Though he has been gone since 1993–taken by a second heart attack a week before his eightieth birthday–my dad still appears in fading photos on the walls and shelves of my Scottsdale condo … and in memories I carry.
Like an earnest anthropologist combing for clues, I’ve kept Walter Johnson’s history and story–his highs and lows–alive. He lingers on the pages of all four of my books. The journalist and the son in me believe I’ve done right by him.
In spite of his traumas (World War II shellshock, bipolar rants, and heartache), I’ve long ago put Walter’s pain to rest. It no longer consumes me in my sixties.
It has been replaced by abundant compassion and appreciation for the man he was in his forties: enthusiastic, fun-loving, loyal, and truly patriotic.
I don’t think I’ve ever uttered or written the following sentence, but it’s time I did: I have never doubted my father’s love for me.
I certainly see and feel it in his eyes in this (now vintage) photograph my mother captured of Dad and me.
More than six decades later–in these desert-dwelling days I never imagined in my Midwestern life–I link the joyous and boundless expression on Dad’s face with a keepsake Tom and I wrapped carefully and brought with us in the backseat of our Hyundai Sonata when we came west in 2017.
It’s an electronic GB Means Good Beer advertising sign, which Walter the salesman salvaged from his days peddling products for Griesedieck Bros. Beer in the 1950s.
In the early 60s before his first heart attack, Dad turned on the sign when company came over and we ventured into our basement. Long after he died, the sign’s magical light-and-color wheel spun and bounced a range of hues on a knotty-pine shelf downstairs in Missouri. Then later, it danced on top of the refrigerator in the kitchen of our suburban Chicago home.
Strangely, the wheel disengaged in 2017–somewhere on the road between Illinois and Arizona as I mended from a heart attack on the passenger side.
I wasn’t sure the sign would ever spin again, but I found a trusty repairman named Bob in Phoenix. He opened the back of the rectangular sign and tinkered with it. He told me he could reconnect the wheel to the track. I left Walter’s beer sign in Bob’s capable hands.
Bob called two days later to say the sign was working again. The following afternoon, Tom and I paid him. I thanked him for his time and trouble. We brought the sign home and found a suitable place to display it on the top of our bookcase in Scottsdale.
I plugged in the sign and turned on the switch. The light-and-color wheel twirled. The blues, reds, greens, and purples bounced, just as Walter had…
It comforts me to know that on Father’s Day–or any day–I can flip the switch in one simple motion. I can reignite the love I still feel for my father and remember his best intentions.
In an instant, I can remind myself that Dad is with me on my journey.
I’m still on a high, channeling ripples of joy from my musical weekend on stage with the Phoenix Gay Men’s Chorus.
It feels as if the decision to step out of my comfort zone and into the spotlight for a solo has dislodged something. I feel freer to explore new things. To be more open to possibilities in the world.
I’m not talking about an entirely new me that appeared in an instant. I believe this progression began when Tom and I left Illinois nearly five years ago. The act of living, writing, and singing in a vastly different landscape has spurred my creativity.
After having a heart attack in 2017, I’ve gotten better at living in the moment, rather than postponing my dreams. We may never get tomorrow.
In the words of Jim Seals, we may never pass this way again. Seals–the singer, songwriter and guitarist of the popular Seals and Crofts duo–died June 6. He was eighty years old.
The tunes of Seals and Crofts–Summer Breeze, Hummingbird, Diamond Girl, East of Ginger Trees, I’ll Play for You, Ruby Jean and Billie Lee, We May Pass This Way (Again)– were the mellow wallpaper of the 1970s. Their distinctive, ethereal sound filled the air and the hearts of young people with hope and possibilities.
When I close my eyes and listen to this CD (yes, Tom and I still listen–proudly–to CDs on an old boom box), I am transported to 1975.
It was my freshman year at the University of Missouri in Columbia. Walking around campus in cut-off jeans and tube socks. Playing tennis with John, my roommate. Feeling the late summer breeze rush through my long, straight blond hair, which trailed down over my face.
Released in October 1974, Seals and Crofts Greatest Hits has left an indelible imprint on my past and present. Whether I remember the young Mark Johnson who tossed a Frisbee with friends in the shade of Mizzou’s iconic columns or the older version who took a chance on a stage in Tempe, Arizona in June 2022, I’ll always be a hopeful dreamer.
Thank you, Jim Seals, for all the beautiful music you created and left us. I’ll keep listening to it … no matter what this crazy universe brings.
Life–so they say
Is but a game and they let it slip away
Love–like the Autumn sun
Should be dying but it’s only just begun
Like the twilight in the road up ahead
They don’t see just where we’re goin’
And all the secrets in the Universe
Whisper in our ears and all the years will come and go
And take us up, always up
We may never pass this way again, we may never pass this way again, we may never pass this way again.
When I was a youngster in the 1960s, my dad and his sisters spoke solemnly of an alliterative-sounding day we don’t hear about anymore: Decoration Day.
It was an apt description for an activity Americans performed every May 30, as the heat of summer rolled in. They decorated the graves of those who died in defense of their country.
According to history.com, the tradition began May 30, 1868. After General James Garfield made a speech at Arlington National Cemetery, 5,000 participants left flowers on the graves of 20,000 who died during the Civil War.
What we now know as Memorial Day has evolved into a hybrid holiday–the day we honor those who have served, pig out on barbecue, watch sports on TV, bicker about politics, guns, and vaccinations, pay an arm and leg to fill up our gas tanks, and race to the mall for a new mattress that’s on sale.
On this especially somber weekend–just days after the latest school shooting and slaughter of innocent children in Uvalde, Texas–I prefer to pause and kneel (theoretically) before the grave of my father rather than salute our flag. Though I can’t be in St. Louis right now to do that, I can write about it.
Walter Johnson served our country during World War II. He was an Army sergeant, who fought in Europe in the Battle of the Bulge in 1944.
Despite shell shock, personal trauma, and frequent nightmares, Dad lived nearly fifty more years. He died in 1993. He and Helen Johnson, my mother, are buried at Jefferson Barracks National Cemetery south of St. Louis on the top of a hill under an oak tree.
This weekend, volunteers will be decorating all of the graves there–and in all national cemeteries–with miniature American flags.
On September 4, 2021–it would have been my parents’ seventy-third wedding anniversary–Tom and I visited Dad’s and Mom’s graves.
We left two decorations–a couple of acorns–on top of their marble headstone. Though my parents are both long gone, like the acorns, the vivid memories are alive and the love endures.
My hope is that one day soon–for the sake of American children and future generations–we can find our way to put down our guns, regain our senses, and decorate our lives with more than flowers and regrets.
Ruminating from the threshold of Medicare eligibility, this is how I choose to remember my parents in their later years: content and seated side-by-side, listening to jazz in St. Louis on the banks of the Mississippi River.
If you’ve read my first book, you know Helen and Walter had a complicated and volatile relationship. But by the mid-to-late-80s–after the heavy lifting of jobs, child rearing, and the daily swirl of Dad’s bipolar rants–they found a more peaceful coexistence.
Together they rediscovered a love of Dixieland jazz under the shadow of the Gateway Arch. They tossed their metal folding chairs (latticed with yellow and white nylon strips) into the trunk of their sensible sedan, drove downtown, and evidently walked to this shady spot.
It happened just steps away from the cobblestones that led to the now-defunct Admiral Boat and historic Eads Bridge that still connects Missouri and Illinois. (If you squint, you’ll see them both in the background.)
I remember the faint giddy-up in my fading father’s voice over the phone. He described what he and Mom experienced … together … rousing, organic music played by happy people. Trumpeters, saxophonists, trombonists blaring on a summer’s day.
Best of all, all that glorious music was FREE. Products of the Great Depression, Dad’s and Mom’s frugality was baked into their souls. Thankfully, it transferred magically into mine.
Years later, as I gathered coupons for a trip to the grocery store with her in northern Illinois, my mother would smile with pride at me from under her floppy hat and announce, “You’re a good shopper, honey.”
I imagine my sister Diane took this photo. At the time, she lived near them in the St. Louis suburbs. I had already moved to Chicago in 1980 to launch my communication career and create a life with Jean, then my wife.
Busy in my late twenties and early thirties, I was happy to know of a positive change in my parents’ relationship, but I think I dismissed their newfound glee and meeting of the minds. Digging deeper, maybe I felt sad that I missed this better chapter.
Now that I’ve arrived at the station in life depicted in this photo–greater leisure time, protective hats, contentment, wisdom, and personal vulnerability–I see more clearly how tragic it is that we Americans dismiss the trajectory of our older citizens in favor of youth and vitality.
It seems like it should be the exact opposite. Other cultures figured that out long ago. Why is it we are so hung up on viewing the activities and lives of young people as more valuable? The Kardashians? Please!
It boils down to money, marketing, and economics. Companies know that many seniors–then and now–live on fixed incomes. They don’t have the disposable income they once did. But what a shame to diminish their worth and assign it a dollar amount.
This story–part nostalgic reflection, part rant on agism–was prompted by rejection. No, I wasn’t job hunting. Five months ago, I entered my latest book in a contest with Memoir Magazine. I had high hopes I might at least get some sort of honorable mention.
On Sunday, I received a cordial, strategically written email thanking me for my submission. Then the other shoe dropped. Though my set of whimsical-and-serious Arizona stories and flights of fancy made it through the initial review, it didn’t land on the short list.
I have to admit. I was crestfallen. I think I’m a damn good writer. I also realize the competition was stiff. I lead a relatively ordinary life with my husband. At this point, my life isn’t filled with drama. It’s my calling to write stories about what it means to age, what it means to be gay, what it means to exist and survive in this crazy world.
Yes, as my husband reminds me, there will be other opportunities, other contests to consider. But especially now (three weeks after testing positive for Covid and fortunately recovering) none of us knows what tomorrow will bring.
All of this brings me back to Helen and Walter … and all that jazz they enjoyed under the Arch in the 1980s. I suppose I’m better off just enjoying the moments of life as they appear, singing when I want to sing (I have a brief solo in my June concert with the Phoenix Gay Men’s Chorus), writing what I want to write, and caring less about accolades and awards.
I guess I’m better off giving thanks for the perspective that comes with aging. No matter whether the literary world or the greater universe ever recognizes what I have to say, I have my life. I have my voice. I have my writing.
We all know it when we feel it … love. When it is there, it fills our hearts and lights up the world.
I’m not only referring to romantic and physical love between two human beings–two men, two women, or a woman and man. Most of us need and want some form of that depending on our orientation.
True love goes beyond the jewelry commercials that implore men to buy rings for their sweethearts. It appears in many forms–parental love, neighborly love, pet love, friendship, companionship, etc. In my heart and mind, love is a close cousin of natural beauty, peace, kindness, and human decency.
As Tom and I strolled in the sun this morning along the Crosscut Canal in Scottsdale, I was transported back to grade school in the St. Louis suburbs and the Valentine’s Days of my 1960s childhood.
In those days, we created and decorated our individual holiday mail slots, fashioned out of shoe boxes and adorned with red, pink and white construction paper. Some were simple. Others grandiose, laden with tiny, pastel-colored candy hearts bearing messages. “Be Mine” was my favorite, because it communicated a winning combination of love, playfulness, and commitment.
Each year, our teachers were careful to instruct us to bring a paper valentine for each child in our classroom. Most of us followed the rules and returned with a packet of store-bought cards featuring Looney Tunes cartoon characters, Superman, cuddly puppies and kittens. Then, we went around the room and deposited all of our “love” messages. (Sixty years ago, we also had parties and trays of decorated cupcakes delivered by two or three “room moms” to our classrooms.)
Then and now, I liked the kindness and equity of that valentine distribution plan. Of course, some kids were more popular than others, but this even-handed method leveled the valentine playing field. In practice at least, each child got to feel the love of opening a box filled with valentines from each of his or her classmates.
I confess. I don’t know how schools treat Valentine’s Day now. But I suspect it’s a different animal. At a time when children and adults are bombarded with messages of fear and pandemic uncertainty, we are living in a world with a short supply of love. We need valentines more than ever this year.
It doesn’t cost much to whisper a message of love to a friend. Or to send a text or drop a card in the mailboxes of those in your metaphoric classroom.
Do it today. I’ll start. Won’t you be mine?
On January 26, 2022, I captured this photo of two geese sharing a tender moment on the path of life at the Riparian Preserve in Gilbert, Arizona.
I’m at it again, pairing the random recent pruning of our fig tree with a story of my first haircut in a land far away but never forgotten.
In the arc of life, St. Louis, Missouri, was my first hometown; Scottsdale, Arizona, will likely be my last. Beyond this personal connection, they have little in common.
They certainly aren’t Sister Cities. The former is a muggy midwestern city shrinking in population on the banks of the Mississippi River; the latter, a dry western town growing exponentially in the Sonoran Desert.
Though, if you follow NFL franchise history, you know the present-day Arizona Cardinals made their home in St. Louis from 1960 through 1987. As a kid, I rooted for the Big Red there.
Now I cheer for this iteration of the Cardinals here. Regrettably, the team’s promising 2021-22 season faded in December and January. They won’t appear in the Super Bowl. The Bengals and Rams will be featured instead on Sunday.
At this stage of life–when I’m not writing or singing or swimming or exercising or baking or eating or sleeping or following my baseball and football Cardinals (the first still resides in St. Louis)–you might find me giving or getting trims.
Let me be clear. The giving involves me manipulating large garden shears and a hand saw to prune (only occasionally) a few of the fruit trees in our condo community. I even wrote and published a book of stories a year ago, which alludes to this activity in the title.
Anyway, on Tuesday, Tom and I were outside giving trims again. We pruned the fig tree near our front door. It’s an annual thing we do in February. It keeps the tree healthy.
We actually enjoy doing it. It’s a way for us to contribute to the well-being of our condo community and pamper the gnarled tree that provides shade on our hottest summer days.
On the other hand, the getting part of this is a different story. It equates to me sitting in a chair and having a stylist trim my hair with clippers and scissors every six weeks.
Most recently, I had this done two weeks ago at a Super Cuts in Scottsdale. But the first time was August 13, 1958, in St. Louis. I was a little over one year old. Someone named Frank Goetz did the trimming.
How do I know the who, what, when and where of this? My mother kept a detailed baby book of photos and anecdotes from the first seven years of my life.
Inside is a treasure trove of memories: things I would never have known or remembered if she hadn’t taken the time to maintain this personal record. She even kept a lock of my cut blond hair from that day, sealed it in a small envelope, and pasted it on a scrapbook page.
This morning, a day after Tom and I finished giving our fig tree its annual haircut, I pulled out the baby book from our hallway closet. In short order, I stumbled upon this photo.
Isn’t it funny and magical how a grainy black-and-white photo can transport you to another era and instantly pair the scissor cities of your imagined and true-life experiences?
This is a true story about a chance encounter on New Year’s Day, January 1, 1962. It’s a testament to the good citizenship of my mother and father, who did the right thing sixty years ago.
The story, A New Year Resolution (I wrote it in 2017), fills me with hope and the warm possibilities of life even after seemingly awful things happen. It first appeared in Tales of a Rollercoaster Operator, my book of Missouri stories.
As we cross into 2022, I wish you good health and a few magical surprises to lighten your spirit.
Aunt Thelma was flush with frozen anticipation and prepared to toot her fringe-laced party horn. It’s how she felt every year. She had a new year resolution: to be the first out the door to inhale the cold remnants of December night air and replace it with January oxygen expectant with sharp promise and unassigned possibilities.
Thelma fumbled to secure the buttons on her worn car coat, snap her hat in place on the top of her wobbly bun, and race into the frigid Midwestern night. “Happy New Year,” she hollered leading her merry band out the door as the clock struck twelve. In an instant, the atmosphere from two distinct years comingled in her lungs and the clamoring began on cue.
Uncle Ralph, Mom, Dad, Diane, and I twirled our ratcheting noisemakers, flailed away with wooden spoons on pots and pans, and shrieked with glee. Magically, in an instant, the joys and regrets of 1961 were erased. Each of us had a fresh batch of winter air to contend with. It was January 1, 1962, in St. Louis, Missouri.
The frosty air told us it was too cold for the revelry to linger. By 12:15 a.m., we scurried back inside and returned our cockamamie thingamabobs and pointy hats. As Thelma and Ralph gathered it all and washed off the wooden spoons for safe keeping in the kitchen drawer, Dad and Mom broke the news to Diane and me. Our makeshift winter carnival was over.
With Dad behind the wheel, it was time to head home to South St. Louis County and our three-bedroom brick ranch in Affton. We had an hour-long drive ahead of us in our ’59 Plymouth.
Dad figured Hanley Road would be the most direct route. He could take the highway, but he didn’t want to contend with higher speeds and the potential for an anonymous, boozy driver veering head-on into his path. The thought of that was too much for his weary brain.
Under the whir of tires hugging cold pavement, Mom glanced over her left shoulder to check on the two of us in the backseat. Diane and I were beginning to fade. Mom knew we would be asleep soon. She and Dad were prepared to rouse us from our slumber once we pulled into the driveway. She felt comfort knowing we would need to be carried into the house and rolled into bed. She didn’t know there was more excitement coming before we trailed off to sleep.
A few minutes passed before something caught Mom’s eye between the high beams of an approaching car. She spotted a fuzzy figure up ahead a few hundred feet on the right shoulder. Someone was walking alone. From a distance, it could have been a man or woman. She and Dad couldn’t be sure.
Dad reduced his speed. As we approached, our headlights illuminated a bewildered young woman teetering on silver high heels, shivering under a skimpy mink stole thrown over her shoulders, exposing an emerald cocktail dress and too much skin on a cold night.
Mom verbalized what Dad was thinking. “Walter, I think she needs help. Let’s pull over and see if she needs a ride somewhere.” They rolled down their windows and waved her over to the car.
At first, the young woman’s eyes darted away. She could see a man was driving the car. But when she realized that an entire family was in the car, she relaxed a bit and approached on her fast-freezing feet.
“It’s so cold out, honey. Can we help you?” Mom offered through her partially open window. “Do you need a ride somewhere?”
“Yes,” she stammered. “I guess I do.” She grabbed the hinge of the back door and shimmied into the backseat next to Diane. “I was going home with a date after a New Year’s Eve party, and we got into a big fight. So, I got out. That bastard drove off and left me on the side of the road … Oh, I’m sorry about the language.”
“It’s alright,” Dad assured her. “We’re just glad we stopped. Point us in the right direction and we’ll get you home. What’s your name?”
“Oh, it’s Melba,” she confirmed. It was a name I’d seldom heard. Melba recited her address in Maplewood. By this time, any notion of sleep in our eyes was history. It vanished when Melba and her allure entered our world. We were wide-eyed and dumbfounded–captivated by her exotic name and slinky dress. Diane homed in on Melba’s beaded purse and shoes. I was mesmerized by her glistening green eyes, which flickered when cars flashed by. They matched her sequined gown.
Melba must have been an aspiring movie star or a lost character in a Twilight Zone episode, I thought. I wasn’t sure which. Either way, I was certain she was navigating a sudden detour on the road of life, trying to make the best of plans gone awry. She was craving silence in a secure sedan with no requirements, explanations, or assumptions.
From the front seat, Mom respected Melba’s need for quiet and distance. In the back, Diane and I sat motionless; we preferred to watch relief wash over Melba’s face. Dad focused on the tasks at hand: operating our vehicle and driving Melba home. He could tell the young woman was rattled. He wanted to return her home safely without fanfare.
Within twenty minutes, Dad pulled up in front of a tidy bungalow with white awnings and a steep front porch. This must be where Melba lived, I thought. Even though it was 1:30 a.m., all the lights inside Melba’s house were lit. I was thankful and relieved that her family had waited up.
With a flip of her hair from the top of her fur collar, Melba thanked Dad and Mom for the ride. She flashed a grateful smile, wrapped each end of her mink stole around her neck, patted Diane and me on the top of our heads, and braced for the cold air. She left the cozy warmth of our green sedan.
By this time, I had imagined a whole new life for Melba–a wandering, sensitive soul with a caring mother and father of her own, a nosey little brother, and a dream to escape her world and climb a ladder into a fairy-tale universe filled with brilliant stars.
Then, under the partial glow of a frosty January moon, I watched Melba ascend the concrete stairs, turn to wave goodbye, and step across the threshold of her ordinary front door into an awaiting aura. Certainly, New Year’s Day 1962 was off on a magical foot.
None of us thought we’d see Melba again. And we were right. Even so, all we needed was thirty minutes together to keep the memory alive. I curled up in the back seat next to my sister and considered the vision of Melba–coming and going in a pre-dawn hush.
There wasn’t much to say, but Dad knew what to do. He eased the car from the curb and guided us back onto the road. With a flash of his headlights, he signaled to Melba that all was good.
In April 1974, I became a rollercoaster operator. It was my first job. I was sixteen years old.
Like most teenagers, I didn’t have a clue about life. But, as I think about it more than forty-seven years later, “driving” the River King Mine Train at Six Flags Over Mid-America near St. Louis became the creative catalyst for twenty-six, up-and-down stories from my Missouri childhood. I call them MOstalgic tales of American culture in the 1960s and 70s, when children had far more freedom to grow, play and run amok.
The last essay in the book is especially timely. It celebrates a chance encounter with a mysterious stranger nearly sixty years ago on New Year’s Day 1962.
As 2021 draws to a close, perhaps my stories will make you smile. Maybe even inspire you to post a review online. But, at the very least, I hope they prompt you to remember a simpler time and the twists, turns and thrills from your own childhood–wherever you were born, wherever you grew up, wherever you called home.
Long after the most cherished and meaningful moments pass, our memories–good, bad, vivid, and foggy–endure like saguaro cacti dotting the terrain of our vast consciousness.
Over the weekend, the lone survivor of my mother’s prized African violet plants died. Tom and I discovered it withered on the window sill of our Scottsdale condo. I supposed it succumbed to the heat of the desert’s afternoon sun.
The plants originated in St. Louis in the 1980s or 1990s. They traveled to the Chicago area with Mom when she moved north to be closer to my sister Diane and me in 2004.
When Mom died in January 2013, Diane divided up the remaining African violets–one a shade of pink, the other a purplish blue–for the two of us to carry forward and display in our respective homes.
For the next four years, my cuttings flourished in our Mount Prospect, Illinois home. In early July 2017, Tom and I wedged them in a laundry basket in the back seat of our Hyundai Sonata. We brought them west from Illinois to our new home in Arizona.
On the road, after I suffered a mild heart attack in St. Louis and couldn’t lift anything for a few weeks, I remember my husband carrying the African violets between our car and hotel rooms in Missouri, Oklahoma and New Mexico to protect them from fluctuating temperatures overnight. It’s a memory I will always treasure.
When we arrived in Scottsdale on July 12, 2017, Tom and I deposited the plants on our southern-facing window sill. The pink African violet lived two more years before petering out in 2019. Now the purple one is gone too. It last bloomed ten months ago in January 2021 … eight years after Helen Johnson’s passing.
Of course, I feel a twinge or two of sadness. This marks the end of a long, circuitous chapter, connecting my present life to the past memories of my nature-loving mother.
But, at this point (four-plus years in my Arizona home), Tom and I feel rooted in the desert. We have chosen and nurtured plants that embellish our life in this warm, dry place: bougainvillea, desert roses, succulents, even a bird of paradise.
To be sure, though their physical evidence is gone, the stories of the traveling African violets and the memories of their captivating blooms will be with me as I hike the rises and falls of the Sonoran Desert with Tom.
Grief is an insidious and universal human condition. When you love someone–and they leave or die–you need something to fill the space they’ve left behind. Grief enters to fill the void.
If you are in the midst of grieving (as I was in 2013 and 2014 after my mother passed away), it may feel as if you are wandering through a deep fog. Or you might wonder if you are chained to the floor in the middle of an empty room with water pouring in over all four walls and seeping through the floor boards.
That’s how grief can manifest itself, but for each of us the path is different. The loss lightens over the years. Still, we carry it wherever we go. It becomes an extension of us, ingrained in our identities.
In 2014 and 2015, I saved myself from drowning in grief by writing about it. My mother and grandfather helped immensely. They left behind a trail of their thoughts and experiences on paper … in the form of a mountain of letters from Helen (my resilient mother) and diaries from S.R. (my farming grandfather).
After my mother’s demise, reading her handwritten and wisdom-filled memories and her dad’s more stark observations prompted me to tell all three of our stories in one book. From Fertile Ground became my salvation. Yes, in 2015 it consumed me, but it also gave me renewed creative purpose and focus after I left my corporate job.
When I finished and published the book in 2016, I felt it was a story that would alleviate pain for grief-stricken souls. Five years later, I still feel that way. It helps me to revisit my book and my grief from time to time. Readers have taken the time to write reviews like this one online.
“From Fertile Ground” is more than just a terrific read. Johnson is generous in taking the reader into his world, his journey, his family, his emotions. In so doing, the reader obtains a soothing sense of identification of the human condition, particularly how we work through grief and loss. Johnson’s mother’s and grandfather’s letters are interspersed throughout the narrative (and connected) which adds to the reassuring sense of a collective history.
We live in a complicated world. Many of us are suffering through the side effects of loss and searching for answers. It gives me joy knowing that my book is a creative balm for many, possibly even an antidote for grief.
At any rate, as the days grow shorter in the Northern Hemisphere, I hope this personal and universal three-generation story inspires you and brightens your world … no matter who you’ve loved and lost, no matter where you live.