October is bright and beautiful in central Arizona. The intense heat of summer is gone. Mornings and evenings are cooler.
Back in St. Louis, it was fortuitous that Tom and I decided to visit the Gateway Arch on September 22, because–with the U.S. government shutdown–the Arch and other park facilities across the country staffed by the National Park Service closed October 1. Who knows where this latest setback for the American people will lead?
Still, life goes on.
Beginning October 10, I will teach another memoir writing workshop at Mustang Library in Scottsdale. Tom is leading a film series, called Hollywood Laughs, at the same location on Thursday afternoons until mid-November.
Meanwhile, fall chorus rehearsals are underway for our next Phoenix Gay Men’s Chorus (PHXGMC) concert, Let Your Spirit Sparkle, in December at the Orpheum Theatre. I will wear my blue sparkly vest on stage again. This 2025/2026 concert season is my sixteenth consecutive year singing with gay choruses in Chicago and Phoenix. It is a vital part of my life.
Under the dynamic leadership of Antonio and Darlene–our artistic director and assistant artistic director respectively–PHXGMC has grown to more than 150 diverse members. Our voices will be strong when we march in the Phoenix Pride Parade on October 19.
Next month, Kirk will visit us in Arizona for a few days. Even as the mayhem in our country spreads, Tom and I look forward to gathering with Nick and him. We will enjoy a few quiet hours with both of my sons in our newly remodeled, freshly painted desert home.
We will give thanks for our fortunate lives, good health, and meaningful artistic opportunities in our sixty-something years, which have enabled us to have a positive impact on the lives of others in our community.
In February 2024, John, Sharon, Tom, and I sat around a half-moon-shaped booth in Phoenix, devouring yummy, syrup-soaked, gluten-free waffles and nursing hot mugs of coffee at Jewel’s Bakery and Cafe.
They had been in town for a church retreat over a three-day weekend and were about to return their rental car to Sky Harbor Airport. Breakfast together was our sendoff before they flew home to St. Louis.
“Oh, did you see Nancy’s post on Facebook? There’s gonna be a Class of ’75, Affton High School, 50th reunion sometime, somewhere next September in St. Louis,” I reported.
“You guys should definitely do it. ” Sharon chimed in. “The four of us should go together! Don’t worry about Tom and me. We’ll keep each other company.”
“Sure. Why not!?” Tom agreed.
“I’m in if you’re in,” John stared directly at me. He and I were close junior and high school pals in Affton, though his family moved north, away to another St. Louis area school district before our senior year.
“Okay,” I concluded. “The journalist inside me is telling me we should go.”
Our scheme–hatched in Phoenix, to be realized more than a year and a half later in St. Louis–was born.
***
The sometime was 5 to 9 p.m. on September 21, 2025. The somewhere? Grant’s Farm, a rambling, forested 281-acre estate in south suburban St. Louis, named for Ulysses S. Grant and owned by the Busch family.
Specifically, our 50th reunion would occur in the Bauernhof Courtyard area there. It’s an old-world community space where–since its opening in 1954–St. Louisans have gathered to sample Anheuser-Busch products, and amble down hallways of vintage horse carriages past Clydesdale stables. It is an iconic St. Louis destination, draped in mid-twentieth-century nostalgia.
With the threat of showers in the air, John, Sharon, Tom and I arrived in the Grant’s Farm parking lot just before 5 p.m. Immediately, I began to spot familiar faces. I hugged Terri and Beth, two classmates I hadn’t seen in decades. We boarded a tram that would transport us through the woods to the Bauernhof. I inhaled the fresh-yet-familiar, dampness of the lush green forest.
The long-awaited immersion into my past Affton High School life–connecting one leg of my past as a seventeen-year-old, long-haired (remember, it was the 1970s), reserved, enterprising, unactualized gay adolescent with the other leg of my present much older, wiser, grayer, gayer, literary self–was about to commence.
When we arrived at the Bauernhof Courtyard entrance, we stepped out of the tram towards an archway. Nancy, our cheerful, detail-minded Class of ’75 organizer, greeted us with hugs.
We formed a line to check in and pick up drink tickets. Affton attendees (in this case, John and me) received name tags bearing our black-and-white high school yearbook photos. Significant others, such as Sharon and Tom, got tags with an image of a cougar beside their names. (The cougar is the Affton High School mascot.)
John and I proceeded through the line with our “cougar spouses” toward the courtyard. A photographer snapped photos as couples and singles entered. In that moment, as I turned to see the line queuing behind me, I spotted someone significant I had hoped to see. Not a fellow student, but a teacher I admired from my high school years. It was Judy Rethwisch, my drama teacher.
The high school version of me would have faded and stepped back, reticent to make a scene or a visible statement. But the confident me–the sixty-eight-year-old gay man with his husband by his side–stepped forward to reconnect with Judy.
“I want you to know what a positive difference you have made in my artistic life,” I smiled and reached forward to hug her. “With you at the helm, I found my peeps in the theatre program at Affton,” I went on. In a flash, I recounted roles I played in productions of Fiddler on the Roof and Gypsy under Judy’s dedication and tutelage.
Judy smiled and listened intently as Tom captured a few photos of us locked in conversation. She told me she is still teaching drama. Sixty-one years as an educator. Still vibrant. Still making a difference in the lives of other aspiring actors, musicians, and artists. She asked for my card and told me she is interested in reading one of my books. That was just the beginning of a stream of seminal reunion moments.
I quickly rediscovered a parade of classmates coming and going all around me. Some were fuzzy in my memory. Others, like Jon, more meaningful. He was a good friend in high school, who traveled to Colorado with John and me after our junior year of high school.
Suddenly, I was transported to August 1974. Somehow, the three of us had convinced our parents, that we–one seventeen-year-old and two sixteen-year-old boys–would be safe driving and camping together across country in John’s AMC Javelin, pulling a small trailer.
Yes, we were underage and found someone to buy us lots of Coors beer, which we swilled by the campfire at night. But we survived intact. I recall vividly shoveling down steak and eggs for breakfast in a bar somewhere in Wyoming, while in the corner of the tavern, Richard Nixon, was announcing his resignation on a beat-up black-and-white TV.
Back at the reunion, other male and female classmates trailed by to greet each under the courtyard tent. It featured a beautiful crystal chandelier that hung in the center of the space.
Soon a line formed at a barbeque buffet. We juggled our drinks and grabbed plates, before landing at one end of a long rectangular table Tom and Sharon had secured.
At one point, I turned, and Jeff appeared. He and I were pals, who shared a few classes. We ate together frequently in our high school cafeteria. Honestly, these memories are vague for me. But I remembered his handsome face. It hadn’t changed much, given the fifty-year gap in our connection.
When Jeff introduced his long-time partner Lee to Tom and me, I felt my past and present lives coalesce. Neither Jeff nor I were aware of the other’s sexual orientation in high school. Sadly, that was the norm for 1975 for unrealized, unfulfilled, budding gay adolescents.
But knowing that against the tide of social norms we had each found happiness with our male partners and had independently decided to return to the reunion was physical proof why I had come to the Class of 1975 reunion. I needed to fully reconcile my past closeted self with the authentic gay man I had become.
A little later in the evening, Tom returned to our table and said emphatically: “I can’t tell you why, but you need to go to the dessert table right now.”
Of course, I listened to my husband and followed suit. When I arrived there, I discovered Nancy and Jim (the reunion organizer and her husband) had brought two of my books–From Fertile Ground and Tales of a Rollercoaster Operator–to display there for all to see.
I don’t know that I gasped, but it felt like I did. To be appreciated for my writing that way, left me speechless in the moment. It was a lovely gesture, authored by Nancy and Jim. Another phenomenal moment, which connected one leg of my life with another.
Before the reunion came to a close and we boarded the tram, all of the Class of 1975 Affton High School classmates–about 120 of us in attendance–stood on a wobbly set of risers for a group picture. (Earlier in the evening, a large poster bearing the names and photos of our forty-nine classmates who have passed graced a corner of the same stage.)
Certainly, the wrinkles and gray hair for those of us who have survived into our late sixties were apparent on the evening of Sunday, September 21, 2025. But the smiles and fun-loving community spirit superseded all of that. Our hearts were full.
***
After treating John and Sharon to breakfast Monday morning, Tom and I had a few hours on our own before we needed to make our way to the St. Louis airport for the trip home to Arizona. There were a few loose ends for us to tie together.
First, we drove to Left Bank Books in the central west end of St. Louis to browse the stacks. It’s a renowned, LGBTQ-friendly, independent bookstore we had planned to visit on the morning of our shared sixtieth birthday. But after I suffered a mild heart attack that day–in the city where I was born–our lives took a vastly different path. Fortunately, we survived that experience together.
Appropriately, our final stop in St. Louis was the Gateway Arch. In the late 1970s, during my collegiate years, I was a National Park Service history interpreter there. Giving tours of the Museum of Westward Expansion, welcoming visitors to the top of the Arch, and–from time to time–introducing a fascinating documentary film about the construction of the Arch, called Monument to the Dream.
The film chronicles the beauty and simplicity of Eero Saarinen’s winning design, but also the herculean effort required for a diligent crew to erect the monument through all sorts of weather conditions.
On a warm autumn day when the Arch was completed–October 28, 1965–the crew sprayed a steady stream of water on the south leg, which was expanding in the heat, to allow the capstone–the final piece at the top between the two legs–to be wedged in and joined permanently.
In a symbolic sense, that is what this later-in-life St. Louis reunion with friends and family means to me.
Call it the arc of life or the Arch of life. Either way these sixty-something years began in Missouri, brought me to Chicago for a long career and life as a single father, and carried me to Arizona with my husband. There we have discovered a rewarding artistic life together among new and old friends–our chosen family–even as our freedoms and institutions in the America we still love are threatened by fascism.
Along the way, the highs and lows have transported me to a profound place of greater gratitude and understanding, which I have earned.
It is a welcome destination that once felt out of reach.
On Monday, September 22, 2025, Tom captured this photo of me leaning against the base of the north leg of the Gateway Arch in St. Louis, Missouri.
I wrote most of my first book ten years ago. I was consumed by the project … in a purely positive way. Connecting the dots of grief and my family’s writing DNA spurred my energy and creativity.
As late summer 2015 approached, my daily creative output accelerated. Chapter after chapter emerged From Fertile Ground.
We didn’t have a printer at home but lived near a FedEx store. Whenever I completed a new, sizeable chunk of my manuscript, Tom and I walked there to print the updated version. Holding my evolving story in hand gave me a sense of pride and tangible proof of progress.
Now, in late summer 2025, I find myself at a vastly different place in the arc of my literary life. As I look back over the past decade, I feel a tremendous sense of creative accomplishment. … knowing I have produced four memoirs, a book of poetry, three librettos, a litany of essays, and a memoir writing workshop.
Yet I feel adrift.
Part of it is an energy thing … or, more accurately, a focus thing … or, even more pointedly, “maybe-this-is-what-it-means-to-be-68-and-a-compassionate-human-being-and-living-in-the-United-States” thing.
Okay, I’m not being totally transparent. I’m trying to avoid the trauma in our country. I’ve turned off the news. My husband and I are helping each other stay sane. In addition, I have been developing occasional pieces of flash fiction and nonfiction essays for literary contests.
I also have written several chapters for a “how to write a compelling memoir” manuscript. And there is another writing opportunity that is percolating … but it’s premature for me to spill those beans.
Anyway, I don’t feel all that jazzed about any of it … at least not on the scale of my first-born book in 2015. The one I felt like I was meant to write.
Is it weird that I’m getting more energy from writing this blogpost than the projects I mentioned a few paragraphs above? Probably not, because I’ve always enjoyed the raw, immediate-but-winding personal connection that comes with this territory … with this writing forum.
So that’s where I am right now … treading late summer metaphorical waters in the desert … bobbing along in a sea of episodic literary possibilities … exercising four or five times a week to keep my heart strong … taking more naps than I used to … longing for the next big wave of creative energy … gazing back to the distant shoreline of past successes and bittersweet memories … squinting ahead (like many of you) into nasty flames of deception, betrayal, and planned confusion that threaten my country’s future.
If you follow the weather news in the United States, you know that on Friday, May 16, parts of St. Louis, Missouri–where I was born in 1957 and reborn in 2017–suffered an estimated $1 billion in damages from an EF3 tornado.
The powerful storm tore through central and north St. Louis, killing five people while damaging or destroying 5,000 buildings and countless trees … including many majestic ones in and around one of the city’s gems: Forest Park.
I have no doubt that over the coming days, weeks, months, and years, the citizens of St. Louis will heal and recover. But it will be a tall mountain to climb for many financially and emotionally.
I have made a donation to the American Red Cross disaster relief efforts. But I want to do more for the city I love, which appears in all five of my books. It is hardwired into my prose and poems in large and small ways …
In memories of my hard-working family, our suburban midwestern existence, humid summer days, learning to operator a rollercoaster at Six Flags, working at the top of the Gateway Arch (pictured here) in the late 1970s, rooting for the St. Louis Cardinals, boating on the Mississippi River, visiting the St. Louis Zoo, frequenting the aforementioned Forest Park, and much more.
In addition to making a donation of your own to your favorite relief charity, here’s another way you can help. Buy any of my five books during May and June.
I will donate $10 for each book I sell (paperback, Kindle, or audiobook) during that period to Forest Park Forever. It is a private nonprofit conservancy.
As described on their website, the organization “partners with the City of St. Louis to restore, maintain and sustain Forest Park as one of America’s great urban public parks for a diverse community of visitors to enjoy, now and forever.”
Thank you in advance for your support of my literary efforts and the city of St. Louis … as well as its beautiful urban greenspace in the middle of town, which I still love and remember.
***
Incidentally, Tom and I will travel to St. Louis in September to attend a Class of 1975 reunion with my Affton High School classmates. Yikes, fifty years! More to come on that.
When you’re living through a full-blown constitutional crisis–and feeling vulnerable–you need to find ways of coping and caring for the ones you love.
So, I bought two of these beaded rainbow wristbands from the Human Rights Campaign for Tom and me to wear.
We are wrist-banding together.
This is a symbolic gesture. I want the world to know that this gay couple isn’t going anywhere, though it is a period in the United States where some would prefer that those of us who are different would go away.
But I–we–remain visible.
As I write this blogpost, I realize it is number 500 … a true milestone for any writer.
When I began blogging in May 2018, I had no illusions of where it might lead.
I simply wanted to give my books and literary voice more room to grow, more visibility.
For that reason, I suppose it is fitting that today I choose to write about my gay identity and continue to exercise personal aspects of my voice … visibly.
In many respects, the life my husband and I lead is not all that different from any couple.
We shop for groceries together. Go to the gym together. Enjoy quiet moments and meals together. Love and nurture each other.
We do our best to support each other and our family members during highs and lows.
We spend time with our friends. They are young and old, straight and gay, black and white.
We love and respect them, and they love and respect us.
I think it’s accurate to say this about our friends: we enrich each other’s lives, no matter our skin color, religious beliefs, cultural perspectives, gender identities, or sexual orientations.
It is a personal jolt to realize–and read on trusted news sources each day–that our differences are under attack and being eroded in my home country … the country I still love.
I don’t think I’m depressed. But I am definitely sad and angry. Definitely grieving. Me and a boatload of others of all backgrounds and persuasions.
There are times when I want to scream from the top of a mountain. “This is my country, too. How dare you try to take that away from me!” But then I wonder, “Is anybody listening?”
So, I bring this here, instead and I type these words in blogpost number 500.
At any rate, thank you for joining me–possibly even enduring me at times–on this blogging journey since May 2018.
As long as I continue to feel I have something important and relevant to say (to shed light on the topics of the day … to celebrate a literary success or the latest Phoenix Gay Men’s Chorus performance … to pay tribute to those I love … to tell a funny story about our stray cat Poly … to observe and honor the beauty of nature … to share a vivid, meaningful memory about my childhood … or to pen a poem that is in need of artistic space and oxygen) you will find me here.
I hope you have been informed or entertained and will continue to tag along with me on this organic literary odyssey, wherever it may lead.
As I walked the treadmill at the gym this morning–on Abraham Lincoln’s two-hundred-sixteenth birthday–a weird, dark, and discomforting question swirled through my brain.
What if we–all the diverse people in this country, all the people of color, all the LGBTQ folks–were gone?
In the old days (the pre-Covid days)–just five years ago this week–I hawked my books with my husband by my side at a local author book fair at the Scottsdale Public Library.
We didn’t know about the dark days ahead. Holed up in our cozy condo. Wondering if we and our closest family and friends would survive. Wondering if the race to create a viable vaccine might save us.
Fortunately, science did produce a vaccine that saved lives (for those of us who had the gumption to protect ourselves and others).
We did survive and Tom and I have gone on to create new chapters at the library … him leading several successful film series; me guiding those intent upon writing their own memoirs.
Strangely, those Covid years feel quaint now as our nation disintegrates daily. Tom and I cling to one other, as our nation turns a blind eye toward anyone who is different.
Yes, we have many friends and family who love us. But, to put it bluntly, I don’t feel safe. This experience of living in 2025 in the United States (we aren’t really united) has cued old tapes in my psyche that remind me that–once again–I am living in a straight, white world of shallow masculinity.
I will keep trudging along. Loving my husband. Guiding my adult sons. Speaking my mind. Telling my stories. Holding my closest friends close. Giving to organizations that might make a difference. Advocating for those less fortunate. Donating my time, talents, and voice to the Scottsdale Public Library and the Phoenix Gay Men’s Chorus.
Most of all–like many of you–I just need to keep breathing today. And, for tomorrow and the next day, I need to save any reserves of energy and sanity I have to fight the good fight.
What ailed me for three years–2013 to 2016–was grief spawned by the loss of my mother.
Listening to Annie Lennox’ soaring voice–her Nostalgia--pulled me through and beckoned me to complete my first book From Fertile Ground.
You see, Annie’s rendition of twelve stirring and mostly southern-sometimes-smoldering tunes written in the 1930s and 1940s primed the pump of my southern sensory memories.
Sometime in 2015, I unearthed a tender memory of making homemade peach ice cream with my grandmother Georgia on the rickety porch of my grandparents’ North Carolina farm.
It was Annie who reminded me that I had Georgia on My Mind. Sherrell Richardson Ferrell, too–S.R. for short. He was my farming grandfather who left behind more than fifty years of diary entries.
Annie’s music, Georgia’s love, S.R.’s spartan stories (primitive blog entries really), and Helen’s litany of letters (she was my wise mother) gave me all the creative inspiration I needed to finish and publish my first book in 2016.
Why is this all relevant today? Because I have Helen on my mind. She died twelve years ago on January 26, 2013.
For the most part, my writing and the constant love and support from my husband Tom have helped soften the grief as the years continue to roll by.
Helen would have been happy for me on both counts. She suspected Tom and I would retire in Arizona one day.
However, I doubt she would have imagined the entirety of this literary chapter for me, which lately includes teaching memoir writing at our local library. (I’ve been asked to lead a third workshop in April.)
Or the growing community of loyal followers Tom has inspired with every immersive movie series he hosts (also at the Scottsdale Public Library). His next series–Movies That Matter: The 1970s (a tribute to six film directors)–begins tomorrow and continues on most Mondays until early April.
I firmly believe it is the arts and the artists–like Annie Lennox, even the less renowned ones like Mark Johnson and Tom Samp–who through their music, writing, painting, poetry, and true cultural perspectives will help pull us through this dark and uber-turbulent period in our once-proud country.
For now, that is the hope I cling to. Along with the memories of love and gratitude–the nostalgia–framed by indelible moments with family and friends past and present, who I love dearly.
It’s a beautiful Friday in Scottsdale, Arizona. The weather is sunny and mild–warm enough for me to swim laps outside a few hours ago–and my brain is firing creatively.
I’m preparing to lead my next memoir writing workshop later this month at the Scottsdale Public Library (Mustang location).
I expect a dozen aspiring writers will file into a large conference room on January 17 for session #1.
I will welcome them with a smile and a commitment to prompt and guide them as they move ahead on their memoir writing journeys.
It will be a free-and-safe space to begin to dislodge vivid memories, write a few pages, share respectful feedback across a table with other writers, develop a writing practice, and (hopefully) leave on the last day (January 31) with a little momentum to tell their stories.
I know how much work, time, and commitment is required to make it happen. But when you are a writer, it’s worth it. It’s what you are meant to do.
You tell stories of all kinds. Simple. Complicated. Painful. Joyful. Unbelievable true-and-false stories.
The best memoirs are filled with emotional and sensory details: visuals, smells, tastes, sounds, personal touches.
I think that is one of my strong suits … not only telling but showing readers the story, so that they must keep reading to find out what happens at the end of the story.
It’s rather like sitting with a friend in front of a cozy fireplace. That is what I will tell my workshop attendees to imagine as they begin to write their memoirs.
I don’t think you need to be famous to write a great memoir. It’s really the story that must be compelling, not the namedropping that some celebrities like to smear over every page.
You simply must be authentic and artful in the way you approach your story–whether it’s a story of love and loss, transformation, redemption, survival, success, or a recollection of a vivid place, time or person that makes your heart swell.
In addition to writing memoirs (somehow, I’ve written and published four since 2016) and encouraging others to bring their stories to the page, I enjoy reading memoirs.
January is a good time of year to assemble a recommended reading list.
Here are ten memoirs (written by famous and ordinary people) I have read over the past ten years that have moved me, entertained me, spoken to me, and broadened my appreciation for creative, true storytelling in the world of nonfiction.
By the way, I will share this same list with my memoir writing workshop attendees later this month. So, in a sense, you are getting an insider’s preview.
(Note: I have included one of my books–From Fertile Ground–on this list … because I feel it is an unusual creative concept/structure for a memoir about a family of writers sharing their diverse voices across three generations.)
Happy memoir reading (and writing), everyone!
***
My Recommended Memoir Reading List
The Year of Magical Thinking (by Joan Didion; 2005) … possibly the best book I’ve read about grief.
Ever By My Side: A Memoir in Eight Pets (by Nick Trout; 2011) … perfect if you are an animal lover.
From Fertile Ground: The Story of My Journey, My Grief, My Life (by Mark Johnson; 2016) … a writer’s mosaic about love and loss.
Between Them: Remembering My Parents (by Richard Ford; 2017) … revealing portrait of parents.
Insomniac City: New York, Oliver, and Me (by Bill Hayes; 2017) … gripping, personal, New York study.
The Best of Us (by Joyce Maynard; 2017) … finding true love late in life, then losing it to pancreatic cancer.
Pops: Fatherhood in Pieces (by Michael Chabon; 2018) … poetic snippets about a son’s love for his father.
All the Young Men (by Ruth Coker Burks; 2020) … a woman comes to the rescue for dying AIDS patients in the 1980s.
My Name is Barbra (by Barbra Streisand; 2023) … if you love Barbra, a must read.
My Mama, Cass: A Memoir (by Owen Elliot-Kugell; 2024) … revealing odyssey of a daughter constructing her life after the death of her famous mother.
It’s time to come clean. I haven’t been devoting enough time to an important piece of my life and identity. I haven’t been scheduling–and honoring–a critical creative need: uninterrupted time to write.
Like an untuned car with dirty spark plugs, this sputtering connection–between me and my creative self–has been misfiring for about a year.
Though I have produced creative things (like a few librettos for my chorus and a blogpost once each week), I haven’t been protecting my creative time. I haven’t been developing enough ideas that are purely mine.
It’s time to take action. To go back to school. To open the metaphorical hood of this mid-century car. To do something about it.
I know this is a challenge for all writers … and I’m luckier than most. I’m not juggling a full-time job at this stage of my life.
Still, external forces and demands often flood through the door–disrupting my good writing intentions. (Even as I began to write this, a sprinkler head outside our front door just went haywire. I texted one of our condo board members to tell him a fountain of water is spraying everywhere!)
I’m back to the keyboard of my writing universe. Beyond the whack-a-mole geysers that pop up in every life, it’s time I became more selective and vigilant with how I choose to spend my time.
It’s time for me to find a better balance again. To be more attentive to my own creative needs (like I did when I wrote and published four memoirs and one book of poetry from 2016 to 2023) … while still taking some time to help others.
Today I began by scheduling two hours–between 10 a.m. and noon–to write this blog post about the writing process.
Tomorrow, I have another two hours on my calendar. Wednesday, Thursday, and Friday will be the same.
Perhaps it is fitting that I’m treating myself like a misaligned student, who needs guidance from the teacher in me. Because this fall I will be leading a three-part “Meaningful Memoirs Matter” writing workshop for up to eight students at the Scottsdale Public Library.
I’m excited about the opportunity to teach again. (In the early 2000s, I taught the fundamentals of public relations as an adjunct instructor for Roosevelt University in Chicago.)
I think this 2024 experience will be more fulfilling on a personal level than the communication courses I led more than twenty years ago.
I genuinely want to help aspiring writers in my community tell their own stories. I want to tell them they don’t have to be celebrities to do it.
Extraordinary things happen to all of us. Important stuff flies under the radar in our everyday lives.
Just as important, I want to share my passion for the memoir art form and set this small group of individuals on a path to discover and unearth their own voices.
Back to scheduling. One of the things I will tell my students is that writing is a discipline. It requires solitude, time, dedication, energy, and–of course–passion.
But if you start small and string enough hours, days, weeks, and months of devoted and affirming writing sessions together–with time–the misfiring or underutilized writing jalopy can become a well-oiled machine.
Simply writing this is helping me get my creative energy back.
It’s time for me to practice what I will preach. To nurture the most important pieces of who I am … the writer, the storyteller, the essayist, the poet, the creative protagonist.
Because I am happiest when I am producing something that is entirely mine. Something that speaks to our human condition. Something that celebrates our connections to animals and nature.
Something that amplifies the importance of raising your voice and sharing your truth … even if the rest of the world has blown a gasket.