Tag: 1970s

The Columns and Buttes

MU_ColumnsRing_May1979

Our best memories–the ones cast in precious metals and inscribed with our names in cursive–far outweigh the cubic zirconium rings and balled up aluminum foil we choose to discard. But even the brightest ballast-laden snippets blur at the edges as they flash through our mind’s eye. They provide the weight we press against, cling to, or push away from.

My fourteen-karat gold college ring symbolizes the continuity of my University of Missouri years in Columbia. Resting in a dish with assorted jewelry in my bureau drawer, it features the school’s six iconic time-tested columns. All that remains of the university’s Academic Hall, which burned in a fire in the fresh snow of January 1892.

Out of the ashes, President Richard H. Jesse had the vision and fortitude to guide the school and transform it into a research-based institution. During his seventeen-year administration, the modern university Jesse envisioned was born. It grew and produced positive ripples around the ever-enduring stone columns … as well as generations who met near, lounged under or studied beneath them.

MU students have built lives and careers there. Succeeded and failed in times of war and peace. In the 1970’s, dozens of us tossed our Frisbees around the stone pillars … galloping across the Francis Quadrangle grass, running amok in the “Show Me” state until the next keg of beer or slice of Shakespeare’s pizza captured our attention. In my case, I walked across an outdoor stage to accept my Bachelor of Journalism degree in May 1979.

At their essence, the columns represent more than a social backdrop for play and frivolity. They are larger-than-life markers of time and civilization, before automobiles, airplanes, computers or digital technology. Poetic and historic reminders of their permanence and significance under fire versus our relative impermanence and insignificance.

I no longer wear the ring, but I’ve kept it nonetheless. When I pick it up and examine the luster and sparkle of the tiger’s eye, I marvel at what I accomplished, recall what I survived, and “retreat to the chambers that I left behind”, a lyrical line from folk rocker Dan Fogelberg’s song Heart Hotels and his 1979 album Phoenix.

In the late 1970’s, as I turned up the volume on my stereo and escaped into Fogelberg’s melancholy music behind my long hair, I didn’t imagine I’d go west one day and create a whole new life near the base of another rock formation … the Papapo Park buttes; a natural one … but that’s what can happen over the course of a lifetime.

More than forty years later, I’ve discovered a longer view, which comes only with lengthening late-afternoon shadows and survival. Whenever I imagine my life on an eighty-year, bell-shaped curve (we should all feel lucky to live that long … Dan Fogelberg died in 2007 at age fifty-six), I see the columns as the launching pad after the first twenty years.

The geological formation of the Papago Park buttes, just steps from my Arizona condo and millions of years ago at the bottom of a vast ocean, are likely the landing pad on the down slope of life for my last twenty.

Global pandemic or not, none of us knows when the end point will arrive. What the circumstances will be. We might as well enjoy the flights of fancy–keep throwing and catching our Frisbee in our sixties as Tom and I do–and take comfort in the anchors of life. The symbols of strength around us. The columns and buttes that keep us grateful and grounded in good times and bad.

 

 

 

 

 

I’m So Glad We Had This Time Together

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Photo by Rene Asmussen on Pexels.com

The madness of March is history. What will this stay-at-home April bring? Certainly more meaningful memories.

***

At 9 p.m. Central Time on Monday nights in 1970—fifty years before the contagious COVID-19 stunned and stymied our world—a kooky comedienne with a toothy smile and infectious laugh captured my twelve-year-old heart and creative imagination. Her name was Carol Burnett.

Born April 26, 1933–in the depths of the Great Depression–this legendary actor of stage and screen first tasted success with her Tony-nominated Broadway performance in Once Upon a Mattress in 1959. Soon after she appeared as a regular on The Gary Moore Show.  My exposure to her madcap comedic skills began on September 11, 1967. That’s when The Carol Burnett Show debuted on CBS-TV.

Through the spring of 1971, the network ran the hour-long variety and sketch comedy format opposite two popular programs: NBC’s I Spy; and ABC’s The Big Valley. (Later in the seventies, as the show gained a larger audience and momentum, CBS moved The Carol Burnett Show into its Saturday night lineup following four other prime-time powerhouse comedies: All in the Family, M*A*S*H, The Mary Tyler Moore Show, and The Bob Newhart Show.)

Back in 1970, after I finished my homework on Monday nights, the lights on stage came up around Carol and were transmitted through our Zenith color TV in suburban St. Louis. Long before I first imagined taking flight in my dusty desert time machine, she proceeded to field questions from her studio audience and lead me and thousands of other viewers across the country on a metaphoric and comedic joy ride.

Every week we sat mesmerized. We watched Carol and her creative troop–Harvey Korman, Vicki Lawrence, Lyle Waggoner … and later Tim Conway–perform their magical TV mayhem. Together they represented creative constancy in my life.

At that time, Dad worked the night shift as a custodian for a government agency in St. Louis: sweeping and mopping floors; cleaning toilets and urinals; emptying waste baskets. It was a life of late-night drudgery my father, the ex-salesman and unfulfilled poet, couldn’t stomach and never dreamed of—especially when the rest of the world had Carol and the hilarity of her As the Stomach Turns weekly soap parody at their disposal from the comfort of their living room couches.

But like clockwork, at 9:30, Dad called during a break from his janitorial job. He craved a creative escape too. He wanted my color commentary on Carol’s show. The ringing on our kitchen phone was my cue to fill in the comedic gaps. I stretched the curly cord into the living room and translated Carol’s hour-long variety show into something positive that might sustain him….at least for one night.

To put this in its proper personal perspective, Dad felt he was missing the important moments in life: a traditional schedule of evenings at home with his wife and children watching Carol’s shenanigans. All for the sake of a weekly paycheck and a job that clogged his ego like a stopped-up toilet.

As far as Walter Johnson was concerned, there was nothing else remotely funny about 1970. The Vietnam War was raging. Nixon was president. That was awful enough. Especially for a life-long Democrat.

I’d like to think our phone exchange during his break and my play-by-play of Carol’s comedy sketches and crazy Bob Mackie costumes he missed helped transform his melancholy spirit. Ironically, over the course of Burnett’s career, she frequently reprised the role of a soulful scrub woman, who cleaned up after everyone else went home. It was Burnett’s tattered-but-enduring character, which became her show’s symbol of humor, heart and humanity.

Just like the rotary phone that rang on our kitchen wall, I never imagined the show would one day disappear. But on March 29, 1978, after eleven seasons and 279 episodes (notwithstanding another nine episodes that aired in the fall of 1991) the curtain came down on The Carol Burnett Show.

In the mix, the Vietnam War ended. The troops came home. Nixon resigned in 1974. I graduated from high school and went on to college in 1975. Dad did his best to complete his night-shift janitorial duties.

In August of 1976, at sixty-two-years old—the age I am now—he retired from a job he despised but tolerated to contribute what he could to the well-being of our family. Remarkably, my father lived another seventeen years, despite his struggles with heart disease and depression.

“I’m so glad we had this time together, just to have a laugh or sing a song. Seems we just get started and before you know it, comes the time we have to say so long.”

At the close of each of her shows, Carol Burnett sang this familiar tune, tugged on her left earlobe, and signed off. Evidently, it was a signal to her grandmother to let her know she was doing okay.

I loved it all. Carol’s shenanigans, her show, her sidekicks, her song, her signal, her sentiment. Dad did too. Everything she represented … her physical humor, uproarious laughter and wacky demeanor … sustained us through difficult times.

Fortunately, Carol Burnett lives on at eighty-six. So do the best moments from her comedy sketches on her Carol Burnett and Friends shows that appear in syndication.

Remembering her fearless foolishness and mischief on April Fools Day is helping to lighten my spirit today as I work to make sense of another dark chapter in our world.

Thank you, Carol Burnett … I’m so glad we had this time together.

Soda Pop Saturday

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You know you’ve reached senior status when your mid-century adolescence–complete with teak tables, primary colors and kitschy collectibles–has turned vintage. All of it resides under one roof at Soda Pop on Seventh Street in Phoenix just south of Camelback Road.

At the recommendation of Martin, a much-younger friend, Tom and I stopped in on Saturday. Wow, was it cool. Possibly even hip. Hip enough for us to buy a vintage teak kitchen table with six matching chairs. The dining surface we already owned wasn’t nearly as cool. Plus, our new table has two fold-and-hide leaves. Perfect for two guys with limited space and unlimited regard for stuff of the 60’s and 70’s.

Yes, I know. The words cool and hip are no longer hip. Neither is Cool Whip. But occasionally I still see it lurking in the freezer case at our local grocery store and am reminded of countless pumpkin pies past and that signature, creamy tub of topping that every family consumed at holiday gatherings.

Flash cubes. Fringe on bell bottoms. The peace sign. The first walk on the moon. Man, all of that was half a century ago. Now, in hindsight, even recollections of the Vietnam War and Watergate feel relatively innocent and cuddly. Are they vintage too?

At least we can smile when we drive past the bright yellow Soda Pop sign, framed against the blue Arizona sky, knowing our time, place, furniture and cultural identity still have some sort of perceived value.

The end will truly be near when we’re considered antique.

 

 

 

 

 

 

Oh, Very Young and Less Fortunate Men

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At this stage of life, I have more time and space to reflect on the fragility and inequities of life. When I hit the trail for a hike or catch a glimpse of the jagged edges of Camelback Mountain, I sometimes ponder the plights of less fortunate men and less developed versions of the man I’ve become.

Recently, without notice, a Sonoran time machine swooped down and transported me from the desert. Back to south suburban St. Louis and my blue-denim-bell-bottom memories. Jerry and Joey (not their real names) lived near me on the same cul-de-sac street and the Oh Very Young prognostications of Cat Stevens looped through my brain.

Oh very young, what will you leave us this time?

You’re only dancin’ on this earth for a short while …

It was a weekend morning in the spring of 1974. I sat at the kitchen table, finishing up my last few bites of scrambled eggs and toast. My over-worked and under-appreciated mother washed the breakfast dishes. Over one shoulder, she blurted a provocative and unexpected question in my direction: “Mark, did you know Jerry is a practicing homosexual?”

Like most teens, I was bound up with insecurity. If I’d been less repressed, more freewheeling—or at sixteen had an ounce of awareness or comfort with my budding gayness—the idea of “practice” sex with an older boy down the street would have intrigued me. But at that moment I had no clue how to respond to my mother’s audacious question. I just shrugged my shoulders and muttered something like “Yeah, I think I’ve heard he might be.”

It didn’t occur to me that she might be fishing to learn about my sexuality. I just knew Jerry’s mother had died when he was young and his father, brothers and sisters had been left to make sense of her early exit. Whenever I walked by the front of their home, I saw the heaviness of their hearts had caused the foundation and the trees around it to sag.

I’ve written a lot about my mother. She was smart, resilient and courageous. Many years later, she left me with her legacy of wise letters. But back in the 1970s, we weren’t approaching that. We were nearly three decades away from the profound sense of respect and understanding we would construct during her eighties and I would witness  the love and deep regard she felt for my future husband and me.

Anyway, in the 1970s I was a withdrawn teen and she hadn’t yet sharpened her sensitivity. More specifically, like most parents then (and sadly many now), the implications of homosexuality and the image of two men engaged in mutually satisfying love frightened her. The word homosexual cast a shadow of shame, discomfort, darkness and isolation. Of course, without knowing it, I was absorbing the uninformed views about gay people coming through all sorts of channels–parents and neighbors, aunts and uncles, classmates and coaches, media and popular culture, etc. 

I will never forget that trauma. Pushed and bullied down middle school hallways. Labeled a faggot for wearing my favorite purple sweater vest, a gift from my mother. As you might surmise, I learned it was best not to wear purple or pink or challenge society’s narrow mold of masculinity in the 1970s. It would take decades for me to love myself and create an unapologetic life as a gay man comfortable in pastels.

This is a prelude to tell you that, in addition to my personal sexual identity struggles, I felt sad and angry hearing and seeing Jerry and other young gay men ostracized for their nature, mannerisms and social awkwardness.

I don’t know where Jerry lives or anything about his adult life in 2019. But I now realize Jerry was a trailblazer. I owe a lot to the Jerrys of that time. Despite neighborhood chatter and suspicions, they were courageous enough to risk ridicule. To be true to themselves in the 1970s.

***

The story of Joey has nothing to do with societal pressures, sexuality or suburban mores. It’s a cataclysmic tragedy.

Joey was the blonde boy who lived next door. We were the same age. As youngsters, from kindergarten through fifth grade we waited for the same bus at the end of our street. He loved to roughhouse with his golden retriever when he came home from school. In sixth grade—lunch boxes in hand—we walked together to a new elementary school, built to handle the overflow of Baby Boomers.

Throughout the 1960s, once school ended in June, Joey and I raced to the top of the street with our  neighborhood crew to play baseball in a vacant cemetery lot. We stayed there until our mothers or fathers stood on their front porches, cupped their hands to their mouths, and called our names for dinner.

In high school, Joey and I went our separate ways. I didn’t feel our connection any more. He was a mechanical guy. I wasn’t. I had a knack for stringing words together. He didn’t. He loved tinkering under cars. I loved singing on stage. While he developed a passion for playing the drums, my interest in the clarinet waned. In August of 1975, we continued down divergent paths. We left home for college at different Missouri schools.

Through it all, I felt no physical attraction for Joey, but I envied his apparently idyllic Please-Don’t-Eat-the-Daisies family life. Complete with the faux-wood-paneled Country Squire station wagon parked in their driveway, which I watched them load annually for summer vacations. Joey’s family seemed to embody the ideal of suburban happiness:  two friendly and well-liked parents, two popular daughters who went on to become cheerleaders, two masculine and mechanically-inclined sons.

On a horrific Saturday in May 1976, everything changed. I came home from my seasonal job as a roller coaster operator at Six Flags and found my mother sobbing on the living room couch. She told me Joey had been killed in an accident. He was riding shotgun without a seat belt on the way home from his first year at college when the car he was in collided with another vehicle.

Spring flowers were blooming outside that day, but inside I was numb and devastated like everyone on our block. One cruel moment had ended Joey’s life and transformed his family’s home from the center of happiness into the epicenter of grief.

A few days later my mother, father, sister and I attended Joey’s wake. I didn’t know what to say to his bereaved father and mother. But I summoned a few inadequate words and gripped their brittle arms as we passed a pair of drum mallets stretched across Joey’s closed casket. It was frightening evidence of teenage mortality.

In 1980, I moved to the Chicago area. Whenever I returned to St. Louis to visit my parents and boyhood home, I thought of Joey and his family. Scampering in their yard with their dog as they prepared to load up their station wagon for the next trip. When Joey died, that era ended. Soon after, the rest of the family moved away.

Forty years have come and gone. Joey is on my mind again.  Perhaps because he didn’t live long enough to pursue the next path at the base of rugged buttes. His Oh Very Young life ended back in the rolling Missouri hills without any chance to explore the west or have a spouse to share it.

Somehow, through good fortune, I’ve lapped his lifespan more than three times. After surviving a heart attack on my sixtieth birthday, I’m rounding the bend on the fourth lap here in Arizona.

For all the Jerrys and Joeys who have come and gone, I must keep telling my stories. I must make the most of the extra time I’ve been granted.

Oh very young, what will you leave us this time?