Tag: Scottsdale Public Library

Early Halloween Treat

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Treats come in all sizes and shapes. Chocolate is always welcome, but typically not as intimate or lasting as positive human interaction.

***

Yesterday I completed another memoir writing workshop at the Scottsdale Public Library. It was the fourth such workshop I’ve led over the past twelve months.

I love facilitating these sessions, because it’s a personal way for me to encourage other writers to nurture their creative ideas and momentum.

This one at Mustang Library included twelve writers–nine women and three men–who wrote and shared their extraordinary, humorous, heartful slice-of-life adventures across the table from one another.

During week one of the three-week workshop, I learned a little about each participant. We spent time building trust. As we began to get comfortable as a group, I assured them that the room we occupy is a safe space for sharing their personal experiences through their writing.

By weeks two and three, we developed an esprit de corps. They sent their stories to me in advance. I offered my encouragement and constructive feedback in person in the following session.

Inevitably, there were contemplative moments and a few tears were shed by one writer on Friday.

As she read her story aloud (a touching, nostalgic reminiscence of watching the joy on her mother’s face as she skated across the ice in the 1960s free of her typical parental responsibilities) the flood gates opened suddenly.

I and everyone in the room verbalized their support for this writer. I also offered her a tissue and a pat on the shoulder.

That was just one of a dozen or more seminal moments shared over a three-week period on Friday afternoons.

In a world otherwise ruled by chaos, we were a community of writers banding together, gliding freely above the fray across the ice of our literary pursuits.

***

This morning, I opened my email to discover this early Halloween treat from a creative husband-and-wife team, who participated in the workshop.

“We enjoyed your memoir class so much; due in large part to your enthusiasm, experience and energy! The content was high quality, and the tone you set of trust was palpable… there is no substitute for that among budding creatives. Thank you so much for your time and care; we’ll hope to cross paths in the new year!”

I don’t expect a ringing endorsement for volunteering my time. But I always appreciate feedback whenever it involves helping other writers find their voices inside the secure walls of a library.

It encourages me to keep giving and confirms my suspicion that I have found a meaningful way to make a true difference in the lives of others.

After the Arch

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October is bright and beautiful in central Arizona. The intense heat of summer is gone. Mornings and evenings are cooler.

Back in St. Louis, it was fortuitous that Tom and I decided to visit the Gateway Arch on September 22, because–with the U.S. government shutdown–the Arch and other park facilities across the country staffed by the National Park Service closed October 1. Who knows where this latest setback for the American people will lead?

Still, life goes on.

Beginning October 10, I will teach another memoir writing workshop at Mustang Library in Scottsdale. Tom is leading a film series, called Hollywood Laughs, at the same location on Thursday afternoons until mid-November.

Meanwhile, fall chorus rehearsals are underway for our next Phoenix Gay Men’s Chorus (PHXGMC) concert, Let Your Spirit Sparkle, in December at the Orpheum Theatre. I will wear my blue sparkly vest on stage again. This 2025/2026 concert season is my sixteenth consecutive year singing with gay choruses in Chicago and Phoenix. It is a vital part of my life.

Under the dynamic leadership of Antonio and Darlene–our artistic director and assistant artistic director respectively–PHXGMC has grown to more than 150 diverse members. Our voices will be strong when we march in the Phoenix Pride Parade on October 19.

Next month, Kirk will visit us in Arizona for a few days. Even as the mayhem in our country spreads, Tom and I look forward to gathering with Nick and him. We will enjoy a few quiet hours with both of my sons in our newly remodeled, freshly painted desert home.

We will give thanks for our fortunate lives, good health, and meaningful artistic opportunities in our sixty-something years, which have enabled us to have a positive impact on the lives of others in our community.

Transitions

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April has always been a harbinger of change.

In a natural sense, it produces turmoil in the Northern Hemisphere … growth and beauty laced with intense storms and wild swings in temperatures.

Of course, those meteorological transitions pale when you compare them with the societal turmoil, which I feel daily living in the United States in 2025.

My only recourse is to try to make a difference in my own way: stay visible, protest beside like-minded friends …”Hands OFF our Social Security” … all the while remodeling my home with Tom, singing, writing, and leading my memoir writing workshops. (Twelve aspiring writers are meeting with me later today in the middle of three workshop sessions at the Scottsdale Public Library.)

It’s appropriate that my Phoenix Gay Men’s Chorus comrades and I will perform an inspiring arrangement of Bob Dylan’s The Times They Are A-Changin’ at our Rhinestone Rodeo concert on June 6 and 7 at Tempe Center for the Arts.

Because they most definitely are … and you better start swimmin’, or you’ll sink like a stone, for the times, they are a-changin’ …

On to more personal transitions that fly under the radar. It is the grimy stuff of life. A friend’s mother dies. Another grieves the loss of his wife. A third deals with a cancer diagnosis. I will do my best to continue to be there for all of them.

If you live in the Phoenix area, come in from the heat and attend one of our June concerts. We will entertain and energize you … make you smile, laugh, shed a few tears, too … as we lift our voices.

No one can stop me from being who I am … who I love … who I care for … who I sing with.

I Don’t Pretend

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It’s late Friday afternoon in the desert. The mockingbird outside our backdoor is singing his or her heart out. It’s a tender, hopeful, pre-weekend serenade … a chirpy, lyrical refrain coming from the top of a telephone pole that connects our heavier world of technology and dissonant news and noise.

None of us knows what tomorrow will bring … ever. But especially now.

Case in point: early this afternoon as Tom and I devoured a few remaining slices of sausage and veggie pizza from the night before, a military jet zoomed overhead.

The sudden surge of decibels jarred our nerves. Though we live near a military base at Papago Park, we rarely hear that intense noise. Only an occasional squadron of helicopters arriving or departing.

We are a nation of divided people living on the edge of time, sound, and sensibility. Each day when we climb out of bed, we are aware of the dismantling of institutions we have come to know and respect.

Each day we are threatened by another batch of edicts tossed out the sidedoor by an authoritarian regime bringing shame and constant anxiety to those of us raised to believe in a country that once valued high ideals over low morals.

I don’t pretend to have the answers. But I know silence will kill us.

I won’t pretend to be someone I’m not. Or as I have said frequently to friends lately, “I’m not putting this genie back in a bottle.”

What do I mean? I spent too many years as a teenager and young adult (of the 1970s, 80s and early 90s) denying my true gay identity, subverting my whole self to try to fit into a predominantly straight, suburban culture.

That caused me (and others in my life at the time) tremendous personal pain. And, on a larger scale, denying the truth kept our society from advancing to a higher plain of equality, freedom, and human possibilities.

Yet now our federal (and some of our state and local government officials, too) are attempting to wipe away the contributions and accomplishments of our “diverse” people from websites and history books.

For instance, native code talkers who–by virtue of their distinct language–were instrumental in helping to bring an end to World War II.

Did you know that recently pages on the Arlington National Cemetery website–highlighting the graves of Black and female service members–have been removed?

These and other efforts are designed to erase the accomplishments of women and people of color.

How far will this attempt at whitewashing our history go? I don’t pretend to know. But I do know that the best attributes of our diverse culture exist in the past and present and people need to know about these contributions.

My husband Tom, an aficionado of films from the 1960s and 70s, has been leading a film series this winter and spring at the Scottsdale Public Library, titled “Movies That Matter: the 1970s.”

Each Monday afternoon, between 75 and 100 people attend this free series. The audience is mostly white people who love great films.

Last week, Tom screened “Dog Day Afternoon”. Directed by Sidney Lumet and starring Al Pacino, the film–based on a true story that occurred in Brooklyn, New York, in the 1970s–chronicles a botched bank robbery in the heat of the summer.

It’s an intense and sometimes funny film early on. Pacino plays Sonny. He’s desperate to get the money his partner needs for a sex change operation. But we don’t know that until more than half the movie has spooled through what once was a movie projector.

It’s a must-see flick. I won’t spoil the outcome if you haven’t seen it. But the most meaningful and important aspect of this story is that 93 people attended. They listened to Tom’s stage-setting intro for historical context. They watched the film, and then they talked about it. Together.

They talked about what it meant. They examined the techniques employed in the film to tell the story effectively. They existed in that space for three hours as a community of people in a shared experience.

I don’t pretend to know all of the political affiliations represented in that room. But I’m certain they left with a greater appreciation for film and how it can shed light on the differences and pressures–like them or not–that have existed in our American society for decades.

Tom delivers his opening remarks at a screening of Dog Day Afternoon at the Scottsdale Public Library on March 17, 2025. Photo by our friend and neighbor Diego.

In the Old Days

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In the old days (the pre-Covid days)–just five years ago this week–I hawked my books with my husband by my side at a local author book fair at the Scottsdale Public Library.

We didn’t know about the dark days ahead. Holed up in our cozy condo. Wondering if we and our closest family and friends would survive. Wondering if the race to create a viable vaccine might save us.

Fortunately, science did produce a vaccine that saved lives (for those of us who had the gumption to protect ourselves and others).

We did survive and Tom and I have gone on to create new chapters at the library … him leading several successful film series; me guiding those intent upon writing their own memoirs.

Strangely, those Covid years feel quaint now as our nation disintegrates daily. Tom and I cling to one other, as our nation turns a blind eye toward anyone who is different.

Yes, we have many friends and family who love us. But, to put it bluntly, I don’t feel safe. This experience of living in 2025 in the United States (we aren’t really united) has cued old tapes in my psyche that remind me that–once again–I am living in a straight, white world of shallow masculinity.

I will keep trudging along. Loving my husband. Guiding my adult sons. Speaking my mind. Telling my stories. Holding my closest friends close. Giving to organizations that might make a difference. Advocating for those less fortunate. Donating my time, talents, and voice to the Scottsdale Public Library and the Phoenix Gay Men’s Chorus.

Most of all–like many of you–I just need to keep breathing today. And, for tomorrow and the next day, I need to save any reserves of energy and sanity I have to fight the good fight.

Write a Memoir, Read a Memoir

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It’s a beautiful Friday in Scottsdale, Arizona. The weather is sunny and mild–warm enough for me to swim laps outside a few hours ago–and my brain is firing creatively.

I’m preparing to lead my next memoir writing workshop later this month at the Scottsdale Public Library (Mustang location).

I expect a dozen aspiring writers will file into a large conference room on January 17 for session #1.

I will welcome them with a smile and a commitment to prompt and guide them as they move ahead on their memoir writing journeys.

It will be a free-and-safe space to begin to dislodge vivid memories, write a few pages, share respectful feedback across a table with other writers, develop a writing practice, and (hopefully) leave on the last day (January 31) with a little momentum to tell their stories.

I know how much work, time, and commitment is required to make it happen. But when you are a writer, it’s worth it. It’s what you are meant to do.

You tell stories of all kinds. Simple. Complicated. Painful. Joyful. Unbelievable true-and-false stories.

The best memoirs are filled with emotional and sensory details: visuals, smells, tastes, sounds, personal touches.

I think that is one of my strong suits … not only telling but showing readers the story, so that they must keep reading to find out what happens at the end of the story.

It’s rather like sitting with a friend in front of a cozy fireplace. That is what I will tell my workshop attendees to imagine as they begin to write their memoirs.

I don’t think you need to be famous to write a great memoir. It’s really the story that must be compelling, not the namedropping that some celebrities like to smear over every page.

You simply must be authentic and artful in the way you approach your story–whether it’s a story of love and loss, transformation, redemption, survival, success, or a recollection of a vivid place, time or person that makes your heart swell.

In addition to writing memoirs (somehow, I’ve written and published four since 2016) and encouraging others to bring their stories to the page, I enjoy reading memoirs.

January is a good time of year to assemble a recommended reading list.

Here are ten memoirs (written by famous and ordinary people) I have read over the past ten years that have moved me, entertained me, spoken to me, and broadened my appreciation for creative, true storytelling in the world of nonfiction.

By the way, I will share this same list with my memoir writing workshop attendees later this month. So, in a sense, you are getting an insider’s preview.

(Note: I have included one of my books–From Fertile Ground–on this list … because I feel it is an unusual creative concept/structure for a memoir about a family of writers sharing their diverse voices across three generations.)

Happy memoir reading (and writing), everyone!

***

My Recommended Memoir Reading List

The Year of Magical Thinking (by Joan Didion; 2005) … possibly the best book I’ve read about grief.

Ever By My Side: A Memoir in Eight Pets (by Nick Trout; 2011) … perfect if you are an animal lover.

From Fertile Ground: The Story of My Journey, My Grief, My Life (by Mark Johnson; 2016) … a writer’s mosaic about love and loss.

Between Them: Remembering My Parents (by Richard Ford; 2017) … revealing portrait of parents.

Insomniac City: New York, Oliver, and Me (by Bill Hayes; 2017) … gripping, personal, New York study.

The Best of Us (by Joyce Maynard; 2017) … finding true love late in life, then losing it to pancreatic cancer.

Pops: Fatherhood in Pieces (by Michael Chabon; 2018) … poetic snippets about a son’s love for his father.

All the Young Men (by Ruth Coker Burks; 2020) … a woman comes to the rescue for dying AIDS patients in the 1980s.

My Name is Barbra (by Barbra Streisand; 2023) … if you love Barbra, a must read.

My Mama, Cass: A Memoir (by Owen Elliot-Kugell; 2024) … revealing odyssey of a daughter constructing her life after the death of her famous mother.

Inside the U

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I have a passion for learning, teaching, and uncovering the truth. So much so, that in another lifetime, I might have pursued a career as a full-time educator.

While that never happened, over the past thirty years, I’ve discovered episodic ways to teach … sharing my communication expertise as an adjunct PR instructor, opening minds as a diversity trainer and consultant, and–now–encouraging others to write and share their stories.

***

On Monday, October 21, fourteen people walked through the door of The Loft on the second floor of the Scottsdale Public Library. Each found a place at the table around a U-shaped configuration.

Lisanne, the library’s program supervisor, welcomed them, introduced me, and described each of my books (which she propped on easels at the far end of the room).

I sat–inside the U–smiling and ready to share my tips and guide them on their memoir-writing journey.

First, I asked each writer to introduce themselves. Some told me they have been writing in various forms for years.

Others have fought the impulse to do so or simply have never found the time or place but have always wanted to write.

“This is a safe space for you to begin,” I told them.

To mine vivid memories. To spin them into previously unwritten sentences. To shape them into stories that one day they may want to share with the world or simply pass along to immediate family and friends.

By the end of our first session together, we got to know each other better. I walked them through a “prompting” exercise.

Each person selected a random image–fanned out in my hands like a deck of playing cards–and then proceeded to write a paragraph or two relating to it.

One selected a photo of a tiger lily. She wrote (and shared) an especially sad, but poignant and revealing story about her flower-loving mother.

Another recalled a funny encounter with a monarch butterfly. All of the stories written and shared had merit.

During the last part of the class, they completed a three-page “Telling Your Story” Worksheet I prepared. It will be the baseline for each participant to begin to write their memoirs.

I asked each person to write one to two manuscript pages for next Monday’s session. I will offer constructive feedback at that time, and they will share insights with each other.

We will meet one final time to discuss another round of writing on Monday, November 4.

Already, this workshop is proving to be a meaningful experience for me.

I hope it is a catalyst for each of my fourteen fellow writers.

If I can make even a small difference as a library volunteer to help them on their storytelling journeys, my time–inside and outside the U–will be time well spent.

Turning Memories into Memoirs

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Writing is a solitary practice. But when our best ideas flow from our brains through our fingertips, it can feel like we are creating a galaxy of possibilities and fascinating characters to keep us company.

Still, we all need the support and encouragement of others to help us tell our personal-yet-universal stories, so that they touch the hearts and stimulate the minds of our readers.

To meet that need for external creative input, for the next three Mondays –October 21, October 28, and November 4 (from 4 to 6 p.m.) — I will lead a fun, interactive, and free memoir writing workshop at the Scottsdale Public Library, Civic Center location.

If you live in the Phoenix area, I hope you will join me. No reservations are required, but space will be limited. Arrive 30 minutes before the first class to get a ticket at the door. It will entitle you to participate in all three sessions.

Honestly, I’m excited to share a little of my time and memoir writing tips. And–perhaps–give a literary boost to a few individuals who are where I was ten years ago: ready to cross the creative threshold, but in need of direction and inspiration to turn memories into memoirs.

Student and Teacher

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It’s time to come clean. I haven’t been devoting enough time to an important piece of my life and identity. I haven’t been scheduling–and honoring–a critical creative need: uninterrupted time to write.

Like an untuned car with dirty spark plugs, this sputtering connection–between me and my creative self–has been misfiring for about a year.

Though I have produced creative things (like a few librettos for my chorus and a blogpost once each week), I haven’t been protecting my creative time. I haven’t been developing enough ideas that are purely mine.

It’s time to take action. To go back to school. To open the metaphorical hood of this mid-century car. To do something about it.

I know this is a challenge for all writers … and I’m luckier than most. I’m not juggling a full-time job at this stage of my life.

Still, external forces and demands often flood through the door–disrupting my good writing intentions. (Even as I began to write this, a sprinkler head outside our front door just went haywire. I texted one of our condo board members to tell him a fountain of water is spraying everywhere!)

I’m back to the keyboard of my writing universe. Beyond the whack-a-mole geysers that pop up in every life, it’s time I became more selective and vigilant with how I choose to spend my time.

It’s time for me to find a better balance again. To be more attentive to my own creative needs (like I did when I wrote and published four memoirs and one book of poetry from 2016 to 2023) … while still taking some time to help others.

Today I began by scheduling two hours–between 10 a.m. and noon–to write this blog post about the writing process.

Tomorrow, I have another two hours on my calendar. Wednesday, Thursday, and Friday will be the same.

Perhaps it is fitting that I’m treating myself like a misaligned student, who needs guidance from the teacher in me. Because this fall I will be leading a three-part “Meaningful Memoirs Matter” writing workshop for up to eight students at the Scottsdale Public Library.

I’m excited about the opportunity to teach again. (In the early 2000s, I taught the fundamentals of public relations as an adjunct instructor for Roosevelt University in Chicago.)

I think this 2024 experience will be more fulfilling on a personal level than the communication courses I led more than twenty years ago.

I genuinely want to help aspiring writers in my community tell their own stories. I want to tell them they don’t have to be celebrities to do it.

Extraordinary things happen to all of us. Important stuff flies under the radar in our everyday lives.

Just as important, I want to share my passion for the memoir art form and set this small group of individuals on a path to discover and unearth their own voices.

Back to scheduling. One of the things I will tell my students is that writing is a discipline. It requires solitude, time, dedication, energy, and–of course–passion.

But if you start small and string enough hours, days, weeks, and months of devoted and affirming writing sessions together–with time–the misfiring or underutilized writing jalopy can become a well-oiled machine.

Simply writing this is helping me get my creative energy back.

It’s time for me to practice what I will preach. To nurture the most important pieces of who I am … the writer, the storyteller, the essayist, the poet, the creative protagonist.

Because I am happiest when I am producing something that is entirely mine. Something that speaks to our human condition. Something that celebrates our connections to animals and nature.

Something that amplifies the importance of raising your voice and sharing your truth … even if the rest of the world has blown a gasket.

Under Construction

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Writing can be gratifying, but it’s not easy. It requires introspection, imagination, and a healthy dose of discipline away from the demands of the day.

As I write this, my creative inspiration has been less certain and more diffused. Perhaps the construction cones, yellow tape, and jagged chunks of sod–prominent through the screen of our kitchen window after the replacement of a water main valve this week–are a fitting metaphor for the disruption I feel.

I’m living between and among several writing-related projects that deserve attention. The largest of these is a novel I’ve been mining … and drifting in and out of for the past eighteen months or so.

It’s a compelling (I think) fictionalized story of twin brothers navigating the pitfalls of their differences and a significant/sudden loss that muddies their family waters and transforms them.

I’ve written six or eight chapters, spent significant hours developing the back stories of both characters, and have a clear idea of the troubles they will face and how the story will end, but there is at least a year of research, writing and editing ahead. That feels daunting.

In the near term, I’m committed to blogging once a week and working with Marc, the artistic director of the Phoenix Gay Men’s Chorus, on another libretto later this month. This one, called “Encore”, will appear on stage in late June.

I’m also refashioning a retrospective essay about a teen’s emerging gay identity. This is something I’ve submitted to a few literary magazines. So far, no takers. But I’m determined to find a home for it.

Meanwhile, I want to teach a memoir writing class. On Monday, I presented the Scottsdale Public Library with a concept for a workshop I have developed. They like the idea. There are details and timeframes to figure out, but I hope to lead the first session with a small group of attendees this fall.

Yes, there is a lot under construction inside my brain and around me as snowbirds tiptoe to and from the parking lot past the various plots of uneven ground the plumbing crew left in their wake.

At least I’m choosing creative projects that are important to me … doing my best to entice more folks to read my books, while maximizing the slippery slope of my sixties.

It all feels exhilarating and overwhelming.