Few films adeptly tackle the subject of aging. (Sure, it isn’t sexy or glamourous. But, if we’re lucky, it’s something we all must learn to navigate and accept.) Harry and Tonto is the exception.

Released in 1974, the movie–directed by Paul Mazursky–tells the story of a seventy-plus, stubborn-yet-vulnerable, retired teacher and his trusty cat Tonto. They are forced to leave their Upper West Side New York City apartment after their building is condemned.
Their odyssey leads them from New York to Chicago to Los Angeles (with a few fascinating side adventures) in search of a new home.
This is much more than a road trip movie with a stellar supporting cast: Ellen Burstyn, Larry Hagman, Chief Dan George, Melanie Mayron, Geraldine Fitzgerald, and others.
It explores the complicated relationships and conflicts that come with family, as well as the sometimes surprisingly rich and meaningful connections we form with strangers across the generations, who cross our paths without warning.
If you read my blog regularly, it shouldn’t surprise you that I love a story about an old man and a cat. (After all, I’ve come to discover the clever ways felines weave in and out of our desert community on any given day.)
It’s really the tenderness of this film, not just the cat, that cement this as one of Tom’s and my favorites in spite of its dated references to 1970s pop culture. Over the years, we’ve screened it six or eight times. We watched it again over the Labor Day weekend.
For instance, there’s a scene where Harry is required to confirm the identity of a long-time friend–a man with no family–who has passed unexpectedly.
Harry arrives to view the body and ensure his pal gets a proper burial. The stark sadness of the situation and the real emotions that surface touch me every time I see it.
As you may have guessed, Tonto’s co-starring appearance–and the tight bond between man and cat–is a symbolic device in the story that gives it depth. The animal is a sounding board/alter ego for lonely Harry, whose wife (Annie) has died years before we meet them.
Because of the cat’s existence and place in his life, Harry finds a way to safely articulate his fears and dreams … and, as viewers, we get a front-row seat to their narrative, homelessness dilemma, and a cast of colorful characters who lead them to unexpected places and realizations.
In 2022, it’s rare to find a contemporary film with both the heart and art of Harry and Tonto. But that doesn’t deter us from digging into our personal archives to find this gem.
Rest assured. There are no spoilers here regarding the outcome. Just gratitude for Mazursky and crew who–nearly fifty years ago–crafted a film that skillfully explores the unvarnished truth about aging.
Best of all, it’s a creative and emotionally honest tale about the adventures of a man and his cat.
Isn’t reviewing movies Tom’s thing? When I started reading I assumed this was a guest post. H&T has long been on my to-see list. I think I recall something about a super stringent rating because of language. Seems so quaint now.
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Yes, I’m definitely venturing into his territory on this one. I don’t think he’ll mind. The language is mild except for one word.
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This has been one of my favorites since I fist saw it as a high school student in 1974.
Art Carney won a well-deserved Oscar in his big-screen debut!
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It’s a great film … and one I always enjoy watching with you!
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Must view this again!! I am sure it will be much more meaningful now.
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Yes, the story’s perspective feels truer each time I see it.
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I found this movie on a streaming channel and will watch it this afternoon!
On Tue, Sep 6, 2022 at 7:19 AM Mark Johnson Stories < comment-reply@wordpress.com> wrote:
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Great, we can discuss it when we see you Saturday!
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