There is nothing idyllic about life in November 2020. The best we can do is wash our hands, wear our masks, keep our distances, hug (only metaphorically) and pray for our loved ones, apply regular coats of hand sanitizer, disavow false claims of voter fraud, limit our exposure to anxiety-producing news items, contribute to our favorite charities, and find a way to keep living.
Even in this dark period, I continue to sing with the Phoenix Gay Men’s Chorus. Most of our rehearsals have been conducted via Zoom technology. Recently, we have divided ourselves into small groups of seven or eight for in-person rehearsals on Mondays, Tuesdays or Thursday nights.
I show up on Thankful Thursdays to practice holiday music. It’s a scene from a sci-fi movie. Individually, we check our temperatures at the door, fan out ten or more feet apart across a large room, wear masks and an additional layer of protection behind a face shield. Our artistic director and accompanist (also behind masks and shields) proceed to lead us from afar. The experience is as remote as it sounds, but in 2020, it’s the best we can do.
When rehearsal is through two hours later, we spray our chairs with disinfectant, turn the lights off in the room, walk out the side door into the Phoenix moonlight, return to our cars separately, and drive home.
We are rehearsing one of my favorite songs, Thankful (words and music by Carole Bayer Sager, David Foster, and Richard Page), for our December online performance. It’s a stirring piece I first performed in Chicago as a member of the Windy City Gay Chorus in 2012. It gave me goosebumps then, but the message is more universal and relevant eight years later.
I hope reading these lyrics will bring you a little peace. It’s a mental space I will travel to when I sing this song from behind my mask tonight. Even with all the pain and heartache in our lives, we have to believe we will get through this.
There’s so much to be thankful for.
***
Some days we forget to look around us. Some days we can’t see the joy that surrounds us. So caught up inside ourselves, we take when we should give.
So for tonight we pray for what we know can be. And on this day we hope for what we still can’t see. It’s up to us to be the change and even though we all can still do more, there’s so much to be thankful for.
Look beyond ourselves, there’s so much sorrow. It’s way too late to say, “I’ll cry tomorrow.” Each of us must find our truth; it’s so long overdue.
So for tonight we pray for what we know can be. And on this day we hope for what we still can’t see. It’s up to us to be the change and even though we all can still do more, there’s so much to be thankful for.
Even with our differences, there is a place we’re all connected. Each of us can find each other’s light.
So for tonight we pray for what we know can be. And on this day we hope for what we still can’t see. It’s up to us to be the change and even though we all can still do more, there’s so much to be thankful for.
Yes, we need to find a way to keep living. Our struggles throughout the current chaos may keep us from seeing all the compelling reasons to keep on living. But the nature of life is ever changing, and happiness is not linear; it dips up and down. Take care and stay safe 😀 Aiva
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Yes, we’re all riding on the craziest, most twisted rollercoaster ride ever! Thanks, Aiva.
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So thankful for you and your words!
Hugs,
Carol
On Thu, Nov 12, 2020 at 12:13 PM Mark Johnson Stories wrote:
> Mark Johnson posted: ” There is nothing idyllic about life in November > 2020. The best we can do is wash our hands, wear our masks, keep our > distances, hug (only metaphorically) and pray for our loved ones, apply > regular coats of hand sanitizer, disavow false claims of voter fr” >
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You too, Carol. Our friendships are as important as ever right now!
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Beautiful lyrics. A wonderful post!
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Thank you, Tom!
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I honestly don’t understand how zoom singing works. Isn’t there a delay? It means so much to be able to return to your hobbies even if they are different from before.
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With Zoom, there are four individuals each singing a different part (first tenor, second tenor, baritone, bass) from a central location where the director and accompanist are. Everyone else is just following along at home to learn the music. It’s pretty lame, but better than nothing. The sci-fi in person stuff is marginally better.
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