On the afternoon of April 23, I wrote and sipped ice tea at Echo, an independent coffee shop in Scottsdale. I sat there, creating characters and spinning scenarios for a piece of fiction.
At some point, I became aware of the sounds in the room: my husband typing on his laptop across the table; the chatter of patrons; the whir of a barista grinding coffee beans; the soaring voice of Ella Fitzgerald cascading down upon us. It was her rousing rendition of I’ll Be Seeing You, an iconic 1940s tune my mother, Helen Johnson, loved. So much so that my sister and I chose to play it at her memorial service in 2013.
The irony of hearing the song on April 23 was that I had been feeling blue all day. I’d spoken with the manager of an independent bookstore a few hours before. She said she hadn’t recently sold any copies of my first book, From Fertile Ground, a three-generation memoir I wrote and published in 2016 about the grief I experienced after my mother’s death. The manager had decided to pull it from the store’s shelves. I could pick up the five remaining paperbacks at my convenience.
From a business standpoint, this isn’t unusual. Books come and go. Bookstores have a limited amount of space. They’re under intense pressure to maximize the revenue possibilities on their shelves and keep their inventory fresh to entice readers. Intellectually, I got that. But, emotionally, I felt something different. Disappointment. Sadness. Grief.
If you’ve lost someone you loved, you know what I mean. The wound of grief heals with time, but is ever present. As a character in the 2010 movie Rabbit Hole explains, grief is like carrying a stone in your pocket. Some days the stone is heavy. Other days the stone is light. But the stone is always with you and over time provides strange comfort. For me, that metaphor rings true.
To take it one step further, imagine if you wrote a book about the stone, as I did. You mustered all the energy and creativity you could to tell the tale of grief. About an adventure-seeking woman from rural North Carolina, who leaves the south and her hard-working parents. The woman finds a new-and-often-tumultuous life in St. Louis, where she builds a successful career, becomes a wife, mother, and grandmother. One day she retires. She decides to devote her time and energy to writing and sending a litany of letters about the lessons she’s learned to those she loves.
Of course, no matter how many books I sell, I am grateful for my writing and the satisfaction it gives me. I will always have my book as a chronicle of Helen’s life, death and legacy. I will always have my memories of writing it. Capturing the universal story of love and loss that permeates every life. Hearing from friends and strangers who enjoy reading it. As a writer, this is what I’ll hold onto even as we live in a society of constant distraction that overemphasizes the latest superhero movie and undervalues the historical perspective, humanity and truth in books all around us.
As Mother’s Day approaches, this is the most meaningful part of the stone metaphor. This is what I choose to carry with me:
I still love you, Helen. There is comfort knowing that I’ll be seeing you and your fading blue eyes in my writing. For as long as I’m in the world, I’ll be seeing you in my grief.
To learn more about From Fertile Ground, listen to my podcast interview on The Authors Show.