Tag: Creative Writing

Momentous Marches

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In late March of 2015, we visited the Painted Desert in northeast Arizona.

Tom and I weren’t yet full-time residents of the Grand Canyon State. We were Illinoisans, traveling on I-40, passing through the desolation and grandeur of the American southwest.

Fortunately, when we saw the sign for the Painted Desert, we had the gumption to exit the highway and soak up the scenery.

I don’t know what I was thinking at the moment Tom snapped this photo. But I imagine the experience of gazing out over the majestic landscape of this geological gem inspired me to keep writing, keep exploring.

I was nearing the midpoint of constructing my first book, From Fertile Ground, trying to maintain my creative momentum and find an ending to my grief-induced story of three writers talking to each other across the generations.

A September 2015 trip to North Carolina would provide the inspiration I needed to cross the finish line.

In 2016–on another momentous late March day–my book went live. I remember the giddy feeling of amazement … holding it in my hands when it arrived in our mail in Arizona.

Somehow, buried in the fog of my mother’s passing, I had unearthed my story, discovered an avenue for my artistic passions, and found my voice.

Since that time, the first half of each year–with March as the centerpiece–has become a catalyst for my creativity. I have published all five of my books (and launched my website) spread across the months of January through May.

This year, March has presented me with a new opportunity, a new wrinkle … and a new voice. Let me explain.

Up until recently, my books have been available in paperback and Kindle formats, but not as audiobooks.

A few friends and family members have encouraged me to pursue this additional option, but the cost and the time required to “give voice” to even one of my books felt prohibitive.

However, recently I learned of a viable option through Amazon, whereby I could select a computer-generated “virtual voice” to tell one of my stories.

I was skeptical at first. The concept felt mechanical and scary. How could a computer-generated voice capture the emotion, description, and intent of my words?

But after doing some research and listening to various options, I found a voice that resonated with me.

It captures the essence of An Unobstructed View, the personal (but strangely universal) story of Tom’s and my circuitous journey–physical and metaphorical–to carve out a new life in the Sonoran Desert of Arizona.

Thanks to computer technology, readers (or I shall I say listeners?) can now feel the sense of possibilities and uncertainties we experienced in 2017–remembering the seminal moments of our past Illinois life while forging ahead (on the other side of trauma) to create a home in Scottsdale.

I hope you’ll listen. Allow yourself to be transported through the theater of the mind. It’s a unique experience–possibly more powerful, like tuning in to someone else’s serendipitous story–to hear the words I composed spoken by a “virtual voice.”

https://www.amazon.com/Unobstructed-View-Personal-Journey-Illinois/dp/B0CY941CS5?ref_=ast_author_dp

At any rate, I know many people prefer to consume their books that way through their devices, through their ear buds, as they navigate the trail of life.

Now, one of mine is out there for you–and all the world–to hear.

Under Construction

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Writing can be gratifying, but it’s not easy. It requires introspection, imagination, and a healthy dose of discipline away from the demands of the day.

As I write this, my creative inspiration has been less certain and more diffused. Perhaps the construction cones, yellow tape, and jagged chunks of sod–prominent through the screen of our kitchen window after the replacement of a water main valve this week–are a fitting metaphor for the disruption I feel.

I’m living between and among several writing-related projects that deserve attention. The largest of these is a novel I’ve been mining … and drifting in and out of for the past eighteen months or so.

It’s a compelling (I think) fictionalized story of twin brothers navigating the pitfalls of their differences and a significant/sudden loss that muddies their family waters and transforms them.

I’ve written six or eight chapters, spent significant hours developing the back stories of both characters, and have a clear idea of the troubles they will face and how the story will end, but there is at least a year of research, writing and editing ahead. That feels daunting.

In the near term, I’m committed to blogging once a week and working with Marc, the artistic director of the Phoenix Gay Men’s Chorus, on another libretto later this month. This one, called “Encore”, will appear on stage in late June.

I’m also refashioning a retrospective essay about a teen’s emerging gay identity. This is something I’ve submitted to a few literary magazines. So far, no takers. But I’m determined to find a home for it.

Meanwhile, I want to teach a memoir writing class. On Monday, I presented the Scottsdale Public Library with a concept for a workshop I have developed. They like the idea. There are details and timeframes to figure out, but I hope to lead the first session with a small group of attendees this fall.

Yes, there is a lot under construction inside my brain and around me as snowbirds tiptoe to and from the parking lot past the various plots of uneven ground the plumbing crew left in their wake.

At least I’m choosing creative projects that are important to me … doing my best to entice more folks to read my books, while maximizing the slippery slope of my sixties.

It all feels exhilarating and overwhelming.

Because I Still Remember

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Dear Dad,

Thirty Thanksgivings have come and gone. You wouldn’t recognize the world now. It’s not the one you left on November 26, 1993–much less the country you helped defend during World War II.

Despite some steps forward, life in 2023 is far more complicated, contentious, and fragile for most people.

Nonetheless, I count myself as one of the lucky ones. Thankful to be alive. Thankful for the love of family and friends. Thankful to remember you.

I met Tom about three years after you died. In my thirties, I didn’t imagine this sense of companionship and contentment in my later years … able to marry another man with a similar worldview and creative disposition.

Nor did I imagine living and writing in the warmth of the Sonoran Desert. Creating a life far outside the bounds of the Midwest existence I called home for nearly sixty years.

Over the past three decades, I’ve often reflected on your life, your troubles, your good intentions.

Whenever Tom and I watch the film, I Never Sang for My Father, I am reminded of the deep and treacherous waters fathers and sons navigate together.

We had our share of those moments, but I don’t see a huge resemblance between our relationship and the conflicts facing the two lead characters–frail father (Melvyn Douglas) and his writer son (Gene Hackman)–who never find common ground or the language to make their relationship whole.

There is a profound line in the movie that resonates and always leaves me in tears.

“Death ends a life. But it does not end a relationship, which struggles on in the survivor’s mind toward some resolution, which it may never find.”

Thirty years later, I feel at peace as I recall our relationship in some unnamed, spiritual way. I feel it on certain occasions with my sons. Or when Tom and I commiserate over our personal losses.

Or as I consider my book of poems, which I published earlier this year. Or when I sing on stage with the Phoenix Gay Men’s Chorus and sense a ripple of emotion charging through my heart and lungs.

I can imagine how proud you would be to see how far I’ve come. You were always the first one to stand and applaud when I sang in high school and college. Thank you for that.

I never told you that I understood your struggle to be heard, even when your depression caused me pain. I observed both your successes and failures–your hopeful exuberance, love of family, health challenges, and bouts of unhappiness.

They have shaped my odyssey as a writer and given me greater compassion and empathy for the plight of the disenfranchised.

In 2023, I live about fifteen hundred miles west of St. Louis, far away from your grave at Jefferson Barracks National Cemetery. So, I won’t be able to visit your marble slab today, but this letter is better.

Rest assured–long after your final breath the day after that big meal with your sisters on Thanksgiving 1993–our sometimes-messy-sometimes-sweet bond still exists.

We will be father and son forever. That will always matter to me. Because I still remember.

Love, Mark

My father’s final resting place at Jefferson Barracks National Cemetery south of St. Louis.

Thankful Every Day

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Today in the United States we celebrate Thanksgiving. It is easy to become consumed by the preparations for this holiday. To focus on the feast we will consume, while many in the world aren’t as fortunate.

But there is greater meaning–in our bodies, hearts, and minds–when we pause and recount what makes life satisfying beyond the things that adorn our days.

I am thankful every day for the love of family past and present, friends and neighbors near and far, good health and the ability to write and sing, gorgeous trees and furry critters that grace our lives, and most definitely the world Tom and I have discovered and created together inside and outside our Arizona home.

Wherever you live, thank you for joining me on this journey. I am thankful for the ability to connect with you–for this opportunity to share my voice through words, images, ideas and memories–every day.

The Possibilities of Pruning

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In October 2019, I puttered in my garden as I often do.

I had already begun to assemble tongue-in-cheek and serious stories about life in the Grand Canyon State. But I needed a creative hook to link the essays and my desert fantasies to the wide-open experience of living in Arizona.

Strangely, sagging citrus tree branches provided the stimulus for my book title. While they impeded our sidewalk, identifying the obstacle cleared a path in my brain. Tom stood by as seven words flew from my mouth and tumbled into the arid Arizona air: “I Think I’ll Prune the Lemon Tree.”

***

Nearly four years have passed. In early 2021, I completed and published my book. Folks near and far have told me how much they’ve enjoyed reading it.

Of course, I hope more will discover it and find meaning in the essays, including those I wrote about living in a global community we never imagined–a place I call Coronaville.

This afternoon I found myself in the same space outside my front door, examining the same tree, realizing it needed another haircut. I grabbed the loppers, pulled on my gardening gloves, and pruned only the most problematic branches that hung low.

Sadly, there were a few lemon casualties that fell to the earth looking more like green limes than the fully matured lemons they might have become in December.

Still, I think I did a good thing for Tom and me … and our neighbors and delivery people, who pass daily on the sidewalk of our mid-twentieth-century condo community and go about their lives under the radar.

And the lemon tree? It’s now shapelier than before and has inspired me to write yet another story about the possibilities at play in nature.

One Thread at a Time

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Whenever the opportunity presents itself, I enjoy talking about the discipline of writing. Honestly, it doesn’t happen that often. But when it does, it’s generally in the course of an ordinary day.

For instance, last Friday–on the way out the door of the gym I frequent–I stopped to talk with the manager. He asked me about my latest writing project for the Phoenix Gay Men’s Chorus.

“It’s fun,” I told him. But then I went on to explain that creating a full-blown musical libretto is also draining. Such is the case for anything that pushes us beyond our comfort zones.

What does writing a libretto feel like? Well, I’ve never been a clothing designer or tailor. But it’s as if I’m sorting through a world of potential fabrics … selecting the right one … weaving it into a fictionalized story with smart dialogue and an emotional arc … and stitching it to music (which the chorus’ artistic director has selected).

Back near the entrance to the gym, another person joined the conversation. It morphed quickly into a discussion about the motivations and pitfalls of writing. She–a technical writer, who has dreamed about writing a childrens’ book–asked me about my creative commitment and impulses.

That’s when I felt my energy swell as I became creative mentor and cheerleader on the fly. I told her writing is like any discipline–exercise, yoga, boxing, for instance.

I told her I write something nearly every day. That–strangely–after my mother died ten years ago, a new door opened. I decided to take a leap. To write stories that were important to me, not some corporation.

Along the way–I told her–I discovered my true calling as an independent writer. It’s something I’m passionate about, though sometimes the creative process can be lonely.

I told her you have to make it a priority. You have to make the time for it. I told her that the childrens’ book she wanted to write was inside her, waiting to be written.

As I left the gym and walked to my car in the heat of the desert sun, I felt happy … content in the knowledge that I had encouraged one other person to step beyond their creative comfort zone.

***

In this world of raging fires, heat waves, social upheaval, and constant noise produced by snake oil salesmen, I believe the best thing we can do is to put down our phones and turn off our TVs more often.

To take back our lives. To talk with one another face to face–or at least voice to voice. To offer encouragement when opportunities present themselves. To write and read more books and poetry. To make time and room for practices and people who make our hearts sing.

If we do, maybe we can begin to restitch the underlying fabric of our society … one thread at a time.

One Hundred Years, One Hundred Words

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It’s a daunting task, trying to capture a full life–in this case, my mother’s–in one hundred words (and a dozen pictures). But, today, on the one hundredth anniversary of her birth, this is how I choose to remember Helen Matilda Ferrell Johnson, beyond our story that sprang From Fertile Ground.

***

Born July 26, 1923; High Point, North Carolina.

Child of the Depression.

Dutiful daughter. Responsible older sister.

Fine furniture lover.

1945. St. Louis, Missouri, bound.

Patient wife. Long fuse. Quick temper.

Attentive mother. Hard worker.

Loyal friend. Compassionate trailblazer.

Unintended, unidentified feminist.

Reliable next-door neighbor.

Proud mother. Devoted grandmother.

Smart saver and investor.

Advocate for the disabled and needy.

Southern storyteller. Avid letter writer.

Rock and shell hunter.

Animal advocate. Grateful green thumb.

Observant camera bug. Crafty potter.

Contented retiree. Resilient fighter.

Northern Illinois octogenarian.

Wise realist. Chair rocker.

Fading sunset lover.

Gone January 26, 2013; Wheaton, Illinois.

Full moon.

Helen Ferrell at age six in 1929.
Helen walking with younger sister Frances in the 1930s.
Helen arriving in St. Louis by train outside Union Station in 1945.
Helen in Texas in the 1950s.
Helen and Walter Johnson in Texas on her twenty-sixth birthday.
Helen outside their Texas apartment in the early 1950s.
The Johnson family in 1959 in St. Louis.
Helen and Maggie in Mount Prospect, Illinois; New Year’s Day 1999.
Helen singing Waltzing Matilda on her eightieth birthday in Geneva, Illinois.
Helen the gardener in the early 2000s.
Helen showing off her manicured nails in Wheaton, Illinois in 2011.
Mark and Helen in January 2013, a few weeks before she passed.

To Watch and Wait

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One half riddle … one half rhyme,

April muses … overtime.

One wanders in … to watch and wait,

Two falls at home … recuperates.

Three beams with friends … by candlelight,

Four’s born one morn … a pure delight.

If only they knew … what songs they’d sing,

If only they knew … what May might bring.

***

For more of my poetry, purchase A Path I Might Have Missed on Amazon.

The Big Reveal

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Hello literary lovers. It’s time for me to stop teasing you about my upcoming book of poetry. Book number five–A Path I Might Have Missed–is alive!

The title and meaning? I chose the title, because it is a reference to the creative odyssey I might have overlooked (but fortunately found late in life and explored through my poetry). Plus, I just like the lyrical sound of these six words strung together.

The concept? It’s a wide-ranging collection of forty-two poems, which I wrote over a period of thirty years (from age thirty-six to nearly sixty-six). My poems cover a host of universal topics–love, loss, pain, discovery, truth, and transformation–with an eye to the ever-present influence of nature in our lives.

The content? The poems run the gamut. Some are reflective, probing, mindful, and deeply personal. Others examine the challenging times we face in contemporary society. I dedicated the book to my father, Walter A. Johnson. He was an unfulfilled poet.

The format? The book is organized into six sections: buds and blooms; fog and fire; magic and music; trials and trails; water and wonder; and stones and sky. I’ve included a photo of nature with each section, images I captured while living in Illinois and Arizona.

Just click on the embedded link below to reveal the cover of the book and purchase a copy on Amazon. Also, please leave your review online. I look forward to your comments and feedback. Thank you for supporting my creative endeavors. Happy reading!


https://www.amazon.com/dp/B0C1HWZ859?ref_=ast_author_dp