Warmer, brighter, and dryer than my midwestern memories, the arrival of April in the Sonoran Desert means we are a step closer to the oven.
I’ve come to welcome the regularity of the sun and heat. They define who we are: slimmer survivors, comfortable in shorts and sandals minus the cloud cover and weighty coats of our past lives.
No matter the month, if you’re willing to dig beneath the palms that frame the burgeoning Phoenix skyline, you’ll find the Japanese Friendship Garden (named RoHoEn) coexisting with concrete in an urban setting.
Planted at 1125 N. 3rd Avenue (just west of Central Avenue and south of I-10 on the way to L.A.), this hidden Phoenix gem is an unexpected eastern oasis deposited amidst the flurry of western civilization.
Protected by the shade of a high-rise apartment building, colorful koi dance beneath the surface of a shallow lake, a canopy of pines, sculpted shrubs, gentle waterfalls, and peaceful pagodas.
Of course, many come to the Valley of the Sun to relax by the pool. But if you prefer a different kind of escape, the garden is an ideal place to stroll in the shade, pause on a weekday, feed the fish, and nourish your soul.
Note: Located in the heart of Phoenix, the 3.5-acre Japanese Friendship Garden is a joint project of the City of Phoenix and its Sister City, Himeji, Japan. I captured these photos during an afternoon visit with Tom on Wednesday, March 30, 2022.
As I’ve gotten older, I’ve discovered I need more private time. This feels like an odd thing for me to admit, because–at one time–I would have considered myself a strong extrovert.
Now that I’ve been away from my consulting career for more than eight years, I realize I was more of an introvert all along. One who was good at solving problems, facilitating outcomes, and wearing a multitude of hats. I was required to be “on” far more than I wanted.
Finding the magic as a writer has been the result of tunneling in versus extending out. It’s been an exercise in spelunking … getting lost in caves of consciousness … then exploring that space.
This creative cocooning is an activity I love, and one I have become protective of. (Translated, that means I get grumpy when there are too many social demands on my time. I can imagine my husband nodding knowingly as I write this.)
Even so, there have been times over the past two years, when I’ve missed the human connections that many of us took for granted in a pre-pandemic world. For instance, reaching out to engage with readers in person or simply being in the same room with others to experience the impromptu moments of life.
On Friday night, I got a dose of the creative community I craved during the depths of the pandemic. Tom and I attended a Storyline SLAM event at Changing Hands bookstore in Phoenix. The theme of the evening was Magic, so each story needed to include that component in one form or another.
The process was pretty loose. Organic might be a better word. Eight people–four before intermission, four after–took turns telling stories on stage in six-minute segments.
When each storyteller finished, five judges (sprinkled in the audience of one hundred) held up mini tote boards with a score. Thirty points were the most possible, because the highest and lowest scores, raised high by the judges, were tossed out.
Driving there, Tom and I knew there was an outside possibility that members of the audience could volunteer to tell their stories in the moment. So, I brought one of my books, An Unobstructed View, in the car–just in case I summoned the courage to get up on stage. The idea intrigued and petrified me.
I’ll cut to the chase. I wrote my name on a slip of paper when we got to the event. I dropped it into a box, where it might be drawn. And it was. As I chugged a glass of pinot noir and squirmed in my seat, I learned I would be number three on stage to tell a story.
When my turn arrived, the anxiety I felt was palpable. Still, I walked to the stage and stood before the mic. I opened my book to page 41 and began reading from a chapter titled The Best Ears of Our Lives. Here’s an excerpt of what I shared that night.
… in October 1998, I became a dog owner again. We found our family dog in an Arlington Heights pet store. A high-pitched bell at the top of the door jingled, signaling our arrival as we pushed through the entrance. Tom and I walked past a wall of cages containing an assortment of critters with doleful eyes tracking our every move. The noisiest of the bunch was a tri-colored basset hound puppy with a white-tipped tail, brown-and-white face, and voluminous black velvet ears. She barked, yelped, and wiggled near the latch of her cage as if to shout, “Look over here. Take me home. You will never find a better dog than me!”… I knew we had turned the page and a dog-eared corner. This tenacious pup had cast a spell on us.
For most of the next decade, Nick, Kirk, Tom, and I would write a chapter together, featuring our shared love for Maggie as the glue that would help us all bond. As Maggie’s body grew, her limbs spread, and her breathing deepened at night, our basset hound further infiltrated our lives. We would never be prepared for the day we’d have to let her go.
The crowd applauded. I smiled, exhaled, walked back to my chair, and sat next to Tom. He kissed me on the cheek. Moments later, my score appeared … 27 out of a possible 30. But the numbers really didn’t matter. It was simply the act of sharing my story and getting an immediate response that fueled happiness and relief.
When the evening ended, an exuberant lady (she told a fun and charismatic story about the magic of motherhood) won the Storyline SLAM event with a perfect score of 30. I finished third out of eight. Not bad for a last-minute decision by an introvert to take the stage.
Most of all, the experience reminded me to live for today in this uncertain world, but also to find the time and space to embrace and remember the magic. It can appear in any form–long velveteen ears on an autumn day or an improbable six minutes on stage in the spring–when we least expect it.
Our magical Maggie, posing in our Illinois backyard in October 1998.
Sherrell Richardson Ferrell, my farming and writing grandfather, posing in the 1930s.
As a writer and gardener, I’ve learned there is constancy and comfort embedded in the rituals of life.
Each time I sit before my laptop to tell another story I feel a sense of grounding. My hard-working grandfather, the North Carolina farmer, must have understood that. He kept a journal every day for fifty-two consecutive years–from 1933 until the day he died in 1985.
Less about his personal reflections, much of what S.R. Ferrell wrote was about the day-in-day-in responsibilities of farm life. For instance, forty-nine years ago on his seventy-second birthday, this is what he had to say:
I did my farm chores in cloudy foggy wet morning. The mud is getting deeper by the day. I mopped the kitchen after I got my outside work done. I changed my clothes and went to Huntersville to get prescriptions filled. My 72nd birthday. Jimmy, Frankie and Frances came and ate lunch with us today. Mamma and Zelma called and talked to me. Cloudy, wet, muddy, mild all day. More rain expected tonight. 54 degree low; 60 degree high.
There is nothing spectacular in these words until you consider that he wrote down his thoughts for more than five decades. Little did he know that–long after he was gone–I would read every page of his journals and (after my mother and his daughter died) write a book about the writing DNA that runs through my blood.
Now that I’m a desert rat, I keep a speckled rock from S.R.’s farm in our Arizona garden. At this moment, it’s wedged in the ground under our fig tree. Every time I water the tree, I see the stone. It reminds me of my southern roots and connection to the earth.
In keeping with the ebb and flow of nature and lineage, I do this ceremonial gardening dance twice a year. In early December, I lug my beloved desert roses (aka, adeniums) inside away from winter’s chill. They hide dormant in the darkest corners of our condo until March, when I haul them back outside to face the world again.
Yesterday morning, one day before S.R.’s 121st birthday, I renewed part two of this desert rose ritual. This year, it also happened to be the day Tom hired Chem Dry to clean our carpet.
Before Drew from Chem Dry arrived, my husband and I hoisted our slumbering desert rose and situated it outside our backdoor. We didn’t want to spill any soil on our freshly manicured carpet.
All of that went without a hitch. Neither of us strained our backs and Drew finished his job in less than an hour. The carpet even dried more quickly than expected.
By early afternoon, we were able to walk on the surface without wearing blue booties. By 3 p.m., we had moved all of our furniture back to where it belonged.
The blooming cycle for our prized adenium will take quite a bit longer. Rest assured, new leaves will appear this spring, prompted by warmer, longer days. Though S.R. never traveled to Arizona, I can imagine him sitting with his sleeves rolled up between farm tasks, nodding in his rocking chair as I write these words.
By June (maybe sooner) when the temperatures have reached 100-plus again here in the Valley of the Sun, this remarkable plant will produce several gorgeous double-red blooms. With it all, once again, I will have physical proof that natural beauty is constant.
Even though it feels like the rest of the world has gone mad, I draw strength from fertile ground and the knowledge that these rituals help me feel hope is always on the horizon.
You are an emerging gentle giant, a loyal Sonoran duchess ready to frolic among the thorns in a land far from your kingdom.
Your soulful eyes tell a simple truth: that the blazing sun rises and sets on every life, every civilization. But we must soldier on.
While the madness in the front yard of life drains us, it is these tender backyard moments that fill our hearts and restore our spirits.
Through it all, nature reigns. You are supreme.
Katie is the inspiration for my poem. She is Glenn’s and Peggy’s lovable Newfoundland puppy. On March 1, 2022, Tom and I stopped by for an hour or so to keep her company while our friends were away.
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I’m convinced. Long after the American Southwest has curled to a crisp–scientists reported this week that we are experiencing the driest two decades in 1,200 years–cats will roam the Sonoran Desert and reign supreme.
I have no scientific proof to support my theory. Just a small sampling of feline friends–feral and domestic–in my Polynesian Paradise focus group.
With a flick of their tails and a few meows at our door, they cavort in our community, roll in the rocks, climb the walls and roofs, slink down the sidewalks, and generally get what they need and want to survive–above and below the eaves, but under the radar.
They appear magically each day. Goldy (she lives down the lane), Blanca (she lives kitty corner) and Poly (she lives everywhere in trees, on roofs, and under stars) plot to pounce on unsuspecting doves and finches.
Later they connive and clamor to devour Friskies Party Mix and ramakins of milk offered by we residents (suckers), who enjoy the show and the reasonably-priced (free) admission.
The three (and others yet to be catalogued) twist and glide in independent circles, careful to dodge owners with dogs on leashes that glance and sniff as they stroll by.
Blue-eyed Blanca, the friendliest of the bunch, has been known to hop into this reporter’s lap and purr. This leads me to wonder if she is really a dog trapped in a cat’s body.
Or maybe she is a long-lost relative, desperately trying to communicate. In any case, she enjoys kneading dough on my leg, catnapping on our loveseat, and (I suspect) worming her way into another story.
Poly on the roof, Goldy on the sidewalk, Blanca in my lap.
Me pruning the fig tree outside our front door in Scottsdale on February 8, 2022.
I’m at it again, pairing the random recent pruning of our fig tree with a story of my first haircut in a land far away but never forgotten.
***
In the arc of life, St. Louis, Missouri, was my first hometown; Scottsdale, Arizona, will likely be my last. Beyond this personal connection, they have little in common.
They certainly aren’t Sister Cities. The former is a muggy midwestern city shrinking in population on the banks of the Mississippi River; the latter, a dry western town growing exponentially in the Sonoran Desert.
Though, if you follow NFL franchise history, you know the present-day Arizona Cardinals made their home in St. Louis from 1960 through 1987. As a kid, I rooted for the Big Red there.
Now I cheer for this iteration of the Cardinals here. Regrettably, the team’s promising 2021-22 season faded in December and January. They won’t appear in the Super Bowl. The Bengals and Rams will be featured instead on Sunday.
At this stage of life–when I’m not writing or singing or swimming or exercising or baking or eating or sleeping or following my baseball and football Cardinals (the first still resides in St. Louis)–you might find me giving or getting trims.
Let me be clear. The giving involves me manipulating large garden shears and a hand saw to prune (only occasionally) a few of the fruit trees in our condo community. I even wrote and published a book of stories a year ago, which alludes to this activity in the title.
Anyway, on Tuesday, Tom and I were outside giving trims again. We pruned the fig tree near our front door. It’s an annual thing we do in February. It keeps the tree healthy.
We actually enjoy doing it. It’s a way for us to contribute to the well-being of our condo community and pamper the gnarled tree that provides shade on our hottest summer days.
On the other hand, the getting part of this is a different story. It equates to me sitting in a chair and having a stylist trim my hair with clippers and scissors every six weeks.
Most recently, I had this done two weeks ago at a Super Cuts in Scottsdale. But the first time was August 13, 1958, in St. Louis. I was a little over one year old. Someone named Frank Goetz did the trimming.
How do I know the who, what, when and where of this? My mother kept a detailed baby book of photos and anecdotes from the first seven years of my life.
Inside is a treasure trove of memories: things I would never have known or remembered if she hadn’t taken the time to maintain this personal record. She even kept a lock of my cut blond hair from that day, sealed it in a small envelope, and pasted it on a scrapbook page.
This morning, a day after Tom and I finished giving our fig tree its annual haircut, I pulled out the baby book from our hallway closet. In short order, I stumbled upon this photo.
Isn’t it funny and magical how a grainy black-and-white photo can transport you to another era and instantly pair the scissor cities of your imagined and true-life experiences?
On August 13, 1958, my sister Diane posed with me in St. Louis moments after I got my first haircut.
Dad was a twin, who loved twin digits. Today’s lineup of numerals would have sent him into orbit.
I don’t often think of my father; he’s been gone since 1993. But, whenever I remember the best of him–his numerology fascination, the proud way he stood at attention and saluted the American flag when it passed at parades, his WWII trunk and possessions I keep–it makes me smile.
In spite of what’s happening in the news–growing unrest and tension in eastern Europe, a pandemic that has dominated our lives for two years, and another Midwestern winter storm on Ground Hog Day that’s causing havoc–there is evenness and continuity in today’s numbers, 2-2-22.
Just as there is peace and beauty blooming in two forms in my home in mid-winter; in an air plant inside, stationed on our Arizona windowsill; and in a red geranium outside, soaking in the morning sun on our southern-facing patio.
It’s one of those days when my stream of consciousness is running in many directions. That has prompted this post about everything (or nothing depending on your point of view).
I call it January musings, because that’s the best thematic thread I can find in this ball of yarn and semi-related thoughts.
***
Morning, noon and night the fabric of our winding threads becomes a tapestry. That’s the opening lyrical line from Mighty Mosaic, one of four pieces I wrote for the March 12 Phoenix Gay Men’s Chorus concert.
The song is an LGBTQA anthem of sorts to capture the complicated–and often triumphant–journeys we take to discover who we are and what we believe.
Hearing my lyrics come to life in a room of familiar voices during Tuesday night’s rehearsal brought me personal joy in a month previously laced with grief.
***
I bristle whenever I hear film directors, writers or musicians say in an interview that they don’t ever step back to watch their films, read their books, or listen to their music.
I’ll admit it. I’m a writer, who learns by retracing literary steps. I find myself revisiting themes in my writing all the time (family, love, loss, the beauty of nature, the serendipity of life) or frequently pulling one of my books off the shelf and re-reading certain passages.
Why? Because it keeps the process of telling a particular story fresh in my mind. Each of my four books is a child I have loved and guided from infancy to adulthood. They will live on the page long after I’m gone, even if nobody reads them.
Revisiting my stories also allows me to remember the richness of life: the hows … how far I’ve traveled, how far I still have to go, how much the world has changed, how much I’ve learned, how much I’ve lost, how much I’ve gained, how fortunate I am to love and be loved.
***
The ninth anniversary of my mother’s passing is January 26. Earlier this week, I looked skyward and spotted a full moon. It transported me back to a frigid January morning right after I said goodbye to her–an indelible Illinois moment in 2013–when Tom and I sat with my sister and brother-in-law at a suburban McDonald’s (the only place open for coffee at 5 a.m.) to feel the warmth and close comfort of an enormous full moon illuminating the horizon and the snow-packed streets.
The grief I felt that morning is far less present now. But the welcome sight of a full moon will forever remind me of the journey after Helen Johnson’s passing, her wisdom and undaunted spirit, and the growth that followed. All of it inspired me to chart a new trajectory, write From Fertile Ground and three more books, and even discover a poet and lyricist lurking inside.
I am especially conscious of my age and vulnerability right now. There is nothing worrisome to report. I feel well. It’s just that–early in 2022–Tom and I are focusing on important administrative tasks to protect ourselves and our families.
Specifically, we will move to Medicare later this year, because we turn sixty-five in July. We have begun to do research. We’ve met with a third party. She explained how it works. She has helped to cut through the mystery. (By the way, I used to help organizations communicate about complicated health care and retirement programs, but that background doesn’t make this transition any easier.)
We also are updating our estate plans to make certain they reflect our Arizona status and latest wishes. The pandemic isn’t the driver, but it certainly has amplified our efforts to make sure our affairs are in order. As much as I hate dwelling on my mortality, it makes sense to plan ahead.
All of this technical and legal blather has clogged my brain lately, leaving me feeling a little dim. Is it a coincidence that the light in our refrigerator should go out yesterday? I don’t think so.
We tried replacing the old bulb with a new one, but it appears we have an electrical issue. Fortunately, the appliance is doing its job. It’s keeping our food cold (and frozen in the upper compartment). It’s just that we need a flashlight to find the yogurt, milk, eggs, fruits and vegetables.
I digress. That’s not what this story is about. Ironically, in the relative darkness of early 2022–the pandemic and our refrigerator–there’s a bright and new creative wrinkle to my writing that I want to talk about. One which changes the landscape of my past experience. One that goes beyond my blogging, memoir writing, poetry, and occasional forays into fiction.
About eight months ago, Marc–the artistic director of the Phoenix Gay Men’s Chorus–blindsided me with this question: “Would you be interested in writing lyrics for a suite of songs for one of our concerts in 2022? It will be a celebration of diverse voices.”
Hearing these words, I think my jaw may have dropped. Once I closed my mouth and opened it again, “of course!” was my immediate response.
I could feel my smile grow ten sizes. I never imagined having an opportunity of this sort, especially concerning a topic that is so important and personal … turning the painful, transformative, and triumphant stories of Phoenix-area LGBTQA citizens into something more. Into poetry and music.
Since that early, exploratory conversation with Marc, I’ve collaborated with David (another member of the chorus) who is composing the music. I’ve written lyrics for four songs, which will be performed on March 12, 2022, at the Tempe Center for the Arts. The concert will be part of Tempe’s Pride celebration.
On the evening of Tuesday, January 18, this will all become more real. Marc and David will pass out the music to members of the Phoenix Gay Men’s Chorus (including me sitting in the back row and singing second tenor).
For the first time, we will begin to rehearse the music David and I have created. I know I will feel a surge of pride and energy when I see the words “Lyrics by Mark Johnson” in the upper right corner of the score.
Sometimes life serves up happy surprises. It reminds us that our existence is more than needling administrative responsibilities, the darkness of a pandemic, or the frustrations of a burned-out light bulb.
Sometimes the outcome is brighter, more hopeful; we find ourselves exploring a new creative wrinkle, doing something we are passionate about, taking on a role we never saw coming.
Yes–remarkably at the age of sixty-four–I am a lyricist.
Mark Johnson Stories 