. When we arrived there in our Sundog coach, we donned four layers each, including our easily packed windbreakers. They proved ideal as we ventured out to walk on a glacier.

The temperature on my phone said fifty degrees Fahrenheit. In the icy, pine-scented air it felt more like forty with a biting breeze. Of course, my blood is thinner now, living nearly all of my days in the Sonoran Desert.

By the time we arrived in Banff, it meant we were nearing the end of our Canada adventure. I did my best to “soak up the scenery” as my father said back in the 60s as we rode up and down hairpin turns in the Smoky Mountains of Tennessee and North Carolina.

Well-appointed lodges and snazzy shops line the main streets in Banff. At times we felt the size of overflowing, late-July crowds and traffic there.

None of that deterred my fascination with the Bow River rapids–and ultimately its falls–that raced through town or the eight-minute gondola ride we took on our final Banff day beyond alpine heights to the top of Sulphur Mountain.

Through it all — as I paused to “soak up” breathtaking scenery in the form of still photos and even a few videos of waterfalls and vast mountain ranges stretching far beyond my senses — I realized the most important thing of all: I was blessed to witness the wonder of western Canada in July 2026 and to see all of it with the man I love.

Vivid Skies, Vivid Lives

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In mid-February, fourteen gathered around a long, rectangular table with me.

Now, as sunset approaches on this “Writer in Residence” version of my memoir-writing workshop, the group has winnowed to a tenacious, courageous ten. Eight women and two men intent upon writing and sharing stories from their vivid lives.

In less than three weeks, this talented group has bonded over personal stories of deep reflection, relationships, transformation, and wonder. These are a collection of some of the images and settings I will remember from the pages of our storied moments together:

Recalling the lingering, indelible scent of a father’s shaving creme permeating a modest 1960’s back bathroom;

Uprooting a life to care for an aging parent only to discover new love and an unanticipated chapter in an unlikely land;

Finding the energy and conviction to finish that marathon that no one in her family thought she would complete decades ago;

Channeling every ounce of strength to leave an abusive relationship and find much-needed support;

Recounting an early-in-life adventure to Los Angeles to fulfill a California dream;

Forgiving a gang of grackles for their messy transgressions;

Revisiting and releasing decades of shame and blame for the loss of a cow and calf in the barn of one’s rural past;

Celebrating the sacred space of freedom and unbridled joy forged inside a first car; and

Trudging along a circuitous trail to discover a meadow of brilliant fireflies dancing on the crest of a hill.

My role has been to provide tools, encouragement, and a safe place for these and other creative odysseys to emerge, land on the page, gain traction, and marry with the proud and animated vocal cords of these ten inspiring individuals.

On March 6, the sun sets on our journey together. Before we depart, I will encourage my newest friends to keep writing.

Together, we also will give thanks for the creative talent that lies within each of us … and the collective magic we manufactured on three consecutive Fridays in an otherwise ordinary Civic Center conference room on the first floor of a remarkable community space: the Scottsdale Public Library.

The Alcove

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This week, I began my two-month writer-in-residence stint at the Scottsdale Public Library.

This magnificent moment never appeared on my personal viewfinder when I stepped away from my communication consulting career twelve years ago. (I was mired in grief after my mother’s death.) But maybe it should have.

I had spent thirty-four years writing for small, medium, and large-sized companies. Helping them tell their stories. So, I had spent a good deal of time honing my writing craft. But it was never personal.

Finally, in February 2014, I began to tell my stories. That led to my first book, From Fertile Ground.

It is a memoir, which I published in 2016. Now, five books and a decade later, I’m coaching aspiring writers, sharing what I have learned along the way.

On Monday afternoons in February and March, I’ll be meeting one-on-one here in The Alcove, a triangular-shaped office at the Scottsdale Public Library, with other storytellers.

(I also will lead a three-part, memoir-writing workshop for a group of sixteen writers in February and March in a space around the corner from The Alcove.)

It will be my pleasure–my honor really–to help guide young and old participants on their creative journeys. No doubt, I will learn a few important things from them, too.

More than anything, if I can help others by unlocking or fine-tuning their writing prowess and passion, then I will have done my job.

We must continue to record and share our personal truths, our fears, our dreams, our memories with others without fear of repercussions.

I believe that is especially significant at this moment in American history.

Inside The Alcove or outside in the everyday world, let’s all vow to keep writing in 2026.

Because art–and that certainly includes good writing– informs, engages, entertains, inspires, and spurs the heart, mind, and spirit. It helps us develop greater compassion for one another and reach new heights.

I believe we can do all that and more by telling our stories.

Eight Years and Four Books Ago

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Eight years and four books ago, it was January 20, 2018.

I hawked my first two books–From Fertile Ground and Tales of a Rollercoaster Operator–in the vestibule of the Civic Center location of the Scottsdale Public Library with dozens of other Arizona writers at a popular local author book fair.

It was a fun, exhilarating Saturday. I greeted book lovers, exchanged ideas with other creative writers, and even sold a half dozen books.

When Covid came along two years later, right after the February 2020 local author event, library management decided to nix the annual gathering permanently.

It was one of many personal losses in a world where we were all forced to retreat to save ourselves. We had to discover new ways (thank you, technology) of being together without really being together.

I can tell you this. I wasn’t sure Tom and I would survive the Covid ordeal. But, like you, we did … with the help of in-home creative strategies and life-saving vaccines.

I certainly didn’t imagine I would write and publish four more books between 2018 and 2026. But that happened, too.

Isn’t it remarkable, how life has a way of sending us a mix of ominous clouds and sunny skies? Often, we don’t know which will appear next on the horizon. Or in what form.

Case in point. Even now as the walls of democracy feel as if they are caving in upon us in the United States, the Scottsdale Public Library has asked me to be a Writer in Residence in February and March at the same location depicted in this photo.

Eight years ago, I didn’t have this moment on my Bingo card or expect it would become a new chapter in my life journey. But it will. My role will include two components:

I have developed and will lead a 2.0 version of my Memoir-Writing Workshop (which I facilitated four times in 2024 and 2025) on three consecutive Friday afternoons: February 20, February 27, and March 6. Up to sixteen writers will participate.

If you live in the area, you can register here https://calendar.scottsdalelibrary.org/scottsdaleaz_library/260120702?utm_source=bewith&utm_medium=calendar.

Separate from the workshop, I also will offer thirty-minute, one-on-one writing coaching sessions between 1 and 2 p.m. on Mondays in February and March (in an office near the workshop location).

This will give folks who aren’t able to make the workshop a chance to receive feedback on their writing. (The library is creating a process to register for the individual sessions in advance. I will ask writers to bring just a page or two of their writing to make the experience productive and manageable.)

At any rate, I am thrilled and honored to be a Writer in Residence at the Scottsdale Public Library. It is a creative haven I have come to love in the eight and a half years Tom and I have lived in Arizona … where my movie-loving husband has created quite a following with every one of his film series.

The next one (Movies That Matter: Hollywood Families 1970-1996) begins next Monday at 3 p.m. Tom will lead film discussions and screenings, beginning with a cultural primer on the American family on January 26. Then, for the following eight Monday afternoons, he will show these fabulous eight films: Moonstruck, I Never Sang for My Father, Breaking Away, Kramer vs. Kramer, Ordinary People, Terms of Endearment, The World According to Garp, and The Birdcage.

Hopefully, this story is giving you the impetus to rediscover the programs offered at your local library … no matter where you live.

Happy reading, writing, and viewing!

Locker 8

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Ollie hated swimming lessons. But it was summer, and he promised his mother Jill that he would commit to one structured activity while school was out.

Every Tuesday and Thursday morning in June and July, Ollie packed his swim trunks, towel, and goggles begrudgingly. At 8:55, his older sister Lydia, fresh from earning her driver’s license, dropped him at the curb outside Chaparral Pool.

Ollie wasn’t afraid of the water or physical activity. What bothered him was getting naked in front of the other middle school boys and showering near them when their lesson was over.

To soothe his anxiety, Ollie hatched a plan. He decided to stash one of his tiny butterfly drawings—pink wings, beady red eyes, black antenna, and blue thorax on a white sticky note—in his bag. Then, when he arrived at the pool, he would post it discreetly inside locker 8.

An hour later, when he returned to the locker room after class, he twirled the dial on his lock—16 then 8 then 32—popped open the latch and rediscovered his prized artwork hanging there. This ritual distracted him as he peeled off his wet royal blue trunks, then scampered to the nearest open shower stall.

***

Ollie’s meticulous butterfly drawings covered his desk at home. Each one was unique in size, color, and configuration, but all were Ollie’s creations.

Before dinner one night in late May, Jill passed Ollie’s bedroom door. She knocked, then peeked in to check on her son and his homework progress. Before she left, she declared, “I love your drawings, Ollie! What do you love most about butterflies?”

Caught off guard, Ollie shrugged. He couldn’t find the precise words.

Was it their fragility? Their freedom? Their gentility? Their rare ability to transform from a cocoon and flit about—unfettered—floating above a weighty world that discouraged everyone around him?

Or simply that Ollie’s preoccupation with his art quieted his nerves even as he felt excitement stir in his growing penis?

***

On July’s last Thursday after Ollie’s final swimming class, he showered quickly to avoid contact with Jake. Weeks before, he made fun of Ollie’s oversized beach towel. It featured a canary yellow smiling sun wearing funky sunglasses.

“Did your mommy buy that big, beautiful towel for you, Ollie?” Jake chided.

What would Jake say if he found my butterfly tucked inside my locker door? Ollie wondered.

Undeterred, Ollie wiggled into his gym shorts, threw on his Arizona Diamondbacks jersey, slipped into his flipflops, and folded his belongings in his bag.

Rather than plucking his prized butterfly drawing from locker 8 and bringing it home to cluster with his other creations, Ollie left it hanging there. He left it clinging inside the metal wall for unknown days, weeks, or years.

Ollie left his art—his reassuring beauty—for another boy who might one day appear and appreciate it. For another boy who might feel threatened by a world of ominous clouds that surrounded him and what he didn’t yet understand about himself.

***

Lately, I have been writing short fiction, exploring and developing stories with a social statement that fit within the realm of my reality. It helps me feel I am making a small difference in this country I live in and still love … even as the madness within and outside our borders continues to spin out of control.

Visual prompts (like this photo I captured in July at my community pool in Scottsdale, Arizona) open an alternative world of creative possibilities for me. This is a technique I recommend to participants in my memoir writing workshops. So, in this instance, you might say I am wearing several hats … student, teacher, writer, gay man, concerned citizen.

I’d love to know what you think of this story. How does it make you feel? As always, I appreciate your insights and feedback.

In my memoirs, I’ve written about discovering and embracing my gayness later in life … remembering that horrific feeling of squashing my true self to fit into a prescribed notion of “all-American” masculinity.

I worry about the Ollies in the United States … the poets, artists, visionaries … the young, emerging, gay, lesbian and trans members of our society … all who face growing up in our country that is turning a blind eye toward anyone who isn’t a straight, white, MAGA male.

I worry for them. I worry for us. Every day.

A New Life

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I understand why you feel betrayed,

why you can’t stay any longer,

why you don’t feel safe

in a country ravaged by hate.

It has fallen far beneath the one

you and I once believed was true,

the one you and I thought we knew.

As you fly away to begin anew,

to begin a new adventure,

to begin in a new life in a new country,

those of us who love you,

those of us you leave behind,

hold this gift of friendship high,

as we also hold our breaths.

We wonder what you will learn,

what you will discover in your new land,

what tomorrow will bring

for those of us,

who stay behind

to live each day

in this familiar zone

of divisive uncertainty,

in a country we still love,

as our forefathers

and foremothers did,

all of us that much

closer to midnight.

Photo by Bob Price on Pexels.com

For my friend, who is beginning a new life today. He will remain nameless.

Compressed

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Why do we gravitate toward

an idealized arrangement

of natural design and beauty,

heaping layer upon layer

of flat stones separated

from orderly round ones?

Do these walls stand

compressed in architectural

tribute to planned selection

over the stew of spontaneity?

Why does man’s comfort

with the squashing power

of conformity supersede

the messy-but-meaningful

marrow of our diverse story

… our diverse history?

Desert Moon

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As we count our losses,

we brace for shadows

and ripples lurking

in the darkness.

The comfort of an

undeterred desert moon

shines stillness.

It conjures hope

and the ebb and flow

of constancy living

on their own cycles.

It rises with flickers

of unfulfilled promises

and etched memories

of loved ones gone

but never far away.

Inside the U

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I have a passion for learning, teaching, and uncovering the truth. So much so, that in another lifetime, I might have pursued a career as a full-time educator.

While that never happened, over the past thirty years, I’ve discovered episodic ways to teach … sharing my communication expertise as an adjunct PR instructor, opening minds as a diversity trainer and consultant, and–now–encouraging others to write and share their stories.

***

On Monday, October 21, fourteen people walked through the door of The Loft on the second floor of the Scottsdale Public Library. Each found a place at the table around a U-shaped configuration.

Lisanne, the library’s program supervisor, welcomed them, introduced me, and described each of my books (which she propped on easels at the far end of the room).

I sat–inside the U–smiling and ready to share my tips and guide them on their memoir-writing journey.

First, I asked each writer to introduce themselves. Some told me they have been writing in various forms for years.

Others have fought the impulse to do so or simply have never found the time or place but have always wanted to write.

“This is a safe space for you to begin,” I told them.

To mine vivid memories. To spin them into previously unwritten sentences. To shape them into stories that one day they may want to share with the world or simply pass along to immediate family and friends.

By the end of our first session together, we got to know each other better. I walked them through a “prompting” exercise.

Each person selected a random image–fanned out in my hands like a deck of playing cards–and then proceeded to write a paragraph or two relating to it.

One selected a photo of a tiger lily. She wrote (and shared) an especially sad, but poignant and revealing story about her flower-loving mother.

Another recalled a funny encounter with a monarch butterfly. All of the stories written and shared had merit.

During the last part of the class, they completed a three-page “Telling Your Story” Worksheet I prepared. It will be the baseline for each participant to begin to write their memoirs.

I asked each person to write one to two manuscript pages for next Monday’s session. I will offer constructive feedback at that time, and they will share insights with each other.

We will meet one final time to discuss another round of writing on Monday, November 4.

Already, this workshop is proving to be a meaningful experience for me.

I hope it is a catalyst for each of my fourteen fellow writers.

If I can make even a small difference as a library volunteer to help them on their storytelling journeys, my time–inside and outside the U–will be time well spent.

Turning Memories into Memoirs

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Writing is a solitary practice. But when our best ideas flow from our brains through our fingertips, it can feel like we are creating a galaxy of possibilities and fascinating characters to keep us company.

Still, we all need the support and encouragement of others to help us tell our personal-yet-universal stories, so that they touch the hearts and stimulate the minds of our readers.

To meet that need for external creative input, for the next three Mondays –October 21, October 28, and November 4 (from 4 to 6 p.m.) — I will lead a fun, interactive, and free memoir writing workshop at the Scottsdale Public Library, Civic Center location.

If you live in the Phoenix area, I hope you will join me. No reservations are required, but space will be limited. Arrive 30 minutes before the first class to get a ticket at the door. It will entitle you to participate in all three sessions.

Honestly, I’m excited to share a little of my time and memoir writing tips. And–perhaps–give a literary boost to a few individuals who are where I was ten years ago: ready to cross the creative threshold, but in need of direction and inspiration to turn memories into memoirs.