Tag: Monsoon storms

Christmas Creep

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I know. It’s odd for me to write about Christmas in August. Particularly because the temperatures outside in Arizona are oven like.

However, today–like a kid on Christmas morning ready to rip open presents–I jumped out of bed at 6:30 when I heard the thunderclap. I raced to the window, threw up the sash, and pressed my nose against the glass.

I didn’t see Santa or a team of reindeer but witnessed the next best thing. Actual rain drops pounded the sidewalk. They pinged on the top of our metal carport and disappeared into the thirsty mouths of malnourished cacti.

Get this. In addition to forty days of 110-plus temperatures so far in 2023, we hadn’t seen rain in Scottsdale since March 22. (Okay, evidently there was a brief storm here on July 26, but Tom and I missed it. We were in Flagstaff.)

The lack of moisture falling from the sky has led some of us in the Valley of the Sun to refer to the summer of 2023 as the year of the non-soon versus the monsoons that generally produce a few gully washers. Typically, they account for much of our annual rainfall.

Back in the winter wonderland of my creative mind, over the past month I’ve been channeling the holiday season. Why is Christmas creeping into my psyche? Because I’ve been writing about it.

I’ve just completed a draft of another libretto for the Phoenix Gay Men’s Chorus (PHXGMC) 2023 holiday show. This one is titled Thanks for the Memories: A Gay Christmas Carol.

In addition to writing for PHXGMC, I will be standing on stage, performing in the concerts December 16 and 17 at the Herberger Theatre in Phoenix.

It will be a musical mash-up–nostalgic, glitzy, whimsical, and spiritual–embedded in a story of a Scrooge-like character, who is transformed by the power of beautiful music, personal truth and a trusted community.

It will also be the final holiday concert for Marc, our artistic director for more than twenty years, who has decided to move on to pursue other creative endeavors when his contract ends next July.

Tonight, is our first rehearsal for the new concert season. There will be old and new members to greet and new music to hand out.

Of course, it’s just the beginning. But whether I’m concocting a story or singing the first notes of an unfamiliar tune, it is the creative process that has always captured my joy and attention.

Most of all, I am thankful for every magical moment that lies ahead with my friends on stage and off as we create another batch of musical memories.

Not That June

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This is not that June I used to know of lush eastern or midwestern gardens in better neighborhoods or blushing brides posing on the covers of magazines that used to be familiar.

It is an under-the-radar, sun-soaked, almost-summer, alternative universe of early-bird lizards, spiky saguaros, freshly trimmed palms, empty pool chairs, and fiery sunsets.

All of them wait in triple digits for a hint of the season’s first monsoon, an uncertain wet chapter and swirling desert drama that has yet to unfold in a land where the clocks never change.

I captured these images in my south Scottsdale-Arizona community between June 17 and 20, 2023.

If you like the above poem and photos, check out my latest book A Path I Might Have Missed on Amazon.

Over and Over

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We live in an over-inflated, over-heated, over-zealous world.

There is plenty of blame to go around. In my mind, greedy politicians and media conglomerates are two of the biggest culprits. The worst of them scream at us through our screens to woo us over and over. All for the sake of personal swagger and the almighty dollar.

I do my best to follow the important developments in the world and tune out the bluster, though–in this summer of 2022–that is virtually impossible in the United States of America.

That’s why I typically pepper my blog with stories of sweet cats, eavesdropping cacti, brilliant sunsets, lazy lizards, and personal reflections. However, I’m over-exposed and need to rant.

A simple drive down the street here in Scottsdale, Arizona (and I imagine in most American communities) snaps me back to the realities of the day.

We are surrounded by political signs and crack-pot endorsements on street corners in advance of our August 2 primary. Unfortunately, a fierce monsoon storm here on Sunday night didn’t obliterate them all. The best thing I can do is vote. My husband and I performed that democratic duty–early–on Monday.

Of course, the bluster of our society isn’t confined to politics. On Tuesday night, I tuned in to watch a few innings of the MLB (Major League Baseball) All-Star Game. The over-produced coverage on Fox assaulted my sensibilities. Over-hyped celebrity ballplayers wearing mics for in-game interviews over-shadowed the action on the field. It bored me.

That’s saying a lot, because–if you follow me–you know I’m a die-hard baseball fan. More specifically, I root for the St. Louis Cardinals. This passion flows back to the 1960s, sitting in the bleachers with my dad with my transistor radio and watching legendary players perform on the field.

My fascination and fixation with baseball was all about the relative innocence of escaping into the strategy of the game, wondering what might unfold next. In 2022, that sense of mystery has vanished.

Maybe this is really a story about what it feels like to grow older. To see the world through wiser, more questioning eyes. To demand more from our polarizing politicians, fragmented society, and ever-posturing media outlets … while the world I once knew evaporates before me.

I’ve always known I am overly sensitive–overly aware of my fair skin and frailties. According to my dermatologist on Tuesday, a cancerous patch of squamous cells (removed from the top of my left hand in mid-June through minor surgery) has over-healed.

Evidently, I was too good at smearing Aquaphor lotion on the wound, so he froze the scar tissue. It will fall off in a few weeks, and my life in the desert will go on with another chapter of survival in the books.

On Wednesday evening, I joined a group of my Phoenix Gay Men’s Chorus friends at a funeral home in Mesa, Arizona.

We sang a beautiful arrangement of Over the Rainbow. It was our way of saying goodbye to Cy, our friend and long-time chorus member, who passed away recently.

It was an evening of tears, funny stories, and reflections–a tribute to a man who lived well, sang beside us, and fought hard.

It was also a good reminder for me to do my best to tune into the important stuff of life. To embrace what really matters each day. To keep doing it over and over again as long as I can. Because none of us knows what tomorrow will bring.

Monsooning

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Power vanished, sparking leaping lightning.

Dusty skies boiled, torrents fell, Palo Verde trees obliged.

Fierce winds swept, parched weary washes overflowed.

Thunder clapped, cascading sheets to drum on carport roofs.

Awnings flew, chimes jangled, slickered neighbors scurried.

Starlings waited to bathe on endless dry tomorrows.

Birdland 2020

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When Nick called on Wednesday afternoon to tell us the air conditioning in their Tempe, Arizona home was out, I could hear the desperation in my thirty-six-year-old son’s voice.

He and girlfriend Aida had found a hotel room nearby for themselves, Aida’s teenage children (Mia and Tony) and Yorkshire terrier (Bella). But they needed a cool space for African grey (Zumra) and colorful conure (Kiki) to mark time until a wayward AC replacement part could be identified and shipped in the middle of a pandemic.

“Bring ’em on over,” I said. Tom, the ever-loving animal lover, nodded in agreement. “They’ll be comfortable here in our sun room.” We couldn’t imagine two exotic birds toughing it out, panting and squawking in a ninety-seven degree house in this endless, torrid Sonoran summer.

Without a hitch, we shouldered the feeding and watering responsibility. Surrogate parents (or possibly grandparents) to a couple of feathered gremlins who gazed at us through the bars of their cages and produced an errant squeak here or a flurry of acrobatic activity there. Simple, rhythmic reminders of where we were living for three days and nights: Birdland 2020.

Our featured performers dazzled us by carefully plucking multi-grain wafers, plantain chips, and sliced green grapes from our palms (without severing our fingertips with their impressive beaks), while balancing like circus performers on high-wire perches.

The only sideshow acts missing were a shouting ringmaster, dancing bears, freshly-spun cotton candy, and an oily carnival barker manning the carousel, as calliope music blared from the boombox in our living room.

Of course, the complete circus spectacle described here existed only in my storytelling imagination. Though on Thursday night, extra-curricular activities DID include a monsoon storm raging outside as Zumra and Kiki twirled and Joe Biden unfurled a  passionate speech. All of it summoned the rain and hope we had missed for months. No … years.

Now we are empty nesters again. Nick and Aida picked up Zumra and Kiki on Saturday evening. Their entire entourage is holed up in a larger, more comfortable apartment for the remainder of this week as they wait for permanent resolution on their uncomfortable AC odyssey.

All isn’t lost. Tom and I have the marvelous memory of two exotic travelers. Flapping, but unflappable. Unaware of the mayhem in the human world, Zumra and Kiki flew in and out in August, graced us with their plumage, and stole our bird-loving hearts.

While outside hummingbirds, mourning doves, mockingbirds, finches, desert wrens, and lovebirds brighten our world in Arizona every day. If we remember to look and listen, they remind us that nature is king, no matter who lives in the White House.

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Hot Rods to Hell

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Despite the hellish Arizona heat (which has had me in a funk) and the general absence of much-needed monsoon rains this summer (more on that later), there is something stunning and cinematic about living in the desert southwest. Big skies. Jagged mountains. Spiky saguaros. Red rocks. Dazzling sunsets.

I realize I may get a few eye rolls here from a pragmatist. Or someone who’s lived in the Valley of the Sun for his or her entire life. But remember. I’m coming at this from the perspective of having spent thirty-plus years of my life in relative flatness. Namely, northern Illinois, where you can drive for miles and know you’ll never see a rise in the grade of the road.

Evidently, I’m not alone in recognizing the allure of a western landscape. Case in point: Hot Rods to Hell. It’s a rollicking road trip film about a middle-aged couple, who decide to leave behind the civilization of the east for an overdue escape to the desert in the west.

As the 1967 flick begins, traveling salesman Tom is recovering from a car accident that has injured his spine. Fortunately, he survives mostly intact. But he’s left with jittery nerves and a chronic back ailment. Tom and his wife, Peg, decide the best antidote is to leave their Boston home. They opt to spend their later years operating a motel in the California desert. They figure it will be a quieter existence and the dry heat will be good for Tom’s back.

It all makes sense, right? But they encounter a few problems on their way west. Tom (played by a haggard Dana Andrews, who’s nearing the end of his rope and career) and Peg (portrayed by a frantic Jeanne Crain, who must have needed the money desperately) are derailed on their journey by a band of teenage hoodlums.

The carousing kids crave controversy, drag racing and Tina. She’s Tom’s and Peg’s shapely, seventeen-year-old daughter. The terrible teens become fixated on the idea of trying to drive Tom and his family off the road. Apparently, just for the thrill of it and the chance for a rendezvous with Tina.

It would be criminal of me to spoil the ending of this overwrought, drive-in disaster, because it is a super-suspenseful spectacle that devolves into scene upon scene of jaw-dropping, delicious, B-movie mania. However, be forewarned. This desert debacle includes a cameo appearance by Mickey Rooney, Jr., and his band, (yes, Mickey had a son … and his son had a band) performing poorly in a seedy club that just happens to be on the premises of the motel, where Tom and Peg will soon become landlords.

At any rate, if you follow my stories, you know that, beyond the fact that my husband’s name also is Tom, there actually is a thread of thematic truth to be salvaged here. (Even though, my Tom doesn’t have a back problem or a nervous disorder; we have no plans to buy or manage a motel hideaway; we don’t have a teenage daughter; my name isn’t Peg; and I my friends tell me I look nothing like Jeanne Crain.)

When Tom and I packed up our car and traveled west in July 2017, my surprise heart attack in St. Louis nearly ran us off the road like a pack of hell-bent, drag-racing teens frantic for on An Unobstructed View. But, like Tom and Peg, we survived the experience. Now in my wide-eyed sixties, I write poetry. I dodge crazy Arizona drivers. I tell screwball slice-of-life stories. I bask in the dry heat. I swim outdoors to keep my heart pumping.

And, when torrential rains boil over the mountain peaks and spill into the valley, I savor the monsoon storms. Like the one that blew in last night unexpectedly. Blowing dust and bending palm trees. Igniting the atmosphere. Lighting up the sky. Dumping an inch of rain on the parched Phoenix area. Reminding me as I drove home through the shadowy Papago buttes that these “bonus” years in the desert southwest after that fateful road trip are an ever-evolving chapter in a story that’s far from flat.