Retreat from impending pandemics, pundit prognostications and presidential prattle. Play in the garden. Greet the grace of nature. Gaze at gliding coyotes and giant cardons. Grant Sunday succulents a proper home. Gather and savor southern-facing light. Stand tall and shine in the darkness. Apply aloe. Ease the pain. March on.
Rare rain falls and pings against carport roofs. Such a solar sabbatical allows time for sun worshipers to pause and reflect on echoes ordinarily unheard.
Nature’s water droplets are like Cosanti bronze windbells. No two are identical. They hang and wave in the air at the whim of the wind.
Chiseled workmen clad in protective suits, gloves, helmets and visors pour 2,200-degree molten metal into sand-shaped molds in Paradise Valley.
A day later, they will extract cooled chimes handcrafted in burnished and patina finishes. The heat will forge the artistry. The wind will do the rest.
Eventually the melodious bells will leave the foundry, carefully wrapped in designed boxes for unknown destinations out of their control.
Some will ring in desert breezes on sun-scorched, palatial-or-postage-stamp patios in optimistic Arizona towns like Gold Canyon or Fountain Hills.
Others will fly with snowbirds to reign and ring above concrete back porches or cedar decks in harsher climates where snow collects on spruce tree limbs.
All of them will deliver unintended, unbridled and unfiltered messages. Raining here and ringing there for all to hear who are aware.
We live a block from this blaze of yellow and orange. It’s really not a field. It’s a swatch of a neighbor’s front yard filled with wildflowers that thrive on February opportunities, which the Valley of the Sun affords.
One of the things I’ve learned since leaving corporate life six years ago is that capturing images of nature lights my creative fire. Doing so, reminds me of the field of possibilities that await in life. Even for a guy who’s sixty-two.
Perhaps especially for a guy who’s sixty-two, because I still have a lot of observations to share. Things I need to say about my world, my nation, my state, my community, my family, my marriage, my individuality. Ideas I need to extract and plant out of my brain, water and nurture … just so I can give them light and see them appear and bloom on a page.
The fascinating part of the creative process is that when I sat down in front of my laptop this morning I had no clue what I would write about. But then I saw this photo on my phone and it spoke to me. In some way, the larger message I heard was “Keep writing, Mark. Write about what you know. What you observe. What you feel. What you dream of and worry about.”
So that’s what I do. A little every day. Sometimes I share it here. Other times I put it in a file with notes of other raw or unrefined observations that quickly blossom and fade in the desert sun.
But it’s the field of possibilities that continue to be my source of motivation. That prompt me to push ahead with my collection of true Arizona stories and desert fantasies, which I hope to publish in the next year. That connect me to a few fabulous followers who come here to read what I have to say.
I’ll keep doing it as long as I feel that impulse.
I suppose local meteorologists would tell you we have four seasons in the Valley of the Sun. But I wouldn’t characterize them as the same qualifying quadrants most residents of the northern hemisphere experience.
We don’t really have spring, summer, fall and winter in Scottsdale, Arizona. Instead, after living here year-round for the past two-and-a-half years, I would describe our seasons as spring (February and March), summer (April and May), mega-summer (our 100-plus oven existence of June through September), and autumn (October through January).
Nothing approaching arctic sensibility occurs here in February or anytime for that matter. Though, like this transformation of the seasons, I acknowledge that living in the Sonoran Desert I have become a different version of myself. I have shed my larger epidermis and middle-aged Midwestern fat deposits and reemerged as a trimmer-and-thinner-skinned desert rat.
Whenever I grab my hoodie on the way out the door on a sixty-degree day, after plucking another daily dose of Plavix generic substitute from my pill tray and gulping it with juice, it is evidence of my lighter persona. Now, my more swiftly-flowing, sixty-something blood often requires an extra man-made layer.
In addition to the physical changes in my Arizona existence, most assuredly February in the Sonoran Desert is nothing like the sled-riding, snow-blowing scenes of my past. It is sweet-and-sparkling spring time when the Acacia trees bloom. Cool forty-degree temperatures in the mornings. Bright seventy-degree afternoons. Just the right combination for wildflowers, which have suddenly decided to display their blossoms along roadsides, arid avenues and neighborhood yards.
Even our container of snapdragons is getting into the spring fling act. Tucked under the eaves of our front window, the elongated yellow blooms have begun to emerge from seedling skulls, which we dried and saved from the previous batch the year before.
In a few weeks, I expect our entire pot of snapdragons will be ablaze in color. Then, when the temperatures rise and April becomes May, the stalks will begin to dry and wither in the torrid summer sun.
Never fear. Tom and I will salvage the seeds. Save them for the next cycle. Wait for them to bloom again in a future February in Scottsdale, Arizona.
I am forever a father. A son too, though the earthly connections to my parents ended seven years ago. Still, I choose to embed the themes of both father and son dynamics in my writing. I believe those roles and identities are rich with possibilities and pitfalls. They remind us of our past, our present, our place in the world.
Knowing my thematic propensities, recently Tom gave me a thoughtful, funny book that explores both sides of the equation. I’ll confess Michael Chabon’s stories Pops: Fatherhood in Pieces captivated me from the start–chronicling the escapades with his style-conscious, adolescent son Abe on their Paris Men’s Fashion Week odyssey–until the end when we learn of Pops, the doctor, and the author’s observations of his dad. That left me in tears.
It reminded me of my own father, Walter. How he coaxed me to tag along in 1962 when he got his hair cut. I was his number one son. At least that’s the way he introduced me to waiting patrons at the cosmetology college. Each time we went I feared Walter would force me to agree to a buzz cut from a boisterous barber, who snapped his cape like a matador and plucked black combs from tall jars of blue disinfectant.
I went along with Dad’s scheme anyway. I cowered behind his high-waisted, pleated pants before he stepped up into a swiveling chair for a cheap trim, a quick shave, and a dose of baseball banter between square-headed men wearing starched white shirts and boxy black-framed glasses.
In reality, I was Walter’s only son–four-year-old Bosco. It was an endearment he bestowed upon me, because I painstakingly pumped and stirred chocolate syrup of the same name into tall glasses of cold milk. In exchange, I sat in awe of my gregarious father as he gulped his coffee and savored his soggy Shredded Wheat. We loved each other, our playfulness, and kitchen table excesses.
Though Walter has been gone for more than twenty six years, I was thinking of him as I finished reading Michael Chabon’s book last weekend. Then, in the same two-day period, along came a fresh chapter of my own fatherhood. Both of my sons, Kirk from Chicago and Nick from Tempe, came to support me on Saturday in my literary life at the 7th Annual Local Author book sale in Scottsdale.
Behind the scenes, they’ve been there since 2014 when I waved goodbye to corporate life. Rooting me on to explore this late-in-life literary fantasy that has become a reality. But Saturday was different.
I stood before Tom. First he took my photo in front of my table. Behind my three books. Later when Kirk and Nick arrived, I stood between my two adult sons. I remembered how far we’ve come since February 1992 … when my own fatherhood felt it had shattered in pieces … when their mother and I told them we were divorcing. I was moving into a new home. They would spend half of their lives with each of us.
Fortunately, in 1992 I had the gumption to stay in their lives and love them. We built a life together. Then Tom came along in 1996 and, over time, they learned to love him too. Together we stood by Kirk and Nick as they grew.
And then, suddenly on Saturday, they were standing by me.
I try to write everyday. Sometimes, with other priorities–frequent doctor appointments, an aggressive exercise schedule, Tuesday night chorus rehearsals, Friday morning gentle yoga, spontaneous outings and coffee catch-ups with friends–there isn’t enough time for Tom and me devote to our literary pursuits or to simply escape the daily demands of our world. (Oh, perhaps you don’t know. My husband’s also a writer and film aficionado too.)
Anyway, we and our creative schemes … our true and false story ideas … persevere. That’s what it means to be an artist of any kind. You’re a romantic soul in it for the long haul and the creative chase. Familiar with both the trauma of the blank page and the exhilarating light bulb inspirations. Always pursuing that glorious day when your first or next book is finally published. For the moments when someone tells you he or she read your book, was moved by it, enlightened by its observations, chuckled a few times, and ultimately felt sad to see it end.
For all of these reasons and motivations, I like to keep my mind greased and oiled. A scribble on a sticky note. An entry in a journal. A brief blog post. One hour of writing and editing here. Two hours squeezed in there. A kernel of an idea that could only be a poem. A prolonged dive into a piece of fiction that needs nurturing. Three hours of uninterrupted time away from the world to expand and refine story ideas for a book about living in Arizona, which I hope to publish in the next year or so.
When I really tunnel into my writing universe, you’d be hard pressed to capture my attention unless our condo’s on fire, the St. Louis Cardinals are playing a game on TV or there’s a Breaking News item that is actually breaking and truly newsworthy.
Yet there are personal unplanned moments–life itself–outside the normal course of any day that take precedence. Like last Wednesday evening, when our neighbor Rhea called to say she and her husband Dan had made a difficult decision. They realized it was time to put down their beloved Lassie, a senior Sheltie with an indomitable heart and spirit. The dog with a checkered past had finally lost its fight with an inoperable tumor.
I didn’t take long for Tom or me to remember what it felt like to lose a pet, a helpless member of the family. Nearly twelve years ago, on Groundhog Day 2008, we made that same difficult decision when our basset hound Maggie succumbed to a series of seizures. We knew it was her time to go when she wouldn’t eat or lift her head to lick the pancake syrup off a plate on the floor. Just as it was Lassie’s time to cross the Rainbow Bridge on January 15, 2020.
So, on the morning of January 16 … a cloudy day in the Valley of the Sun after my seventeenth of twenty superficial radiotherapy sessions to treat that spot on my left hand which appears to be healing nicely … we stopped everything else in our lives for two minutes to arrive on Rhea’s and Dan’s doorstep, give them a few hugs, a plate of muffins, much-needed encouragement, and a pat or two for their remaining sweet Maltese named Mickey.
We were happy to be there for our neighbors in need. They’re full-time Arizona neighbors … an older couple in our community of snowbird friends … who hosted us for a Christmas Day dinner last month and continually support my literary exploits. More important, they gave years of unconditional love to a forlorn and frightened Lassie after her previous owner had passed away several years ago and left the dog behind.
But true to their caring and considerate natures, Rhea and Dan stepped in and solved that problem. They rescued Lassie, helped ease her pain, lavished her with treats and kisses, adorned her fur with bows, and miraculously rekindled her trusting personality during her last years so that she would eventually approach and greet passersby and enjoy their company.
As you can see, as much as I need to continue to write about writing … and I will from time to time … what started as a story of an author’s quest to manage his time has really become a more meaningful tale about two dog lovers and the positive impact that an animal can have in an otherwise complicated and harsh world.
Here’s to all the courageous and compassionate animal lovers in our world. Especially Rhea and Dan, who gave late-in-life shelter to a Sheltie named Lassie: a loyal and lovable friend they will never forget.
Generations have insisted there is something wrong with lemons: When life gives you lemons, make lemonade. In other words, stop your whining and make the best of a bad situation.
I remember my demonstrative dad, a long-time salesman, declaring this in the 1960s. Perhaps he picked up this phrase from Missouri-born author and salesmanship lecturer Dale Carnegie’s 1948 book How to Stop Worrying and Start Living.
Although, according to Wikipedia, writer Elbert Hubbard originally coined the phrase in 1915 for an obituary he wrote to honor Marshall Pinckney Wilder, an actor who overcame physical disabilities to lead a fruitful life.
Anyway, I know lemons are sour, but what’s so horrible about having a luscious lemon tree outside your front door? Nothing as far as this Midwestern boy can tell. It’s laden with ripe-and-ready fruits every January, cascading a clean citrus scent (think Lemon Pledge furniture polish), whenever I walk past it.
Last Saturday, I snagged eight lemons from our condo complex tree, reached to the top shelf in our kitchen cabinet for our juicer, found a lemonade recipe on line and made fresh lemonade. (By the way, in my previous lives … in Missouri, Illinois or even on my grandfather’s North Carolina From Fertile Ground farm … the climate would have never permitted this.)
Of course, I added more than a gallon of water and a cup and a half of sugar to the lemon juice to neutralize the sour fruit flavor. I poured it all into our retro Kool-Aid-style glass pitcher and found space in our refrigerator to let the liquid contents cool.
Then on Sunday, Tom and I, along with Nick and Aida (my older son and his girlfriend), each enjoyed a tall glass of cold lemonade to celebrate the fruits of our fortunate Valley of the Sun existence.
I love luscious lemons. When life gives you them (on neighborhood trees in January or otherwise), make lemonade.
I stroll past January leaves, what clings to deciduous trees.
I count the crackles and rustles, what whispers to be heard.
I recall the quest of the fallen, what paths they chose to follow.
I know which stories are true, what remains in the autumn of life.
By Mark Johnson, January 5, 2020
Ladies and gentlemen, thank you for flying with me in 2019. We’ve begun our descent into 2020. Please turn off all electronic devices, stow your tray, and return your seat to its upright position. Be sure your seat belt is fastened tightly across your lap, because we may encounter turbulence in the new year.
In case of emergency, oxygen masks will drop down and lighting will illuminate the floor to guide you to the nearest exit. Remember, your seat cushion may be used as a flotation device in the event of a water landing.
As your faithful blogging pilot, I don’t have a clue what the next year or new decade will bring. But as a seasoned sixtyish storytelling survivor, in 2020 I will continue to write about the meaningful, magical and mundane moments. I imagine I will board my dusty desert time machine occasionally if you care to join me. Why? Because this is my blog and that’s what I do.
Before we land (safely, I hope) and deplane in 2020, I have a belated holiday gift waiting for you on Amazon. Until December 31, download a FREE Kindle copy of Tales of a Rollercoaster Operator. It’s my book of twenty-six, up-and-down stories from my Missouri childhood. (If you decide to accept my gift and read it, please consider posting your review on Amazon or Goodreads.)
The final story, A New Year Resolution, fills me with hope and the warm possibilities of life. It’s a tribute to the citizenship of my mother and father, who did the right thing on a frosty St. Louis morning on January 1, 1962. I witnessed it through four-year-old eyes. Almost sixty years later, perhaps it’s also a good reminder that each of us has the power to help another human being in need.
Once again, thank you for visiting markjohnsonstories.com throughout the year. I know you have a choice of website destinations. I greatly appreciate all of my loyal followers, who have chosen to travel with me on life’s journey.
On this marvelous Monday in the Valley of the Sun–basking in the afterglow of a weekend of holiday performances with my gay friends here in Phoenix–I’m struck with this truth-seeking irony. After stepping out of the shadows in my thirties and forties and standing in the light in my fifties and sixties, I’m finally comfortable in my skin. Yet, I find myself being treated for a spot of invasive cancer on my left hand.
Tom escorted me to treatment #4 this morning. Like the first three, it was pain-free. Just the rigmarole of driving back and forth, wearing a protective flak jacket and goggles, and applying Aquaphor ointment and sunscreen religiously. I can handle that.
Escaping the darkness of an inauthentic life was much more complicated. At fifty-one, I remember the fright of auditioning with Windy City Gay Chorus (WCGC) in Chicago. Even back then, Tom encouraged me to sing again, though it had been decades since I’d performed on stage. I needed a fun, affirming and creative outlet away from work and parenting responsibilities.
In March 2010, a giant door swung open before me. I mysteriously and joyfully found myself singing with WCGC. Later that year I went on to perform in my first holiday concert with the renowned gay chorus … one of the founding gay choruses in the United States. At that point, I couldn’t have imagined I would develop lifelong friends there. Men and women I would share the stage with for seven years. Friendships Tom and I have carried with us across the miles to Arizona.
Now a new chapter standing in the light of the western sun. After yesterday, I’ve completed ten consecutive years of holiday performances. Seven as a tenor two in Chicago with Windy City followed by three more with the Phoenix Metropolitan Men’s Chorus (not withstanding a brief blip as a baritone).
Here in Arizona in a new choral community, I’ve befriended another sixty or so men of all ages and backgrounds. Some of them have stood by me (literally) while I recovered from a mild heart attack. For others, I have willingly given hugs and a listening ear as they fight to create whole and meaningful lives no matter whether their families of origin love and accept them or not.
On stage yesterday in my black tuxedo and red bow tie, grateful for the friends and family members who came to see us perform, I gazed out from the top riser into an enthusiastic audience of four hundred or so. Like a Rubik’s cube with all the right answers aligned, the clarity of the last ten years clicked into place.
The Phoenix Women’s Chorus, a talented group we perform with from time to time in Arizona, was singing on the apron of the stage. They repeated this lyrical refrain from “Stand in the Light”, a song written by Stephan Moccio and Lauren Christy (arrangement by Roger Emerson).
To stand in the light and be seen as you are.
This phrase captures the essence of why I sing with a chorus of gay men. Why I need to be a part of this community in an uncertain world sometimes fraught with surprising discrimination. More broadly, why the LGBTQ choral movement continues to matter for those of us who lived in the shadows for too long.
We must continue to step out of the darkness and sing for those less fortunate. With proper protection and plenty of sunscreen, we must all stand in the light and be seen as we are.
Mark Johnson Stories 