Are you missing your favorite monkey? Are you searching for a bridge to a higher plain? Do you need to be reminded that you are beautiful? You’ll find them all here along the Crosscut Canal between Scottsdale and Tempe.
This week marks five years since I completed and published my first book, From Fertile Ground. In celebration of the anniversary of my entry into this literary life, you can download a free Kindle copy of my book on Amazon from March 24 through 28. What follows is the story of what brought me to this moment. If you are an aspiring writer, I hope reading this will provide a little added encouragement.
If you look and listen closely—and breathe deeply—you will find spring stirring in the Sonoran Desert. Sweet and fragrant orange blossoms dance through the air. Lizards and ground squirrels reemerge to scamper and soak up the sun. A hummingbird darts and twitters in a Palo Verde tree. I imagine a lone loon, descending from a blue sky, is practicing for his pilot license. He receives clearance from nearby Sky Harbor Airport traffic control and lands with a graceful whoosh that ripples in the Crosscut Canal. A monarch butterfly flits and rests on a bud near the fence of the Desert Botanical Garden, pausing long enough for me to creep in for a closeup of nature’s transformation.
This central Arizona winter-to-spring progression is a warmer, dryer, more gradual shift—a far cry from the flurry, upheaval, and calm of a midwestern lion-to-lamb experience I had been accustomed to for my first sixty years. Nonetheless, it is a March metamorphosis.
Five years ago, like a clumsy butterfly, I emerged from my own cocoon. At age fifty-eight, I launched my first book From Fertile Ground. I remember the anticipation and anxiety of March 24, 2016—the day my book emerged—as I moved from wannabe writer to published author.
I felt exhilaration. It was as if I were boarding a rollercoaster, gripping the bar tightly, grinning ear to ear, throwing my arms in the air, and shouting “Look over here” as my book entered the literary universe. Maybe I sound immodest, but it was and is such a thrill to have discovered this better-late-than-never renaissance.
Previously, as a busy single dad and on-the-go communication professional, the idea of writing on my own terms seemed like a faraway neverland of creative euphoria. But slowly, as I drifted from the gravitational force of my previous orbit, I felt the magnetic pull of an artistic life.
This literary life sprung from a personal void, molded from the fog of my grief after my mother died in January 2013. At that point, I was lost with plenty of tears, but without the language of emotion that normally came easily for me.
Fortunately, I was not alone on my journey. Thanks to the encouragement and support of my husband and a skilled therapist, I forged ahead, jotted notes in my diary, took a few nature photography classes, and slowly stepped away from a thirty-four-year advertising, PR, and consulting career. It had sustained my bank account and carried me through leans years of single fatherhood, but ultimately drained my energy and creativity.
Early on, after my corporate “retirement” there were moments of doubt and uncertainty to contend with. Even so, the more I wrote in my journal, the more I felt my voice begin to emerge. Within a few months, my writing and reading led me out of the darkness into the light.
A litany of wisdom-filled letters my mother sent me—along with a boxful of more than fifty years of diaries my grandfather left behind—spurred my creative impulses. I sequestered myself and perused them all. They spoke to me and my love of family, heritage, and history.
One day in 2014, as I turned the yellowing pages of my grandfather’s rural life—his spartan existence—an idea surfaced in my brain. It told me to weave a tale of three writers telling their stories across the generations, leaving behind a trail of their own words. In that moment, I found a new passion. From Fertile Ground was born. So was my life as an author. I prepared to emerge from my cocoon.
A year of daily soul-searching, writing and editing passed. In late 2015, I finished my manuscript. With the help of a friend, I found an editor and graphic designer—Anna and Sam—who came highly recommended. They both lived and worked in Nashville, Tennessee.
Instinctively, I liked hiring professionals with connections to the South, because much of my story shared a border with Tennessee to the east—in the rolling red earth of rural North Carolina. That is where my mother was born, where my grandparents owned a farm, and where my sister and I frolicked and spent parts of our summers in the 1960s.
Anna provided me with her recommended edits in January 2016. Following that, I collaborated with Sam. With my input, he created the cover for my book, designed the interior pages, formatted the text, and loaded it into the Amazon self-publishing software.
By late March 2016, I held the first copy of my book in hand. Friends and acquaintances began to send notes telling me they enjoyed reading my book and were moved by it. It was a joyous period in my life, far from the tears and fog that had preceded it just a few years before.
Five years have passed. I keep nurturing and practicing my passion for writing. It remains a priority in my life. I write a blog and have published three more books–Tales of a Rollercoaster Operator, An Unobstructed View, and I Think I’ll Prune the Lemon Tree–about the people and places that have influenced me.
I take long walks in the desert and collect photos to stir my imagination. I marvel at the beauty and continuity of nature that surrounds me. I give thanks for the gift of life in a warm and rugged place.
This metamorphosis continues.
It’s not quite spring, but changes are brewing in the Sonoran Desert and elsewhere. Like a gusty, forty-mile-an-hour wind that rattled our bougainvillea and stripped palm leaves last night, there is something new stirring in the air.
Maybe hope is returning, in the form of fluffy, tangerine-colored balls dangling from branches. The sweet acacia trees have begun to perfume the Valley of the Sun.
Through much of the year, these shrubs prefer to stretch horizontally with little fanfare. But when the blossoms appear, they take center stage through the scent that intoxicates desert paths.
The tiny blooms remind me how much my life has changed from the pink-and-white magnolia trees of the Midwest. As a child in Missouri and an adult in Illinois, I watched as singular warm days of spiky temperatures in March and April seduced them to bloom early, only to be tricked by a later frost or snow that browned the petals.
Hope is appearing on the horizon in other forms. My sixty-six-year-old sister just texted me a masked photo of her seated after she received her first vaccination in Chicago. I suppose I’ve been worried about her, because I shed a few tears as I studied the image. I could glimpse the smile in her eyes, though her face was obscured. As more of us get vaccinated–and a storehouse of worry is released–I expect a river of previously pent-up emotions will flow around the world.
On Tuesday, Arizona expanded the COVID-19 vaccination sign-up process to include those 55 and up. Right after noon, Tom and I agonized over our laptops. We kept refreshing like feverish slot players at a casino grabbing the bar for another chance at a jackpot. After an hour or so of hand wringing and cursing, we were lucky to crack the code of online registration.
We are scheduled for the first round of vaccinations on the morning of March 11 at Phoenix Municipal Stadium, just a few miles from our home. I don’t expect to enjoy the prick of the needle in my arm that day. It won’t come close to the alluring scent of the acacia trees or the thrill of a few more friends stopping by to purchase signed copies of I Think I’ll Prune the Lemon Tree.
But, like millions of others around the world, I’m fine with minor inconveniences and discomforts. Small side effects from a life-saving vaccine–miraculously tested, approved and produced in less than a year–will pale with the prospects of dodging COVID-19.
Yes, I’m more than ready to board an express train to a freer and more promising destination. I suspect you are too. I’ll see you in the sweet land of fortunate and grateful survivors. We’ll be there, like thousands of others, smiling from behind our masks.
The trail of my literary life has led here. The Kindle version of my fourth book, I Think I’ll Prune the Lemon Tree, is now available on Amazon. (Paperbacks are in production and will be available for purchase at this same location on Amazon in the next few days).
The rush of adrenaline I feel today is at least as satisfying as books one, two and three, because I’ve devoted more than three years to this creative endeavor–imagining, developing, polishing, and agonizing over it.
In that sense, today is a combination of the exhilaration of unwrapping Christmas presents, skipping out the door on the last day of school, feeling weak in the knees the first time I approached the edge of the Grand Canyon, and hoping for a clean bill of health from my cardiologist. It’s all of that rolled into a freshly-baked batch of chocolate chip cookies.
In this anthology of Arizona stories, I dig deeper into themes that are important to me: the lasting love and comfort of family and friends; the humor, irony, and poetry in everyday situations; the profound beauty of nature and how it shapes us; the joy of realizing a literary life; and the conviction required to be an authentic gay man–a real gay couple–in a world often rife with ignorance.
As you might expect, the upheaval we have all faced in Coronaville (my name for our shared global address of uncertainty) is present here too. How could it not be? The pandemic has dominated our lives and–at its core–this is a non-sequential personal and societal 2017-to-2020 slice of life.
All of these themes–and flights of fancy (backward and forward in time) to visit familiar and new people and places–run through my book. They are the threads in this tapestry that has become my writing style. They are the elements of the sometimes-whimsical-sometimes-serious voice I have unearthed in my life with Tom in the warmth of the Sonoran Desert.
As we wait for our vaccinations and continue to hope we will recapture the most important strands of our disrupted lives, I think you will find comfort, honesty and humor in I Think I’ll Prune the Lemon Tree. I also think it is a testimonial to the importance of our families, communities, and human connections as we strive to sustain ourselves no matter where we live, no matter where this journey leads us.
We were all spaced out in Phoenix last weekend. Recording tracks for our Phoenix Gay Men’s Chorus holiday concert that will appear on YouTube on December 20.
For safety sake, Marc, our artistic director, divided us into groups of ten or so. Group A had the morning slot Saturday. Group C the evening. I was one of two tenor twos singing in the afternoon in Group B in the “big box” room at the Parsons Center.
There I was. Standing in my blue hoodie in front of a mike, my binder of music, and a music stand. Wearing a safety shield and headphones with ear condoms. Gathering (loosely) with my gay comrades in the space where forty or fifty of us ordinarily rehearse collectively on Tuesday nights in a non-pandemic year.
Certainly, I felt strange, sanitized, and scattered. Like a sketchy character in a Ray Bradbury novel. Wandering and wondering where I would fit in the sci-fi story line. But as we began to run through our set–We Need a Little Christmas, The Nutcracker in About Three Minutes, Let It Snow, Feliz Navidad, and so on–an ounce of sweetness surfaced in the moment.
As we sang, I felt a twinge of the giddiness, excitement, and adrenalin of performance day appear. If you are an actor, singer or instrumentalist, you know that feeling of exuberance on stage. Of course, there was no one in the audience to applaud or validate what we had to offer musically. But that will come with time.
Magically, the sounds we produced on Saturday–and individual images we manufactured and projected in front of a green screen the previous week–will meld in the editing room in the next two weeks. Soon after, the end product will be unveiled. People will watch (or not), smile (or not), applaud (or not).
Some of us will even shed a tear or two. Because we know what losses we have endured in 2020. Now, more than ever, we need a little music. We need a little Christmas.
Four-thirty on the last Sunday afternoon of November. Sliced turkey breast, roasted root vegetables and ramekins of mashed sweet potatoes and cranberry sauce await in the fridge. Remnants of a holiday weekend.
Neither Tom or I feel like cooking dinner. We exercise and write instead. We will rely on the convenience of leftovers as sun-crafted silhouettes dance across the windowsill of our sunroom.
I just completed an hour-long walk along the Crosscut Canal that winds through Phoenix. I’m one of the lucky ones. Healthy (so far, at least). Thankful for the love and companionship of my husband. Close to a wide open outdoor space.
Today I walked the Crosscut Canal alone. It was just a few bicyclists, joggers, hikers, fishermen, and me. Scattered along the Papago Park trails. Some folks wore masks. Some didn’t. There was plenty of distance between us.
On the way back to our condo I paused to admire a group of cottonwood trees on the other side of the fence. They swayed near a shallow pond inside the Desert Botanical Garden. Brittle from the drought. But still they survive.
The cottonwoods have become a benchmark for Tom and me. Majestic, tall reminders of life on the edge. “Let’s walk to the cottonwood trees and back.”
Today as I strolled past them, their shiny yellow and green leaves flickered in the fading Sonoran sunshine. I shaded my eyes and gazed up looking for reassurance beyond the breadth of their branches. It was the same comfort the cottonwood trees provided in March, May, July, September and October.
I left the canal path with the certainty that the cottonwood trees will be there in December and beyond. Because that’s what nature does. It endures past holidays and pandemics. It reminds us to do the same.
The 1990s were a tumultuous decade for me. I survived a divorce in 1992 and my father’s death in 1993.
Beyond those two cataclysmic personal events and my desire to remain a constant force in the lives of my young sons, I struggled with the elephant in the room: how to love my emerging gay self in an often uncompassionate, unaccepting and unenlightened world.
In my thirties and early forties, the risk of being rejected by my family and friends–because of who I am and who I love–produced monumental anxiety and fright. It tore at the fabric of my sense of security and belonging.
Slowly, with the support of two skilled therapists and a small circle of trusted friends, I came to realize that I needed to come out to my sister, mother, sons, colleagues, friends and neighbors to grow and flourish as a human being.
There was fallout from my decision. Some ex-friends dropped me along the way. But with time, patience and understanding, the people who mattered most in my life adjusted. They loved me more for being me. As a late bloomer, I discovered an authentic life.
After I came out to my mother over the phone in the late nineties–I lived in the Chicago area; she lived in the St. Louis suburbs–she wrote me a letter which I included in my book From Fertile Ground about my journey after her death.
“My main concern is how very difficult your life is and has been because of your sexual orientation. That is a big load to carry. Thank heaven you can now share it with those who love you!”
Remarkably, after this breakthrough, our relationship grew. It became far more genuine and meaningful. With time, I introduced her to Tom, my future husband. She learned to love him like a second son.
Today, on National Coming Out Day, I’m sharing this story with the hope that at least one person (someone struggling with sexuality or gender identity) will feel less lost and less alone.
If that is you, I encourage you to breathe deeply, find professional support if you need it, trust your instincts and–only when you are ready–come out. Live authentically. Find your true life. The truth will set you free.
One more thing. Be prepared to continue coming out every day for the rest of your life, because even though you would prefer to sky write the words “I am gay” for the world to see at the same moment, life is never static. Plus, you can only change hearts and minds if you are visible and unrelenting.
Back in March, when news of the pandemic began to assault our senses, Tom and I agreed we wanted to introduce a splash of color into our home. To bring a fresh bunch of store-bought flowers into our haven each week. To ease the pain of 2020 by creating our own bouquet of happiness.
Now that October is with us, I’ve been craving fall colors. Though I smile every time I see the scarlet bougainvillea blooms swaying in a gentle breeze outside our back door, we don’t enjoy crisp apple-picking days in the Sonoran Desert or a traditional array of autumn leaves.
This week we brought home burnt orange roses to ogle over. As I freed them from the plastic wrap, the interior designer in me recommended placing them in my mother’s canary yellow Fiesta pitcher from the 1940s.
Full disclosure. In the past week, I also have bought and consumed organic pumpkin spiced applesauce, transferred two decorative harvest dinner plates (Mom also left those behind) from the hutch in our sun room to our kitchen cabinet, positioned our plastic jack-o-lantern on top of our living room bookshelf, and rescued two orange-black-and-white, witchy-and-batty cupcake dish towels from the cupboard.
After all, it’s October. Even if it is 2020, we have to manufacturer our own of version autumnal happiness and humor our Halloween hankerings. Our lives are more than COVID-19 results and election prognostications. We must maintain some sense of stability and go on living.
Life is a mysterious mish mash of beginnings and endings, wins and losses. Lately, the losses have been more prominent and painful for me and many of you. Yet we do what we can to endure in 2020.
Last night, Bob Gibson–one of the greatest pitchers ever and undoubtedly the most dominant of the 1960s–died of cancer at age eighty-four. Serendipitously, his team–the St. Louis Cardinals–ended their frantic, COVID-19-filled 2020 season the same night with a 4-0 playoff loss to the San Diego Padres.
As a kid growing up in St. Louis in the sixties, I followed every angle of Gibson’s story. He was a local hero, a one-time player for the Harlem Globetrotters, a flame-throwing right hander who still holds the ERA (earned runs average) record in Major League Baseball–1.12 for the 1968 season. It’s a record that will likely never be broken.
But this versatile athlete and fierce competitor was also a gifted writer. I remember browsing the local library as a kid and reading From Ghetto to Glory, his story about growing up poor in Omaha, Nebraska, and fighting his way to the top. “Gibby” was an inspiration and role model.
Bob Gibson passed away less than a month after Lou Brock, the legendary base stealer, fellow Hall of Famer and his St. Louis Cardinals teammate. The duo of Bob and Lou dazzled a generation of St. Louis fans on the field and appeared in three World Series–winning in 1964 and 1967.
Ironically, Gibson died on October 2, 2020. Exactly fifty-two years after striking out seventeen batters in Game 1 of the 1968 World Series against the Detroit Tigers. To date, his record still stands.
If you enjoy reading stories about baseball, check out my book Tales of a Rollercoaster Operator. It includes a story about my dad and me watching Bob Gibson pitch on July 15, 1967 from the bleachers of Busch Memorial Stadium. That day, the crack of Roberto Clemente’s bat (another Hall of Famer), booming through my transistor radio, changed everything.
On the last Sunday of June, a windy and warm Arizona morning that blew the safari hat off my head, another 3,857 Arizonans were likely blown away too–metaphorically at least–when they learned they had tested positive for COVID-19.
I’m not making light of this health crisis and a horrible situation. I’m just tired of the burgeoning numbers, those who still question the need for masks, and the lack of leadership in the White House and the Grand Canyon State. At the moment, only Florida and Texas (two other hot spots) are outpacing us in senseless behavior, cavalier attitude and sheer stupidity.
As I consider our painful pandemic plight as a state and a nation, I’m doing my best to live above the fray. To focus on the little things in life that give us hope, especially in these dark hours.
Like the neighbor who waved to me this morning as I watered the flowers on the back patio of our condo complex. She drove up, paused to lean out her window, smiled and said, “Thank you for beautifying our place.”
I needed that boost from an unexpected source. Her act of spontaneous gratitude and kindness included no monetary reward. It was simply the gesture that mattered. And the knowledge that I was making a small difference in the eyes of one of my neighbors … an older woman I don’t know by name but pass occasionally in the laundry room.
A few hours later, Tom and I approached a sign on our morning walk as we rounded the lake at Vista del Camino Park. A nine-or-ten-year-old girl (with her dad, brother and the rest of her family) was selling fresh lemonade at a makeshift stand.
We didn’t need the lemonade. We already had water bottles in hand to stay hydrated. But my immediate impulse was to encourage her entrepreneurial nature anyway. From behind my mask, I handed her two dollars and admired her hard work on a hot day … hoping I could bolster her spirit just as my neighbor had done for me.
Two simple acts. What do they mean? COVID-19 or not, we’re all in this world together. Whether we like it or not, we affect and influence each other. We and many of our friends and acquaintances–or total strangers in the next zip code west–are struggling to get by emotionally if not physically.
We all need encouragement to survive this period. Fresh lemonade to keep the faith. Positive vibes for those fighting for their lives in hospitals and homes. Smiles … from behind masks at safe distances … to remind ourselves that this dark period will end one day.
For our sake, I hope it’s sooner rather than later.