Tag: Phoenix Gay Mens Chorus

Where Will the Creative Path Lead?

The creative path is a mysterious thing.

In the universe of potential outcomes, I’ve discovered that an idea can spring out of nothing and lead nowhere. But, more often than not, like a hummingbird on a mission it takes flight to somewhere and lands somewhere else. It’s really an associative process of linking one idea to another.

Often this odyssey is driven by a sensory experience. Maybe it’s a familiar scent (like fresh-mowed grass) or sound (like the coo of a dove). Or a compelling image, such as a trail of hidden stairs. Or a winding creek rambling through nature with no end in sight. Or a defined space on a windy day with a few options to pursue toward a final destination.

As I writer, I’ve learned that I am at my best when I am open to all of these eventualities and possibilities. In other words, it’s better to say “yes” to an idea and let it simmer than to say “no” outright to something that might become something more.

I suppose you could call this my creative philosophy. It led me to write four memoirs and–more recently–a book of poetry. All of these are the result of committing to the practice of writing frequently. Often, I find myself composing words in my head while I’m swimming or exercising. Then, a few hours later, they travel to my fingers and land on a page as a story or poem.

One thing’s for sure. I know my life would feel relatively empty if I could never write again.

Back in January, Marc–the artistic director for the Phoenix Gay Men’s Chorus (PHXGMC)–asked if I would develop the stories and dialogue for five fictionalized LGBTQ characters. The script would provide the framework for the chorus’ June 2023 concert, Born To Be Brave.

If you follow my blog, you know I sing with PHXGMC and have written lyrics for the chorus in the past. Both the singing and the lyrical adventure have proven to be exhilarating creative experiences. So, I immediately said “yes” to Marc’s request, and knew this new challenge would stretch me in unfamiliar ways.

Sitting before my laptop, I began to create these five individuals–composites of people I have known. With time and nurturing, they began to represent the joys, fears, hopes, dreams, uncertainties, and triumphs of what it means to be gay, bi, or transgendered living in 2023.

In March (after numerous drafts, edits and tweaks), I finalized the script for the concert. In the process, five fully defined and diverse characters–Les, Bry, Q, Gregory, and Toni–were born on the page. Since then, the roles have been cast. Rehearsals are running full tilt.

On Saturday and Sunday June 3 and 4, Les, Bry, Q, Gregory, and Toni will take the stage. They will tell their stories and connect the music at Tempe Center for the Arts.

That weekend, I will be singing with the chorus. From my tenor-two position somewhere on stage, I will watch with wonder as five other chorus members embody the five characters. They will bring them to life, tell their stories, sing their songs, and shape their journeys in their own personalized ways.

What a mysterious, organic, and fulfilling creative path this has become. With every step forward, it is leading me to places I never imagined. And, ironically, I’m discovering this new fertile ground in the desert in my sixties.

Friends for Life

It was late February of 2020. Todd, a good friend from Chicago (we sang together with the Windy City Gay Chorus for several years), was visiting Tom and me here in the Valley of the Sun.

While he was in town, we enjoyed creative conversations about books, films, and music. Visited Frank Lloyd Wright’s Taliesin West studio/architecture school in north Scottsdale. Hiked in the desert at Papago Park. Saw Beautiful–the musical about Carole King’s life–in Tempe.

Me, Tom, and Todd hiking at Papago Park in February 2020.

Of course, a few weeks after Todd returned to Chicago, it felt like there was nothing beautiful to celebrate. The world shut down. Thousands died quickly. Waves of fear, disease, uncertainty, and grief inundated all of us.

Friends and families–isolated from each other–found creative ways to pass the time. Some of us wrote books that included stories about the experience. We prayed we would survive.

Now, in March 2023, many elements of our pre-Covid lives have returned thankfully. But my sense is that as a culture we Americans would prefer to pretend Covid-19 never happened, in spite of the mountain of evidence and losses that tell us otherwise.

No doubt, it will take years for all of us–no matter where we live–to recover emotionally.

Still, the good news is most of us did survive. We’re finding ways to reengage with friends and loved ones. To celebrate life. To reignite relationships and make new memories together.

On that score, Todd is returning for another visit next week. Tom and I are excited to spend time with him again. To share new and old movies with him. To discover what’s new in his life since we last hiked together three years ago.

As it happens, Todd’s 2023 visit coincides with the Phoenix Heart Walk on Saturday, March 25. He and Brad (another singing friend who I met performing with the Phoenix Gay Men’s Chorus) will walk with Tom and me.

I’m thrilled that they will both join us for a Saturday stroll in the sun to raise funds for the American Heart Association (AHA). Every dollar will help fund groundbreaking research to keep hearts beating and build longer and fuller lives.

When I told my AHA contact, Karen, that a friend from Chicago would be walking with us to raise money for the cause, she suggested I name our team. As I was jogging on the treadmill yesterday, the name Friends for Life came to me.

After all, it is friends like Todd in all circles–Arizona neighbors, Chicago friends, fellow performers here and there, family members, yoga pals, film enthusiasts, writing colleagues, professional advisors, gym buddies, etc.–who enrich my world.

Many of them (from Arizona, Florida, Illinois, New York, and Tennessee) followed my lead and have already made donations to the Phoenix Heart Walk.

I am eternally grateful for their support, because–as you know if you follow my blog–heart disease is personal for me. I am walking on March 25th as a tribute to my mother and father, who died of heart-related illnesses and, symbolically, to thank the doctors and nurses who saved my life and helped me recover in 2017 after I suffered a heart attack on the way west with Tom.

Please click on the link below and support this worthy cause. Every little bit helps. Because, unfortunately, heart disease is universal. It remains the number one killer in our nation.

http://www2.heart.org/goto/friendsforlife

Yet it is the love extended from our hearts … and the friendships formed with people all across the country (and with those of you all around the world who have bonded with me through this page) … that make life so meaningful.

Whether you decide to contribute or not, remember this: you can make a difference by giving your time, talent, and money to the people and causes you are most passionate about.

“Are You Guys Brothers?”

Tom and I get this question a few times a month–sometimes more often. In Arizona, Illinois, or anywhere in between.

We could be at the check-out counter of a grocery store, a restaurant as we wait to be seated, or on the treadmill at the gym we frequent in Scottsdale as we were on Monday.

That’s when a friendly man, wearing a San Francisco Giants ball cap, popped the question. (No, he didn’t ask me to marry him.)

In 2023, I generally smile and respond as I did Monday with “No, we aren’t, though we get that question a lot.” And the conversation ends there.

Depending on my mood–and how much I choose to share my personal story (after all, I am a memoir writer)–I have often gone on to say, “Tom and I are married.” Or “Tom and I are partners.” Or “Tom and I have been together for more than twenty-five years.”

Along the way, we have never received any open backlash concerning our relationship (nor should we). Quite the opposite. We have made more friends of all kinds because of our openness and comfort in our skins. (By the way, it took me decades to get here and I’m not going back.)

With time and reflection, I’ve realized that the question is more of an observation in the world of people we contact who aren’t able to classify the intimacy or closeness they identify between two men standing before them.

Or maybe it’s an acknowledgment on a less significant level that we have picked up some mannerisms from one another that two brothers might have in common. However, we really don’t look alike.

At any rate, I will continue to live my open life as a gay man–proudly–in my community. I will continue writing about my experiences–positive and negative–as a gay man, a husband, a father of two adult sons, a neighbor, a friend.

I will continue singing on stage with the Phoenix Gay Men’s Chorus. As I write this, I have just completed drafting a script about five fictionalized characters living in the Phoenix LGBTQ community in 2023. Their dialogue will be the glue that ties together the music of our next concert: “Born To Be Brave”, June 3 and 4 at Tempe Center for the Arts.

I feel it is my duty to demonstrate that two men–a gay, married couple–don’t have to be blood brothers to love each other.

Especially in a country where some want to remove the books of gay authors from the shelves. Or try to erase the checkered history of our country on race relations because the truth is threatening to some. Or ban drag shows, because they view them as recruitment activities for current or future generations.

Okay, I’ll get off my soapbox now. But Tom and I aren’t brothers. We’re a gay couple living happily in 2023, and there are lots of us out in the world.

We’re making significant contributions. Loving our families. Loving our neighbors. Loving our friends. Loving the legacy, which we are leaving for future generations of children who need to know the truth about the past and the present. That there are all kinds of people in the world loving each other. And that’s just as it should be.

From Joy to Sorrow

On Saturday and Sunday, I stood on stage at the Galvin Playhouse in Tempe, Arizona, with about forty fellow members of the Phoenix Gay Men’s Chorus.

From the tenor two section of the top riser, I was dressed in black pants and my snazzy, solid-red holiday sweater. I was ready to raise my voice, have fun, open my heart, and bear my soul for two large, enthusiastic audiences there to see and hear us perform our ‘Twas the Night Before Christmas show.

As you might expect, I was amped up. My energy and emotions were running high. On stage or not, the holiday season can spur a range of feelings–from joy, hope, and peace to sorrow–for each of us.

Often, the music we hear or create is the catalyst for our state of being. It reminds us of who we are, who we love, who we’ve lost, where we’ve been, where we are, and maybe even foretells where we’re going.

Like life, this was a holiday concert that included a little of everything: luscious chords, soaring solos, a tribute to Hannukah, hot men wearing sparkly vests, a surprise tap dance underneath the tree (in the ‘Twas the Night Before Christmas parody I wrote for the show), a caped gay superhero, a Christmas Can-Can not to be believed, sexy Santa Baby, assorted musical mash ups, and inspirational tunes.

The program was a delight to perform, and the crowds loved it. I felt thrilled and honored that about thirty family members and friends attended. One of them was Jeff.

Over the past three years, he and his husband Dave have become close friends for Tom and me. We’ve met for dinner frequently. Watched movies and played games together. Laughed and swam in their backyard pool. Shared funny stories from our past lives.

In March, Tom and I were honored to join Jeff and Dave and about thirty other friends to celebrate their fortieth anniversary. In October, they drove to Barnes & Noble in Mesa to be there for my book signing. Dave was a regular reader of my blog. He brought up my writing frequently. Each time, I was touched.

On Sunday morning, between the two holiday concerts, Jeff texted to tell Tom and me that Dave passed away Saturday night. He succumbed to complications of muscular dystrophy–a disease he lived with for many years. It confined him to a wheelchair, but–in the time I knew Dave–his disability never dampened his kind spirit, playful energy or warm smile.

I’m sad and stunned. I will miss my friend. On Sunday, as I sang Grown Up Christmas List on stage, I thought of Dave and all he must have endured. That song usually makes me cry anyway, but when I saw others in the audience tearing up, I fought hard to hold it together.

Of course, Jeff knows Tom and I are there for him as he grieves the loss of his long-time husband and loving companion. We will check in on him frequently.

This is just the latest personal reminder to sing and dance. Hug and kiss the ones you love. Fight hard for your convictions. Stand tall in the face of adversity. Raise your voice. And, if you are dealt a difficult hand, find a way to accept the unacceptable.

As a tribute to Dave, what follows is the full text of ‘Twas the Night Before Christmas (A Gay Love Story), which I wrote for the Phoenix Gay Men’s Chorus in July 2022.

It’s a parody, which Tony Crane and Tim Gorka (who played Uncle Gabe and Nephew Jay respectively) performed masterfully during our show in Tempe over the weekend.

Had he seen it, Dave would have laughed out loud and loved it.

Rest in peace, my friend.

***

‘Twas the Night Before Christmas (A Gay Love Story)

Copyright ©️ Mark Johnson, 2022

Nephew Jay:

Uncle Gabe, tell me a story about finding your true love.

Uncle Gabe:

‘Twas the night before Christmas, alone in the house,

No boyfriend, no job, I felt like a louse.

My stocking was hung, but nobody knew,

I was lost in the desert, no clue what to do.

My neighbors were quiet, shades dark and drawn,

Though moonlight glistened on the pool of their lawn.

With a glass of red blend, I sat by my tree,

Oh, there was Sparky–my cat–curled next to me.

Out on the yard, there rose such a clatter,

I sprang from the couch and Sparky did scatter.

Then–Whoa–a gay Hallmark card did appear,

‘Twas a gaggle of gays–they were definitely queer.

They side-stepped a saguaro, they climbed up my roof,

They danced and they pranced–some in heels, not hoofs.

Before I could greet them, they sang all around,

Their message for Santa came cascading down.

(Musical interlude #1: Chorus performs “Dear Santa, Bring Me a Man”)

Nephew Jay:

Then what happened, Dear Uncle?

Uncle Gabe:

Well, first the gays went home,

The lead one gave a whistle,

Then, away they all flew,

Like the down of a thistle.

When I woke up Christmas Day, I had a plan.

I really DID want Santa to bring ME a man.

So, I hopped in the shower, gave Sparky a treat,

I wondered, “Oh, where is that man I must meet?”

I knew I needed to get out of the house,

I left Sparky at home to play with a mouse.

I pulled on my jeans and a really gay shirt,

Found a coffee shop open, then turned with a jerk.

I ordered a latte,

I glanced all around,

Who is that hottie?

Could it be he’d been found?

He had a kind face,

A pink shirt he was wearing,

I felt the bells ring,

When his eyes caught me staring …

(Musical interlude #2: Chorus performs “Ding-a, Ding-a Ding”)

Nephew Jay:

Oh, I just adore the ringing bells, Uncle. What a beautiful metaphor. It sounds like it was love at first sight. Tell me more.

Uncle Gabe:

Oh yes–his eyes how they twinkled,

His dimples how merry,

Isn’t if funny,

That his name would be Jerry?

The seasons passed,

The monsoons rained,

We moved in together,

Then next December came.

‘Twas Christmas morning,

Underneath the tree,

I found what I was looking for,

Next to Sparky and me.

It was Jerry–and I was merry.

(Musical interlude #3: Chorus performs “Underneath the Tree”.)

Waitin’ for the Man with the Bag

Everybody’s waitin’ for the man with the bag, cause Christmas is comin’ again.

I’ll be singing this lyrical line with my Phoenix Gay Men’s Chorus mates this Saturday and Sunday on stage in Tempe, Arizona at the Galvin Playhouse. (Go to http://www.phxgmc.org for tickets.)

“Man With The Bag” is a jazzy, Christmas mash-up, artfully arranged by David Maddux. It’s the second number of Act II, a mix of frolicking, silky, reflective, fun, inspiring, and sometimes-bawdy music in our “Twas the Night Before Christmas” show.

If I sound excited, I am. This will be my thirteenth consecutive holiday concert: seven with Windy City Gay Chorus in Chicago; six here in Phoenix.

Singing Christmas music in my fifties and sixties with two diverse community choruses of gay men has somehow rekindled the wonder and anticipation of my childhood.

Close your eyes and travel back in time. Music or not, you remember that giddy Christmas feeling.

For me, it happened annually with my sister Diane. Decades before the advent of fake news, we stood on opposite ends of our fake, cardboard fireplace in suburban St. Louis. No doubt, as we posed for this photo, Perry Como crooned a holiday tune on the hi-fi.

Anyway, in December 1962–yikes, sixty years ago–we were waitin’ for the man with the bag in the dining room of our modest brick home without an actual fireplace. But that didn’t deter our keen imaginations or exuberance. In fact, it nurtured them.

I don’t know what happened to that fabulous fireplace I leaned against years ago. I doubt that it survived to see 1970.

But Diane and I are still here. Yes, much older and definitely wiser. She lives in Wheaton, Illinois, with her husband; I live in Scottsdale, Arizona, with mine.

I mailed a small box of gifts to her recently, and her package will arrive here before Christmas. But it is the gifts of music and memory that I cherish today … and the thought of just the two of us–way back when–waitin’ for the man with the bag.

‘Twas Two Weeks Til Our Concert

‘Twas two weeks til our concert, we rehearsed all day long,

Me wedged in the back row, ‘tween Keaton and Imran.

With AIDS quilts surrounding on walls of despair,

Warm carols we sang with humor and flair.

Away from the rain in the Valley of the Sun,

Seven hours in one room, so much work to be done.

Then, out of our mouths, pure tones pranced and did gather,

They sprang into lush chords, Marc’s heart pitter-pattered.

Santa Baby, Underneath the Tree, Mistletoe and Holly,

Shaping these and a dozen more made all of us jolly.

These next frantic weeks will fly faster than reindeer,

Fine-tuning, tweaking, “More hot tea for my throat, dear.”

Then, the lights will come up.

The joy will appear in the faces out there.

And the smiles will bounce back.

They will double and bloom in this season we share.

On Saturday, December 3–two days after World AIDS Day–I gathered with about fifty of my mates in the Phoenix Gay Men’s Chorus for an all-day rehearsal at the Parson’s Center in Phoenix. Led by artistic director Marc Gaston, our chorus will perform its holiday show (“Twas the Night Before Christmas”) on December 17 and 18 at the Galvin Playhouse, 51 East 10th Street in Tempe, Arizona. For ticket information, go to http://www.phxgmc.org.

Mighty Mosaic

When I auditioned for the Phoenix Metropolitan Men’s Chorus in August 2017–six weeks after I suffered a mild heart attack on the way west–we were both on the cusp of a transformation.

At sixty, I was searching for a new place to renew my love of singing (after seven years performing with Windy City Gay Chorus in Chicago); the chorus was twenty-six, preparing to spread its wings and a few years away from embracing a more public gay identity: the Phoenix Gay Men’s Chorus.

On Saturday evening, October 8, I stood on stage with about fifty of my chorus mates at the Kroc Center in south Phoenix. We performed our Mosaic of Voices concert. It was our tribute to triumphant stories shared by members of the Phoenix LGBTQ community–told through the power and inspiration of music.

I wore two hats for the occasion. Figuratively, I mean. I sang second tenor from the top row of the risers and realized a new creative wrinkle; I wrote the lyrics for three of the original songs we performed in the first set: Hope’s Trail, Our Second Act, and Mighty Mosaic. David E. Weck composed all of the music beautifully.

The first two were adapted from compelling, emotional, and personal stories submitted by Garry and Nico, members of the community. When I first read their stories in 2021 and began to develop lyrics, I felt it was important to honor and include many of their actual words in my lyrics. In turn, David then nurtured and shaped them into music.

The third song, Mighty Mosaic, began as a poem I wrote, specifically for the Mosaic of Voices concert. I created it to represent the rich, diverse, and sometimes-circuitous lives we lead in the LGBTQ community.

After last night–with its unveiling on stage before an appreciative audience of a few hundred–you might be inclined to call Mighty Mosaic an anthem. (It certainly felt inspiring for me to write it on June 2, 2021, and then sing it on October 8, 2022.) It celebrates who we are and what we believe. Here it is in its original form, before my words met David’s artful music.

***

Mighty Mosaic (Copyright 2021 Mark Johnson)

Morning, noon, and night, the fabric of our winding threads and uncertain spools form a fluid tapestry of brilliant and imperfect hues.

The pathways of our lives weave. This is who we are. This is what we believe.

In the heat of the day, our worn but sturdy strands lead us down rabbit holes, but–if we keep the faith–the enduring threads carry us through.

The pathways of our lives weave. This is who we are. This is what we believe.

We may travel from a foreign home or body, but when our identities emerge, they awaken our lonely spirits, they blend beautifully.

The pathways of our lives weave. This is who we are. This is what we believe.

Our jagged journeys–our truth trails from the pain of stark midnight to the peace and stillness of lavender daybreak–make us mighty.

The pathways of our lives weave. This is who we are. This is what we believe.

Gay, trans, straight or bi–black, brown, or white … single, attached, or married … young, old, or in between–this is our mosaic and the moment we celebrate what it means.

The pathways of our lives weave. This is who we are. This is what we believe.

Notes from a Lyricist

Nothing is certain, but it appears my debut as a lyricist will actually happen.

In January, I oozed with excitement when I told you about my new creative wrinkle. As background, in the fall of 2021 I teamed with David (another member of the Phoenix Gay Men’s Chorus) to create several original tunes for a Mosaic of Voices concert, scheduled for March 2022.

I wrote the lyrics. David composed the music. I was psyched for the debut of these pieces. Then, the concert was postponed. It was another Covid-related casualty.

Thankfully, the chorus has resurrected the program. On October 8 at the Kroc Center in Phoenix, we will perform the suite of pieces David and I created to capture the essence of original-and-triumphant stories submitted by members of the Phoenix LGBTQ community.

***

On Tuesday evening, as our chorus of seventy or so rehearsed two of the Mosaic of Voices pieces (Hope’s Trail and Our Second Act), I saw a few tears. As I sang in the back row of second tenors, I felt the gravity of emotion rise in the room with our voices.

I was reminded of the healing power of music and the important role that choral communities–first the Windy City Gay Chorus and now the Phoenix Gay Men’s Chorus–have played in my renaissance and in the lives of so many gay men.

Especially now in our chaotic country–divided, threatened, and deconstructed–we need this joyful music, this personal support, this hopeful oasis in the desert.

Without it, many of us would feel trapped and lost.

Over and Over

We live in an over-inflated, over-heated, over-zealous world.

There is plenty of blame to go around. In my mind, greedy politicians and media conglomerates are two of the biggest culprits. The worst of them scream at us through our screens to woo us over and over. All for the sake of personal swagger and the almighty dollar.

I do my best to follow the important developments in the world and tune out the bluster, though–in this summer of 2022–that is virtually impossible in the United States of America.

That’s why I typically pepper my blog with stories of sweet cats, eavesdropping cacti, brilliant sunsets, lazy lizards, and personal reflections. However, I’m over-exposed and need to rant.

A simple drive down the street here in Scottsdale, Arizona (and I imagine in most American communities) snaps me back to the realities of the day.

We are surrounded by political signs and crack-pot endorsements on street corners in advance of our August 2 primary. Unfortunately, a fierce monsoon storm here on Sunday night didn’t obliterate them all. The best thing I can do is vote. My husband and I performed that democratic duty–early–on Monday.

Of course, the bluster of our society isn’t confined to politics. On Tuesday night, I tuned in to watch a few innings of the MLB (Major League Baseball) All-Star Game. The over-produced coverage on Fox assaulted my sensibilities. Over-hyped celebrity ballplayers wearing mics for in-game interviews over-shadowed the action on the field. It bored me.

That’s saying a lot, because–if you follow me–you know I’m a die-hard baseball fan. More specifically, I root for the St. Louis Cardinals. This passion flows back to the 1960s, sitting in the bleachers with my dad with my transistor radio and watching legendary players perform on the field.

My fascination and fixation with baseball was all about the relative innocence of escaping into the strategy of the game, wondering what might unfold next. In 2022, that sense of mystery has vanished.

Maybe this is really a story about what it feels like to grow older. To see the world through wiser, more questioning eyes. To demand more from our polarizing politicians, fragmented society, and ever-posturing media outlets … while the world I once knew evaporates before me.

I’ve always known I am overly sensitive–overly aware of my fair skin and frailties. According to my dermatologist on Tuesday, a cancerous patch of squamous cells (removed from the top of my left hand in mid-June through minor surgery) has over-healed.

Evidently, I was too good at smearing Aquaphor lotion on the wound, so he froze the scar tissue. It will fall off in a few weeks, and my life in the desert will go on with another chapter of survival in the books.

On Wednesday evening, I joined a group of my Phoenix Gay Men’s Chorus friends at a funeral home in Mesa, Arizona.

We sang a beautiful arrangement of Over the Rainbow. It was our way of saying goodbye to Cy, our friend and long-time chorus member, who passed away recently.

It was an evening of tears, funny stories, and reflections–a tribute to a man who lived well, sang beside us, and fought hard.

It was also a good reminder for me to do my best to tune into the important stuff of life. To embrace what really matters each day. To keep doing it over and over again as long as I can. Because none of us knows what tomorrow will bring.

We May Never Pass This Way (Again)

I’m still on a high, channeling ripples of joy from my musical weekend on stage with the Phoenix Gay Men’s Chorus.

It feels as if the decision to step out of my comfort zone and into the spotlight for a solo has dislodged something. I feel freer to explore new things. To be more open to possibilities in the world.

I’m not talking about an entirely new me that appeared in an instant. I believe this progression began when Tom and I left Illinois nearly five years ago. The act of living, writing, and singing in a vastly different landscape has spurred my creativity.

After having a heart attack in 2017, I’ve gotten better at living in the moment, rather than postponing my dreams. We may never get tomorrow.

In the words of Jim Seals, we may never pass this way again. Seals–the singer, songwriter and guitarist of the popular Seals and Crofts duo–died June 6. He was eighty years old.

The tunes of Seals and Crofts–Summer Breeze, Hummingbird, Diamond Girl, East of Ginger Trees, I’ll Play for You, Ruby Jean and Billie Lee, We May Pass This Way (Again)– were the mellow wallpaper of the 1970s. Their distinctive, ethereal sound filled the air and the hearts of young people with hope and possibilities.

When I close my eyes and listen to this CD (yes, Tom and I still listen–proudly–to CDs on an old boom box), I am transported to 1975.

It was my freshman year at the University of Missouri in Columbia. Walking around campus in cut-off jeans and tube socks. Playing tennis with John, my roommate. Feeling the late summer breeze rush through my long, straight blond hair, which trailed down over my face.

Released in October 1974, Seals and Crofts Greatest Hits has left an indelible imprint on my past and present. Whether I remember the young Mark Johnson who tossed a Frisbee with friends in the shade of Mizzou’s iconic columns or the older version who took a chance on a stage in Tempe, Arizona in June 2022, I’ll always be a hopeful dreamer.

Thank you, Jim Seals, for all the beautiful music you created and left us. I’ll keep listening to it … no matter what this crazy universe brings.

***

Life–so they say

Is but a game and they let it slip away

Love–like the Autumn sun

Should be dying but it’s only just begun

Like the twilight in the road up ahead

They don’t see just where we’re goin’

And all the secrets in the Universe

Whisper in our ears and all the years will come and go

And take us up, always up

We may never pass this way again, we may never pass this way again, we may never pass this way again.