This weekend–Saturday and Sunday, December 13 and 14–I will sing from this stage at the historic Orpheum Theatre in Phoenix with my mates in the Phoenix Gay Men’s Chorus.
Not in the ordinary orange sweatshirt and pale blue jeans I wore a few weeks ago when husband Tom, friend Glenn, and I toured this dazzling, ninety-six-year-old, beautifully restored performing palace.
Instead, I will stand proudly in my sparkly blue vest (over black shirt and trousers) for our “Let Your Spirit Sparkle” holiday show.
More than 130 of us chorus members will gaze from the stage into the audience with this spectacular view before us.
We’ve sold about 1,500 tickets … and expect to sell another 500 by Saturday. Friends, family, allies, and acquaintances–all music lovers–will hear and see us perform Saturday at 7 p.m. or Sunday at 2 p.m.
Our concert will feature a sparkling set of holiday songs and dance, sprinkled with heartfelt, fun, personal stories that will shine a light on six meaningful moments in the lives we lead.
This is my sixteenth consecutive year performing in holiday concerts: seven with the Windy City Gay Chorus in Chicago; nine here with the Phoenix Gay Men’s Chorus.
Each show has its own sparkle. The music, the laughter, the friendships that keep deepening over time.
We will surely shimmer in our sexy, sparkly vests. But what really glitters is underneath. The love, the respect, the community we’ve built together.
If you live in the Valley of the Sun, come see one of our inspiring shows. Just go to http://www.phxgmc.org/concerts for ticketing information.
You’ll be glad you did. Because with every rehearsal, every concert, every note, we’re adding another light to create something bigger than ourselves.
At the Orpheum Theatre or anywhere, that’s what community sounds like.
No, those aren’t the names of three of Santa’s reindeer that will pull his sleigh tomorrow night.
But if you were one of more than 100 singers, dancers, and musicians on stage–or any of the 900-plus jubilant audience members who attended three sold-out shows–you felt sparkle, magic, joy and a lot more positivity, lush music, spectacular solos, and elfin storytelling pulse through your bloodstream at the Herberger Theatre (Stage West) in Phoenix over the weekend.
What you see here is the culmination of Recycle the Fruitcake, just breaths away from the end of act one of Lights, Camera, Elves!
I think it’s fair to say this number brought the house down in laughter, music, and mayhem.
Squint and look to the far right. That’s me wearing a giant gingerbread man costume. (My chorus pal Ezra played the other gingerbread man on the left side of the frame.)
Billy and Michael (two other dancers and chorus members) helped me perform a quick-change backstage.
They inflated my costume in about thirty seconds, so that I could return to bounce on the apron of the stage.
I waved my arms like a seven-year-old … not the sixty-seven-year-old guy I am … for twenty seconds. It was exhilarating and as close to skydiving as I will ever get.
Moments before I marched across the stage–arms extended carrying an enormous tin of toxic fruitcake, wearing a full-body orange hazmat suit, and teasing the dancers and the audience–“cause you never really know where fruitcakes might have been.”
Today–the day after our final holiday performance and an exuberant and playful cast party around Dale’s and Jim’s rainbow Christmas tree–I give thanks to the entire experience.
Even a slightly pulled right calf muscle didn’t deter me from hitting the gym with Tom at 9 a.m. and looking ahead to a quiet Scottsdale Christmas Eve with him … followed by a low-key Christmas Day with my older son Nick and his family.
Because as Derik (another second tenor, who played our Phoenix Gay Men’s Chorus Santa) proclaimed near the end of our performance with a pink garland wrapped around his neck and the twinkle of Darlene’s piano keys over his shoulder …
“The magic of Christmas isn’t just in the gifts or decorations. It’s in the stories we share, and the music that brings us together.”
See you here in 2025 for more stories and more music.
What I share here always comes from my heart and the firing (sometimes misfiring) synapses of my brain.
Lately, I have been drawn to writing more poetry. It helps me to process the pain–personal and national–which I have been wearing like a cape that shrouds my best impulses and intentions.
Today, as Christmas and the end of the year approach, I am taking a different path.
Before I take the stage next weekend for my holiday concert with the Phoenix Gay Men’s Chorus, I want to reflect on bright-and-shiny moments–present and past–which have been tempered by devastating-and-unavoidable losses in 2024.
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Tom and I are among the dwindling few, who continue to send Christmas cards in the mail to our closest friends and loved ones.
It’s something that brings both of us joy, and in my book that means it’s something worth doing–no matter what other Americans do.
I know that practice places us in the minority (rather like the disastrous outcome of our presidential election), but I don’t care.
Since childhood, I have always identified as “different” or–more specifically–as an outsider. Maybe it was my brain’s subconscious attempt at preparing me for the obstacles I would face as a gay man.
At any rate, conformity is for the faint of heart. It takes courage to stand by your differences, and I have a feeling I will need to muster a boatload of courage as we head into 2025.
Maybe that approaching storm is why I have taken comfort recently in an old Christmas memory.
For several years in the late 1950s and early 1960s, before Dad had his first heart attack, he took Diane (my sister) and me in our old, green Plymouth to search for our family Christmas tree.
We didn’t have much money, so he usually drove us to a tree lot adjacent to a Site filling station. Strangely, I remember the price of gas was 29 cents a gallon on the sign that swayed in winter’s wind.
Dad was a tall man–six feet, two inches. One day I would reach that same stature, but going back sixty-five years, I was a little tyke with a wool stocking cap covering my crew cut.
Dad wanted to select a natural tree (usually balsam, because they were cheaper than Scotch Pine) that was at least his height, so when it was placed in a tree stand all of us (he, Mom, Diane, and I) could gaze up at the beauty of its lights, ornaments, and tinsel hanging on every branch.
In the cold and damp St. Louis air, it usually took us several rounds up and down the aisles of the tree lot to find the best shaped tree. But we always found one to our liking and–with heavy twine–somehow tied it to the roof of our sedan.
When we got home on December 4 or 5, our family practice was to cut a small notch off the bottom of the tree trunk, then deposit it into a metal bucket of water to keep it fresh.
Inevitably, the water in the bucket froze, but with a little heat from the Midwestern sun, around the middle of December we were able to pry it out of the bucket, screw it into our stand, and decorate our family Christmas tree in our living room.
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Back to reality. We lost a few friends in 2024. Peggy’s passing in mid-November is the most recent.
I was touched and honored when Glenn–our dear friend, neighbor and one of the kindest and most dependable people I know–asked me to write his wife’s obituary.
Peggy’s memorial service last week was a beautiful reflection on her meaningful life as a teacher, wife, mother, grandmother, animal-lover, and upstanding citizen. I will miss her.
In general, I am aware of the “shrinkage” (and greater vulnerability) that comes with age–the loss of friends and family one by one, the institutions that close their doors, the connections that fray (literal or otherwise), the visits to the dentist to replace crowns and teeth that wear down and require repairs.
I experienced all of those in 2024. But there were inspiring moments, too.
Tom and I traveled to Minneapolis in July for the quadrennial GALA chorus festival. The singing, listening, bonding, and carousing with other LGBTQ friends and chorus members filled our cups and our hearts.
It was also a privilege to share England and Scotland with my husband in late September. That week-long tour–from London, to Bath, to Lake Windermere, to Shakespeare’s home, to Liverpool, and the cobblestone streets of Edinburgh–was our tenth wedding anniversary gift to each other.
And 2024 was the year I began to teach again. I had fun in October and November coaching a dozen aspiring and diverse writers in my first memoir writing workshop at the Scottsdale Public Library. I will do it again in January 2025 with a new batch of students.
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It feels like the best way to end this meandering post is on a high note. So, why not share a photo of the pre-lit artificial Christmas tree Tom and I decorated and adore in our Arizona home?
On Christmas Eve, we will sit together in front of our tree, open our presents, and give thanks for the love we share and the diverse branches of family and friends in our lives who adorn our world.
For me, one of those branches is sharing ideas and stories with all of you.
My mother loved fruitcake. I think making and eating it reminded her of her Carolina roots.
As a teenager and young adult, I remember seeing her and many of my older relatives consume fruitcake.
The thought of munching that dark, rich, moist, nutty, fruity, and rummy consistency repulsed me.
Anyway, she liked having fruitcake around during the holidays. I didn’t.
In the early 1980s, when Jean (my ex) and I lived in the Chicago suburbs, Mom hadn’t caught on to my fruitcake aversion.
Every December, she ordered a rather expensive variety of fruitcake, made by the Trappist monks of the Assumption Abbey, and had it delivered to us.
(Assumption Abbey is a monastery tucked in the foothills of the Missouri Ozarks.)
Jean and I didn’t have the heart to tell Mom to stop sending us fruitcakes. So, every year, we received another tin of it, which sat unopened on the bottom shelf of our refrigerator.
We never found a way to recycle or share it with others, because no one else we knew liked fruitcake either.
Inevitably, year after year–sometime in May, June, or July long after the last presents were unwrapped–Jean or I extricated the fruitcake from the back of our fridge and dumped it in the garbage.
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If you follow my blog, you know I sing second tenor with a gay chorus–to be precise, the Phoenix Gay Men’s Chorus (PHXGMC)–and have written several librettos for PHXGMC.
For the uninitiated, we are a joyous, talented, and rambunctious LGBTQ-plus organization, comprised of more than one hundred singers and musicians (who also wear multiple hats as artistic consultants, dancers, actors, writers, marketers, costume designers, stagehands, sound technicians, and lighting crew).
At times, the switching of hats from one day, week, or number to the next is a dizzying process. But when you volunteer for an arts’ organization you believe in, it comes with the territory.
As I write this, we are entering the heavy lifting phase of Lights, Camera, Elves!, our holiday show coming December 21 and 22 to the Herberger Theatre in Phoenix.
Anyway, as I swam laps on Tuesday and considered what to write this week, thoughts of my mother’s love of fruitcake and a coincidental plotline in our concert popped into my head.
You see, like my mother, Rudy–a character in our concert–adores fruitcake. He can’t get enough of it, and that obsession leads him into trouble and a terrible trap.
In fact, Act One ends with a hysterical, rousing number–Recycle the Fruitcake.
In the mix, I should back up and tell you that Scott, our choreographer, has asked me to play a bit role in the fruitcake number.
For about 15 seconds, I’ll be crossing the stage wearing an orange hazmat suit, while carrying a toxic fruitcake in this holiday tin. Meanwhile, the chorus will be singing this lyrical line:
“A fruitcake can be wide, a fruitcake can be thin, a fruitcake can be toxic, so they keep it in a tin. So, when you get a fruitcake, never let it touch your skin, ’cause you never really know where fruitcakes might have been.”
Brandon and Mike (two other chorus members) and I had loads of fun co-creating the libretto for Lights, Camera, Elves! … and we are coaching the cast as they prepare for our performances.
The show is a story of redemption, featuring Santa’s love for holiday movies, a misfit security guard named Rudy, and three recalled-and-mischievous elves (Spike, Ginger, and Eddie) … all told against the backdrop of gorgeous and fun holiday music.
We’re excited, because we are expecting full houses for all three of our holiday shows.
Though my mother has been gone for nearly twelve years and was never able to see me perform in any of the fifteen holiday concerts I’ve appeared in since 2010, I know she would have loved the spirit and beautiful music in this show … along with my creative impulse to recycle my fruitcake memories.
We all endure specific days–or months–that test our best intentions and weigh on our psyches. January is that month for me.
Long before Tom’s father died January 14, 2012, and my mother followed January 26, 2013, the first month of the year represented a period of Midwestern malaise, forced hibernation, and cold, lingering darkness.
Of course, I live in a warmer, brighter climate now (despite freezing temperatures the past few mornings). I am thankful for that, especially as Tom shares images of his sister and brother-in-law snow blowing and shoveling outside their suburban Chicago home.
Since my mother’s death nearly eleven years ago, the years have passed with a gauzy flutter like pages of a book swept away by a winter’s squall.
Yet January’s weary sensations–grief masked in a cocktail of Christmas memories, vanilla lip balm, and her last graceful smiles during breathing treatments designed to ease her congestive heart failure–appear on cue.
Last weekend, Tom and I packed away our Christmas decorations and recounted cherished memories of quiet holiday moments together and the adrenalin rush of my holiday concert. Adjusting to the rise and fall of this season is always a bittersweet process.
But this week I was eager to recoup our less-cluttered space. To move ahead. To read and write new pages. To protect, nurture, and regain a more normal rhythm away from the madness of news that reminds me–frequently–just how fragile our democracy has become.
My mother and father–who survived the Battle of the Bulge in World War II–would be horrified.
In the depths of 2020, my husband and I began a tradition of buying bouquets of flowers to place in a vase in our living room. As the walls and woes of Covid and our political angst closed in, it gave us hope to see a splash of color on our coffee table.
Less than ten days into 2024, like each of you I have my dreams and doubts, wonders and worries.
But writing about this spray of lavender carnations Tom and I brought home (then displayed in a smoky-blue ceramic pitcher my mother left behind, and placed atop a Spring-like, bird-laden runner my sister gave us for Christmas) helps me breathe, reflect, and relax.
I know. It’s odd for me to write about Christmas in August. Particularly because the temperatures outside in Arizona are oven like.
However, today–like a kid on Christmas morning ready to rip open presents–I jumped out of bed at 6:30 when I heard the thunderclap. I raced to the window, threw up the sash, and pressed my nose against the glass.
I didn’t see Santa or a team of reindeer but witnessed the next best thing. Actual rain drops pounded the sidewalk. They pinged on the top of our metal carport and disappeared into the thirsty mouths of malnourished cacti.
Get this. In addition to forty days of 110-plus temperatures so far in 2023, we hadn’t seen rain in Scottsdale since March 22. (Okay, evidently there was a brief storm here on July 26, but Tom and I missed it. We were in Flagstaff.)
The lack of moisture falling from the sky has led some of us in the Valley of the Sun to refer to the summer of 2023 as the year of the non-soon versus the monsoons that generally produce a few gully washers. Typically, they account for much of our annual rainfall.
Back in the winter wonderland of my creative mind, over the past month I’ve been channeling the holiday season. Why is Christmas creeping into my psyche? Because I’ve been writing about it.
I’ve just completed a draft of another libretto for the Phoenix Gay Men’s Chorus (PHXGMC) 2023 holiday show. This one is titled Thanks for the Memories: A Gay Christmas Carol.
In addition to writing for PHXGMC, I will be standing on stage, performing in the concerts December 16 and 17 at the Herberger Theatre in Phoenix.
It will be a musical mash-up–nostalgic, glitzy, whimsical, and spiritual–embedded in a story of a Scrooge-like character, who is transformed by the power of beautiful music, personal truth and a trusted community.
It will also be the final holiday concert for Marc, our artistic director for more than twenty years, who has decided to move on to pursue other creative endeavors when his contract ends next July.
Tonight, is our first rehearsal for the new concert season. There will be old and new members to greet and new music to hand out.
Of course, it’s just the beginning. But whether I’m concocting a story or singing the first notes of an unfamiliar tune, it is the creative process that has always captured my joy and attention.
Most of all, I am thankful for every magical moment that lies ahead with my friends on stage and off as we create another batch of musical memories.
If you follow my blog, you know that–in addition to being a writer–I am the baker in our family. One of my favorite desserts for the holidays is egg custard pie.
If you’re looking for a simple-to-bake-and-creamy pie recipe, this one is a keeper. It definitely qualifies as comfort food at a time in the world when we could all use a heaping helping of that.
This recipe was passed to me via the southern branch of my family tree … from my mother, grandmother, and great-grandmother, Martha Jane Matilda Simpson Miller. She lived in rural Mecklenburg County, North Carolina, in the early 1900s.
* * *
Ingredients: 3/4 cup sugar, 1/2 stick butter, 4 large eggs, 3 tablespoons flour, 1 2/3 cups milk, 1 teaspoon vanilla.
Directions: Cream sugar and butter until light. Beat eggs and add to sugar/butter mixture. Add flour and beat until smooth. Add vanilla to milk. Mix milk into other ingredients gradually until smooth. Pour into an unbaked pie crust (deep dish) and bake at 350 degrees for 50 minutes or until custard is set and crust is brown. (The original recipe didn’t call for cinnamon, but I like it. If you do too, sprinkle the pie liberally before you place it in the oven.)
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Incidentally, this egg custard pie recipe also appears in From Fertile Ground, my first book. which I wrote and published in 2016. It’s not a cookbook, but a memoir about love, loss, and grief … and the healing power of the written word across three generations of my family. If you haven’t read it, I hope you’ll check it out.
Most important, as 2021 comes to a close, I wish you good health. As we continue to endure this global health crisis, I encourage you to find comfort in your creative passions in 2022.
Jupiter and Saturn owned the winter solstice sky tonight over Phoenix. About 6:30 p.m., Tom and I were fortunate to capture the duo shining side-by-side, forming the Christmas Star between two saguaros in Papago Park.
As we prepare to say goodbye to the pain and heartache of 2020, there is no better way for me to wish you and your family a healthy and happy Christmas and a new year of hope, peace and bright possibilities.
In spite of the promise of a new presidency here in the U.S., we live in the shadows of the pandemic. Even so, Tom and I choose to hang wreaths on our front and back doors to brighten our space and give thanks for all we have as Christmas approaches.
Like many of you, we do our best to help people in need. Sometimes our assistance comes in the form of a small end-of-year check to a worthy charity or a card for a neighbor who’s lost her father. But what do you do when the pain of an unexpected moment shakes you to the core?
Recently, we were driving to our community gym for our typical, masked hour-long workout. On the way there, we noticed a familiar figure on the side of the road. It was a young man walking toward us. He was pulling his suitcase on rollers behind him.
After we passed, we realized it was Nathaniel (not his real name) trudging south down Hayden Road in Scottsdale. He is a friend. Someone who has hiked with us, shot baskets with us at the gym, and (before the pandemic) visited with us at our home.
Nathaniel–a smart, sensitive, handsome guy–has endured several tough years. He’s fighting a drug addiction and has been in and out of treatment for it.
About six months ago, he fell off our radar. He no longer has a phone, so we lost touch with him. Now, unexpectedly, he reentered our lives, lugging the weight of his existence and his world in a two-by-three-foot container.
Immediately, Tom slowed down. We turned on a side street. We found our way back, pulled up next to Nathaniel, got out of the car, and approached. Nathaniel was worn and disoriented, but happy to see us. Over the following fifteen minutes, he told us he had been in jail for several days after an altercation with his family. He wouldn’t or didn’t describe the details. Whatever happened, the year is ending with him roaming the streets.
Tom and I offered to give him a lift to a friend’s home (where he said he was walking). But, after repeatedly asking if we could drive him there, Nathaniel insisted he needed to get there on his own. Eventually, Tom handed him several disposable masks for his protection and a slip of paper with our contact information, so he could reach us when and if he is ready. I gave him twenty dollars for food. He thanked us both and continued on his way.
After we drove off, the sadness and horror we felt materialized. I began to cry for Nathaniel. I imagined the sketchy existence ahead for him, wandering with a fierce addiction, flying solo without the security of a family, home or path to a reasonable future.
How devastated Nathaniel’s mother and father must be, watching their son’s life unravel. What if one of my sons were in the same predicament? What would I do to help him recover? I think the answer is everything, but I don’t walk in the shoes of his parents. I don’t know the history of Nathaniel’s trauma that has led him to a life on the edge.
After this episode and the constant uncertainty we all carry into the new year, it is impossible for me to put a pretty red bow on 2020. Yet the wreaths Tom and I bought remind me how fortunate I am to have a modest, comfortable home in a warm climate. There are so many like Nathaniel who don’t. They are hurting, lost, hungry and homeless.
None of us know what the new year will bring, but I try to maintain a half-glass-full perspective. I hope–under the guidance of Joe Biden and Kamala Harris and a kinder, gentler and more humane administration–we can turn the corner as a nation in 2021. Because only when and if we address the growing needs of the Nathaniel’s of our world, our disenfranchised and discouraged citizens, will we begin to escape the darkness and emerge from the shadows of 2020.
We were all spaced out in Phoenix last weekend. Recording tracks for our Phoenix Gay Men’s Chorus holiday concert that will appear on YouTube on December 20.
For safety sake, Marc, our artistic director, divided us into groups of ten or so. Group A had the morning slot Saturday. Group C the evening. I was one of two tenor twos singing in the afternoon in Group B in the “big box” room at the Parsons Center.
There I was. Standing in my blue hoodie in front of a mike, my binder of music, and a music stand. Wearing a safety shield and headphones with ear condoms. Gathering (loosely) with my gay comrades in the space where forty or fifty of us ordinarily rehearse collectively on Tuesday nights in a non-pandemic year.
Certainly, I felt strange, sanitized, and scattered. Like a sketchy character in a Ray Bradbury novel. Wandering and wondering where I would fit in the sci-fi story line. But as we began to run through our set–We Need a Little Christmas, The Nutcracker in About Three Minutes, Let It Snow, Feliz Navidad, and so on–an ounce of sweetness surfaced in the moment.
As we sang, I felt a twinge of the giddiness, excitement, and adrenalin of performance day appear. If you are an actor, singer or instrumentalist, you know that feeling of exuberance on stage. Of course, there was no one in the audience to applaud or validate what we had to offer musically. But that will come with time.
Magically, the sounds we produced on Saturday–and individual images we manufactured and projected in front of a green screen the previous week–will meld in the editing room in the next two weeks. Soon after, the end product will be unveiled. People will watch (or not), smile (or not), applaud (or not).
Some of us will even shed a tear or two. Because we know what losses we have endured in 2020. Now, more than ever, we need a little music. We need a little Christmas.
Mark Johnson Stories 