I’ve been feeling murky lately–grumpy too. It’s been one of those uncertain periods in life. We all have them.
Two weeks ago, the engine in our nine-year-old Sonata seized. It went kaput as Tom was returning from the gym, initiating a domino effect of frustrating phone calls and texts, AAA tows, car rentals, dealer discussions, loaner agreements, missed connections, and moving deadlines.
Fortunately, Tom is okay and our car is still under warranty … barely. (Ten years or 100,000 miles.) Our odometer read 98,500 when everything shut down. The engine was replaced and paid for by Hyundai. We picked up our rejuvenated car yesterday. It’s now running smoothly.
Despite the relatively fortunate personal and financial outcome, my patience has worn thin. My creativity is scattered. It’s as if a Sonoran wind blew in, swept my disparate ideas (literal and figurative scraps of paper on my desk) into the sky, and scorched them into a cloud of embers, precipitated by a drought-induced Arizona fire. (Yes, it’s fire season here again.)
As a result, my writing schedule is off. My temper is short. The temperature outside is rising fast in the Phoenix area (110 degrees here we come).
Oh, book sales have fallen off the map. Do people read anymore? This is one of those moments when I need to remind myself of the joy I felt in March when I was basking in the publishing afterglow (not the flames of a hillside fire) of reading passages from I Think I’ll Prune the Lemon Tree before a group of thirty-five friends and neighbors.
Through it all, I’m aware I am living in the undefined space between writing projects. If you are also a writer, you know what that feels like. It feels like crap. Why? Because writing (for us, at least) serves as a personal compass, a guiding light, an organizing principle that keeps us feeling passionate, centered, connected, relevant, and whole.
Now that I’ve had a chance to whine a little, I should also tell you that a new possible creative project has begun to surface. It may materialize this fall. At this point, I don’t want to jinx it by describing it any further.
Instead, I’m better served by resting my brain a little, praying for monsoon rains in Arizona, and focusing on a much-needed, ten-day vacation/road trip to and from Montana, which Tom and I will embark on in a few weeks.
Of course, we couldn’t go anywhere a year ago. But, because we are fully vaccinated, we’ll be able to explore and absorb the majestic scenery of Arizona, Utah, and Idaho with a clear conscience and visit friends in Bozeman, Montana.
I wasn’t in the crowd on June 5, 1971–fifty years ago today–when Six Flags Over Mid-America first opened its gates in the rolling countryside of Eureka, Missouri.
But I remember the feeling of unbridled anticipation when I read about it in the St. Louis Post-Dispatch and saw the coverage of the grand opening on local TV stations. I wondered, what would this new amusement park feel like, smell like, taste like?
Sometime in late June or early July came my inaugural visit. As I skipped through the turnstiles of the gleaming attraction with friends, I remember the exuberance I felt. It was like running out the doors on the last day of school and discovering a carefree, sparkling universe on the outskirts of St. Louis … all rolled into one.
We raced from ride to ride and show to show, devoured fried chicken and strawberry popsicles, cooled off in the splash of the Log Flume, and tossed our arms in the air when the River King Mine Train (the park’s first rollercoaster) left the station. How we screeched when the bottom of our stomachs dropped on the final plunge.
In the summer of ’71, I had no clue or premonition that I would actually learn how to drive that same rollercoaster three years later as a fresh-scrubbed seasonal Six Flags employee … or that the experience would become a metaphor and inspiration for a light-hearted book I would write in 2016 about the ups and downs of my Missouri life in the 1960s and 70s. But life is full of surprises. Both of those things happened.
On this fiftieth anniversary, I still recall the fun of those more innocent days as a guest and the thrill of landing my first job at Six Flags Over Mid-America in 1974 … not to mention the twists and turns that would follow for the next three summers as a rollercoaster operator.
As a tribute to the history of Six Flags (and all the fun and energetic cohorts who worked beside me in the mid 70s), I want to share To Chase Another Thrill. It’s a poem I wrote in June 2016, which captures the feeling of manning the rollercoaster controls. It first appeared in Tales of a Rollercoaster Operator in 2017.
***
I am the purveyor of ups and downs, for an hour or so each day,
Standing high above the crowd, ready to guide your way.
I study the nearby dashboard, flustered faces in a row,
Itching for a two-minute joy ride, with others persuaded to go.
I see the bars locked tightly, the crew is stepping back,
Leaving the station to squeals on wheels, it’s time to ride the track.
I know just what will happen, the train will climb three lifts,
Rounding bends and taking falls, rising from the dips.
I hear the train returning, it’s climbing up the hill,
Applying brakes and coming home, to chase another thrill.
It’s a big job, keeping the trees pruned in our complex. Yes, it’s like me to prune the lemon tree outside our front door and write a book of essays set against the beauty and warmth of this Sonoran Desert life.
But trimming palms exists in another stratosphere in the hall of fame of pruning and gardening. You’ll never find me shimmying up the trunk of a palm (think Gilligan’s Island) to sculpt them to look like this. It requires experts, like the crew that descended upon us yesterday. Even so, I admire the tidy end result and occupy myself by photographing the uplifting outcome and telling a story about it.
As the first holiday weekend of summer approaches, the manicured appearance of these Polynesian Paradise palms reminds me that I live in a relatively carefree resort community. I’m not stranded (perpetually) on a unchartered island like Gilligan, the Skipper, Mr. and Mrs. Howell, Ginger, the Professor and Mary Ann were in the 1960s, but I am far removed from the demanding midwestern life I left behind.
I’m grateful for this slower pace and quieter life. As summer approaches, I wish you the same. We all need time to reflect and rejuvenate our spirits, time to get lost in a silly old sitcom, time to read a good book, time to pour a cool drink, time to relax and indulge ourselves under a favorite tree.
Though the road of life is paved with good intentions, it is often treacherous.
Four years ago this week, Tom and I accepted an offer on our Mount Prospect, Illinois, home. As we approached another milestone–our shared sixtieth birthday–we crossed the threshold into a new chapter and stepped closer to the warmer life in Scottsdale, Arizona, we dreamed of.
Though we planned extensively, nothing could have prepared us for the tumultuous turns we would navigate together on the way west in July 2017.
Published in 2018, An Unobstructed View, chronicles our journey. Here’s what one reader had to say in April 2020:
“This wonderful and uplifting book reads like a compilation of short stories, but it is beautifully woven together to demonstrate all interconnections that make up a community and a family. The book also pays tribute to people who may only be in our lives for a short time and emphasizes that a brief encounter does not diminish significance.
Mark’s story is one of courage. Courage to start a new chapter in life, and courage to move forward with optimism even when life throws the ultimate curveball. His journey will take you through his love of baseball, the joys of owning a dog, and the challenges of being a gay man. Although these are only a few of the anecdotes he explores, you’ll quickly notice that the book is well poised to connect with a large readership.”
After the past year we have endured, all of us are weary survivors. If you need a dose of inspiration and gratitude, download a Kindle version of my book on Amazon. It’s just ninety-nine cents through May 8.
It’s time to dig out the loose change that’s fallen between your couch cushions and put it to good use! From April 23 to 30, you can download a Kindle copy of my latest book, I Think I’ll Prune the Lemon Tree, for just ninety-nine cents on Amazon.
Set against the rugged landscape of Arizona’s Sonoran Desert, my anthology of thirty-nine essays (some whimsical, some serious) explores the themes of family, community, authenticity, creativity, and uncertainty before and during COVID-19.
Here’s what one reader had to say: “Focusing on stories from his recent relocation as a full-time Arizona resident, Mark mines his past for insights into his new life, reflects deeper into the after-effects of surviving a health crisis, and even includes poems and works of short fiction. A great new collection from a distinctive contemporary voice.”
Late yesterday afternoon–a mid-April throwback Monday squeezed in before the Sonoran heat arrives in full force–I met John and Len, my full-time, sixty-something friends and part-time Polynesian Paradise neighbors, at the north edge of our community. We played horseshoes.
Two sandy, part-sun-part-shade horseshoe pits (spaced about fifty feet apart) have existed in our condo complex since the early 1960s. In 2021, residents and guests seldom use them. It’s more common for folks to walk by and not think twice about the horseshoe pits and their history on the way to their mailboxes.
That didn’t stop John, Len, and me from reclaiming the space and recapturing a practice that our fathers and grandfathers enjoyed more frequently in the twentieth century. The primitive, low-stress gaming experience was just my speed: slow, nostalgic and gentlemanly. It was a light-hearted, jovial hour of tossing, joking, clinking, clanking, and male bonding. (By the way, John won on Monday. He came from behind with a well-tossed ringer. Len and I will survive. We will live to throw horseshoes another day.)
Anyway, the activity rekindled a memory I wrote about and published in 2017 in a story titled They Pitch Horseshoes, Don’t They? from Tales of a Rollercoaster Operator, my book of Missouri recollections from the 1960s and 70s. It’s available on Amazon in paperback and Kindle.
What follows are excerpts. The setting? Babler State Park and the rolling rural countryside thirty miles west of St. Louis in October 1961. While the men were throwing horseshoes that day, I discovered a primitive-and-glassy nirvana: marbles.
***
Clink clank clink. Clink clank clink. It was the sound of metal on metal. The men in our family–Dad, Uncle Ralph and Uncle Harry–were hammering stakes into two sand pits about fifty feet apart. They sure do like to fling horseshoes, don’t they, I thought. Within minutes, they were tossing the U-shaped irons from one end to the other, hoping to catch the right angle and rack up a ringer …
On this particular occasion, while the women in our family unfurled the tablecloth and unpacked the meat for grilling, and the men settled into their game and passed cold bottles of Falstaff between throws, I wandered down a path to investigate the picnic area. That’s when I found a vacant campsite nearby and an abandoned plastic bag of multi-colored glass marbles wedged into a gap between the flat rocks of a stone bench.
In my visual memory, this was a To Kill a Mockingbird moment. You know, like when Jem and Scout found Boo Radley’s toys and trinkets buried in the trunk of a big ole tree. In hindsight, I suppose Boo had nothing to do with my glassy discovery. Another child had simply and accidentally lost his or her marbles. For some period of minutes, hours, days or weeks, these multi-faceted marbles were no one’s. They were lost in an unassigned gaming galaxy. But in the universe of fair play, it was Finders Keepers. This treasure was mine …
When I pulled Dad away from his pitching and showed him what I had found, his smiled doubled instantly. It felt like we had discovered a whole new language mined from an archeological dig … In a flash, Dad and my uncles suspended their horseshoe tossing, reverted to their childhoods, and surrounded me with explanations and names for the different marbles–many of them laced with swirls of colorful strands …
Marbles became my forever home of circular undisrupted creative possibilities. After our 1961 picnic was over and the sun began to set, we snuffed out the campfire, folded up the red gingham tablecloth, and packed away our picnic basket. I stepped up into the back seat of our Plymouth with my new marbles in tow.
Over the coming weeks and months, Dad pitched more horseshoes at the farm of Ed and Ollie Puetz near Gray Summit, Missouri, where we picnicked with family and friends and I watched the men drink another round of brews and play the game they loved.
Meanwhile, I added marbles to my glassy collection: aggies (made of agate) swirling with various ribbon patterns inside, tigers (clear with orange-yellow stripes), opaques (milky green, blue, and gray marbles) and cat’s eyes (they look like what they sound like).
All of my marbles became a creative extension of me. I played my instant-game-in-a-bag any time and any place–mostly at home on our basement floor on ordinary rainy days after kindergarten. All I had to do was obey one rule: “Mark, don’t leave your marbles in the middle of the floor.”
I love sharing the company of friends and devouring the sweet, creamy goodness of a wedge of cake. When they appear in the same space at the same time–in this case celebrating the launch of my latest book on Sunday, March 28–that’s a perfect day.
One of the Polynesian Paradise board members invited me to talk about I Think I’ll Prune the Lemon Tree and sell and sign copies of my book. He even picked and gathered a half dozen lemons from the tree near our front door and placed them in a bowl on a table in the front of the condo clubhouse.
So there I was, seated at the front of the room, at the table with the lemons and copies of my books at two o’clock on Palm Sunday. Outside, through the glass, I could see children and adults splashing and playing in the pool, framed by palm trees. Inside about thirty-five neighbors and friends sat and stood, fanned across the room before me.
With my husband Tom, older son Nick, and his girlfriend Aida observing in the front row, I had that moment every writer dreams of. I had the rare opportunity to read a few stories from my latest book out loud. I had the chance to talk about why I love to write about the things I do: nature, family, community, and life’s serendipitous moments.
It was a remarkable and unexpected thrill, made possible by the acceleration of vaccinations across the country and in our condo community. Those in attendance even signed and gave me a bottle of bubbly to mark the occasion. Tom and I will pop the cork on that at a later date, just to remember the moment once again.
Without question, we have come a long way in one year. We’ve felt the pain, the losses, and the sadness. We’ve done our best to endure the social retreat. I know this pandemic isn’t over, but the numbers of cases and deaths have diminished. Life is better now. Thanks to science and the availability of vaccines, we’ve begun to reemerge.
It sure feels great to see friends and to socialize again … and to eat cake.
This week marks five years since I completed and published my first book, From Fertile Ground. In celebration of the anniversary of my entry into this literary life, you can download a free Kindle copy of my book on Amazon from March 24 through 28. What follows is the story of what brought me to this moment. If you are an aspiring writer, I hope reading this will provide a little added encouragement.
***
If you look and listen closely—and breathe deeply—you will find spring stirring in the Sonoran Desert. Sweet and fragrant orange blossoms dance through the air. Lizards and ground squirrels reemerge to scamper and soak up the sun. A hummingbird darts and twitters in a Palo Verde tree. I imagine a lone loon, descending from a blue sky, is practicing for his pilot license. He receives clearance from nearby Sky Harbor Airport traffic control and lands with a graceful whoosh that ripples in the Crosscut Canal. A monarch butterfly flits and rests on a bud near the fence of the Desert Botanical Garden, pausing long enough for me to creep in for a closeup of nature’s transformation.
This central Arizona winter-to-spring progression is a warmer, dryer, more gradual shift—a far cry from the flurry, upheaval, and calm of a midwestern lion-to-lamb experience I had been accustomed to for my first sixty years. Nonetheless, it is a March metamorphosis.
Five years ago, like a clumsy butterfly, I emerged from my own cocoon. At age fifty-eight, I launched my first book From Fertile Ground. I remember the anticipation and anxiety of March 24, 2016—the day my book emerged—as I moved from wannabe writer to published author.
I felt exhilaration. It was as if I were boarding a rollercoaster, gripping the bar tightly, grinning ear to ear, throwing my arms in the air, and shouting “Look over here” as my book entered the literary universe. Maybe I sound immodest, but it was and is such a thrill to have discovered this better-late-than-never renaissance.
Previously, as a busy single dad and on-the-go communication professional, the idea of writing on my own terms seemed like a faraway neverland of creative euphoria. But slowly, as I drifted from the gravitational force of my previous orbit, I felt the magnetic pull of an artistic life.
This literary life sprung from a personal void, molded from the fog of my grief after my mother died in January 2013. At that point, I was lost with plenty of tears, but without the language of emotion that normally came easily for me.
Fortunately, I was not alone on my journey. Thanks to the encouragement and support of my husband and a skilled therapist, I forged ahead, jotted notes in my diary, took a few nature photography classes, and slowly stepped away from a thirty-four-year advertising, PR, and consulting career. It had sustained my bank account and carried me through leans years of single fatherhood, but ultimately drained my energy and creativity.
Early on, after my corporate “retirement” there were moments of doubt and uncertainty to contend with. Even so, the more I wrote in my journal, the more I felt my voice begin to emerge. Within a few months, my writing and reading led me out of the darkness into the light.
A litany of wisdom-filled letters my mother sent me—along with a boxful of more than fifty years of diaries my grandfather left behind—spurred my creative impulses. I sequestered myself and perused them all. They spoke to me and my love of family, heritage, and history.
One day in 2014, as I turned the yellowing pages of my grandfather’s rural life—his spartan existence—an idea surfaced in my brain. It told me to weave a tale of three writers telling their stories across the generations, leaving behind a trail of their own words. In that moment, I found a new passion. From Fertile Ground was born. So was my life as an author. I prepared to emerge from my cocoon.
A year of daily soul-searching, writing and editing passed. In late 2015, I finished my manuscript. With the help of a friend, I found an editor and graphic designer—Anna and Sam—who came highly recommended. They both lived and worked in Nashville, Tennessee.
Instinctively, I liked hiring professionals with connections to the South, because much of my story shared a border with Tennessee to the east—in the rolling red earth of rural North Carolina. That is where my mother was born, where my grandparents owned a farm, and where my sister and I frolicked and spent parts of our summers in the 1960s.
Anna provided me with her recommended edits in January 2016. Following that, I collaborated with Sam. With my input, he created the cover for my book, designed the interior pages, formatted the text, and loaded it into the Amazon self-publishing software.
By late March 2016, I held the first copy of my book in hand. Friends and acquaintances began to send notes telling me they enjoyed reading my book and were moved by it. It was a joyous period in my life, far from the tears and fog that had preceded it just a few years before.
I take long walks in the desert and collect photos to stir my imagination. I marvel at the beauty and continuity of nature that surrounds me. I give thanks for the gift of life in a warm and rugged place.
Sherrell Richardson Ferrell, my maternal grandfather, posing at age fifteen or sixteen in 1916 or 1917.
In my previous life, working as a consultant in the human resources world, I often helped companies communicate with employees about changes to their benefit plans.
Inevitably, this included grandfathering certain groups of long-service employees–insulating them from the benefits changes that would affect newer employees only.
This story is not about benefits. But in a sense it is, because I think my grandfather–Sherrell Richardson (S.R.) Ferrell–benefitted the world like all bloggers do when we leave behind our words, impressions, and observations.
S.R. penned his spartan, daily diary entries for more than fifty-two years–1933 to 1985. I featured a few dozen of his diary entries in my first book, From Fertile Ground, a three-generation writer’s mosaic about love and loss, which I wrote and published after my mother died.
Though S.R. scribbled all of his thoughts in long hand in tiny diaries and worked without a laptop or access to the internet, he lived like an early blogger extraordinaire–going about his rural North Carolina routine as a hosiery mill worker and later a farmer. At the end of each day, he recorded the minutia and magnificence of his days.
Evidence of S.R. Ferrell’s “blogging” life in the twentieth century and a sampling of more than fifty-two years of diaries he left behind.
Born on March 9, 1901, today would have been S.R.’s 120th birthday. In honor of my him (and the writing impulse that motivates and haunts all of us bloggers), my grandfather is my guest blogger today.
This is what S.R. Ferrell wrote fifty-nine years ago on a momentous Tuesday. It also appears as the opening to chapter two, Off Into Space, in From Fertile Ground.
Thank you for leaving behind a trail of your life, S.R., and Happy Birthday.
***
Tuesday, February 20, 1962
Watched Glenn’s capsule take off into space at 9:47 a.m. It made 3 trips around the earth at altitudes from 100 to 160 miles and the time for the three circuits was 4 hours 56 minutes and 26 seconds.
I went to Huntersville to send money order for insurance premium. Went to see Frances and boys.Fair. Cool. Ethel came by in afternoon. Martha Auten came to get turnip salad.
I feel the pain and glory of every writer. We build the frames of our books, chapter by chapter. The process takes years. It is the culmination of time, art, and commitment.
We begin in the darkness in front of an empty page or a blank screen. We write a sentence or two that makes sense. We add and subtract in words. We rinse and repeat. We submerge ourselves to find the deepest meaning in the mundane and the spectacular.
One day, after months of determination and doubt, our rough draft is done. But we pause only briefly. We don’t want to lose our momentum. We dive back in for round after round of edits, because we want our stories to adhere to each other and to every reader who spends time with them.
Finally, the rewriting and polishing reveal the stories we intended. We invite a few trusted professionals, an editor and graphic designer, to join us in the literary chase. They stand by us on shore as we rewrite and polish passages, as we search for and discover the perfect cover, as we tweak phrases one final time, as we launch our true and false stories into the world.
As I watch my latest book, I Think I’ll Prune the Lemon Tree, begin to bob on the waves of the reading world in the middle of a global pandemic, I wonder. What will happen next? Who will read my book? What will it mean to them? What will readers have to say about it?
These are just a few of the questions we independent writers ask after our stories set sail. We are brimming with ideas, but also uncertainties. We have little control over where our stories land. All we can do is breathe life into them, guide them from afar, send a little money their way, push trade winds in their direction, and wait to hear about our creations once they have landed.
Mark Johnson Stories 