Tag: Lyricist

Mighty Mosaic

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When I auditioned for the Phoenix Metropolitan Men’s Chorus in August 2017–six weeks after I suffered a mild heart attack on the way west–we were both on the cusp of a transformation.

At sixty, I was searching for a new place to renew my love of singing (after seven years performing with Windy City Gay Chorus in Chicago); the chorus was twenty-six, preparing to spread its wings and a few years away from embracing a more public gay identity: the Phoenix Gay Men’s Chorus.

On Saturday evening, October 8, I stood on stage with about fifty of my chorus mates at the Kroc Center in south Phoenix. We performed our Mosaic of Voices concert. It was our tribute to triumphant stories shared by members of the Phoenix LGBTQ community–told through the power and inspiration of music.

I wore two hats for the occasion. Figuratively, I mean. I sang second tenor from the top row of the risers and realized a new creative wrinkle; I wrote the lyrics for three of the original songs we performed in the first set: Hope’s Trail, Our Second Act, and Mighty Mosaic. David E. Weck composed all of the music beautifully.

The first two were adapted from compelling, emotional, and personal stories submitted by Garry and Nico, members of the community. When I first read their stories in 2021 and began to develop lyrics, I felt it was important to honor and include many of their actual words in my lyrics. In turn, David then nurtured and shaped them into music.

The third song, Mighty Mosaic, began as a poem I wrote, specifically for the Mosaic of Voices concert. I created it to represent the rich, diverse, and sometimes-circuitous lives we lead in the LGBTQ community.

After last night–with its unveiling on stage before an appreciative audience of a few hundred–you might be inclined to call Mighty Mosaic an anthem. (It certainly felt inspiring for me to write it on June 2, 2021, and then sing it on October 8, 2022.) It celebrates who we are and what we believe. Here it is in its original form, before my words met David’s artful music.

***

Mighty Mosaic (Copyright 2021 Mark Johnson)

Morning, noon, and night, the fabric of our winding threads and uncertain spools form a fluid tapestry of brilliant and imperfect hues.

The pathways of our lives weave. This is who we are. This is what we believe.

In the heat of the day, our worn but sturdy strands lead us down rabbit holes, but–if we keep the faith–the enduring threads carry us through.

The pathways of our lives weave. This is who we are. This is what we believe.

We may travel from a foreign home or body, but when our identities emerge, they awaken our lonely spirits, they blend beautifully.

The pathways of our lives weave. This is who we are. This is what we believe.

Our jagged journeys–our truth trails from the pain of stark midnight to the peace and stillness of lavender daybreak–make us mighty.

The pathways of our lives weave. This is who we are. This is what we believe.

Gay, trans, straight or bi–black, brown, or white … single, attached, or married … young, old, or in between–this is our mosaic and the moment we celebrate what it means.

The pathways of our lives weave. This is who we are. This is what we believe.

Notes from a Lyricist

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Nothing is certain, but it appears my debut as a lyricist will actually happen.

In January, I oozed with excitement when I told you about my new creative wrinkle. As background, in the fall of 2021 I teamed with David (another member of the Phoenix Gay Men’s Chorus) to create several original tunes for a Mosaic of Voices concert, scheduled for March 2022.

I wrote the lyrics. David composed the music. I was psyched for the debut of these pieces. Then, the concert was postponed. It was another Covid-related casualty.

Thankfully, the chorus has resurrected the program. On October 8 at the Kroc Center in Phoenix, we will perform the suite of pieces David and I created to capture the essence of original-and-triumphant stories submitted by members of the Phoenix LGBTQ community.

***

On Tuesday evening, as our chorus of seventy or so rehearsed two of the Mosaic of Voices pieces (Hope’s Trail and Our Second Act), I saw a few tears. As I sang in the back row of second tenors, I felt the gravity of emotion rise in the room with our voices.

I was reminded of the healing power of music and the important role that choral communities–first the Windy City Gay Chorus and now the Phoenix Gay Men’s Chorus–have played in my renaissance and in the lives of so many gay men.

Especially now in our chaotic country–divided, threatened, and deconstructed–we need this joyful music, this personal support, this hopeful oasis in the desert.

Without it, many of us would feel trapped and lost.

We May Never Pass This Way (Again)

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I’m still on a high, channeling ripples of joy from my musical weekend on stage with the Phoenix Gay Men’s Chorus.

It feels as if the decision to step out of my comfort zone and into the spotlight for a solo has dislodged something. I feel freer to explore new things. To be more open to possibilities in the world.

I’m not talking about an entirely new me that appeared in an instant. I believe this progression began when Tom and I left Illinois nearly five years ago. The act of living, writing, and singing in a vastly different landscape has spurred my creativity.

After having a heart attack in 2017, I’ve gotten better at living in the moment, rather than postponing my dreams. We may never get tomorrow.

In the words of Jim Seals, we may never pass this way again. Seals–the singer, songwriter and guitarist of the popular Seals and Crofts duo–died June 6. He was eighty years old.

The tunes of Seals and Crofts–Summer Breeze, Hummingbird, Diamond Girl, East of Ginger Trees, I’ll Play for You, Ruby Jean and Billie Lee, We May Pass This Way (Again)– were the mellow wallpaper of the 1970s. Their distinctive, ethereal sound filled the air and the hearts of young people with hope and possibilities.

When I close my eyes and listen to this CD (yes, Tom and I still listen–proudly–to CDs on an old boom box), I am transported to 1975.

It was my freshman year at the University of Missouri in Columbia. Walking around campus in cut-off jeans and tube socks. Playing tennis with John, my roommate. Feeling the late summer breeze rush through my long, straight blond hair, which trailed down over my face.

Released in October 1974, Seals and Crofts Greatest Hits has left an indelible imprint on my past and present. Whether I remember the young Mark Johnson who tossed a Frisbee with friends in the shade of Mizzou’s iconic columns or the older version who took a chance on a stage in Tempe, Arizona in June 2022, I’ll always be a hopeful dreamer.

Thank you, Jim Seals, for all the beautiful music you created and left us. I’ll keep listening to it … no matter what this crazy universe brings.

***

Life–so they say

Is but a game and they let it slip away

Love–like the Autumn sun

Should be dying but it’s only just begun

Like the twilight in the road up ahead

They don’t see just where we’re goin’

And all the secrets in the Universe

Whisper in our ears and all the years will come and go

And take us up, always up

We may never pass this way again, we may never pass this way again, we may never pass this way again.

A New Creative Wrinkle

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I am especially conscious of my age and vulnerability right now. There is nothing worrisome to report. I feel well. It’s just that–early in 2022–Tom and I are focusing on important administrative tasks to protect ourselves and our families.

Specifically, we will move to Medicare later this year, because we turn sixty-five in July. We have begun to do research. We’ve met with a third party. She explained how it works. She has helped to cut through the mystery. (By the way, I used to help organizations communicate about complicated health care and retirement programs, but that background doesn’t make this transition any easier.)

We also are updating our estate plans to make certain they reflect our Arizona status and latest wishes. The pandemic isn’t the driver, but it certainly has amplified our efforts to make sure our affairs are in order. As much as I hate dwelling on my mortality, it makes sense to plan ahead.

All of this technical and legal blather has clogged my brain lately, leaving me feeling a little dim. Is it a coincidence that the light in our refrigerator should go out yesterday? I don’t think so.

We tried replacing the old bulb with a new one, but it appears we have an electrical issue. Fortunately, the appliance is doing its job. It’s keeping our food cold (and frozen in the upper compartment). It’s just that we need a flashlight to find the yogurt, milk, eggs, fruits and vegetables.

I digress. That’s not what this story is about. Ironically, in the relative darkness of early 2022–the pandemic and our refrigerator–there’s a bright and new creative wrinkle to my writing that I want to talk about. One which changes the landscape of my past experience. One that goes beyond my blogging, memoir writing, poetry, and occasional forays into fiction.

About eight months ago, Marc–the artistic director of the Phoenix Gay Men’s Chorus–blindsided me with this question: “Would you be interested in writing lyrics for a suite of songs for one of our concerts in 2022? It will be a celebration of diverse voices.”

Hearing these words, I think my jaw may have dropped. Once I closed my mouth and opened it again, “of course!” was my immediate response.

I could feel my smile grow ten sizes. I never imagined having an opportunity of this sort, especially concerning a topic that is so important and personal … turning the painful, transformative, and triumphant stories of Phoenix-area LGBTQA citizens into something more. Into poetry and music.

Since that early, exploratory conversation with Marc, I’ve collaborated with David (another member of the chorus) who is composing the music. I’ve written lyrics for four songs, which will be performed on March 12, 2022, at the Tempe Center for the Arts. The concert will be part of Tempe’s Pride celebration.

On the evening of Tuesday, January 18, this will all become more real. Marc and David will pass out the music to members of the Phoenix Gay Men’s Chorus (including me sitting in the back row and singing second tenor).

For the first time, we will begin to rehearse the music David and I have created. I know I will feel a surge of pride and energy when I see the words “Lyrics by Mark Johnson” in the upper right corner of the score.

Sometimes life serves up happy surprises. It reminds us that our existence is more than needling administrative responsibilities, the darkness of a pandemic, or the frustrations of a burned-out light bulb.

Sometimes the outcome is brighter, more hopeful; we find ourselves exploring a new creative wrinkle, doing something we are passionate about, taking on a role we never saw coming.

Yes–remarkably at the age of sixty-four–I am a lyricist.