Tag: December

One Less Hateful Human

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Gifts come in small, medium, and large packages.

When the gift is musical theater–when the right notes, lyrics, blend, dialogue, choreography, and staging surround and transport the spirits of the audience and performers in a positive, fun, and meaningful way–its dimensions, ripple effects, and entertainment value can’t be measured or quantified.

That’s the transformative mission of the Phoenix Gay Men’s Chorus this weekend at the Herberger Theatre. We will perform our holiday show–Thanks for the Memories: A Gay Christmas Carol–twice Saturday, December 16, and once Sunday, December 17.

What’s my involvement in the concert? I’ll be singing second tenor alongside about eighty of my mates. I also wore a second hat in preparation for the shows. I wrote the libretto for the program and am proud to report that all three performances are sold out.

To say that I am fully vested in the outcome of this program–and brimming with excitement–is an understatement.

My journalistic impulses prompt me to preview the show for you, since few of you reading this will be in the room. Here’s the scoop.

Our concert will be a parody of Charles Dickens’ A Christmas Carol with an array of significant topical and cultural differences.

As the curtain opens, the Phoenix Gay Men’s Chorus is busy in their holiday workshop. Their mission is to select, influence, and transform one person–Lance, a fictional, homophobic sports figure and Scrooge-like character–into “one less hateful human.”

In the first number, That Christmas Morning Feeling, the audience meets a trio of divine spirits called Celestials: Starina (with their magic wand); Dione (with their rainbow fan); and Stella (with their shiny tiara).

Over the course of the next ninety-minutes, these wacky, playful and somewhat visionary Celestials and the spirit of Dirk (Lance’s Marley-like, ex-publicist colleague) visit Lance.

They lead him on a part-serious-part-campy personal journey of discovery through his past, present, and future holidays.

By sharing scenes of his life, told through music and images, they shine a light on the mistakes he’s made and encourage him to take a more productive path.

Ultimately, they help Lance realize the positive “ripple” effect he can have on the world by opening his heart and mind, correcting the error of his ways, loving himself and his gay identity, and embracing the cultural diversity of his community.

In the process, he repairs an important lost relationship, and even ends up committing to “doing a little good” in the world.

That’s a lot to accomplish in less than two hours, but I believe those in attendance will be moved, inspired, and maybe even dazzled this weekend.

Now, in order for that to happen, I need to get some rest. So, it’s time to take a power nap to recharge my battery between last night’s four-hour rehearsal and tonight’s reprise.

You won’t be surprised to learn that my energy-recouping strategy includes naps Thursday and Friday before our technical and dress rehearsals. Then, I will break a leg (or two) this weekend.

Look for a recap story next week–long after I recover from whatever happens on stage and Sunday night’s cast party.

December’s Delight

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Nature’s mid-century palms rose early without caffeine’s jolt. The quartet whisked breakfast into curls of golden cotton candy best consumed in a wondrous hush.

Perched on sprinkled pavement and slanted roofs, a mix of mourning doves, misplaced pigeons, and I marveled at December’s delight beyond distant flurries.

***

To enjoy more of my poetry, buy my latest book–A Path I Might Have Missed–on Amazon.

World AIDS Day

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Since 1981–the beginning of the epidemic–about 40.4 million people have died of HIV/AIDS, according to the World Health Organization. Another 39 million were living with HIV at the end of 2022.

These are staggering numbers, especially when you consider the emotional and economic ripple effect across all the families and loved ones of the victims, who have suffered along the way.

Tonight–on World AIDS Day–I will join other members of the Phoenix Gay Men’s Chorus at the Parsons Center in Phoenix. We will sing as part of a vigil that will remember those lost … and provide encouragement for those who live with HIV every day.

We will be surrounded by the quilts you see here–just a sampling of those created in the 1980s and 1990s–which pay tribute to victims of this horrible disease.

Ironically, this is also the space where we rehearse every Tuesday night, as we continue to prepare for our holiday concert, December 16 and 17 at the Herberger Theater, and a weekend of holiday musical fun and inspiration.

Still today, the quilts prompt a sense of sadness and reverence for lives snuffed out. For people we will never know and never meet. For people we loved and lost. For the beauty they brought and the art they never created.

From my spot on the back row of the tenor two section, I captured fellow members of the Phoenix Gay Men’s Chorus–surrounded by AIDS quilts–rehearsing on November 28, 2023.

Still Everlasting

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Love and loss are universal human conditions. If we feel the first, we can’t escape the grief associated with the second.

I wrote You Everlasting in December 2009. It was a gift for my eighty-six-year-old mother.

I remember the surprise and delight on her face that Christmas Eve, after she slowly unwrapped the framed contents in tissue paper cradled in her lap.

“You wrote me a poem,” she said quietly.

In 2016, three years after she passed, I published the poem in From Fertile Ground. It is a book inspired and informed by grief.

Today, on the tenth anniversary of Helen F. Johnson’s death, the time is right to share it again.

The imagery of flowers, trees, and animals comforts me. The verse provides much-needed continuity from her past existence to the reflections and influences that live on inside me.

The poem reminds me of that wise, nature-loving woman, who carved a resilient path for me to follow.

I still feel her presence today and can smile with the knowledge that, though she left on a frigid-in-Illinois, January morning in 2013, I carry the warm memories of her in my Arizona desert life in 2023.

Perhaps these words will prompt memories of your own loved ones, who are gone but never forgotten.

***

You Everlasting

You are the comfort of nature. Eternally pressed.

The first magnolia petal of spring.

The last gingko leaf of autumn.

The determined orchid that flourishes.

The lingering annual that endures. Perennial.

You are high and low tide. Remarkably present.

The hidden, tranquil meadow.

The crackle and thump of fresh melon.

The dancing firefly in a warm Carolina sky.

The soulful howl of a January hound waiting by the gate. Undeniable.

You are the simplest wisdom. Gracefully proud.

The tender touch of summer days that melt but never fade.

The breaking dawn of blues and greens forever in my memories.

The resilient path carved and captured in my heart.

The polished gem of hopeful dreams. Everlasting.

In December 2008, one year before I gave her the poem, my mother enjoyed another holiday celebration with her family in Illinois.

Light-hearted Escape

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It’s been another challenging year for many. We won’t soon forget the previous twelve months … brimming with health concerns, natural disasters, social upheaval, global traumas, political shenanigans, and inflationary woes.

Why not end 2022–or start 2023–on a positive note with a light-hearted escape? From now until January 2, for only ninety-nine cents, you can download a copy of my book Tales of a Rollercoaster Operator on Amazon.

It’s a universal collection of tales that focuses on my love of family and pop culture. A nostalgic series of twenty-six funny and poignant essays about growing up in St. Louis in the 1960s and 1970s.

The final story in the book, A New Year Resolution, fills me with hope and the warm, comforting possibilities of life even after seemingly awful things happen.

I wrote it as a testament to the good citizenship of my father and mother, who did the right thing on a cold January morning more than sixty years ago.

Happy reading and Happy New Year!

Candy Cane Kids

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In the early 1960s, the four of us–Dad, Mom, Diane, and I–preferred a natural Christmas tree.

In mid-December, we bundled up, drove to a local tree lot, and picked out a well-shaped balsam.

Money was tight, so our family’s philosophy was the cheaper the better.

One of the men at the lot usually helped Dad tie the tree to the top of our car.

Once we arrived back home, we sawed off a notch of the trunk.

Then, Dad placed the six-footer outside in a metal bucket filled with water to keep it fresh until we trimmed the tree.

In those days, these porcelain candy cane kids adorned the branches of our family Christmas in south suburban St. Louis.

Originally, there was a third sibling, but he or she broke in the years following and couldn’t be repaired.

Thankfully, these two have survived until now … traveling from Missouri to Illinois to Arizona.

This year, Tom and I nestled the remaining candy cane kids near the top of our artificial tree in the sunroom of our Scottsdale condo.

They remind us of the memory magic of Christmas, seen through the bright eyes of an exuberant child.

As 2022 draws to a close, thank you for following me on this journey.

No matter your age or whether you celebrate Christmas, my wish for you and me in 2023 is that we continue to nurture our imaginations and rekindle our sense of possibilities and wonder.

Because it is that spark–and the spirit of the candy cane kids in all of our lives–that helps us create the art to make the world a richer and more joyful place.

From Joy to Sorrow

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On Saturday and Sunday, I stood on stage at the Galvin Playhouse in Tempe, Arizona, with about forty fellow members of the Phoenix Gay Men’s Chorus.

From the tenor two section of the top riser, I was dressed in black pants and my snazzy, solid-red holiday sweater. I was ready to raise my voice, have fun, open my heart, and bear my soul for two large, enthusiastic audiences there to see and hear us perform our ‘Twas the Night Before Christmas show.

As you might expect, I was amped up. My energy and emotions were running high. On stage or not, the holiday season can spur a range of feelings–from joy, hope, and peace to sorrow–for each of us.

Often, the music we hear or create is the catalyst for our state of being. It reminds us of who we are, who we love, who we’ve lost, where we’ve been, where we are, and maybe even foretells where we’re going.

Like life, this was a holiday concert that included a little of everything: luscious chords, soaring solos, a tribute to Hannukah, hot men wearing sparkly vests, a surprise tap dance underneath the tree (in the ‘Twas the Night Before Christmas parody I wrote for the show), a caped gay superhero, a Christmas Can-Can not to be believed, sexy Santa Baby, assorted musical mash ups, and inspirational tunes.

The program was a delight to perform, and the crowds loved it. I felt thrilled and honored that about thirty family members and friends attended. One of them was Jeff.

Over the past three years, he and his husband Dave have become close friends for Tom and me. We’ve met for dinner frequently. Watched movies and played games together. Laughed and swam in their backyard pool. Shared funny stories from our past lives.

In March, Tom and I were honored to join Jeff and Dave and about thirty other friends to celebrate their fortieth anniversary. In October, they drove to Barnes & Noble in Mesa to be there for my book signing. Dave was a regular reader of my blog. He brought up my writing frequently. Each time, I was touched.

On Sunday morning, between the two holiday concerts, Jeff texted to tell Tom and me that Dave passed away Saturday night. He succumbed to complications of muscular dystrophy–a disease he lived with for many years. It confined him to a wheelchair, but–in the time I knew Dave–his disability never dampened his kind spirit, playful energy or warm smile.

I’m sad and stunned. I will miss my friend. On Sunday, as I sang Grown Up Christmas List on stage, I thought of Dave and all he must have endured. That song usually makes me cry anyway, but when I saw others in the audience tearing up, I fought hard to hold it together.

Of course, Jeff knows Tom and I are there for him as he grieves the loss of his long-time husband and loving companion. We will check in on him frequently.

This is just the latest personal reminder to sing and dance. Hug and kiss the ones you love. Fight hard for your convictions. Stand tall in the face of adversity. Raise your voice. And, if you are dealt a difficult hand, find a way to accept the unacceptable.

As a tribute to Dave, what follows is the full text of ‘Twas the Night Before Christmas (A Gay Love Story), which I wrote for the Phoenix Gay Men’s Chorus in July 2022.

It’s a parody, which Tony Crane and Tim Gorka (who played Uncle Gabe and Nephew Jay respectively) performed masterfully during our show in Tempe over the weekend.

Had he seen it, Dave would have laughed out loud and loved it.

Rest in peace, my friend.

***

‘Twas the Night Before Christmas (A Gay Love Story)

Copyright ©️ Mark Johnson, 2022

Nephew Jay:

Uncle Gabe, tell me a story about finding your true love.

Uncle Gabe:

‘Twas the night before Christmas, alone in the house,

No boyfriend, no job, I felt like a louse.

My stocking was hung, but nobody knew,

I was lost in the desert, no clue what to do.

My neighbors were quiet, shades dark and drawn,

Though moonlight glistened on the pool of their lawn.

With a glass of red blend, I sat by my tree,

Oh, there was Sparky–my cat–curled next to me.

Out on the yard, there rose such a clatter,

I sprang from the couch and Sparky did scatter.

Then–Whoa–a gay Hallmark card did appear,

‘Twas a gaggle of gays–they were definitely queer.

They side-stepped a saguaro, they climbed up my roof,

They danced and they pranced–some in heels, not hoofs.

Before I could greet them, they sang all around,

Their message for Santa came cascading down.

(Musical interlude #1: Chorus performs “Dear Santa, Bring Me a Man”)

Nephew Jay:

Then what happened, Dear Uncle?

Uncle Gabe:

Well, first the gays went home,

The lead one gave a whistle,

Then, away they all flew,

Like the down of a thistle.

When I woke up Christmas Day, I had a plan.

I really DID want Santa to bring ME a man.

So, I hopped in the shower, gave Sparky a treat,

I wondered, “Oh, where is that man I must meet?”

I knew I needed to get out of the house,

I left Sparky at home to play with a mouse.

I pulled on my jeans and a really gay shirt,

Found a coffee shop open, then turned with a jerk.

I ordered a latte,

I glanced all around,

Who is that hottie?

Could it be he’d been found?

He had a kind face,

A pink shirt he was wearing,

I felt the bells ring,

When his eyes caught me staring …

(Musical interlude #2: Chorus performs “Ding-a, Ding-a Ding”)

Nephew Jay:

Oh, I just adore the ringing bells, Uncle. What a beautiful metaphor. It sounds like it was love at first sight. Tell me more.

Uncle Gabe:

Oh yes–his eyes how they twinkled,

His dimples how merry,

Isn’t if funny,

That his name would be Jerry?

The seasons passed,

The monsoons rained,

We moved in together,

Then next December came.

‘Twas Christmas morning,

Underneath the tree,

I found what I was looking for,

Next to Sparky and me.

It was Jerry–and I was merry.

(Musical interlude #3: Chorus performs “Underneath the Tree”.)

Waitin’ for the Man with the Bag

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Everybody’s waitin’ for the man with the bag, cause Christmas is comin’ again.

I’ll be singing this lyrical line with my Phoenix Gay Men’s Chorus mates this Saturday and Sunday on stage in Tempe, Arizona at the Galvin Playhouse. (Go to http://www.phxgmc.org for tickets.)

“Man With The Bag” is a jazzy, Christmas mash-up, artfully arranged by David Maddux. It’s the second number of Act II, a mix of frolicking, silky, reflective, fun, inspiring, and sometimes-bawdy music in our “Twas the Night Before Christmas” show.

If I sound excited, I am. This will be my thirteenth consecutive holiday concert: seven with Windy City Gay Chorus in Chicago; six here in Phoenix.

Singing Christmas music in my fifties and sixties with two diverse community choruses of gay men has somehow rekindled the wonder and anticipation of my childhood.

Close your eyes and travel back in time. Music or not, you remember that giddy Christmas feeling.

For me, it happened annually with my sister Diane. Decades before the advent of fake news, we stood on opposite ends of our fake, cardboard fireplace in suburban St. Louis. No doubt, as we posed for this photo, Perry Como crooned a holiday tune on the hi-fi.

Anyway, in December 1962–yikes, sixty years ago–we were waitin’ for the man with the bag in the dining room of our modest brick home without an actual fireplace. But that didn’t deter our keen imaginations or exuberance. In fact, it nurtured them.

I don’t know what happened to that fabulous fireplace I leaned against years ago. I doubt that it survived to see 1970.

But Diane and I are still here. Yes, much older and definitely wiser. She lives in Wheaton, Illinois, with her husband; I live in Scottsdale, Arizona, with mine.

I mailed a small box of gifts to her recently, and her package will arrive here before Christmas. But it is the gifts of music and memory that I cherish today … and the thought of just the two of us–way back when–waitin’ for the man with the bag.

Chirpy Flock

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For the past two mornings, a chirpy flock of rosy-faced (also called peach-faced) lovebirds has descended upon our feeder. They sway and frolic under the eaves, near our gnarly fig. It’s lost it leaves.

Like last-minute holiday shoppers, the lovebirds push and shove. Jockeying for position–with thrashers, finches, and woodpeckers–to pluck precious seeds on a forty-two-degree morning outside our north-facing window.

These vivid, high-pitched creatures aren’t native to Arizona. Some are daring escapees from past caged lives; others released into the wild by careless owners. Who knows why.

Either way, the carefree lovebirds have assimilated. They flourish in the Phoenix area, and on December 11, 2022, they brighten our view as Tom and I sip coffee and split a delectable, just-ripened tangelo, snatched from the trusty tree near our community pool.

‘Twas Two Weeks Til Our Concert

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‘Twas two weeks til our concert, we rehearsed all day long,

Me wedged in the back row, ‘tween Keaton and Imran.

With AIDS quilts surrounding on walls of despair,

Warm carols we sang with humor and flair.

Away from the rain in the Valley of the Sun,

Seven hours in one room, so much work to be done.

Then, out of our mouths, pure tones pranced and did gather,

They sprang into lush chords, Marc’s heart pitter-pattered.

Santa Baby, Underneath the Tree, Mistletoe and Holly,

Shaping these and a dozen more made all of us jolly.

These next frantic weeks will fly faster than reindeer,

Fine-tuning, tweaking, “More hot tea for my throat, dear.”

Then, the lights will come up.

The joy will appear in the faces out there.

And the smiles will bounce back.

They will double and bloom in this season we share.

On Saturday, December 3–two days after World AIDS Day–I gathered with about fifty of my mates in the Phoenix Gay Men’s Chorus for an all-day rehearsal at the Parson’s Center in Phoenix. Led by artistic director Marc Gaston, our chorus will perform its holiday show (“Twas the Night Before Christmas”) on December 17 and 18 at the Galvin Playhouse, 51 East 10th Street in Tempe, Arizona. For ticket information, go to http://www.phxgmc.org.