It’s been another challenging year for many. We won’t soon forget the previous twelve months … brimming with health concerns, natural disasters, social upheaval, global traumas, political shenanigans, and inflationary woes.
Why not end 2022–or start 2023–on a positive note with a light-hearted escape? From now until January 2, for only ninety-nine cents, you can download a copy of my book Tales of a Rollercoaster Operator on Amazon.
It’s a universal collection of tales that focuses on my love of family and pop culture. A nostalgic series of twenty-six funny and poignant essays about growing up in St. Louis in the 1960s and 1970s.
The final story in the book, A New Year Resolution, fills me with hope and the warm, comforting possibilities of life even after seemingly awful things happen.
I wrote it as a testament to the good citizenship of my father and mother, who did the right thing on a cold January morning more than sixty years ago.
Of the primary team spectator sports in the United States–football, baseball, basketball, hockey, and soccer–baseball’s generational roots and family rituals run the deepest.
Parents (and grandparents) bring their kids to Major League Baseball (MLB) games to pass along the shared experience of watching their favorite teams–and the stars of the moment–take the field.
I have no statistics to support my theory. Just sixty years of personal baseball anecdotes to draw from watching my favorite team–the St. Louis Cardinals–perform against an array of opponents in stadiums and cities (St. Louis, Chicago, Milwaukee, Los Angeles, San Diego, and Phoenix) across the country.
My personal passion for baseball remains intact in 2022, despite escalating ticket and concession prices, MLB’s all-to-frequent owner/player labor strife, lingering steroid controversy and cheating scandals, frequent umpiring blunders, and often-long-and-laborious games that stretch well beyond three hours.
Yet the game endures. Fans keep coming back to relive their personal traditions and–if the stars align–perhaps catch lightning in a bottle and see something truly magical they didn’t anticipate.
On Saturday evening, August 20, that happened.
Tom and I drove west from our home in Scottsdale to Chase Field in downtown Phoenix to watch the St. Louis Cardinals play the Arizona Diamondbacks. (Tom is a Chicago Cubs fan. He was less interested in this particular game than his more-competitive, die-hard-fan husband.)
I should digress to tell you that the Diamondbacks are rebuilding in 2022, while the Cardinals have assembled an entertaining team of older stars, clutch hitters, crafty pitchers, fielding phenoms, and talented youngsters. They are now in first place in the Central Division of the National League and appear to have gelled at the right time.
The final score on Saturday night? Cardinals 16, Diamondbacks 7.
There was more action–on the field and in the stands–in this one game than you might find in 10 visits to the ballyard. Dazzling defensive plays. Five home runs. A triple that cleared the bases. A grand slam in the ninth inning. A large, raucous crowd (at least half were rooting for the visiting Redbirds) on Mexican Heritage Night in the Valley of the Sun.
One especially obnoxious and inappropriate Cardinal fan screamed non-stop for three hours several rows behind us. We were relieved when security finally arrived in the seventh or eighth inning to remove him.
But, for my money, the magic supplied by a future hall of famer superseded all of it.
Albert Pujols, the Cardinals designated hitter (DH) and long-time first baseman, crushed two long home runs–his 691st and 692nd–into the centerfield bleachers. The most prolific hitter of the twenty-first century, forty-two-year-old Pujols will retire at the end of this season.
Albert, who wears number 5 on the back of uniform, currently ranks number five on the list of the greatest home run hitters of all time.
Behind Barry Bonds (762), Hank Aaron (755), Babe Ruth (714) and Alex Rodriguez (696), Pujols hopes to pass Rodriguez and reach 700 homers before his last game in October.
As background, in 2022, Pujols returned to the Cardinals, the team he first starred with from 2001 through 2011, to tie a large red bow on his twenty-two-year career. He contributed repeatedly to two Cardinals World Series Championships in 2006 and 2011.
Many of us fans, who watched the game in the desert Saturday night, were in the stands to cheer for Albert in his final year.
When he approached home plate each time, the crowd gave him a standing ovation. A buzz filled the air; the atmosphere was electric.
I don’t think any of us dreamed he’d hit two home runs and two singles in this one game, becoming the oldest player since 1901 to go 4-4 in a major league game.
Tom and I absorbed it all from our seats in foul territory in the lower level of the right-field-corner (Section 109, Row 12, Seats 3 and 4) grandstand.
Albert Pujols had already hit his 691st home run in the second inning. Then, he came to the plate for the second time on Saturday night.
From the row in front of us, a boy no more than ten years old (wearing the jersey of another Cardinal great, shortstop Ozzie Smith, from the 1980s) stood beside his mom and dad.
From behind, it felt as if I could have been watching myself standing as the Cardinals played in the 1960s, or one of my sons rooting for the Redbirds at a game in the 1990s.
At any rate, I imagine the child hoped to capture a picture of Pujols, as the perennial all-star approached home plate to take his next at bat.
He snapped his photo. I snapped mine.
Seconds later, Pujols swung his bat. The baseball soared over the outfield wall.
We cheered, hollered, and high fived.
In that moment, I thought of the generations of baseball fans who’ve come and gone. They’ve attended games with their dads and moms, sons and daughters, sisters and brothers, cousins and neighbors, and husbands and wives.
To root for their favorite players. To cheer for their teams. To spend their money in the bleachers and grandstands on steamy Midwestern days and hot desert nights.
Remarkably, win or lose, we fans keep coming back to remember the past and celebrate the present.
And, on the best of those days, we’re lucky when we catch lightning in a bottle, see a little history in the making, and get a glimpse of greatness.
I’m still on a high, channeling ripples of joy from my musical weekend on stage with the Phoenix Gay Men’s Chorus.
It feels as if the decision to step out of my comfort zone and into the spotlight for a solo has dislodged something. I feel freer to explore new things. To be more open to possibilities in the world.
I’m not talking about an entirely new me that appeared in an instant. I believe this progression began when Tom and I left Illinois nearly five years ago. The act of living, writing, and singing in a vastly different landscape has spurred my creativity.
After having a heart attack in 2017, I’ve gotten better at living in the moment, rather than postponing my dreams. We may never get tomorrow.
In the words of Jim Seals, we may never pass this way again. Seals–the singer, songwriter and guitarist of the popular Seals and Crofts duo–died June 6. He was eighty years old.
The tunes of Seals and Crofts–Summer Breeze, Hummingbird, Diamond Girl, East of Ginger Trees, I’ll Play for You, Ruby Jean and Billie Lee, We May Pass This Way (Again)– were the mellow wallpaper of the 1970s. Their distinctive, ethereal sound filled the air and the hearts of young people with hope and possibilities.
When I close my eyes and listen to this CD (yes, Tom and I still listen–proudly–to CDs on an old boom box), I am transported to 1975.
It was my freshman year at the University of Missouri in Columbia. Walking around campus in cut-off jeans and tube socks. Playing tennis with John, my roommate. Feeling the late summer breeze rush through my long, straight blond hair, which trailed down over my face.
Released in October 1974, Seals and Crofts Greatest Hits has left an indelible imprint on my past and present. Whether I remember the young Mark Johnson who tossed a Frisbee with friends in the shade of Mizzou’s iconic columns or the older version who took a chance on a stage in Tempe, Arizona in June 2022, I’ll always be a hopeful dreamer.
Thank you, Jim Seals, for all the beautiful music you created and left us. I’ll keep listening to it … no matter what this crazy universe brings.
Life–so they say
Is but a game and they let it slip away
Love–like the Autumn sun
Should be dying but it’s only just begun
Like the twilight in the road up ahead
They don’t see just where we’re goin’
And all the secrets in the Universe
Whisper in our ears and all the years will come and go
And take us up, always up
We may never pass this way again, we may never pass this way again, we may never pass this way again.
This is a true story about a chance encounter on New Year’s Day, January 1, 1962. It’s a testament to the good citizenship of my mother and father, who did the right thing sixty years ago.
The story, A New Year Resolution (I wrote it in 2017), fills me with hope and the warm possibilities of life even after seemingly awful things happen. It first appeared in Tales of a Rollercoaster Operator, my book of Missouri stories.
As we cross into 2022, I wish you good health and a few magical surprises to lighten your spirit.
Aunt Thelma was flush with frozen anticipation and prepared to toot her fringe-laced party horn. It’s how she felt every year. She had a new year resolution: to be the first out the door to inhale the cold remnants of December night air and replace it with January oxygen expectant with sharp promise and unassigned possibilities.
Thelma fumbled to secure the buttons on her worn car coat, snap her hat in place on the top of her wobbly bun, and race into the frigid Midwestern night. “Happy New Year,” she hollered leading her merry band out the door as the clock struck twelve. In an instant, the atmosphere from two distinct years comingled in her lungs and the clamoring began on cue.
Uncle Ralph, Mom, Dad, Diane, and I twirled our ratcheting noisemakers, flailed away with wooden spoons on pots and pans, and shrieked with glee. Magically, in an instant, the joys and regrets of 1961 were erased. Each of us had a fresh batch of winter air to contend with. It was January 1, 1962, in St. Louis, Missouri.
The frosty air told us it was too cold for the revelry to linger. By 12:15 a.m., we scurried back inside and returned our cockamamie thingamabobs and pointy hats. As Thelma and Ralph gathered it all and washed off the wooden spoons for safe keeping in the kitchen drawer, Dad and Mom broke the news to Diane and me. Our makeshift winter carnival was over.
With Dad behind the wheel, it was time to head home to South St. Louis County and our three-bedroom brick ranch in Affton. We had an hour-long drive ahead of us in our ’59 Plymouth.
Dad figured Hanley Road would be the most direct route. He could take the highway, but he didn’t want to contend with higher speeds and the potential for an anonymous, boozy driver veering head-on into his path. The thought of that was too much for his weary brain.
Under the whir of tires hugging cold pavement, Mom glanced over her left shoulder to check on the two of us in the backseat. Diane and I were beginning to fade. Mom knew we would be asleep soon. She and Dad were prepared to rouse us from our slumber once we pulled into the driveway. She felt comfort knowing we would need to be carried into the house and rolled into bed. She didn’t know there was more excitement coming before we trailed off to sleep.
A few minutes passed before something caught Mom’s eye between the high beams of an approaching car. She spotted a fuzzy figure up ahead a few hundred feet on the right shoulder. Someone was walking alone. From a distance, it could have been a man or woman. She and Dad couldn’t be sure.
Dad reduced his speed. As we approached, our headlights illuminated a bewildered young woman teetering on silver high heels, shivering under a skimpy mink stole thrown over her shoulders, exposing an emerald cocktail dress and too much skin on a cold night.
Mom verbalized what Dad was thinking. “Walter, I think she needs help. Let’s pull over and see if she needs a ride somewhere.” They rolled down their windows and waved her over to the car.
At first, the young woman’s eyes darted away. She could see a man was driving the car. But when she realized that an entire family was in the car, she relaxed a bit and approached on her fast-freezing feet.
“It’s so cold out, honey. Can we help you?” Mom offered through her partially open window. “Do you need a ride somewhere?”
“Yes,” she stammered. “I guess I do.” She grabbed the hinge of the back door and shimmied into the backseat next to Diane. “I was going home with a date after a New Year’s Eve party, and we got into a big fight. So, I got out. That bastard drove off and left me on the side of the road … Oh, I’m sorry about the language.”
“It’s alright,” Dad assured her. “We’re just glad we stopped. Point us in the right direction and we’ll get you home. What’s your name?”
“Oh, it’s Melba,” she confirmed. It was a name I’d seldom heard. Melba recited her address in Maplewood. By this time, any notion of sleep in our eyes was history. It vanished when Melba and her allure entered our world. We were wide-eyed and dumbfounded–captivated by her exotic name and slinky dress. Diane homed in on Melba’s beaded purse and shoes. I was mesmerized by her glistening green eyes, which flickered when cars flashed by. They matched her sequined gown.
Melba must have been an aspiring movie star or a lost character in a Twilight Zone episode, I thought. I wasn’t sure which. Either way, I was certain she was navigating a sudden detour on the road of life, trying to make the best of plans gone awry. She was craving silence in a secure sedan with no requirements, explanations, or assumptions.
From the front seat, Mom respected Melba’s need for quiet and distance. In the back, Diane and I sat motionless; we preferred to watch relief wash over Melba’s face. Dad focused on the tasks at hand: operating our vehicle and driving Melba home. He could tell the young woman was rattled. He wanted to return her home safely without fanfare.
Within twenty minutes, Dad pulled up in front of a tidy bungalow with white awnings and a steep front porch. This must be where Melba lived, I thought. Even though it was 1:30 a.m., all the lights inside Melba’s house were lit. I was thankful and relieved that her family had waited up.
With a flip of her hair from the top of her fur collar, Melba thanked Dad and Mom for the ride. She flashed a grateful smile, wrapped each end of her mink stole around her neck, patted Diane and me on the top of our heads, and braced for the cold air. She left the cozy warmth of our green sedan.
By this time, I had imagined a whole new life for Melba–a wandering, sensitive soul with a caring mother and father of her own, a nosey little brother, and a dream to escape her world and climb a ladder into a fairy-tale universe filled with brilliant stars.
Then, under the partial glow of a frosty January moon, I watched Melba ascend the concrete stairs, turn to wave goodbye, and step across the threshold of her ordinary front door into an awaiting aura. Certainly, New Year’s Day 1962 was off on a magical foot.
None of us thought we’d see Melba again. And we were right. Even so, all we needed was thirty minutes together to keep the memory alive. I curled up in the back seat next to my sister and considered the vision of Melba–coming and going in a pre-dawn hush.
There wasn’t much to say, but Dad knew what to do. He eased the car from the curb and guided us back onto the road. With a flash of his headlights, he signaled to Melba that all was good.
In April 1974, I became a rollercoaster operator. It was my first job. I was sixteen years old.
Like most teenagers, I didn’t have a clue about life. But, as I think about it more than forty-seven years later, “driving” the River King Mine Train at Six Flags Over Mid-America near St. Louis became the creative catalyst for twenty-six, up-and-down stories from my Missouri childhood. I call them MOstalgic tales of American culture in the 1960s and 70s, when children had far more freedom to grow, play and run amok.
The last essay in the book is especially timely. It celebrates a chance encounter with a mysterious stranger nearly sixty years ago on New Year’s Day 1962.
As 2021 draws to a close, perhaps my stories will make you smile. Maybe even inspire you to post a review online. But, at the very least, I hope they prompt you to remember a simpler time and the twists, turns and thrills from your own childhood–wherever you were born, wherever you grew up, wherever you called home.
Tom and I are flying to St. Louis tomorrow. On Saturday, I will attend an outdoor reunion of Six Flags Over Mid-America’s circa-1970s employees. About 200 of us will gather to mark the 50th anniversary of the amusement park in the rolling hills of Eureka, Missouri thirty miles southwest of the Gateway Arch that towers over the Mississippi River.
Now called Six Flags St. Louis, the theme park is where I landed my first job in 1974. It’s where I learned to “drive” the River King Mine Train, the park’s first rollercoaster. It’s also where I began to navigate life’s ups and downs. Who knew the experience for three summers would become a metaphor and catalyst for a book I would write more than forty years later?
This will be my first trip to St. Louis since July 2017. I’m overdue to write a new and rejuvenating chapter in my original hometown … one that doesn’t include heart trauma and a personal detour that spawned uncertainty on my sixtieth birthday.
I’m excited and a little anxious about this journey, given the relentlessness of our global pandemic. But Tom and I have been fully vaccinated and will mask up for this adventure.
No doubt, the trip will reignite a flame of familiar faces and memories. I expect there will also be a few surprises and a mix of bittersweet feelings and observations seen through blended bifocals and sixty-four-year-old eyes. We’ll see.
After the Missouri reunion–plus a visit to my parents’ graves at Jefferson Barracks National Cemetery, a few hours reconnecting with my cousin Phyllis in St. Charles, and coffee with a St. Louis friend I haven’t seen for more than twenty-five years–Tom and I will drive to Chicago to see my son Kirk and our sisters Sharon and Diane.
We haven’t visited the Windy City … a place I called home from 1980 to 2017 … or spent time with our siblings in the suburbs there since June of 2019. Of course, the pandemic is the culprit that accounts for that gap.
I wrote the poem that follows five years ago. In 2017, it first appeared in Tales of a Rollercoaster Operator, my book of reflective, light-hearted, growing-up-in-Missouri stories.
Perhaps these words will resonate with you–wherever you were born, wherever you call home. The poem certainly has special meaning for me as I return to visit my homes in Missouri and Illinois that account for most of the first sixty years of my life, before Tom and I created this warmer, lighter, and simpler life in Arizona’s Sonoran Desert.
I saw you there day after day. We were together leaving the station. We made our way around the track. But now I don’t see you anymore. Where have you gone familiar ones? Could it be you left the track and vanished? Am I alone looking down from my perch? Are the markers and signs all that remain? What became of the rises and falls? Have you left me in charge to man the controls? Am I enough to carry this forward? Why have you brought me back here? Oh, that’s right. I remember now. I was on a journey. I was coming home.
I wasn’t in the crowd on June 5, 1971–fifty years ago today–when Six Flags Over Mid-America first opened its gates in the rolling countryside of Eureka, Missouri.
But I remember the feeling of unbridled anticipation when I read about it in the St. Louis Post-Dispatch and saw the coverage of the grand opening on local TV stations. I wondered, what would this new amusement park feel like, smell like, taste like?
Sometime in late June or early July came my inaugural visit. As I skipped through the turnstiles of the gleaming attraction with friends, I remember the exuberance I felt. It was like running out the doors on the last day of school and discovering a carefree, sparkling universe on the outskirts of St. Louis … all rolled into one.
We raced from ride to ride and show to show, devoured fried chicken and strawberry popsicles, cooled off in the splash of the Log Flume, and tossed our arms in the air when the River King Mine Train (the park’s first rollercoaster) left the station. How we screeched when the bottom of our stomachs dropped on the final plunge.
In the summer of ’71, I had no clue or premonition that I would actually learn how to drive that same rollercoaster three years later as a fresh-scrubbed seasonal Six Flags employee … or that the experience would become a metaphor and inspiration for a light-hearted book I would write in 2016 about the ups and downs of my Missouri life in the 1960s and 70s. But life is full of surprises. Both of those things happened.
On this fiftieth anniversary, I still recall the fun of those more innocent days as a guest and the thrill of landing my first job at Six Flags Over Mid-America in 1974 … not to mention the twists and turns that would follow for the next three summers as a rollercoaster operator.
As a tribute to the history of Six Flags (and all the fun and energetic cohorts who worked beside me in the mid 70s), I want to share To Chase Another Thrill. It’s a poem I wrote in June 2016, which captures the feeling of manning the rollercoaster controls. It first appeared in Tales of a Rollercoaster Operator in 2017.
I am the purveyor of ups and downs, for an hour or so each day,
Standing high above the crowd, ready to guide your way.
I study the nearby dashboard, flustered faces in a row,
Itching for a two-minute joy ride, with others persuaded to go.
I see the bars locked tightly, the crew is stepping back,
Leaving the station to squeals on wheels, it’s time to ride the track.
I know just what will happen, the train will climb three lifts,
Rounding bends and taking falls, rising from the dips.
I hear the train returning, it’s climbing up the hill,
Applying brakes and coming home, to chase another thrill.
Late yesterday afternoon–a mid-April throwback Monday squeezed in before the Sonoran heat arrives in full force–I met John and Len, my full-time, sixty-something friends and part-time Polynesian Paradise neighbors, at the north edge of our community. We played horseshoes.
Two sandy, part-sun-part-shade horseshoe pits (spaced about fifty feet apart) have existed in our condo complex since the early 1960s. In 2021, residents and guests seldom use them. It’s more common for folks to walk by and not think twice about the horseshoe pits and their history on the way to their mailboxes.
That didn’t stop John, Len, and me from reclaiming the space and recapturing a practice that our fathers and grandfathers enjoyed more frequently in the twentieth century. The primitive, low-stress gaming experience was just my speed: slow, nostalgic and gentlemanly. It was a light-hearted, jovial hour of tossing, joking, clinking, clanking, and male bonding. (By the way, John won on Monday. He came from behind with a well-tossed ringer. Len and I will survive. We will live to throw horseshoes another day.)
Anyway, the activity rekindled a memory I wrote about and published in 2017 in a story titled They Pitch Horseshoes, Don’t They? from Tales of a Rollercoaster Operator, my book of Missouri recollections from the 1960s and 70s. It’s available on Amazon in paperback and Kindle.
What follows are excerpts. The setting? Babler State Park and the rolling rural countryside thirty miles west of St. Louis in October 1961. While the men were throwing horseshoes that day, I discovered a primitive-and-glassy nirvana: marbles.
Clink clank clink. Clink clank clink. It was the sound of metal on metal. The men in our family–Dad, Uncle Ralph and Uncle Harry–were hammering stakes into two sand pits about fifty feet apart. They sure do like to fling horseshoes, don’t they, I thought. Within minutes, they were tossing the U-shaped irons from one end to the other, hoping to catch the right angle and rack up a ringer …
On this particular occasion, while the women in our family unfurled the tablecloth and unpacked the meat for grilling, and the men settled into their game and passed cold bottles of Falstaff between throws, I wandered down a path to investigate the picnic area. That’s when I found a vacant campsite nearby and an abandoned plastic bag of multi-colored glass marbles wedged into a gap between the flat rocks of a stone bench.
In my visual memory, this was a To Kill a Mockingbird moment. You know, like when Jem and Scout found Boo Radley’s toys and trinkets buried in the trunk of a big ole tree. In hindsight, I suppose Boo had nothing to do with my glassy discovery. Another child had simply and accidentally lost his or her marbles. For some period of minutes, hours, days or weeks, these multi-faceted marbles were no one’s. They were lost in an unassigned gaming galaxy. But in the universe of fair play, it was Finders Keepers. This treasure was mine …
When I pulled Dad away from his pitching and showed him what I had found, his smiled doubled instantly. It felt like we had discovered a whole new language mined from an archeological dig … In a flash, Dad and my uncles suspended their horseshoe tossing, reverted to their childhoods, and surrounded me with explanations and names for the different marbles–many of them laced with swirls of colorful strands …
Marbles became my forever home of circular undisrupted creative possibilities. After our 1961 picnic was over and the sun began to set, we snuffed out the campfire, folded up the red gingham tablecloth, and packed away our picnic basket. I stepped up into the back seat of our Plymouth with my new marbles in tow.
Over the coming weeks and months, Dad pitched more horseshoes at the farm of Ed and Ollie Puetz near Gray Summit, Missouri, where we picnicked with family and friends and I watched the men drink another round of brews and play the game they loved.
Meanwhile, I added marbles to my glassy collection: aggies (made of agate) swirling with various ribbon patterns inside, tigers (clear with orange-yellow stripes), opaques (milky green, blue, and gray marbles) and cat’s eyes (they look like what they sound like).
All of my marbles became a creative extension of me. I played my instant-game-in-a-bag any time and any place–mostly at home on our basement floor on ordinary rainy days after kindergarten. All I had to do was obey one rule: “Mark, don’t leave your marbles in the middle of the floor.”
Our best and worst memories have a way of softening and sharpening as we age. Like photos pressed in the pages of a family scrapbook, some of them fade and crack. Others, through the lens of our selective memory, grow more brilliant.
I don’t know what it will feel like to look back on 2020 in ten or twenty years. But, as we work to survive the entirety of this preposterous year, I suspect our memories will follow the same unpredictable pattern.
On the morning of December 25, after a breakfast of scrambled eggs and English muffins, my husband and I watched A Christmas Story.
Like many of you, I have seen this satirical and nostalgic film countless times. It’s one of my holiday favorites. The 1983 movie, directed by Bob Clark, is narrated by author Jean Shepherd and based on his stories of growing up in the Hammond, Indiana area (near Chicago) in the 1940s.
The writing is witty and the editing superb, but what I love most about the film (starring Melinda Dillon, Daren McGavin, and Peter Billingsley) is the sense of time and place it captures.
Like the endless scarves, hats, gloves, and buckled boots the kids wear to protect themselves from the cold and piles of snow, the film produces layer upon layer of lasting humor, warmth and comfort … told through the eyes of a nine-year-old boy. It is an exaggerated ode to a lost era in the United States. For all of these reasons, it is imminently watchable despite its constant availability.
In hindsight, warmth also was the feeling I intended to capture in my book, Tales of a Rollercoaster Operator, published in 2017. I wanted to leave behind a record of what it felt like to grow up in the hot St. Louis, Missouri suburbs in the 1960s and 70s.
It was an age when kids ran barefoot, chased ice cream trucks, played with marbles, watched dads toss horseshoes, cuddled with puppies in backyard pools, performed tricks for Halloween treats, banged pots and pans outside to celebrate New Years Eve, sucked on popsicles to beat the heat with the neighborhood kids on scorching summer afternoons, and (in my case, at the age of sixteen in 1974) learned to operator a rollercoaster.
This was my front porch (circa 1960) in Affton, Missouri: Jimmy; Marianne; Diane; Suzy; Carol; and me. My mother sealed the moment with the help of her Brownie camera. Now the image lives forever in my light-hearted book of Missouri memories.
It certainly was a more innocent time. But, as we grew, the world became more complicated. We watched and listened to Walter Cronkite. We believed everything he told us through our black-and-white TVs. That included images and stories of JFK’s assassination, the first steps on the moon, Watergate, and the raging Vietnam War.
At any rate, if you’re looking for a little warmth and nostalgia to get you through the winter, I have an antidote. Download a free copy of Tales of a Rollercoaster Operator through the end of 2020.
As we prepare to cross into a new year and hope for brighter days ahead, maybe my stories of a bygone period in American life will inspire you to laugh a little, revisit your youth, dust-off your favorite memories, and find new meaning in the indelible moments that stay with you for a lifetime.
Stories of war, like global pandemics, aren’t only about those fighting on the front lines. There are the lovers, the brothers, the sisters, who worry and wait. They wonder about the worst and hope for the best.
World War II was winding down, while Walter’s older sister Thelma waited five long weeks in eastern Missouri for his next words. She didn’t receive his May 16, 1945 letter and photo of him linking arms with a somber Czechoslovakian girl until Friday, June 22.
Evidently, the Army bundled it with two others he wrote on June 10 and 12. The U.S. military transported all three across the Atlantic Ocean with a sea of other correspondence from service men and women stationed in Europe.
In 1945, Thelma was a single-and-sentimental-thirty-six-year-old secretary. By day, she worked at a branch of the Kroger Grocery & Baking Company in St. Louis. After completing her shift, she boarded the streetcar to 4218 Labadie Avenue on the north side of town. That’s where she lived in a modest, two-story, rented home with Louise and Albert Johnson, her mother and father.
My aunt was a gardening guru. A real rose and ballroom lover. Later, in the 1960’s when she and her husband Ralph owned a suburban St. Louis home, it was her ritual to lead us on a parade through her backyard to admire her flowers.
Through that gardening lens, I can imagine her coming home from Kroger on Friday, June 22, 1945, kicking off her shoes, flipping through the mail, and eagerly opening Walter’s letters while waltzing through her parents’ postage-stamp-size Victory Garden. That summer it might have been brimming with vegetables and herbs (perhaps even a few ruby-red roses) designed to supplement food rations and boost morale.
No matter how close or far my fantasy is from reality, I have in my possession proof that Thelma penned a rosy response to her brother later that night in an attempt to bolster his sagging spirit.
Here’s an excerpt of that letter, dated June 22, 1945 and postmarked June 26, 1945. She sent it via air mail from Chicago, Illinois. Incidentally, the Drake Hotel Thelma refers to, just east of North Michigan Avenue on Chicago’s Gold Coast, still operates today. It’s a few blocks south of Oak Street Beach, where Thelma and Vi likely tanned themselves that weekend on the shore of Lake Michigan.
Your fine letters of June 10 and 12 arrived today and found us happy and anxious for word from you. Also, we received today those wonderful pictures taken by you in Czechoslovakia. They are really “super” Wal and that little girl is a doll. Vi was here for supper and she too was pleased and happy by seeing you again … if only in a photograph. You look thinner, Wal–but as Vi said–he’s regained his figure and looks wonderfully handsome, younger, and really on the beam. We surely are proud of our dearest Walter boy, and justly so. I have the negative you sent in a recent letter and shall have it developed too … it looks like another Czech girl, right? …
Well Wal, Vi and I leave in the a.m. for Chicago and since the weather has taken a change for the good … we hope to have nice sunshine and a chance to get a tan on the beach and am sure we’ll find the “Drake” the finest hotel in Chicago as it’s accessible to everything …
I am enclosing some snapshots taken on Mother’s Day, Wal, and with them comes all our love to you, our dearest and most missed member. I hope you get to be around Paris for a while … so you can take it all in … and I’m hoping too you’ll be assigned to occupation forces even though it would delay our meeting it would ensure its being permanent when it did come …
With all the love of your loving but lonesome family and many thanks for the fine pictures (and I hope there’ll be more later–I can send film so just ask Wal and its yours) until a little later then its ever and always.
Your loving sister,
I’m not sure if Walter, my father, ever made it to Paris that summer. But when Thelma wrote her letter six weeks after V-E Day, there was the frightening possibility he would be shipped east to help fight the war still raging in the Pacific Theatre.
Instead, he returned to the United States on the U.S.S. Monticello in July 1945, carrying his dog tags, nightmares, a foot locker filled with possessions, and a fistful of family love letters. Dad received his honorable discharge from the U.S. Army on October 11, 1945.
This is one of the photos Thelma enclosed with her June 22, 1945 message. Thelma–the ever-exuberant, flower enthusiast–is on the right, smiling behind her corsage. Violet, my father’s twin sister, is on the left. On the back, Thelma wrote:
To our dearest brother Walter with all the deepest love of his adoring sisters