Category: Literary Life

Another Day, Another Story

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After my mother died on this day in 2013 at age eighty-nine, my grief took root.

With a little time, a lot of reflecting and journaling, and the support of a small circle of family and friends, I found and nurtured my own path from the branches of despair.

By 2015, I had carved out a storyteller’s life Helen Johnson would have loved. Late that year, I flew to North Carolina to visit Frances, her only sister.

Spending time with Frances in the state where both were born–and revisiting childhood memories of my grandparents’ farm in Huntersville, NC–propelled my creativity.

In March of 2016, I completed and published my first book, From Fertile Ground. It is the story of my journey and grief.

If you’ve read this story about three writers (my grandfather, mother, and me) and their love of family, you know this isn’t really the cover.

Today I’ve superimposed this photo of Helen and Frances together (in my sister’s backyard in 2003 or 2004 in northern Illinois) to remember them both.

Why? Because Frances was the last physical vestige of that rural, 1960s world for me. When she died six months ago at age ninety-one, I metaphorically waved goodbye to those years of running amok barefoot on warm summer days in the Tar Heel State.

Of course, I will always have rich memories of my wise-and-frugal mother, who wrote countless letters, and my fun-loving aunt, who traveled the world in her retirement years. In their own ways, they inspired me to tell my story.

Today–as I remember them both–I can walk into the sunroom of the Scottsdale, Arizona condo where Tom and I now live. I can pull my book off the shelf and find this passage.

“What I knew before was that the farm was a place of discovery for me and the fertile ground there was a physical and psychological refuge from the hardships of our family drama in St. Louis. What I know now is that I would need to go back to North Carolina to come to terms with my grief and integrate my southern memories with my present-day, real-life adult existence.”

I can take solace in the fact that I’ve written about Helen and Frances–who they were, who they loved.

Though they are both gone, they live on the pages.

American Fiction

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I don’t usually write film reviews. I prefer to leave the nuances of critiquing movies to my cinephile husband. However, in this case, I will break the rules. You’ll understand why in just a moment.

In American Fiction, Jeffrey Wright plays Monk, a frustrated novelist who feels his books have been lost in the bluster of less literary works that fly off the shelves on the wings of tired stereotypes about the Black community.

Against the advice of his agent, he decides to prove his point by writing a one-dimensional, inflammatory book under a pen name.

He considers it garbage, but ironically the story wins immediate acclaim. He finds himself faced with the conundrum of accepting his financial windfall and hypocrisy or coming clean.

No spoilers here. You’ll have to see the movie to understand the permutations of his dilemma.

However, the story–written and directed by Cord Jefferson–is a dazzling bit of witty screen writing, laced with well-drawn, believable characters navigating painful personal traumas.

It’s been a long time since I was so entertained watching a movie. Tom and I laughed. Out loud. And so did the fifty or so others who sat around us in the theater at Camelview Theater at Fashion Square Mall in Scottsdale on Friday night.

I even shed a few tears, because there is a story thread about Monk’s mother–played by Leslie Uggams–that hit rather close to home.

But what resonated most for me was the brilliant way the film explored the world of a writer. We tell our stories, hoping our truths will land with readers.

We spill our guts (or those of our fictional characters) on the page but have no control over the tastes and proclivities of readers.

We do it because we love to write. It’s what we were meant to do. But secretly–or maybe not so much–we pine for our books to blaze a trail and rake in the royalties.

For those of us with dreams and scruples, we want our books to sell … but never want to sell out.

Ten Things I’ve Learned This Year

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From time to time, it’s important to take stock of where we’ve been and how we’ve grown. In that spirit, as December’s light wanes, I look back over the fence at 2023.

Here are ten important things–in no particular order–I’ve learned (or been reminded of) this year. Each is connected to one or more blog posts I wrote in the past twelve months.

***

#1: Creative opportunities are rare butterflies; grab them when they appear.

#2: Music transforms the human heart with joy and hope.

#3: Cats are resourceful, cuddly, and conniving characters.

#4: Losing someone you love to suicide is devastating.

#5: Trees keep us rooted to the places we love most.

#6: Good poetry simply IS; no explanations are required.

#7: My husband is a sweet guy, who really knows his movies.

#8: Carol Burnett is a national treasure and a kind human being.

#9: You can’t replace your mother or father, but you can remember them fondly.

#10: We all need a sense of community to connect and nourish our souls.

***

Join me on my blogging adventure in 2024. Just fill out the information on my Contact Me page. I will be sure to add your email address to my subscriber list.

That After-Concert Feelin’

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My friend Adele Singer captured this glorious musical moment during the second act of Thanks for the Memories: A Gay Christmas Carol, on Saturday afternoon, December 16, 2023.

Today I find myself straddling two worlds: the joy of what was (three fabulous, sold-out holiday concerts last weekend with the Phoenix Gay Men’s Chorus) and the reality of what is (a post-concert malaise and head cold).

Minus the minor illness, this is a feeling I’ve become accustomed to as a writer and performer. You work tirelessly to tell your story, edit it, publish it, and wave goodbye as it bobs on the waves of readership.

Or, in the case of a stage performance, there are the weekly (and then daily) rehearsals that crescendo on opening night–and all the behind-the-scenes machinations of memorizing notes, lyrics, and choralography at home in your robe or underwear.

Then, standing on stage with your chorus mates. All of you wearing black accented with a sparkly, sequined, rainbow-colored vest–mine was blue–waiting with anticipation for the curtain to rise before the opening number–That Christmas Morning Feelin’–and the applause of a full house that followed.

Then, ninety-minutes later, realizing the show is over. Making your way to the lobby to hug and thank loyal friends and family who attended and (based on their enthusiastic response) were most-definitely entertained.

Even listening–as a total stranger who smiles through her tears–grabs you, looks directly into your eyes, and tells you how moved she was by the music and the transformative holiday tale.

She told me it was something she and her partner desperately needed to experience–see, hear, and feel–away from this frightening world.

For me, there is also the added component of savoring my libretto. Remembering when it was a kernel of an idea. Developing characters (three flamboyant-and-visionary Celestials who would visit one lost-and-misguided protagonist).

Then, writing lines of humorous and topical dialogue–that cascade like a string of colorful Christmas lights connecting the branches of each song–in July and August when it was 115 degrees outside in the Phoenix area.

These are the memories I savor on a post-concert Wednesday, five days before Christmas.

***

It rained in Scottsdale early this morning. Heavily. That’s a novelty in the Valley of the Sun, but we’ll take the moisture whenever it comes. More is expected Friday.

As Tom and I sipped our coffee in our den, I read an article Making Space, written by poet and author Christopher Soto, in the November/December issue of Poets & Writers.

In it, he artfully acknowledges the act of fully embracing the process of letting go, once your creative work has landed. In his case, he traveled to Joshua Tree and the desert of Southern California for a farewell ritual for his debut book of poems, Diaries of a Terrorist.

After considering the success of his book, he pulled out his journal and began to write something new.

I haven’t read his book. Maybe I will in 2024. However, his story certainly resonated with me–now that this latest libretto/performance–and my five books that preceded it–has sailed away.

The best thing all of us writers can do as 2024 approaches is to set our sights on writing another story, essay, poem, or libretto.

After all, the world–especially now–needs its artists to step forward and paint a picture of what the world is and what we hope it will become.

***

P.S. I’ll be taking a break until early January. To join me on my blogging adventure in 2024, send a message via my Contact Me page and I will add your email address to my subscriber list. Happy Holidays!!

Tom snapped this photo of me outside the Herberger Theater in Phoenix after our final performance of Thanks for the Memories: A Gay Christmas Carol on Sunday, December 17, 2023.

Because I Still Remember

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Dear Dad,

Thirty Thanksgivings have come and gone. You wouldn’t recognize the world now. It’s not the one you left on November 26, 1993–much less the country you helped defend during World War II.

Despite some steps forward, life in 2023 is far more complicated, contentious, and fragile for most people.

Nonetheless, I count myself as one of the lucky ones. Thankful to be alive. Thankful for the love of family and friends. Thankful to remember you.

I met Tom about three years after you died. In my thirties, I didn’t imagine this sense of companionship and contentment in my later years … able to marry another man with a similar worldview and creative disposition.

Nor did I imagine living and writing in the warmth of the Sonoran Desert. Creating a life far outside the bounds of the Midwest existence I called home for nearly sixty years.

Over the past three decades, I’ve often reflected on your life, your troubles, your good intentions.

Whenever Tom and I watch the film, I Never Sang for My Father, I am reminded of the deep and treacherous waters fathers and sons navigate together.

We had our share of those moments, but I don’t see a huge resemblance between our relationship and the conflicts facing the two lead characters–frail father (Melvyn Douglas) and his writer son (Gene Hackman)–who never find common ground or the language to make their relationship whole.

There is a profound line in the movie that resonates and always leaves me in tears.

“Death ends a life. But it does not end a relationship, which struggles on in the survivor’s mind toward some resolution, which it may never find.”

Thirty years later, I feel at peace as I recall our relationship in some unnamed, spiritual way. I feel it on certain occasions with my sons. Or when Tom and I commiserate over our personal losses.

Or as I consider my book of poems, which I published earlier this year. Or when I sing on stage with the Phoenix Gay Men’s Chorus and sense a ripple of emotion charging through my heart and lungs.

I can imagine how proud you would be to see how far I’ve come. You were always the first one to stand and applaud when I sang in high school and college. Thank you for that.

I never told you that I understood your struggle to be heard, even when your depression caused me pain. I observed both your successes and failures–your hopeful exuberance, love of family, health challenges, and bouts of unhappiness.

They have shaped my odyssey as a writer and given me greater compassion and empathy for the plight of the disenfranchised.

In 2023, I live about fifteen hundred miles west of St. Louis, far away from your grave at Jefferson Barracks National Cemetery. So, I won’t be able to visit your marble slab today, but this letter is better.

Rest assured–long after your final breath the day after that big meal with your sisters on Thanksgiving 1993–our sometimes-messy-sometimes-sweet bond still exists.

We will be father and son forever. That will always matter to me. Because I still remember.

Love, Mark

My father’s final resting place at Jefferson Barracks National Cemetery south of St. Louis.

Then and (Nearly) Now

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I know some of you are like me. You have positive, vivid memories–as a child and adult–of visiting your local library and leaving with a few titles that piqued your interest.

My earliest library memories lead me back to suburban St. Louis, where my mother drove my sister and me to the Tesson Ferry Library on summer Saturday mornings in the 1960s. It was her attempt to sustain our thirst for learning away from the classroom.

More recently, now that I am in my 60s and living in Arizona, Tom and I stop by our local library in Scottsdale to discover books. Sometimes they are contemporary novels, sometimes they are classics.

For instance, I had never read any of the writings by Willa Cather, so I picked up her book, The Song of the Lark. It probably won’t surprise you to learn that I’m enjoying reading her mostly autobiographical tale about a character’s quest for artistic excellence in the desert southwest.

Meanwhile, back to this blogpost … I’ve found that local libraries (in Mount Prospect, Illinois, where I lived for many years and now here in Arizona) offer important opportunities for me as a writer–agreeing to place my memoirs and poetry on their shelves and (when the time is right, and pandemics aren’t running rampant) share my stories with those who may connect to their themes of love, loss, transformation, truth, and triumph.

For instance, on this day four years ago, I hawked my books at the Mesa Public Library’s Local Author Fair at Dobson Ranch here in the Valley of the Sun. It was the perfect opportunity to talk with readers, sign a few books, and compare notes with other writers.

Just a few months after that experience, a little thing called Covid-19 emerged and paralyzed the world. Of course, face-to-face opportunities to do anything became impossible for all of us. Even though I continue to write, I’ve felt my literary presence shrink during the past four years.

Since 2019, I’ve exhibited my books on a few occasions, but the opportunities have become less frequent. For instance, the Scottsdale Public Library decided to discontinue their annual author event permanently. However, there is a silver lining for me to report.

On Saturday, December 2 (noon to 4 p.m.), I’ll be selling and signing my latest two books (completed between 2019 and 2023) at the Mesa Public Library again … this time at the Red Mountain Library location, 635 N. Power Road, Mesa, Arizona 85205 … for their 2023 installment of the Local Author Fair.

Arizona authors across all genres–memoirs, mysteries, science fiction, thrillers, westerns, children’s books–will be there.

If you live in Arizona–or plan to visit the greater Phoenix area in early December to escape the cold in other parts of the country–I hope to see you there, too!

Me sans glasses, standing outside the Mesa Public Library at Dobson Ranch for the Local Author Fair on October 24, 2019.
Me on October 24, 2023 in Scottsdale, Arizona preparing for the Mesa Public Library Local Author Fair on December 2, 2023.

My Way Out

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In this world of perpetual social upheaval, being who I am-openly gay–isn’t always easy. But I persist.

I decided more than twenty-five years ago that coming out was the only healthy way to live.

With the assistance of two amazing therapists (thank you, Barry and Valerie!) and the love of a small circle of friends and family, I discovered that authenticity was my way out of denial, depression, and anxiety.

Over the years, I’ve written frequently on this topic in my books and here in my blog. Today, on National Coming Out Day in the United States, I’m here to remind you once again that I am a proud gay man.

This one aspect of my identity–the fact that I am attracted to the same sex and married happily to another man–certainly defines the way I see the world. It gives me compassion and empathy for others who are different … no matter their skin color, religious beliefs, economic status, or capabilities.

All my life, I have been protective of those who are disenfranchised and less fortunate. I came from a modest background and have survived personal and family hardships.

As a teenager and young man, I didn’t understand or love myself, but now that I do I feel it is my obligation to remain visible. To pave the way for queer teens and adults who may not yet feel comfortable enough to come out.

In 2023, I think most Americans are supportive of their gay friends, family members, and neighbors. Of course, there is a vocal minority that would prefer we don’t exist. I have no control over their beliefs.

No doubt, a handful of haters will be demonstrating at the end of the Phoenix Pride Parade route on October 22, when I sing and march with my friends in the Phoenix Gay Men’s Chorus.

But they will be overshadowed by the thousands of LGBTQ supporters–gay and straight–who will line the parade route with their parents and children, cheer, and wave their rainbow flags.

We are a country that was founded on the notion of “liberty and justice for all.” At times, we have failed miserably at fulfilling our mission as a democratic society.

But I’m not ready to give up. I still have hope–as a sixty-six-year-old gay man, husband, father, brother, writer, singer, friend, neighbor, voter, and citizen of the United States–that we will find our way out of the political divisiveness that exists.

I’m not sure how we’ll get there, but today–and everyday–all of us who are different must continue to come out, be ourselves, love each other, and remind the world that LGBTQ citizens are valuable, kind, contributing, and responsible Americans. We will not be denied.

Seven Slices

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The quietest slices keep us whole and hopeful. If we let the snippets slip past without noticing, we are missing the moments, the essence, the connecting tissue, the story of life itself.

If you enjoy my poetry and photography, purchase a copy of A Path I Might Have Missed on Amazon.

The Possibilities of Pruning

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In October 2019, I puttered in my garden as I often do.

I had already begun to assemble tongue-in-cheek and serious stories about life in the Grand Canyon State. But I needed a creative hook to link the essays and my desert fantasies to the wide-open experience of living in Arizona.

Strangely, sagging citrus tree branches provided the stimulus for my book title. While they impeded our sidewalk, identifying the obstacle cleared a path in my brain. Tom stood by as seven words flew from my mouth and tumbled into the arid Arizona air: “I Think I’ll Prune the Lemon Tree.”

***

Nearly four years have passed. In early 2021, I completed and published my book. Folks near and far have told me how much they’ve enjoyed reading it.

Of course, I hope more will discover it and find meaning in the essays, including those I wrote about living in a global community we never imagined–a place I call Coronaville.

This afternoon I found myself in the same space outside my front door, examining the same tree, realizing it needed another haircut. I grabbed the loppers, pulled on my gardening gloves, and pruned only the most problematic branches that hung low.

Sadly, there were a few lemon casualties that fell to the earth looking more like green limes than the fully matured lemons they might have become in December.

Still, I think I did a good thing for Tom and me … and our neighbors and delivery people, who pass daily on the sidewalk of our mid-twentieth-century condo community and go about their lives under the radar.

And the lemon tree? It’s now shapelier than before and has inspired me to write yet another story about the possibilities at play in nature.

One Thread at a Time

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Whenever the opportunity presents itself, I enjoy talking about the discipline of writing. Honestly, it doesn’t happen that often. But when it does, it’s generally in the course of an ordinary day.

For instance, last Friday–on the way out the door of the gym I frequent–I stopped to talk with the manager. He asked me about my latest writing project for the Phoenix Gay Men’s Chorus.

“It’s fun,” I told him. But then I went on to explain that creating a full-blown musical libretto is also draining. Such is the case for anything that pushes us beyond our comfort zones.

What does writing a libretto feel like? Well, I’ve never been a clothing designer or tailor. But it’s as if I’m sorting through a world of potential fabrics … selecting the right one … weaving it into a fictionalized story with smart dialogue and an emotional arc … and stitching it to music (which the chorus’ artistic director has selected).

Back near the entrance to the gym, another person joined the conversation. It morphed quickly into a discussion about the motivations and pitfalls of writing. She–a technical writer, who has dreamed about writing a childrens’ book–asked me about my creative commitment and impulses.

That’s when I felt my energy swell as I became creative mentor and cheerleader on the fly. I told her writing is like any discipline–exercise, yoga, boxing, for instance.

I told her I write something nearly every day. That–strangely–after my mother died ten years ago, a new door opened. I decided to take a leap. To write stories that were important to me, not some corporation.

Along the way–I told her–I discovered my true calling as an independent writer. It’s something I’m passionate about, though sometimes the creative process can be lonely.

I told her you have to make it a priority. You have to make the time for it. I told her that the childrens’ book she wanted to write was inside her, waiting to be written.

As I left the gym and walked to my car in the heat of the desert sun, I felt happy … content in the knowledge that I had encouraged one other person to step beyond their creative comfort zone.

***

In this world of raging fires, heat waves, social upheaval, and constant noise produced by snake oil salesmen, I believe the best thing we can do is to put down our phones and turn off our TVs more often.

To take back our lives. To talk with one another face to face–or at least voice to voice. To offer encouragement when opportunities present themselves. To write and read more books and poetry. To make time and room for practices and people who make our hearts sing.

If we do, maybe we can begin to restitch the underlying fabric of our society … one thread at a time.