Tag: Valley of the Sun

Elder Gay

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I met a new friend for lunch yesterday. It’s a rather unusual, sweet story. For that reason, I need to write about it.

About three months ago, a young reporter sent me a message via my contact page. He saw a nostalgic piece I wrote about my college years at the University of Missouri.

It included a reference to Hinkson Creek and an abandoned quarry there, which I and many other college freshmen and freshwomen frequented on Friday nights to swim and party.

Apparently, the creek is now polluted–has been for more than thirty years–with an array of contaminants, but there is a push by various environmental groups to salvage it.

In his note, this earnest reporter–a journalism student at the same university I graduated from in 1979–wanted to talk with me to include a few comments about my recollections of Hinkson Creek. He wanted to give the story some texture and a touch of humanity.

As background, I don’t always respond to these sorts of messages. Too many of them are generated by bots or feel exploitive. But this one felt different. So, I responded.

A few days later, we had a pleasant phone conversation. I shared information about the fun I had with friends at Hinkson Creek in the mid 1970s and how sad it was for me to learn that Hinkson Creek is now unsafe due to the presence of E. coli in the water (according to data on the EPA website).

Before I said goodbye to the reporter, he told me how ironic it was that I lived in the Phoenix area, because he would be moving to the Valley of the Sun in July to be with his partner. I suggested he contact me again once he got situated here.

Last week, I received a text from this young man, this recent Mizzou journalism graduate who is forty-eight years younger than me.

He now lives in Phoenix and is looking for a writing job here. He included a link to the story he wrote which appeared in the Columbia Missourian with a few quotes from me.

It’s a thorough, well-researched story, but that’s not the point of my story.

Anyway, I thanked him for sending the link to me. He asked if I was still interested in meeting for lunch. I responded with a definite YES.

Yesterday afternoon–one day before the rain finally arrived to ease our parched earth here–we met in person.

This smart, enterprising, young gay man and I talked about his job search, my writing and my husband’s passion for films, how he and his partner met, his love of writing and music, his early impressions of Phoenix, and my recommendation that he find his place in the LGBTQA community here.

I told him that at this point in my life it is especially meaningful for me to help a younger man–a young gay man–by offering a little guidance in a harsh world.

He smiled when I told him I would pick up the check and–before we parted ways, but after I invited him and his partner to come to the next Phoenix Gay Men’s Chorus concert in December–he said jokingly that meeting me is kind of like having an “elder gay” to talk with.

Ordinarily, I wouldn’t want to be referred to as an “elder” anything. But in this case, it was a term of endearment. So, I laughed and accepted it that way.

***

My wise, sassy, and “elderly” Aunt Thelma once told me when she was in her late sixties, and I was about this young reporter’s age, that “we are all like ships passing in the night.”

I have always taken that to mean that life is fleeting, and that we should try to help each other around every turn. That we should try to do the right thing, because we never know what tomorrow may bring.

I think Thelma would have been proud of me yesterday.

Who could have imagined that a story about a polluted creek would lead to a pleasant lunch?

More important, that I might reach forward to help a young gay man, while looking back to remember that unrealized twenty-one-year-old-gay version of me who most certainly would have loved a little advice from an “elder gay” friend.

Oh, Hummingbird

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Lately, I feel like an anxious hummingbird, flitting about from one branch to another. Zooming in and out, searching for creative inspiration. Trying to find sweet nectar that will help me link one idea to the next.

Maybe it’s the late-summer desert doldrums. The intense Sonoran heat has worn me down. I don’t feel the impetus to write here as frequently as I once did.

Even so, I have experienced two moments of writing bliss in the past week. Both led me to draft deeply personal poems for members of my family–chosen and otherwise. At some point, I may decide to share them publicly, but not now.

Maybe this is simply what it feels like to be living in my “late sixties going on seventy” (sounds like a parody of a song from The Sound of Music) in a world gone mad.

All the while, I try to nourish myself.

I try to help others I love who have lost jobs or are battling cancer.

I play word games on my phone when I wake up each day.

I recall the stunning scenes and pine scents of western Canada.

I pack for my younger son’s wedding in Chicago this weekend.

I squeeze in another trip to the gym.

I watch the young-and-promising St. Louis Cardinals I root for self-destruct again in the late innings.

I download the music for my December choral concert and prepare for my next rehearsal.

I socialize with friends away from the heat produced in the Valley of the Sun.

I take afternoon naps to reboot my brain.

I prepare to lead another memoir writing workshop in October.

I recoup with my husband at home. We enjoy quieter moments in the confines of our Arizona abode.

Through it all, I wonder when or if I will rediscover the time and energy to complete another book.

Rushing By

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Like the rumbling Bow River rapids of Alberta, Canada, that raced past me in late July in mountainous Banff, life’s quiet and meaningful moments keep rushing by.

There isn’t much any of us can do about that, except to maximize the present. That’s difficult when the human memory teases us to revisit past indelible images that we magnify through our sensory connections.

For instance, smoke-tinged skies from forest fires that shrouded Kamloops, British Columbia, when we arrived at our hotel there on July 24, 2026, will forever be sealed in my consciousness.

As will the joyful feeling of reverence for nature, as we rode on the Rocky Mountaineer train the following day, slicing through deep, green canyons on the way to Jasper.

If there is a God–and sometimes I wonder given the state of the world and American society–perhaps he, she or they reside in Canada.

That would explain the seemingly endless supply of pines, spruces and aspens north of the border.

Perhaps God plucked the trees from a celestial palette, drew them on mountains that rise from the bottom of the Thompson River’s edge to the height of a soaring eagle’s eyes.

If so, the clouds passing over the Canadian Rockies applauded in unison.

Of course, there isn’t a never-ending supply of trees, natural resources, or shared beautiful moments.

We must protect our environment, cling to the best of our days, and endure the mundane–and the madness–that exists.

Right now in the Valley of the Sun, Tom and I live in a warm (no, hot!) way station between significant summer events.

We relish our Canada adventure as we also prepare–later this month–to fly to Chicago for the wedding of my younger son, Kirk, and his future bride, Jennifer.

I’ve already advised them to reside in the magical moments of their wedding day as much as possible.

To embrace the cool waters of love from each other, from family, and from friends. To let all of it wash over them.

It will be a day that they–and I–will remember always.

The Language of the Desert

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I live in the Sonoran Desert and the Sonoran Desert lives in me. That’s been the case for nine years. My most prolific ones as a writer.

The language of the desert–like grains of sand that blow in through the door–is now part of my creative being.

Shimmering sunsets. Slithering lizards. Skittish quail. Stray cats. Spiky cacti and succulents. Scattering snowbirds. And those are just a sample from the letter “s”.

When I served as a “Writer in Residence” at the Scottsdale Public Library last spring, I prompted the writers in my workshop to explore the role setting plays in the stories of their lives.

I asked them to consider a place in their lives that is or was prominent and how that place might be considered a character in what they have to say. In the stories they want to show and tell.

The places I have lived or frequented have certainly provided texture to my existence and informed my perspective. The orange earth of the Carolinas. The rolling hills of Missouri. The flatlands of Illinois. The rugged buttes of the Arizona desert.

They represent distinct periods in my life, and–in hindsight–I now understand better why they each deserve their proximity across my body of literary work, six books … a lifetime of stories.

The heat here in July is intense. But it is bearable because the Sonoran Desert–even in its most torrid state–is otherworldly.

At times it feels as if I am living on the moon. The astonishing natural beauty and stately saguaros–sentinels that stand tall in valleys and on hillsides here–have led me to a creative destination outside the orbit of my midwestern sensibilities.

One where I “write on” … as I just celebrated my sixty-ninth birthday and begin this final lap in my sixties. Learning and growing. Teaching and influencing.

Standing tall as a gay man, a husband, a father, a writer. Proud as a saguaro despite my visits to the cardiologist and dermatologist to manage my personal frailties. Rooted to this vivid place, the Valley of the Sun, that is my home.

***

Note to those of you who live in the Phoenix metropolitan area: On Thursday, July 16, from 5 to 7 p.m., I will be signing and selling copies of my latest book, Sixty-Something Days, at Grounds on 2nd in Old Town Scottsdale, located at 3703 N. 69th St.

This charming neighborhood place (coffee and wine bar) is one of my favorite spots in our Scottsdale, Arizona, community. It truly is an inclusive, creative space my husband Tom and I frequent to write, read, and chill with friends. In fact, I wrote and edited a considerable portion of my latest book there.

If you are in the area, stop by to sell hello, grab a book and a glass of wine. I also will have a few copies of my other five books–memoirs, poetry, and short fiction–on hand in case you are looking for options to add to your summer reading list.

In April 2026, friends at the Scottsdale Public Library gave me this shirt after I completed my “Writer in Residence” stint there.

Too Darn Hot

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“But when the thermometer goes way up and the weather is sizzlin’ hot, mister man with a plan is not. ‘Cause it’s too, too, too darn hot.”

***

As the heat rolls into the Valley of the Sun this week–100-plus high temperatures through Saturday–this snappy tune, which Cole Porter wrote in 1948 for his Broadway show Kiss Me Kate, repeats through my brain.

It’s certainly “Too Darn Hot” to hike outside in June here, unless you do it early in the day. That’s what I–and a young woman walking her Boston terrier–did Monday around 9 a.m. Nobody else was on the Papago Park trail near my home.

This morning I opted for swimming thirty lengths in the relative cool of Chapparal Pool. How I’ve missed submerging myself underwater (thanks to a couple of dermatological procedures that kept me at bay).

In the afternoons, you’re better off holding up in the Scottsdale Public Library to escape the heat. That’s where Tom and I have sequestered ourselves today, along with a few dozen others, strategically stationed at square wooden tables, hovering over their books and laptops.

Other than the heat references, why would I be channeling an old Broadway tune? Because my next choral concert with the Phoenix Gay Men’s Chorus–“Broadway Lights”– is fast approaching: June 27 (2 p.m. and 7 p.m.) and June 28 (2 p.m.) at Tempe Center for the Arts.

As described in our promotional materials, “It will be a spectacular celebration of some of Broadway’s most beloved musicals. From the soaring melodies of Wicked and The Sound of Music, to the show-stopping energy of Hamilton, Moulin Rouge!, Hairspray, Into the Woods, The Book of Mormon, The Wiz, and The Greatest Showman, this season finale is packed with music that has captivated audiences around the world.”

Coincidentally, “Too Darn Hot”–timed beautifully with the inevitable onset of our desert heat–is the closing number for Act One.

If you live in the Phoenix metropolitan area, step into one of the coolest concert venues around: the Tempe Center for the Arts. Get your tickets at http://www.phxgmc.org.

You may be wondering “Since it is Pride month, is there a LGBTQ Pride element to this concert?” The answer is a resounding “YES!”

My chorus mate August and I have teamed up to write the libretto for the concert. It features nine storytellers, who will describe how Broadway music has served as a beacon for the LGBTQ+ community in happy and sad times.

Together–the music, the stories, and a slate of hot dance numbers–will combine to create a full theatrical production, which our loyal audience has come to expect.

This will mark the completion of my ninth season (singing and writing for) with the Phoenix Gay Men’s Chorus.

I still recall auditioning for the chorus in August 2017. Tom and I had just moved to Arizona from the Chicago area.

I was depressed and anxious, desperately trying to regain my health, to uncover an unobstructed view after surviving a heart attack on the way west in July 2017 on our sixtieth birthday.

Finding the chorus, nurturing new friendships, and reigniting my passion for singing has been a key element in my recovery. It helped me lighten my mood and smile again.

When I step onto the stage again on June 27, I know I will feel grateful for the music and the nine years of creative discovery. But also, for this safe haven. This supportive community of people.

They have helped me to realize I still have a lot to give. I still have a lot to say. I still have the ability to stand on a stage and raise my voice, especially now as we cling to the hope that–maybe someday–our democracy can be salvaged.

To Sir, with Love

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Be forewarned. This is not a story about the 1967 British drama film starring Sidney Poitier.

Though as background, in a riveting performance, Poitier portrays Mark Thackeray, an unemployed Black American engineer who takes a teaching job in a working-class London school.

Thackeray clashes with a band of rowdy high school students. Along the way, he challenges their prejudices, navigates social barriers, and–ultimately–earns their respect with innovative teaching methods.

It’s a profound story about the challenges of educating through discrimination. In the end, we viewers feel the emotional triumph of Thackeray’s accomplishment and are treated to Lulu’s rousing rendition of the title song.

If you’ve never seen the iconic film, I recommend it. Few films are more reminiscent of the sights and sounds of the turbulent 1960s.

But what I really want to write about today is the labels we use to address one another, and how those monikers change as we age.

This morning, as I finished a thirty-five-minute set and dismounted a treadmill at the Scottsdale Community College gym, a fortyish man exercising behind me smiled and announced with kindness (not love), “Sir, you’ve dropped something.”

I glanced down to discover my Silver Sneakers membership card lying on the floor next to the treadmill. I thanked him profusely, picked up the card, then proceeded to wash down the machine with a disinfecting wipe.

This experience gave me pause. At this stage of life (my late sixties) I am most often addressed as “sir” in situations like this with strangers in public forums. Certainly not, “young man”. Because I am not that.

I am certainly no longer a “boy” either, even though I definitely identify as male (he/him) and an elderly neighbor refers to my husband Tom and me as “the boys”. (She has known Tom since he was a “boy” visiting his grandfather.)

Anyway, I suppose I am “sir” to the outside world as I approach my sixty-ninth birthday in July. Better than “Hey You!”, it’s a respectful, somewhat formal, fatherly (dare I say grandfatherly even if I am not one) acknowledgement of who I am and who I have become in my older-and-sorer-but-still-relatively-fit body.

But I hope you’ll always refer to me as “Mark”, that generally kind, friendly author and gay man who is doing his best to stay sane in this dystopian country by writing about our everyday happenings that fly under the radar.

Transitions and Auditions

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May is a transitional month in the Valley of the Sun.

Snowbirds have flown away to their full-time nests east and north. Tom and I are left to our creative devices.

Despite the higher temperatures coming soon–100-plus next week–I prefer these quieter, hotter days.

There is more room in our favorite coffee shop where we write and socialize. Less maneuvering through traffic merging on and off highway ramps framed by jagged mountains that remind me I am a westerner now … for nearly nine years.

This morning at the Scottsdale Community College gym Tom and I now frequent (free with our Silver Sneakers membership), Rosalind greeted me with a broad smile.

She read and loved Sixty-Something Days, my latest book and told me she is recommending it to all of her sixty-something friends.

Active-retiree Rosalind laughed when she said, “I’m your target audience.” She offered that it reminded her how important it is for all of us to be grateful for the goodness and love in our lives.

In that moment, she shared a photo of her two, beautiful, three-year-old granddaughters who are the children of her twin adult sons.

As we parted to continue our respective exercise regimens, she volunteered that she will be leaving for Flagstaff for the summer–her own transition to the beauty and cooler temps of northern Arizona–but back in the fall to resume her desert life.

Now that May has arrived, I’m shifting creative gears.

I’ve been working with another chorus member–August–to write and finalize the libretto for Broadway Lights, the next Phoenix Gay Men’s Chorus (PHXGMC) concert June 27 and 28 at Tempe Center for the Arts.

It features eight storytelling vignettes that wrap in and around our PHXGMC set of inspiring, fun/funny, and fabulous Broadway tunes.

This evening, August, Darlene (PHXGMC’s assistant artistic director), and I will watch and listen to a stream of chorus members who are auditioning for the nine speaking roles that tell stories (fictionalized ones rooted in reality) of how Broadway music has served as a beacon for our LGBTQ+ community in happy and sad times.

I am proud of my involvement with the chorus as both a second-tenor performer and librettist. At this stage of life, time moves quickly. It’s difficult for me to believe that I have been singing with the chorus for nine years, since Tom and I moved to Arizona in 2017.

As my sixty-ninth birthday fast approaches in early July, this community of friends–truly a safe haven in our chaotic country–provides an ongoing-and-meaningful oasis during these Sixty-Something Days … ones I am grateful for even on the hottest days that surely loom beyond this stretch of ground Tom and I walk along the Crosscut Canal and Papago Buttes.

Another Orbit

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This is my space, but I feel it has eluded me lately in the blur of life.

Like the game of Chutes and Ladders, in this month of April I’ve moved forward a few paces–writing another meaningful libretto for the next Phoenix Gay Men’s Chorus concert, Broadway Lights, in late June–while sliding back to heal from physical and emotional setbacks: two discomforting dermatological surgeries; one momentous funeral for a close cousin.

Grief has a mysterious way of throwing you into another orbit. That is where I live and breathe right now. Part of me stands on the sandy soil of Scottsdale, Arizona. Another piece is spinning somewhere else in the stratosphere.

The loss of Phyllis cut close. Not only because I loved her. But because I know she loved me. And she was a significant part of the fabric of my young life in her proximity to others I loved. Others we loved. All of whom are gone.

Our grandparents, Albert and Louise. Her mother, Violet. My father, Walter. My mother, Helen. Our aunt, Thelma.

Despite my disrupted and sometimes traumatic home life in the 1960s–featuring my father’s bipolar swings and my mother’s evening coping mechanism behind the broadsheet of the St. Louis Post-Dispatch–love existed there in our suburban St. Louis house. Love I felt. Love I excavated. Love I salvaged and carried forward. Love I still feel today.

Phyllis appeared in our home a few times a year. Usually in July to celebrate my birthday in our big backyard and in December in our living room to share Christmas dinner and exchange gifts. She was an integral presence in those moments.

There is one other moment that was purely ours. It happened just once. She must have been twenty. I was ten. She was an undergrad at the University of Missouri in St. Louis (UMSL). We both loved sports. She invited me to join her at an UMSL Rivermen basketball game.

I don’t remember much about it … how we got there, what we said to one another … just that we sat side by side in the stands rooting for the Rivermen. I just remember being proud of her. She was pretty, smart, and fun … and she wanted to spend time with her young cousin. It touched me deeply

As I write this, I realize Phyllis represented a form of stability in my life at that time … an escape to a more even, peaceful place that no one in my family of origin could provide.

Identifying that helps me to realize why this loss has hit so hard.

***

On Wednesday, April 22–Earth Day–my husband and I attended a volunteer recognition event at the Scottsdale Public Library. Alexa, the supervisor of volunteers, recognized Tom for his outstanding-and-popular movie series–and then me for my memoir-writing workshops–at the library in 2025.

We each brought home a certificate, thanking us for our volunteering efforts, along with a tiny succulent plant bearing an important message. We placed both of them on the windowsill of our south-facing sunroom in Scottsdale.

They will serve as a reminder for me that–even in my late sixties–I’m helping others grow in my community.

I know Phyllis, a life-long educator, valued that, too.

Sensitivity

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I pride myself on my sensitivity.

In my book, empathy is an essential quality for writers and human beings in general. It opens the door to developing deep and trusting relationships, but it also exposes us to emotional and physical pain. In this month of April, I have experienced both.

***

On Friday, April 10, Tom and I said goodbye to my cousin Phyllis.

The day before, we flew to St. Louis and enjoyed a nostalgic salad-and-pizza dinner with family in St. Charles, Missouri.

We gathered around a round, wooden table–balancing paper plates piled with food, while sifting through dog-eared photographs of Phyllis with living and deceased members of our Johnson family from the past seventy-five years.

In that space, I felt a meaningful connection with Tom (Phyllis’ husband), Austin and Bryant (her adult sons) and their respective spouses (Amanda and Kelsey).

Meanwhile, Phyllis’ four grandchildren–ranging in age from three to eight years old–danced around the island in Bryant and Kelsey’s kitchen, occasionally patting the head of Bennelli, their large-and-lovable labrador.

Despite the grief associated with the loss of Phyllis, it was a family moment I will cherish. One Phyllis would have loved.

The next morning, Tom and I drove to the funeral at Immanuel Lutheran Church in St. Charles with my sister Diane and brother-in-law Steve.

In a large open space connected to the church, Kelsey and Bryant had carefully assembled still photos–from throughout Phyllis’ life–on boards anchored by easels. They placed them beside her closed casket adorned with sprays of colorful blooms.

Overhead, at the other end of the room on a large screen, other images of Phyllis and her family and friends faded in and out on a large screen TV.

As people began moving into the church for the 11:30 funeral service, I felt anxious. Jumpy.

A mix of nostalgia and peace washed over me, as Tom and I found a place to sit at the far-left end of the fourth pew. Diane and Steve joined us there.

I scanned the program and saw that after readings from the old and new testaments–slotted between two church hymns–I would walk to the lectern to share “Words from the Family”. To give a eulogy. To pay tribute to my closest cousin’s life.

I’ve done a lot of public speaking, presenting, and singing on a multitude of stages in my life–but few things as personal as this. I breathed in deeply to quiet my nerves. I unfolded my prepared words and looked out over a congregation of probably two hundred: Phyllis’ family, friends, teaching colleagues, students, caregivers.

In that moment, my anxiety lifted and flew away. “I am honored today to remember Phyllis. She was my cousin. We were born a decade apart in St. Louis,” I began.

The words and phrases flowed effortlessly from there, as I looked into the tearful eyes of immediate family members–three generations side-by-side spread across the first pew.

“I admired Phyllis’ poise, her style, her intellect, her ambition, her sensibility,” I continued. Before I knew it, I was reciting verses from I poem I wrote for Phyllis: The Love We Shared.

I closed my notes. I left the lectern. I paused to pat Austin, Phyllis’ eldest son, on the shoulder for reassurance, kissed him on the forehead, then returned to the fourth pew and sat beside my husband.

I pulled a wrinkled tissue from my suit pocket, dabbed my eyes, and felt sadness and love reverberate throughout the church.

***

Tom and I returned to Arizona last Saturday.

Today I found myself dealing with another form of sensitivity … sensitivity to the sun.

This morning my dermatologist–in an out-patient procedure called MOHS surgery–removed a small patch of cancerous cells from the bicep of my right arm. As I write this, I am taped up with a sizeable patch over that area.

The good news is he removed all of the problematic tissue. There is no pain, just the anxiety (and the pinch of a few needles for numbing) that immediately preceded this morning’s appointment.

In a few weeks, the remnants of that procedure will fade. My dermatologist will extract the stitches.

I will be left with my fourth such scar–one on each limb ironically–from excisions and dermo procedures.

In a sense, these scars are “badges of honor” for having lived nearly sixty-nine years and survived a series of setbacks.

They are proof that as long as I live–as long as I write, sing, slather on sunscreen, and pause to remember the ones I love–I will also remain super sensitive to the blazing Arizona sun.