We begin with a fresh slate.
As we embark on this even-numbered journey, the season reminds us that we get to decide what to keep. What to build upon. What to change or cherish.
It’s time to relinquish extra pounds, unhealthy habits, and heavy losses. To let them fall away so that we can focus on luscious fruits, ripe with possibilities.
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Life gets messy at times. For instance, Tuesday morning Tom and I were grocery shopping at Fry’s near our home in south Scottsdale. We picked up a pint of blueberries and placed them in our cart.
As we turned the corner and left the produce section, the container popped open. Half of the contents spilled out and tumbled to the floor. Some smashed and splattered. Others rolled fifty feet away.
Of course, accidents happen. We apologized. We helped a few kind Fry’s employees clean up the mess.
On the other end of life’s spectrum, there are spectacular moments that produce a cascade of love and joy. Crescendo moments we imagine and envision on paper, which work out better than we had planned. Seminal moments that transcend our dreams.
Last weekend was filled with those moments–standing on stage at Tempe Center for the Arts with about seventy of my Phoenix Gay Men’s Chorus mates, manufacturing an amazing blend of transformative music and stirring stories for three appreciative, enthusiastic, and occasionally tearful audiences. (They were simply responding to the heartfelt, emotional, honest Born to Be Brave moments that revealed themselves on stage.)
From stage right on the top riser, I sang as a chorus member and watched as a writer. With style, panache, and musicality, five of my chorus friends embodied and embellished a quintet of LGBTQ characters I created months before.
Over the course of the past few months, I’ve observed as they’ve evolved: Bry, a trans character from Idaho who found their voice with the support of friends; Toni, a bisexual artist with an unruly heart of gold; Gregory, a wise-and-resilient survivor of the AIDS-plagued 1980s; Les, an ultra-available, funny and sexy accountant; and Q, a young, flamboyant, energetic, queer leader who owns the stage and won’t be denied.
The premise? In an ode to A Chorus Line, they all audition for the Phoenix Gay Men’s Chorus in Act One. Ultimately, in Act Two, they each grow and join the group. They take the stage. They sing and dance. They find their voices and a new community of friends. In the show’s finale, they perform with the chorus and realize they were born to be brave.
***
Now, a few days have passed. The show is over. The blueberries at Fry’s have been cleaned up. I’m enjoying the high of a successful performance and artistic experience … the creative aftermath … but also recognizing the lull that comes after.
I’m beginning to regain my energy. (I left a lot of it on stage last weekend.) I’m also realizing the power of music and theatre. Friends who attended the concert have told me how much they enjoyed the show, and what a positive emotional impact it had on them–seeing and hearing the triumphant stories of five LGBTQ characters told through music in a world and community that needs love in all its forms … in all its splendor.
It gives me solace to know that — maybe — all of my chorus members and I have helped to create and produce sweet, luscious blueberries for the brave. To help nourish all of us on the rocky road of life.
When Tom and I moved to Arizona in 2017, we were immediately impressed with the library system here in Scottsdale.
It consists of four library locations spread south to north through our community to cover the ever-expanding patronage of transplants from other places. Each is a book lover’s haven with artistic touches built into the architecture to reflect the landscape of the desert southwest.
Closest to us–the main facility–is Civic Center Library in Old Town Scottsdale. It’s a place my husband and I frequent to browse the stacks for something new or familiar to read. In the past, before Covid, it’s also where I participated in the Local Author Book Fairs.
What neither of us anticipated (until last fall) is that on a chilly-for-the-valley Monday–the twenty-third day in the twenty-third year of this millennium and five-and-a-half years since we called Arizona our permanent home–Tom would realize a lifelong dream there.
He would begin to lead a free, eight-week film series and discussion, stand in the Civic Center auditorium in front of sixty attendees (friends, acquaintances, neighbors, relative strangers, and film lovers) and share his deep knowledge and passion for iconic films from 1967-1977.
It’s an era characterized in the American film industry as the New Hollywood. A period of controversial, counterculture attitudes that would personally define and shape his love of film and its ability to combine art form with social statement.
But as I sat in the front row to watch Tom welcome library patrons and see the first installment of the series (A Decade Under the Influence, a provocative documentary chockful of film clips and interviews with directors, writers and actors from that era) it was Tom’s moment that mattered most.
He has always imagined the thrill of owning a small theatre. Of showing films from that era–and classics like the Best Years of Our Lives from our parents’ generation–to inform and entertain those who may or may not be familiar with them.
We don’t have the financial ability to do that. But we do have friends and connections in our community (thank you, Glenn). In this case, they aligned magically to put Tom in touch with library management and help make his dream bloom and grow in the desert.
During and after the program Monday evening, I could feel the buzz in the auditorium. Many came up to thank Tom for sharing his film expertise and personal anecdotes. Not to mention a handy dandy packet of fun facts and background information about the films, which Tom happily prepared and the library staff copied and distributed.
I expect that many of the sixty who attended will be back for the second film on January 30. They’ll certainly be there to see Bonnie and Clyde, the jarring, graphic, and spectacular film about the Barrow gang and Depression-era Texas.
I imagine they will also return to hear Tom’s film insights.
***
Note: If you live in the area and would like to attend, the film series runs from 3 to 6 p.m. on Monday nights until March 20, 2023, at the Civic Center Library, 3839 N. Drinkwater Blvd. Registration not required. Space is limited.
The program is a free eight-week class about original, creative films from the Hollywood renaissance. A look at how filmmaking evolved after relaxed censorship and rating systems gave filmmakers freedom to explore new subject matter and styles of cinematic expression. Discussions and screenings each week are led by Tom Samp. All films are recommended for mature audiences.
Schedule of Films:
A Decade Under the Influence (January 23rd)
Bonnie and Clyde (January 30th)
The Graduate (February 6th)
Easy Rider (February 13th)
Midnight Cowboy (February 27th)
M*A*S*H (March 6th)
Five Easy Pieces (March 13th)
Annie Hall (March 20th)
For the past two mornings, a chirpy flock of rosy-faced (also called peach-faced) lovebirds has descended upon our feeder. They sway and frolic under the eaves, near our gnarly fig. It’s lost it leaves.
Like last-minute holiday shoppers, the lovebirds push and shove. Jockeying for position–with thrashers, finches, and woodpeckers–to pluck precious seeds on a forty-two-degree morning outside our north-facing window.
These vivid, high-pitched creatures aren’t native to Arizona. Some are daring escapees from past caged lives; others released into the wild by careless owners. Who knows why.
Either way, the carefree lovebirds have assimilated. They flourish in the Phoenix area, and on December 11, 2022, they brighten our view as Tom and I sip coffee and split a delectable, just-ripened tangelo, snatched from the trusty tree near our community pool.
Back in July, I wrote a story about Barnes and Noble stocking my memoirs on its shelves in Mesa, Arizona.
A month or so later Rachele, the community relations manager, invited me to sign my books there.
It will happen on Saturday, October 1, from 1 to 3 p.m. at their Dana Park store, located at 1758 S. Val Vista Drive. I’ll even have the opportunity to read a few passages.
(No, it hasn’t sunk in that this independent writer will have this blissful moment in a large bookselling space among the work of more-renowned writers.)
Anyway, I realize most of you who follow my blog don’t live in the Valley of the Sun. But if you do–and you’re looking for a creative outlet this weekend and a story or two to add to your fall reading–stop by.
I’d love to see you there!
Around the age of fifty, Tom and I nurtured our creative ritual.
On cold Chicago-area Sunday mornings, we bundled up and drove east from Mount Prospect to the Barnes & Noble in Evanston to browse books and movies, sip coffee, play Scrabble, and imagine “what if.“
Fifteen years later, I’m living on the other end of the temperature spectrum. Today, in the oven-like heat of this Sonoran summer, we drove to Barnes & Noble on Val Vista Drive in Mesa, Arizona. It’s about fifteen miles from our Scottsdale condo.
Remarkably, they’re stocking my books on their Local Author and Biography shelves. It feels like I’m living a dream come true.
If you’ve ever doubted your ability or passion (as I certainly did when the grind of life had worn me down), don’t give up. It’s never too late to carve a new creative path.
Mid-July numbers on the trail at 6 a.m. in the Sonoran Desert don’t lie. Ninety-one degrees, heading for a sizzling Saturday high of 115.
Eleven lizards, three hummingbirds, two Gambel’s quail, and one cottontail endure in the heat. They skitter by before Tom and I complete our 4,200 steps along the canal and drain our water bottles to stay hydrated.
When we arrive back home, two lovebirds greet us. They add a splash of color on the feeder I gave my husband one year and ten days ago on his sixty-fourth birthday. Soon they fly off for another adventure.
Have we been hexed by the heat? Not in the way you might think. Unless you consider one adorable, black-as-midnight kitty the protagonist. Her name is Hex.
An exclusively indoor cat, she lives down the lane. My husband and I are caring for her until tomorrow, while our neighbors Bri and Steve cruise in the Caribbean.
Ironically, sitting for Hex has been a pleasure cruise on land–without cocktails. She tumbles and dances on the cool tile of our neighbor’s condo. We feed and water her daily … and play lots of games. She chases curly doodads, bouncy balls, and a wire thingy with wooden bars attached to the end. What a life!
I’m certain she muses in her tiny brain … “Let’s play more. Toss that. Oh, and I want to curl around your legs and run the gauntlet through my flexible tunnel before you leave. Then, I’ll be sure to eat what you left. I’ll find my way back to the tray by the window. I’ll pass the time. I’ll dream. I’ll watch the birds fly by.”
Yes, it’s summer. I’m definitely ready for it to be over. But at least I have this cat tale to share. It’s a reminder that we can never allow the hexes happening in the heat of the moment all around the world to overshadow the joy of animals–inside and out.
Though sometimes the critters that cross our paths may appear dark like Hex, they brighten our days. They conjure our best instincts. They ignite hope for a better tomorrow.
I’m still on a high, channeling ripples of joy from my musical weekend on stage with the Phoenix Gay Men’s Chorus.
It feels as if the decision to step out of my comfort zone and into the spotlight for a solo has dislodged something. I feel freer to explore new things. To be more open to possibilities in the world.
I’m not talking about an entirely new me that appeared in an instant. I believe this progression began when Tom and I left Illinois nearly five years ago. The act of living, writing, and singing in a vastly different landscape has spurred my creativity.
After having a heart attack in 2017, I’ve gotten better at living in the moment, rather than postponing my dreams. We may never get tomorrow.
In the words of Jim Seals, we may never pass this way again. Seals–the singer, songwriter and guitarist of the popular Seals and Crofts duo–died June 6. He was eighty years old.
The tunes of Seals and Crofts–Summer Breeze, Hummingbird, Diamond Girl, East of Ginger Trees, I’ll Play for You, Ruby Jean and Billie Lee, We May Pass This Way (Again)– were the mellow wallpaper of the 1970s. Their distinctive, ethereal sound filled the air and the hearts of young people with hope and possibilities.
When I close my eyes and listen to this CD (yes, Tom and I still listen–proudly–to CDs on an old boom box), I am transported to 1975.
It was my freshman year at the University of Missouri in Columbia. Walking around campus in cut-off jeans and tube socks. Playing tennis with John, my roommate. Feeling the late summer breeze rush through my long, straight blond hair, which trailed down over my face.
Released in October 1974, Seals and Crofts Greatest Hits has left an indelible imprint on my past and present. Whether I remember the young Mark Johnson who tossed a Frisbee with friends in the shade of Mizzou’s iconic columns or the older version who took a chance on a stage in Tempe, Arizona in June 2022, I’ll always be a hopeful dreamer.
Thank you, Jim Seals, for all the beautiful music you created and left us. I’ll keep listening to it … no matter what this crazy universe brings.
***
Life–so they say
Is but a game and they let it slip away
Love–like the Autumn sun
Should be dying but it’s only just begun
Like the twilight in the road up ahead
They don’t see just where we’re goin’
And all the secrets in the Universe
Whisper in our ears and all the years will come and go
And take us up, always up
We may never pass this way again, we may never pass this way again, we may never pass this way again.
In this season of rebirth, I am reminded of my transformative journey that began five Aprils ago.
***
I should have known better. Life had taught me there was nothing certain about any journey.
I had already navigated the ups and downs of my St. Louis childhood, struggled along as a single dad, shed illusions of a straight existence in favor of an authentic life, and retraced the path of my mother’s life from fertile ground.
Yet, I didn’t expect the journey I was about to embark upon with my husband–waving goodbye to one home and resurfacing in another–would prove to be as circuitous.
By the fourth month of 2017, Tom and I had drawn up the details of our dream. We would sell our home in northern Illinois; escape the cold; move to Scottsdale, Arizona; and live in the desert permanently. We wouldn’t be denied.
It all began in April with the physical trappings of certainty. We were locked into a familiar pattern of cool and damp Lake Michigan air with only a ray or two of sun filtering through the clouds. But as we prepared to leave behind the permutations of our past, we also knew there was heavy lifting to be done.
Before we could leave the Midwest and say goodbye to our Illinois family and friends, we needed to sell our home in Chicago’s northwest suburbs.
***
What you just read is a portion of the prologue from An Unobstructed View. If you find yourself intrigued and pondering your own personal transformation, my third book will have special meaning for you. Download a free copy on Amazon through Monday, April 18.
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Set against the rugged Sonoran Desert landscape, it’s an anthology of whimsical and serious stories about a little bit of everything: hot rods, high points, climbing up, growing old, coming out, pruning trees, eavesdropping cacti, pool rules, sand dollars, shrinking men, tiny lizards, literary life, fanciful flights, fresh lemons, pandemic truths, desert fantasies, and much more.
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Mark Johnson Stories 