I haven’t stopped in lately.
I won’t apologize for that.
I’ve had important things to do.
Pressing places to go.
Unexpected treats to devour.
Birds to stalk. Make sense?
I know you’re busy.
New flooring tomorrow?
But it’s Easter, right?
Like my grand entrance?
Anyway, just dropping by,
To shake your tree,
Add a little levity,
Which only I deliver,
And then I’m outta here,
Cause that is what I do best.
My mother loved fruitcake. I think making and eating it reminded her of her Carolina roots.
As a teenager and young adult, I remember seeing her and many of my older relatives consume fruitcake.
The thought of munching that dark, rich, moist, nutty, fruity, and rummy consistency repulsed me.
Anyway, she liked having fruitcake around during the holidays. I didn’t.
In the early 1980s, when Jean (my ex) and I lived in the Chicago suburbs, Mom hadn’t caught on to my fruitcake aversion.
Every December, she ordered a rather expensive variety of fruitcake, made by the Trappist monks of the Assumption Abbey, and had it delivered to us.
(Assumption Abbey is a monastery tucked in the foothills of the Missouri Ozarks.)
Jean and I didn’t have the heart to tell Mom to stop sending us fruitcakes. So, every year, we received another tin of it, which sat unopened on the bottom shelf of our refrigerator.
We never found a way to recycle or share it with others, because no one else we knew liked fruitcake either.
Inevitably, year after year–sometime in May, June, or July long after the last presents were unwrapped–Jean or I extricated the fruitcake from the back of our fridge and dumped it in the garbage.
***
If you follow my blog, you know I sing second tenor with a gay chorus–to be precise, the Phoenix Gay Men’s Chorus (PHXGMC)–and have written several librettos for PHXGMC.
For the uninitiated, we are a joyous, talented, and rambunctious LGBTQ-plus organization, comprised of more than one hundred singers and musicians (who also wear multiple hats as artistic consultants, dancers, actors, writers, marketers, costume designers, stagehands, sound technicians, and lighting crew).
At times, the switching of hats from one day, week, or number to the next is a dizzying process. But when you volunteer for an arts’ organization you believe in, it comes with the territory.
As I write this, we are entering the heavy lifting phase of Lights, Camera, Elves!, our holiday show coming December 21 and 22 to the Herberger Theatre in Phoenix.
Anyway, as I swam laps on Tuesday and considered what to write this week, thoughts of my mother’s love of fruitcake and a coincidental plotline in our concert popped into my head.
You see, like my mother, Rudy–a character in our concert–adores fruitcake. He can’t get enough of it, and that obsession leads him into trouble and a terrible trap.
In fact, Act One ends with a hysterical, rousing number–Recycle the Fruitcake.
In the mix, I should back up and tell you that Scott, our choreographer, has asked me to play a bit role in the fruitcake number.
For about 15 seconds, I’ll be crossing the stage wearing an orange hazmat suit, while carrying a toxic fruitcake in this holiday tin. Meanwhile, the chorus will be singing this lyrical line:
“A fruitcake can be wide, a fruitcake can be thin, a fruitcake can be toxic, so they keep it in a tin. So, when you get a fruitcake, never let it touch your skin, ’cause you never really know where fruitcakes might have been.”
Brandon and Mike (two other chorus members) and I had loads of fun co-creating the libretto for Lights, Camera, Elves! … and we are coaching the cast as they prepare for our performances.
The show is a story of redemption, featuring Santa’s love for holiday movies, a misfit security guard named Rudy, and three recalled-and-mischievous elves (Spike, Ginger, and Eddie) … all told against the backdrop of gorgeous and fun holiday music.
We’re excited, because we are expecting full houses for all three of our holiday shows.
Though my mother has been gone for nearly twelve years and was never able to see me perform in any of the fifteen holiday concerts I’ve appeared in since 2010, I know she would have loved the spirit and beautiful music in this show … along with my creative impulse to recycle my fruitcake memories.
Not to be nosy, but do your numbers keep repeating?
Are you superstitious about the numbers game?
I think I am, though I don’t play the lottery.
Twenty-six keeps popping up in my life.
As either a beginning or an ending.
The other three members in my family of origin?
They were born or died on the 26th.
My mother wins the jackpot.
Born July 26; died January 26.
My father did his part.
He died November 26.
My sister got hers out of the way.
She was born September 26.
I hope she sticks around for a while.
So far, I am the only dissenter–born July 6.
I got nervous when I saw today’s calendar.
My mantra?
Just get through today.
The smaller one opened the door for me this morning … sometimes it’s the taller one. That made me happy … they were happy, too … I needed to feel the cool tile on my parched paws.
I was hungry … I didn’t catch a bird or a rat yesterday. Today I twirled around the taller one’s legs … the smaller one’s legs, too. They gave me something fishy and yummy … a little crunchy, too.
The taller one watched me as I ate … said something about a gold-framed mirror (I think) from his mom (I think)? He was happy he and the smaller one kept it when they came here 7 years ago … I guess, like me, they came from some other place.
They were opening lots of bottles … taking lots of pills … washing them down with water … their voices were scratchy … I think the smaller one and the taller one like each other.
I heard the taller one say that he was happy with the success (I think) of his concerts (I think) … but that it sucks (I think) that both of them (the taller one and smaller one) have to fight off Covid (I think) … again.
Hmmm, what is Covid?
The smaller one said it was like having a vacation (I think) at home together … that doesn’t sound so bad.
The smaller one and the taller one are nice to me every morning … and they keep feeding me. So, I want them to always be here when I stretch out on their mat … or under their bench while I eye the birds.
I want them … the smaller one and the taller one … to never go away.
I will keep coming back as long as they … the smaller one and the taller one … are here to rub my back and feed me.
Don’t look at me. It wasn’t my fault.
I have no idea what happened.
Sure, I’m a free spirit with time to kill
and now a better view of the butte,
but you wouldn’t dare blame me.
I’m not unhinged … not in this life.
As a tribute to the legendary Carol Burnett on her ninetieth birthday, I’m repurposing and tweaking this piece, which I wrote on April 1, 2020.
It first appeared here that day. About a year later, I expanded it for I Think I’ll Prune the Lemon Tree, my book of essays.
Thank you, Carol, for your enduring sense of humanity and a lifetime of laughs.
I’m so glad we had this time together.
***
A Custodian, A Scrub Woman, and Me
At 9 p.m. Central Time on Monday nights in 1970–fifty years before the contagious Covid-19 stunned our world–a kooky comedienne with a toothy smile and infectious laugh captured my twelve-year-old heart and creative imagination. Her name was Carol Burnett.
Born April 26, 1933–in the depths of the Great Depression–this legendary actor of stage and screen first tasted success with her Tony-nominated Broadway performance in Once Upon a Mattress in 1959. Soon after she appeared as a regular on The Gary Moore Show. My exposure to her madcap comedic skills began on September 11, 1967. That’s when The Carol Burnett Show debuted on CBS-TV.
Through the spring of 1971, the network ran the hour-long variety and sketch comedy format opposite two popular programs: NBC’s I Spy; and ABC’s The Big Valley. (Later in the seventies, as the show gained a larger audience and momentum, CBS moved The Carol Burnett Show into its Saturday night lineup following four other prime-time powerhouse comedies: All in the Family, M*A*S*H, The Mary Tyler Moore Show, and The Bob Newhart Show.)
Back in 1970, after I finished my homework on Monday nights, the lights on stage came up around Carol and were transmitted through our Zenith color TV in suburban St. Louis. Long before I first imagined taking flight in my dusty desert time machine, she proceeded to field questions from her studio audience and lead me and thousands of other viewers across the country on a metaphoric and comedic joy ride.
Every week we sat mesmerized. We watched Carol and her creative troop–Harvey Korman, Vicki Lawrence, Lyle Waggoner … and later Tim Conway–perform their magical TV mayhem. Together they represented creative constancy in my life.
At that time, Dad worked the night shift as a custodian for a government agency in St. Louis: sweeping and mopping floors; cleaning toilets and urinals; emptying waste baskets.
It was a life of late-night drudgery my father, the ex-salesman and unfulfilled poet, couldn’t stomach and never dreamed of—especially when the rest of the world had Carol and the hilarity of her As the Stomach Turns weekly soap parody at their disposal from the comfort of their living room couches.
But like clockwork, at 9:30, Dad called during a break from his janitorial job. He craved a creative escape too. He wanted my color commentary on Carol’s show. The ringing on our kitchen phone was my cue to fill in the comedic gaps.
I stretched the curly cord into the living room and translated Carol’s hour-long variety show into something positive that might sustain him….at least for one night.
To put this in its proper personal perspective, Dad felt he was missing the important moments in life: a traditional schedule of evenings at home with his wife and children watching Carol’s shenanigans. All for the sake of a weekly paycheck and a job that clogged his ego like a stopped-up toilet.
As far as Walter Johnson was concerned, there was nothing else remotely funny about 1970. The Vietnam War was raging. Nixon was president. That was awful enough. Especially for a life-long Democrat.
I’d like to think our phone exchange during his break and my play-by-play of Carol’s comedy sketches and crazy Bob Mackie costumes he missed helped transform his melancholy spirit.
Ironically, over the course of Burnett’s career, she frequently reprised the role of a soulful scrub woman, who cleaned up after everyone else went home. It was Burnett’s tattered-but-enduring character, which became her show’s symbol of humor, heart and humanity.
Like the rotary phone that rang on our kitchen wall, I never imagined the show would one day disappear. But on March 29, 1978, after eleven seasons and 279 episodes (notwithstanding another nine episodes that aired in the fall of 1991) the curtain came down on The Carol Burnett Show.
In the mix, the Vietnam War ended. The troops came home. Nixon resigned in 1974. I graduated from high school and went on to college in 1975. Dad did his best to complete his night-shift janitorial duties.
In August of 1976, at sixty-two-years old—the age I am now—he retired from a job he despised but tolerated to contribute what he could to the well-being of our family. Remarkably, my father lived another seventeen years, despite his struggles with heart disease and depression.
“I’m so glad we had this time together, just to have a laugh or sing a song. Seems we just get started and before you know it, comes the time we have to say so long.”
At the close of each of her shows, Carol Burnett sang this familiar tune, tugged on her left earlobe, and signed off. Evidently, it was a signal to her grandmother to let her know she was doing okay.
I loved it all. Carol’s shenanigans, her show, her sidekicks, her song, her signal, her sentiment. Dad did too. Everything she represented … her physical humor, uproarious laughter and wacky demeanor … sustained us through difficult times.
Fortunately, Carol Burnett lives on. So do the best moments from her comedy sketches on her Carol Burnett and Friends shows that appear in syndication.
What’s all the yammering about?
Here in the Valley of the Sun–home to Super Bowl LVII in Glendale, Arizona, and the Waste Management Phoenix Open this weekend–the media hype is way, way up (somebody make it stop!) and so are the crowds of football and golf fans who have descended on Old Town Scottsdale.
Meanwhile, there’s lots of hammering happening too on Super Saturday.
A trio of industrious men are replacing the roof of our condo. As background, the planning for this project began a month ago, when heavy rain and pea-sized hail (yes, it hailed in the desert!) produced a leak on the edge of our north-facing roof on New Years’ Day 2023.
At this moment, Tom and I are holed up in our cozy den with our fingers and toes crossed. Outside tarps surround us. All of our containers of cacti and succulents are scattered or safely tucked under the eaves.
Hopefully, none of the old shingles (currently flying off the roof like a scene from The Wizard of Oz and landing on the ground in a series of whooshes) will destroy them.
That scraping and pounding is super noisy. But, if all goes well, we will have a new roof by noon today.
And after tomorrow–no matter whether the Chiefs or Eagles win the Super Bowl–the throngs from the Midwest and East Coast (Kansas City and Philadelphia, I’m talking to you) will begin to return home with sunny (and unusually brisk) Arizona memories.
Perhaps they will also leave with a tumbler like the one this local bought at our Fry’s grocery store to commemorate the madness.
I’m convinced. Long after the American Southwest has curled to a crisp–scientists reported this week that we are experiencing the driest two decades in 1,200 years–cats will roam the Sonoran Desert and reign supreme.
I have no scientific proof to support my theory. Just a small sampling of feline friends–feral and domestic–in my Polynesian Paradise focus group.
With a flick of their tails and a few meows at our door, they cavort in our community, roll in the rocks, climb the walls and roofs, slink down the sidewalks, and generally get what they need and want to survive–above and below the eaves, but under the radar.
They appear magically each day. Goldy (she lives down the lane), Blanca (she lives kitty corner) and Poly (she lives everywhere in trees, on roofs, and under stars) plot to pounce on unsuspecting doves and finches.
Later they connive and clamor to devour Friskies Party Mix and ramakins of milk offered by we residents (suckers), who enjoy the show and the reasonably-priced (free) admission.
The three (and others yet to be catalogued) twist and glide in independent circles, careful to dodge owners with dogs on leashes that glance and sniff as they stroll by.
Blue-eyed Blanca, the friendliest of the bunch, has been known to hop into this reporter’s lap and purr. This leads me to wonder if she is really a dog trapped in a cat’s body.
Or maybe she is a long-lost relative, desperately trying to communicate. In any case, she enjoys kneading dough on my leg, catnapping on our loveseat, and (I suspect) worming her way into another story.
In April 1974, I became a rollercoaster operator. It was my first job. I was sixteen years old.
Like most teenagers, I didn’t have a clue about life. But, as I think about it more than forty-seven years later, “driving” the River King Mine Train at Six Flags Over Mid-America near St. Louis became the creative catalyst for twenty-six, up-and-down stories from my Missouri childhood. I call them MOstalgic tales of American culture in the 1960s and 70s, when children had far more freedom to grow, play and run amok.
From December 20 through 22, you can download a free Kindle copy of Tales of a Rollercoaster Operator on Amazon worldwide. It’s my holiday gift to you.
The last essay in the book is especially timely. It celebrates a chance encounter with a mysterious stranger nearly sixty years ago on New Year’s Day 1962.
As 2021 draws to a close, perhaps my stories will make you smile. Maybe even inspire you to post a review online. But, at the very least, I hope they prompt you to remember a simpler time and the twists, turns and thrills from your own childhood–wherever you were born, wherever you grew up, wherever you called home.
No writer wants to be known as a one-trick pony. Yes, to this point I’ve written mostly creative nonfiction, but each of my four books includes flashes of poetry. And, in my latest book of essays–home grown on the metaphor of pruning a lemon tree in my desert community–I also dabble in fiction.
In other words, I have no problem branching out into the great beyond of fruit trees. Grapefruits, for instance.
Here in our Polynesian Paradise condo community we live among lemon, tangelo, orange, fig, and lime trees … even a lone pomegranate. But we are surrounded by a bumper crop of pink and white grapefruits that will be ready to pick in late December. They are a far cry from the maple, elm, magnolia, oak, and gingko trees of my Midwestern past, which will be bare soon.
I’m not a fan of grapefruits. They’re too tart for my palette. Plus, if I ate them they would counteract the positive effects of the statin medication I take to keep my cholesterol count in the normal range.
However, Nick–my older son who lives near us–craves these tangy softball-size citruses. (I remember my dad loving grapefruits too. In fact, Nick resembles him. It’s funny how certain likes, physical qualities, and personality traits skip a generation.)
This afternoon I texted Nick this photo with a grapefruit update: “You’ll be happy to know the grapefruits are shaping up. They’ll be ripe in a month or so.”
“Oh nice” was Nick’s laconic response.
As the citrus-plucking season draws nearer in Arizona, here’s a snippet from I Think I’ll Prune the Lemon Tree, my book of whimsical and serious essays available in Kindle and paperback on Amazon.
***
Nick is especially enamored with the citrus trees—most notably, the plethora of grapefruits that dominate our condo complex grounds. In December and January each year, Nick the Citrus King contacts me frequently concerning the status of the ripening citrus crops. His texts or phone conversations begin something like this:
“Hey there. Are the grapefruits ripe enough to pick?” There is no preliminary happy talk such as “How are you feeling, Dad?” before the citrus cross-examination.
Aware of Nick’s citrus sensibilities and no-frills communication style, in January 2020—as a belated Christmas present—Tom and I surprised him with his own fiberglass fruit picker. We gave him one with a durable steel trap and extendable arm, which would extend his reach to grab the largest orbs clinging to the highest branches in a galaxy far beyond low-hanging fruits.
Upon receiving his gift, Nick’s smile grew three sizes. With the flexible picker in one hand and a few empty bags in the other, he and I set out to corral a selection of the sweetest and juiciest citrus delicacies we could find in the common areas of our complex.
Twenty minutes later, we returned to the condo with a mix of white and pink grapefruits, tangelos, lemons, and oranges. Harry & David would have been proud to grow, pick, and ship them to Vitamin-C-starved customers in cold-and-gray winter climates.
Without a crystal ball or a notion of where to find a citrus psychic, I have no way of knowing where Nick’s quest for fresh grapefruit will lead. But I am gratified to see him plucking fruits from the sky and flourishing in his Arizona life despite the heat.
Mark Johnson Stories 