Category: Missouri

They Pitch Horseshoes, Don’t They?

Late yesterday afternoon–a mid-April throwback Monday squeezed in before the Sonoran heat arrives in full force–I met John and Len, my full-time, sixty-something friends and part-time Polynesian Paradise neighbors, at the north edge of our community. We played horseshoes.

Two sandy, part-sun-part-shade horseshoe pits (spaced about fifty feet apart) have existed in our condo complex since the early 1960s. In 2021, residents and guests seldom use them. It’s more common for folks to walk by and not think twice about the horseshoe pits and their history on the way to their mailboxes.

That didn’t stop John, Len, and me from reclaiming the space and recapturing a practice that our fathers and grandfathers enjoyed more frequently in the twentieth century. The primitive, low-stress gaming experience was just my speed: slow, nostalgic and gentlemanly. It was a light-hearted, jovial hour of tossing, joking, clinking, clanking, and male bonding. (By the way, John won on Monday. He came from behind with a well-tossed ringer. Len and I will survive. We will live to throw horseshoes another day.)

Anyway, the activity rekindled a memory I wrote about and published in 2017 in a story titled They Pitch Horseshoes, Don’t They? from Tales of a Rollercoaster Operator, my book of Missouri recollections from the 1960s and 70s. It’s available on Amazon in paperback and Kindle.

What follows are excerpts. The setting? Babler State Park and the rolling rural countryside thirty miles west of St. Louis in October 1961. While the men were throwing horseshoes that day, I discovered a primitive-and-glassy nirvana: marbles.

***

Clink clank clink. Clink clank clink. It was the sound of metal on metal. The men in our family–Dad, Uncle Ralph and Uncle Harry–were hammering stakes into two sand pits about fifty feet apart. They sure do like to fling horseshoes, don’t they, I thought. Within minutes, they were tossing the U-shaped irons from one end to the other, hoping to catch the right angle and rack up a ringer …

On this particular occasion, while the women in our family unfurled the tablecloth and unpacked the meat for grilling, and the men settled into their game and passed cold bottles of Falstaff between throws, I wandered down a path to investigate the picnic area. That’s when I found a vacant campsite nearby and an abandoned plastic bag of multi-colored glass marbles wedged into a gap between the flat rocks of a stone bench.

In my visual memory, this was a To Kill a Mockingbird moment. You know, like when Jem and Scout found Boo Radley’s toys and trinkets buried in the trunk of a big ole tree. In hindsight, I suppose Boo had nothing to do with my glassy discovery. Another child had simply and accidentally lost his or her marbles. For some period of minutes, hours, days or weeks, these multi-faceted marbles were no one’s. They were lost in an unassigned gaming galaxy. But in the universe of fair play, it was Finders Keepers. This treasure was mine …

When I pulled Dad away from his pitching and showed him what I had found, his smiled doubled instantly. It felt like we had discovered a whole new language mined from an archeological dig … In a flash, Dad and my uncles suspended their horseshoe tossing, reverted to their childhoods, and surrounded me with explanations and names for the different marbles–many of them laced with swirls of colorful strands …

Marbles became my forever home of circular undisrupted creative possibilities. After our 1961 picnic was over and the sun began to set, we snuffed out the campfire, folded up the red gingham tablecloth, and packed away our picnic basket. I stepped up into the back seat of our Plymouth with my new marbles in tow.

Over the coming weeks and months, Dad pitched more horseshoes at the farm of Ed and Ollie Puetz near Gray Summit, Missouri, where we picnicked with family and friends and I watched the men drink another round of brews and play the game they loved.

Meanwhile, I added marbles to my glassy collection: aggies (made of agate) swirling with various ribbon patterns inside, tigers (clear with orange-yellow stripes), opaques (milky green, blue, and gray marbles) and cat’s eyes (they look like what they sound like).

All of my marbles became a creative extension of me. I played my instant-game-in-a-bag any time and any place–mostly at home on our basement floor on ordinary rainy days after kindergarten. All I had to do was obey one rule: “Mark, don’t leave your marbles in the middle of the floor.”

The Texture of Our Lives

What have I missed most over the past year? The spontaneous moments that spring from nowhere. And, let’s face it, going nowhere pretty much describes what we have all experienced from last March to this one.

But, like the daffodils of March which I imagine are aching to bloom again in Illinois, the feeling of going nowhere is turning into the possibility of going somewhere as flickers of normalcy return.

My cousin Phyllis, who lives in Missouri, texted me a fun Happy St. Patrick’s Day message yesterday afternoon. It always brightens my day to hear from Phyllis. Her mother and my father were twins. We share lots of fond, long-ago, St. Louis memories.

Over the past nearly-four years, Phyllis and I have stayed in touch (via text mostly) since Tom and I last saw her and her family in person in St. Louis. Strangely, I suffered a heart attack in St. Louis the day after we dined with my cousin and her family. Tom and I were on our way west to our new home in Scottsdale when our entire world turned upside down.

Anyway, the texts back and forth between Phyllis and me are bursts of positive energy: wellness check-ins; holiday greetings; news and photos of her adorable granddaughters; snippets of stories about our beloved St. Louis Cardinals; exchanges about the weather in the St. Louis area and Scottsdale; and anecdotes about the latest developments in my writing universe. But, over the past four years, we have rarely spoken on the phone.

Yesterday, after our latest text exchange began, I decided to change things up a bit. I needed more. I needed to hear Phyllis’ voice. So I called her. We shared stories of our recent vaccinations and our grown sons. We laughed a little. We also complained about the state of the world that worries us. Our conversation felt deeper and more complete than the text exchanges. I realized after the fact how much I’ve been missing these kinds of conversations.

As all of us have retreated during twelve months of a global pandemic for our own protection, perhaps we have retreated too much. Perhaps, though we live in a world where we have the ability to text each other, we have created too much social distance between us and those we love. After all, we are human beings. We are social creatures. Even if we can’t touch each other, we need to feel as if we can. Our voices are instruments for making that happen.

A second example of me trying to recapture some spontaneity in my life happened this morning. I drove to Eldorado Pool for my morning swim. The pool was rather busy, but I spotted my friend Frank. He offered to share his lane. I thanked him and jumped in.

Before March 2020, Frank is someone I saw two or three times a week at the pool. We always traded random stories. This usually consisted of our favorite Scottsdale restaurants or our past lives on different trajectories in the Chicago area. Frank and I frequently connected on the fly in the stream of life. It was never planned. If it were, I think it would have felt less human, less important.

Of course, when our world shrank in 2020, there were no Frank-and-Mark encounters. When the pool was closed and the winter weather lingered longer than expected, that passing-friendship aspect of my life evaporated. Now that the weather is warming up, I expect to see Frank more regularly. We will share more of our foodie stories, pounds we need to relinquish from our pandemic doldrums, and the burgeoning construction activity in south Scottsdale that is growing up around us.

Yes, the thousands of lives lost due to COVID-19 are the worst of all. But the little moments, which comprise the mosaic of our lives, have been missing for far too long.

While we continue to wear our masks and shout with joy at the realization that the pace of vaccinations is increasing rapidly, it’s time we paused, breathed deeply, and began to recapture the texture of our lives.

I’ll Be Seeing You

Like many of you, I know grief. It is that clumsy, unwelcome house guest we imagine will never leave.

When it arrives, grief dominates our lives. It keeps us awake at night, saturates our sensibilities, zaps our strength, and slows the progression of time.

At its onset, grief feels like a heavy stone we must carry in our pocket. A character in the 2010 dramatic film Rabbit Hole describes it that way. With time, we grow accustom to the stone. We become grateful for the stone, because we realize it is all that remains of the person we loved and lost.

One day, without expecting it, grief is less heavy, less present. The achiness has packed its bags and moved on. We aren’t sure why or where it has gone–maybe down the hall, across the street, or into the next zip code. But grief is never far away. It returns to comfort us on milestone days: birthdays, holidays, and anniversaries.

Grief appears on regular days too. It leaves little reminders to certify our humanity and frailty. It lingers in the cool air and warm sunshine of a spring day. It hangs in the lyrics of an old nostalgic tune, I’ll Be Seeing You, sung by Peggy Lee. It grows on the window sill in the perennial bloom of an African violet.

It’s been eight years since my mother died at age eighty-nine. January 26, 2013 was a bitter morning in the Chicago suburbs, meteorologically and personally. About 2 a.m., my sister Diane called with the news.

Immediately, Tom and I bundled up and drove twenty miles south (from our home in Mount Prospect to Mom’s third-floor apartment at Brighton Gardens in Wheaton, Illinois).

That morning I kissed my mother’s forehead and patted her hand one final time. As my husband and I left the building, a full moon dominated the frozen sky.

Grief moved in with us that day. At the time, I didn’t know it would repurpose itself and transform from a stone to a familiar fog to a blanket of possibilities.

But grief is cagy. It can be an enemy or an ally. It became my muse, the catalyst for my creativity. With grief by my side, between 2014 and 2016, I wrote and published From Fertile Ground.

Over the past five years, friends, acquaintances, and readers I will never meet in person have posted heartfelt reviews. They have told me how the story of my grief–and my grandfather’s and mother’s written legacies–helped them examine their lives, process their sadness, and restore some semblance of hope.

Writing the book was my catharsis too. Like the final line from the Peggy Lee tune which describes my feelings of loss perfectly–“I’ll be looking at the moon, but I’ll be seeing you”–the pages of my book are permanent evidence of the grief I felt, which diffused with the passing of eight years. On days when I need confirmation of what 2013 to 2016 felt like, I can pick up my book and remember.

After our wise, nature-loving mother died, Diane did a kind thing. She divided up Mom’s African violets–one a shade of pink, the other a purplish blue–for the two of us to carry forward and display in our respective homes.

The plants originated in St. Louis in the 1980s or 1990s. They traveled to the Chicago area with Mom in 2004 when she moved north to be closer to us in her final years.

In July 2017, when Tom and I left Illinois and moved to Arizona, we wedged them in a laundry basket in the back seat of our Hyundai Sonata. Ultimately, we deposited them on our southern-facing window sill in Scottsdale.

In 2019, the pink African violet died, but the lone one is a survivor. It captures the warm rays of the Sonoran Desert sun. It blooms every winter and has chosen this week–eight years after Helen Johnson left the world–to dazzle us once again.

When I examine the vibrant blues and greens the plant offers, it eases my mind. It reminds me that memories of the mother I loved and her lasting impact are never far away. That the mind-numbing initial waves of tears and grief led me to a softer reality, which is bearable, tender, and life affirming.

Even as we wander in the dark through the depths of this global pandemic, there is strange comfort knowing grief will always be there in some form or another to acknowledge our past, present and future losses. Because if grief never appeared, we would discover a harsher reality … that we never loved at all.

Thank you, grief, for filling the void. I’ll be seeing you.

The Warmth of a Good Story

Our best and worst memories have a way of softening and sharpening as we age. Like photos pressed in the pages of a family scrapbook, some of them fade and crack. Others, through the lens of our selective memory, grow more brilliant.

I don’t know what it will feel like to look back on 2020 in ten or twenty years. But, as we work to survive the entirety of this preposterous year, I suspect our memories will follow the same unpredictable pattern.

On the morning of December 25, after a breakfast of scrambled eggs and English muffins, my husband and I watched A Christmas Story.

Like many of you, I have seen this satirical and nostalgic film countless times. It’s one of my holiday favorites. The 1983 movie, directed by Bob Clark, is narrated by author Jean Shepherd and based on his stories of growing up in the Hammond, Indiana area (near Chicago) in the 1940s.

The writing is witty and the editing superb, but what I love most about the film (starring Melinda Dillon, Daren McGavin, and Peter Billingsley) is the sense of time and place it captures.

Like the endless scarves, hats, gloves, and buckled boots the kids wear to protect themselves from the cold and piles of snow, the film produces layer upon layer of lasting humor, warmth and comfort … told through the eyes of a nine-year-old boy. It is an exaggerated ode to a lost era in the United States. For all of these reasons, it is imminently watchable despite its constant availability.

In hindsight, warmth also was the feeling I intended to capture in my book, Tales of a Rollercoaster Operator, published in 2017. I wanted to leave behind a record of what it felt like to grow up in the hot St. Louis, Missouri suburbs in the 1960s and 70s.

It was an age when kids ran barefoot, chased ice cream trucks, played with marbles, watched dads toss horseshoes, cuddled with puppies in backyard pools, performed tricks for Halloween treats, banged pots and pans outside to celebrate New Years Eve, sucked on popsicles to beat the heat with the neighborhood kids on scorching summer afternoons, and (in my case, at the age of sixteen in 1974) learned to operator a rollercoaster.

This was my front porch (circa 1960) in Affton, Missouri: Jimmy; Marianne; Diane; Suzy; Carol; and me. My mother sealed the moment with the help of her Brownie camera. Now the image lives forever in my light-hearted book of Missouri memories.

It certainly was a more innocent time. But, as we grew, the world became more complicated. We watched and listened to Walter Cronkite. We believed everything he told us through our black-and-white TVs. That included images and stories of JFK’s assassination, the first steps on the moon, Watergate, and the raging Vietnam War.

At any rate, if you’re looking for a little warmth and nostalgia to get you through the winter, I have an antidote. Download a free copy of Tales of a Rollercoaster Operator through the end of 2020.

As we prepare to cross into a new year and hope for brighter days ahead, maybe my stories of a bygone period in American life will inspire you to laugh a little, revisit your youth, dust-off your favorite memories, and find new meaning in the indelible moments that stay with you for a lifetime.

December Revisited

Sonoran Desert December days dazzle. Gone are dreary skies, icy gusts, swirling flurries, clanging Salvation Army bells, and busy Windy City sidewalk years wearing topcoats and backpacks. Still earlier, shedding St. Louis jackets and stocking caps. Hanging them on cloak room hooks before school started. Dreaming of holiday cupcakes and Santa’s flight trajectory.

Arizona’s anonymous set designer has replaced them. Sparkling sun burns off the chill of the morning. A neighbor’s pink rose blooms and brightens the walk. A flock of chirpy lovebirds dash away on cue like pent-up kids scampering out the door for recess. Playful palms shimmer and brush the sand from the sky. Granting the splendor of December revisited.

Important Things to Say

It is one of my earliest vivid memories. I was standing alone in June 1962. Outside the west side of my childhood home in Affton. Looking north toward the street. Wearing my high-top Keds and cargo shorts with crazy pockets. One month shy of my fifth birthday. The wind raced past my crew cut.

Our three-bedroom brick ranch in south suburban St. Louis, Missouri appeared nearly identical to two dozen others on South Yorkshire Drive. With one exception. Ours featured a flowering pink crab apple tree with stair-step limbs I loved to climb and droppings that stained our driveway.

At that moment, a clear and welcome thought jumped unannounced to the forefront of my brain and lingered for a few minutes. It swirled through my consciousness.

“I am also different. I have important things to say.”

As I look back at that memory, I realize that on some level I must have known I was gay. Not the same as most of the rest of the boys. Maybe even special. It was an intuition. A gut hunch without empirical data.

I was a shy child. I stayed out of trouble mostly. I didn’t rock the boat. I obeyed my parents. Later, I listened to my teachers and dodged bullies in middle school halls. I had lots of fears and creative ideas. Unfortunately, I never voiced many of them.

Now–nearly sixty years later–the voice that was never fully realized in my developing years has found a forum of its own. This is my two hundredth blog entry since launching my site in May 2018. For you who follow me frequently–especially the handful who comment regularly–thank you for taking the time out of your busy life to read what I write.

Recently, the pace of my postings has slowed so I can devote my attentions to another creative endeavor. I am currently finalizing a collection of essays and fantasies about my life in Arizona. My goal is to send these to my editor in November and publish my fourth book early in 2021. Rest assured, I will keep you posted on the delivery date of my newest arrival.

I suppose my writing commitment (in blog and book form) is my way of making up for lost time. When I sit before my laptop, spin my stories, enter my words, and press the “publish” button, I feel as if on some level I am speaking for that “different” little child who stood on his St. Louis driveway and pondered the world’s possibilities and problems.

I keep writing because he and I have important things to say.

Remembering Bob Gibson: The Man on the Mound

Life is a mysterious mish mash of beginnings and endings, wins and losses. Lately, the losses have been more prominent and painful for me and many of you. Yet we do what we can to endure in 2020.

Last night, Bob Gibson–one of the greatest pitchers ever and undoubtedly the most dominant of the 1960s–died of cancer at age eighty-four. Serendipitously, his team–the St. Louis Cardinals–ended their frantic, COVID-19-filled 2020 season the same night with a 4-0 playoff loss to the San Diego Padres.

As a kid growing up in St. Louis in the sixties, I followed every angle of Gibson’s story. He was a local hero, a one-time player for the Harlem Globetrotters, a flame-throwing right hander who still holds the ERA (earned runs average) record in Major League Baseball–1.12 for the 1968 season. It’s a record that will likely never be broken.

But this versatile athlete and fierce competitor was also a gifted writer. I remember browsing the local library as a kid and reading From Ghetto to Glory, his story about growing up poor in Omaha, Nebraska, and fighting his way to the top. “Gibby” was an inspiration and role model.

Bob Gibson passed away less than a month after Lou Brock, the legendary base stealer, fellow Hall of Famer and his St. Louis Cardinals teammate. The duo of Bob and Lou dazzled a generation of St. Louis fans on the field and appeared in three World Series–winning in 1964 and 1967.

Ironically, Gibson died on October 2, 2020. Exactly fifty-two years after striking out seventeen batters in Game 1 of the 1968 World Series against the Detroit Tigers. To date, his record still stands.

If you enjoy reading stories about baseball, check out my book Tales of a Rollercoaster Operator. It includes a story about my dad and me watching Bob Gibson pitch on July 15, 1967 from the bleachers of Busch Memorial Stadium. That day, the crack of Roberto Clemente’s bat (another Hall of Famer), booming through my transistor radio, changed everything.

Bosco Days

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I was Walter’s only son: four-year-old Bosco.

It was an endearment my gregarious father bestowed upon me, because I painstakingly pumped and stirred chocolate syrup of the same name into tall glasses of cold milk.

In exchange, I sat in awe as he gulped his coffee and savored his soggy Shredded Wheat. We loved each other, our playfulness, and kitchen table excesses.

Since Tom and I arrived at our Arizona home three years ago today–six days after a heart attack in St. Louis in 2017 on my sixtieth birthday–I’ve walked frequently with Walter’s memory.

Especially when I step aboard the treadmill to strengthen my heart muscle and consider that we both survived heart attacks in the same city.

In addition to Walter’s World War II army trunk, uniform, dog tags, Army Good Conduct Medal, honorable discharge papers, and war-time letters he saved from his parents and sisters, I am fortunate to possess disparate pages of my father’s poetry … along with the American flag from his funeral.

I’ll never forget the December day in 1993 when two stone-faced soldiers folded and pressed it into a triangle and handed it to my mother. In turn, she gave it to me.

There is one more keepsake from Walter, which Tom and I carried with us when we came west: this electronic GB Means Good Beer advertising sign. Walter the salesman salvaged it from his days peddling products for Griesedieck Bros. Beer in the 1950s.

In the early 1960s, before his first heart attack, Dad turned on the sign when company came over and we ventured into our basement.

Long after he died, the sign’s magical light-and-color wheel spun and bounced a range of hues on a knotty-pine shelf downstairs at my mother’s Missouri home. Then later, on top of my refrigerator in my Mount Prospect, Illinois kitchen.

Strangely, somewhere on the road between Illinois and Arizona in 2017–as I was mending from my heart attack on the passenger side–the wheel disengaged. Probably one too many bumps on the road, though it was cushioned in our backseat.

I wasn’t sure the sign would ever spin again, but in 2018 I found a trusty repairman named Bob in Phoenix. He opened the back of the rectangular sign and tinkered with it. He told me he could reconnect the wheel to the track. I left Walter’s beer sign in Bob’s capable hands.

Bob called two days later to tell me the sign was working again. The following afternoon, Tom and I paid him and thanked him for his time and trouble. We brought the sign home.

We found a suitable place to display it on the top of our bookcase in Scottsdale high above my desk.

I plugged in the sign. I turned on the switch. The wheel turned. The blues, reds, greens, and purples bounced.

Just as Walter had in our Bosco days.