Tag: From Fertile Ground

Looking Over My Shoulder

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Back and forth from one end of the pool to the other on this hotter-than-average, magnificent March morning. March 24, 2026, from 9:00 to 9:30 a.m. to be precise. Thirty lengths in the deep end of Eldorado Pool in Scottsdale, Arizona.

Somehow, I wrangled my own lane today. I don’t mind sharing but always feel freer on unobstructed Tuesdays and Thursdays. There are fewer swim-class participants to contend with on those days and–now that the Cactus League baseball games have ended–some of the snowbirds have begun to flock home.

Breathing every eight or ten strokes, looking over my right shoulder, swimming south to north, I spy the blazing sun that threatens my sensitive skin and the wispy-white contrail of a commercial plane flying high above.

Serendipitously, the repetitive swimming motion reminds me what I want to write about today. It is the tenth anniversary of publishing my first book: From Fertile Ground.

On March 24, 2016, Barack Obama was president. I didn’t imagine the waves of what was to come: the growing political insanity, the dismantling of once-reliable American institutions, the general implosion of our democracy in one decade. Who could?

Back then, Tom and I were snowbirds–splitting time between our homes in Mount Prospect, Illinois, and Scottsdale, Arizona.

I wrote most of my inaugural book–a three-generation writer’s mosaic about love and loss in my family–from the suburban flatness of northern Illinois.

But working online–back and forth like a swimmer logging laps between my editor and book designer in Nashville, Tennessee, and me in Scottsdale–I made my final edits in the rugged western landscape of the Grand Canyon State.

I remember the pride of holding the first physical copy of my first book later that week. I know I cried. It was a release of joy and amazement. Most definitely, a seminal moment I shared with my husband.

Sadness crept in, too, because I had written the book to process my grief after my mother’s passing. In a physical sense, I wasn’t able to celebrate that literary moment with her.

But I also know that writing about her and her wisdom-filled letters, my father and his unrealized poetry, my grandfather and fifty-three years of diary entries, and the general sense of freedom I felt visiting my grandparents in the 1960s at their rambling North Carolina farm allowed me to create a healing path out of my grief.

It was–and still is–a story I was meant to write and publish. One I wanted to share with others navigating the devastation of grief.

In the past ten years since From Fertile Ground was born, writing has become that free, unbridled swimming lane that is purely mine. Welcome waves of water and creativity running from my mid-fifties to my late sixties.

Whenever I jump into my writing in the deep end of my emotions, I find a way back to the surface with a new story. Many of them have landed on the pages of my other five books: Tales of a Rollercoaster Operator in 2017; An Unobstructed View in 2018; I Think I’ll Prune the Lemon Tree in 2021; A Path I Might Have Missed in 2023; and Sixty-Something Days in 2025.

Of course, I take pride in that body of work and–more recently–find it tremendously gratifying to share what I have learned with other writers, who need an experienced coach … and a few practical ideas … to tell their own stories.

Today, I also pause and wonder–with a touch of sadness as I write this–how many more stories lie ahead for me. Though I still feel strong, capable, creative, and alive in these golden years swimming back and forth under the Arizona sun, I also feel more vulnerable.

Part of it is the process of aging. The other is the narrowing swim lanes of American society that constrain freedom and the expression of ideas.

Having said that, I choose to end this story on a positive note. Today, I choose to relish the goodness of my life with Tom in this rugged landscape. To give thanks for all the stories that have come from fertile ground over the past ten years … as well as those I have salvaged from the depths of the pool looking over my shoulder to beloved people and places that now live on the page.

Nostalgia

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Music is a great elixir for what ails you.

What ailed me for three years–2013 to 2016–was grief spawned by the loss of my mother.

Listening to Annie Lennox’ soaring voice–her Nostalgia--pulled me through and beckoned me to complete my first book From Fertile Ground.

You see, Annie’s rendition of twelve stirring and mostly southern-sometimes-smoldering tunes written in the 1930s and 1940s primed the pump of my southern sensory memories.

Sometime in 2015, I unearthed a tender memory of making homemade peach ice cream with my grandmother Georgia on the rickety porch of my grandparents’ North Carolina farm.

It was Annie who reminded me that I had Georgia on My Mind. Sherrell Richardson Ferrell, too–S.R. for short. He was my farming grandfather who left behind more than fifty years of diary entries.

Annie’s music, Georgia’s love, S.R.’s spartan stories (primitive blog entries really), and Helen’s litany of letters (she was my wise mother) gave me all the creative inspiration I needed to finish and publish my first book in 2016.

Why is this all relevant today? Because I have Helen on my mind. She died twelve years ago on January 26, 2013.

For the most part, my writing and the constant love and support from my husband Tom have helped soften the grief as the years continue to roll by.

Helen would have been happy for me on both counts. She suspected Tom and I would retire in Arizona one day.

However, I doubt she would have imagined the entirety of this literary chapter for me, which lately includes teaching memoir writing at our local library. (I’ve been asked to lead a third workshop in April.)

Or the growing community of loyal followers Tom has inspired with every immersive movie series he hosts (also at the Scottsdale Public Library). His next series–Movies That Matter: The 1970s (a tribute to six film directors)–begins tomorrow and continues on most Mondays until early April.

I firmly believe it is the arts and the artists–like Annie Lennox, even the less renowned ones like Mark Johnson and Tom Samp–who through their music, writing, painting, poetry, and true cultural perspectives will help pull us through this dark and uber-turbulent period in our once-proud country.

For now, that is the hope I cling to. Along with the memories of love and gratitude–the nostalgia–framed by indelible moments with family and friends past and present, who I love dearly.

Antidote for Grief

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Grief is an insidious and universal human condition. When you love someone–and they leave or die–you need something to fill the space they’ve left behind. Grief enters to fill the void.

If you are in the midst of grieving (as I was in 2013 and 2014 after my mother passed away), it may feel as if you are wandering through a deep fog. Or you might wonder if you are chained to the floor in the middle of an empty room with water pouring in over all four walls and seeping through the floor boards.

That’s how grief can manifest itself, but for each of us the path is different. The loss lightens over the years. Still, we carry it wherever we go. It becomes an extension of us, ingrained in our identities.

In 2014 and 2015, I saved myself from drowning in grief by writing about it. My mother and grandfather helped immensely. They left behind a trail of their thoughts and experiences on paper … in the form of a mountain of letters from Helen (my resilient mother) and diaries from S.R. (my farming grandfather).

After my mother’s demise, reading her handwritten and wisdom-filled memories and her dad’s more stark observations prompted me to tell all three of our stories in one book. From Fertile Ground became my salvation. Yes, in 2015 it consumed me, but it also gave me renewed creative purpose and focus after I left my corporate job.

When I finished and published the book in 2016, I felt it was a story that would alleviate pain for grief-stricken souls. Five years later, I still feel that way. It helps me to revisit my book and my grief from time to time. Readers have taken the time to write reviews like this one online.

“From Fertile Ground” is more than just a terrific read. Johnson is generous in taking the reader into his world, his journey, his family, his emotions. In so doing, the reader obtains a soothing sense of identification of the human condition, particularly how we work through grief and loss. Johnson’s mother’s and grandfather’s letters are interspersed throughout the narrative (and connected) which adds to the reassuring sense of a collective history.

We live in a complicated world. Many of us are suffering through the side effects of loss and searching for answers. It gives me joy knowing that my book is a creative balm for many, possibly even an antidote for grief.

Through October 14, download From Fertile Ground for just 99 cents. https://www.amazon.com/gp/product/B01DCUQR4C/ref=dbs_a_def_rwt_bibl_vppi_i3. (The price of my book is reduced in the United Kingdom during that same period.) If you prefer a paperback, it’s available in that form too.

At any rate, as the days grow shorter in the Northern Hemisphere, I hope this personal and universal three-generation story inspires you and brightens your world … no matter who you’ve loved and lost, no matter where you live.

From Fertile Ground is a three-generation memoir and writer’s mosaic of love and loss. Published in 2016, it examines the implications of grief and our quest to make sense of our past so that we can find our path and move ahead.

July 1955: More Fertile Ground

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This season of triple digits in Arizona–followed by a few days of overdue, soaking monsoon rains–is the perfect time to rummage indoors through personal, vintage photos.

The best of them, like peering into the Grand Canyon, leave me with a mix of joy and insignificance. They tell stories about humanity before I entered the picture.

I’m fortunate to have accumulated photographic treasures from both sides of my family. Some of them, tattered and faded, date back to the early 1900s.

I don’t recall seeing this image from July 1955 before. I imagine one of my maternal grandparents captured it on their Huntersville, North Carolina farm. Sixty-six years later, I stumbled across it in a forgotten album. Today, on July 26, 2021, it is speaking loudly through the sepia tone.

If she were alive, the woman on the left (my mother, Helen Ferrell Johnson) would be celebrating her ninety-eighth birthday today. In 1955, she held my sister Diane on her lap and celebrated her thirty-second birthday with her sister Frances (cradling her first born, Michael) and brother Jim by her side in her original home state.

Mom has been gone since 2013. Grief has taught me there will be days like today when I miss her smile, wisdom, perspective and resolve. Fortunately, thanks to the passage of time, the abyss of grief–the Grand Canyon of loss–subsided in 2015 as I wrote.

When you love someone, grief is the price you pay. It is everlasting, sometimes surprising, but often predictable. Photos, birthdays, anniversaries, and specific songs (I’ll Be Seeing You sung by Peggy Lee) provide the cues.

What makes this photo a rare find is that I have just a few images of my mother and her adult siblings together. Helen left North Carolina right after World War II to begin a new life in a bigger city … St. Louis, Missouri … where she and Dad met, married, settled, raised Diane and me, and discovered their share of happy, challenging, and unbearable moments together.

Jim and Frances stayed to build their lives in the Tar Heel State. They were teenagers on the farm in the late 40s. In the 50s, Jim and Frances (born in 1930 and 1932 respectively) left the nest, but returned frequently to this front porch that faced west. They met and married partners, traveled a few miles down the road to raise their families, and remained near their parents.

What I love most about this photo is the sense of possibilities and optimism in the eyes of Helen, Frances, and Jim. The wear and worry of life hadn’t yet entered the picture. By the mid 60s, Helen had two children. Frances had three. Jim had two. My grandparents loved all seven of us grandchildren. We now lead disparate lives.

Mom loved her brother. He was a friendly, handsome man, who loved to fish, hunt, drink beer, and smoke cigarettes. Unfortunately, the harsh realities and complexities of life had a way of catching up with Jim. In 1987, he died of lung cancer at age fifty-six. When she learned of Jim’s passing, it frightened her. Mom saw his demise as a harbinger of her own mortality. She retired immediately after returning from his funeral.

Frances still lives in North Carolina. She is the most significant personal connection I have to my southern roots. I spoke with her a few months ago. She isn’t the spitfire she once was, but is content with her husband in their Davidson, North Carolina home.

Like all of us who remain, Frances is thankful to have survived the pandemic. She is looking forward to her ninetieth birthday, which she will celebrate January 1, 2022. In 2015, two years after Mom died, I traveled south to see Frances. At that time, we needed to see and hug each other to escape the throes of grief.

My quest to rediscover my southern family and find comfort with Frances ultimately became fodder for From Fertile Ground, my first book. It’s the story of my journey and grief told in part through the writings my grandfather and mother left behind. If you’ve lost someone close recently and are living with the fog of grief, I hope you’ll pick up a copy of my book. Reading it may soothe you.

With each passing year, I continue to find more fertile ground from the photos and writings my mother and father left behind. Reexamining them and rediscovering their importance reactivates the love I feel for imperfect–yet beloved–family members. They shaped my past and the memories of them still inform my present.