In the dog days, our community cat gets top billing. From the crook of our gnarled fig tree, Poly waits to swat an unsuspecting finch ready to extract seeds.
Staring me down through our den window, Poly assumes this enviable position at seven o’clock a few mornings each week. I tap on the glass to dissuade her. I can’t bear to see a finch fall or for Poly to end up behind bars.
On other days, Poly plays it safe. After the sprinklers stop hissing, she rests on the ground in the shade under the eaves or cavorts with her taffy-colored feline friend.
Poly is that hard-to-corral library book I don’t own, filling each page with texture and character. As summer winds down, she plots in the catbird seat. I don’t want our chapters to end, but someday soon I suspect they will.
The COVID-19 traumas that spun endlessly in 2020 and early 2021 have spawned a mountain of stories bursting with pain and uncertainty. But rays of clarity and creativity have begun to emerge as we try to make sense of the pandemic that will forever shape those of us who survived it.
I devoted part of my latest book to Coronaville–that crazy town we still live in–because I think it’s important to remember the fear and examine it, rather than sweeping it under the rug. What a shame it would be if we didn’t learn from the madness this plague has perpetrated. Here is a sampling of what I wrote one year ago this week:
Monday, June 15, 2020 began with congestion in my chest, mild nausea, and an occasional headache. I did not have a temperature, sore throat, or experience a loss of sense of smell or taste that may accompany the dreaded virus.
Nonetheless, I was worried enough to call my doctor, who prescribed a chest x-ray at a nearby diagnostic center that afternoon and a COVID-19 test the next morning at an HonorHealth urgent care facility.
Fortunately, my chest x-ray came back normal. There was no sign of pneumonia or any abnormalities. More than likely, I was dealing with a sinus condition or allergy to an air-borne culprit than the dreaded COVID-19. But still I waited. I was afraid the other shoe might drop.
On Tuesday, I imagined the desert dust from an adjacent construction site–fumes from our recent bedroom painting project or particles I had ingested from the smoke of a wildfire that raged in the hills sixty miles northeast of us–could be the problem. But I worried about the worst as Tom and I drove to Mesa for the swab test at 11 a.m.
To read the rest of the story (and all thirty-nine essays set against the warm and rugged landscape of Arizona’s Sonoran Desert) click on the link below and purchase a copy of my book in paperback or Kindle.
As Scottsdale temperatures rise each May, crowds disperse. Locals breathe more easily, sip hazelnut coffee under eaves, and swim morning laps before triple digits roll in on a red hot Arizona day.
If you prefer a circus of disconnected distractions, stand by. Watch a tag team of fertile mourning doves feed their young. Wince as construction workers jackhammer in the name of progress over the western wall. Chuckle as a wily neighborhood cat scatters a chorus of squawking crows under a tangelo tree.
For today’s headliner, none of these sideshow performances matter. From her inconspicuous back patio stage, one determined desert rose enters the center ring. She dazzles passersby with her first double red bloom of the season.
I began this blogging odyssey three years ago today by publishing my list of memoir writing tips. I had no grand plans or notions of what this would become, who I might meet in the blogosphere, or how frequently I would post. (This is #242. That’s more than eighty posts a year since May 4, 2018.) I simply wanted to exercise my voice, promote my books, and share observations about my new life in the Sonoran Desert of Arizona.
But this experience has turned into much more than a lengthy chronicle of disparate topics. It has become a public place for me to examine the beauty of nature, the geographic grandeur and social diversity of the Grand Canyon State, the importance of family and community, the realities of aging and grief, the fright and implications of a global pandemic, the humor and irony of everyday occurrences, and the creative possibilities of a literary life.
Some of you have followed this space for multiple years, left frequent and encouraging comments, and even read a few of my books. Others have joined this journey recently. Wherever you fall on that spectrum, I am grateful for the time you have devoted to my writing and connections we’ve made. Thank you. This rose is for you.
There have been days since February–especially after completing my latest book–when I have realized my brain needed a rest. Given the energy and time commitment required, I wondered if this blog had run its course. However, today as I write this, I can’t imagine living without this forum. It is a strand of my life that keeps my vital and relevant.
Composing and sharing stories from my laptop–and peppering them with images and poetry from time to time too–is an important part of my identity. It is my passion. I need this authentic (though remote) social connection. I want to continue to be a part of the dialogue. Most important, I want to call attention to the simple joys of living and the healing aspects of nature, which often are overlooked.
Going forward, I don’t know how often I will post. But, as in the past, I will speak my mind, test story ideas, pay tribute to a rare person or defining moment, dabble in short fiction (which I began to do in I Think I’ll Prune the Lemon Tree), and explore the implications of everything from a personal joy to a national sorrow.
I hope you’ll continue with me on this journey and comment when the mood strikes … no matter who you are, what you believe, or where you live.
It’s time to dig out the loose change that’s fallen between your couch cushions and put it to good use! From April 23 to 30, you can download a Kindle copy of my latest book, I Think I’ll Prune the Lemon Tree, for just ninety-nine cents on Amazon.
Set against the rugged landscape of Arizona’s Sonoran Desert, my anthology of thirty-nine essays (some whimsical, some serious) explores the themes of family, community, authenticity, creativity, and uncertainty before and during COVID-19.
Here’s what one reader had to say: “Focusing on stories from his recent relocation as a full-time Arizona resident, Mark mines his past for insights into his new life, reflects deeper into the after-effects of surviving a health crisis, and even includes poems and works of short fiction. A great new collection from a distinctive contemporary voice.”
I feel the pain and glory of every writer. We build the frames of our books, chapter by chapter. The process takes years. It is the culmination of time, art, and commitment.
We begin in the darkness in front of an empty page or a blank screen. We write a sentence or two that makes sense. We add and subtract in words. We rinse and repeat. We submerge ourselves to find the deepest meaning in the mundane and the spectacular.
One day, after months of determination and doubt, our rough draft is done. But we pause only briefly. We don’t want to lose our momentum. We dive back in for round after round of edits, because we want our stories to adhere to each other and to every reader who spends time with them.
Finally, the rewriting and polishing reveal the stories we intended. We invite a few trusted professionals, an editor and graphic designer, to join us in the literary chase. They stand by us on shore as we rewrite and polish passages, as we search for and discover the perfect cover, as we tweak phrases one final time, as we launch our true and false stories into the world.
As I watch my latest book, I Think I’ll Prune the Lemon Tree, begin to bob on the waves of the reading world in the middle of a global pandemic, I wonder. What will happen next? Who will read my book? What will it mean to them? What will readers have to say about it?
These are just a few of the questions we independent writers ask after our stories set sail. We are brimming with ideas, but also uncertainties. We have little control over where our stories land. All we can do is breathe life into them, guide them from afar, send a little money their way, push trade winds in their direction, and wait to hear about our creations once they have landed.